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Historic Lithographs and Prints

A collection of historical lithographs and prints featuring mythological themes, figures engaged in art, and narrative scenes, showcasing intricate detail and classical styles.

Salmson or Salmon, Louis Adolphe (n.1806 - D.1895-09), the apotheosis of Napoleon I after Ingres (main title), 1866. Churin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.
Salmson or Salmon, Louis Adolphe (n.1806 - D.1895-09), the apotheosis of Napoleon I after Ingres (main title), 1866. Churin on applied China. Petit Palais, Museum of Fine Arts of the City of Paris.
242 assets in this story
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Pencil drawing by Gilles Demarteau showing men pulling on a rope, created between 1742 and 1776.
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Reverse print with the acclaimed head of a philosopher and a donkey head, Friedrich Wilhelm Rossbach (Possible), c. 1838 - 1841 print paper ass, donkey. scholar, philosopher. political caricatures and satires. crowning with laurel
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Chaireddin Barbarossa, Ottoman ruler in Algiers.
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Winter, Julien -Léopold Boilly, after Pierre Prud'hon, 1811 - 1867 print Paris paper. Winter, 'Hyems'; "INVERNO" (RIPE)
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Father Time picks up fleeing people and puts them in a basket, Alexander Ver Huell, 1864 - 1866 print Father Time picks up fleeing people and puts them in the basket on his back. On the left, death drives a scythe on the people. Arnhem paper Father Time, man with wings and scythe
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Etching by Giovanni Domenico Tiepolo depicting Saint Peter Regalatus carried by angels across a river in the 18th century, showing figures, gestures, and religious symbolism.
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Seated half-naked female personification, with genius. .
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Desseins Arabesques a Plusieurs Usages Inventés par J.B. Toro. Designer: Jean Bernard Toro (French, Dijon 1672-1731 Toulon). Dimensions: Plate: 9 5/8 × 12 5/16 in. (24.4 × 31.3 cm)Sheet: 15 3/4 × 11 7/16 in. (40 × 29 cm) irregular edges. Etcher: Charles Nicolas Cochin I (French, Paris 1688-1754 Paris). Publisher: Jacques-Nicolas Le Pas Dubuisson (French, 1663-1733). Date: 1716. Museum: Metropolitan Museum of Art, New York, USA.
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A Great Man on His Hobby Horse. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 19 x 7 1/2 in. (48.3 x 19.1 cm). Date: 1803. Museum: Metropolitan Museum of Art, New York, USA.
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See more varnting, Françoise: FURVICE ENES Roucherfcherèces: 1839/1835
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Portrait of Marie Louise van Austria, Pierre Audouin, After Bourdon, After François -Joseph Bosio, 1801 - 1822 print print maker: Franceafter sculpture by: Francepublisher: Parispublisher: Paris paper etching / engraving historical persons
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William Finden, 1787-1852, British, The Wreath, 1834. Line engraving on thick, slightly textured, cream, wove paper, with cream, chine colle.
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Sitting female personification with Genius, Gustav Eilers, After Wilhelm von Kaulbach, 1844 - 1911 print Berlin paper etching / engraving Abstract Ideas and Concepts (+ abstract concept represented by female figure). book
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Timothy Cole, The Three Ages of Man, 1892 The Three Ages of Man
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Keshond, CA. 1787-1792, Sophia Wilhelmina Evans (Attributed to 1787 - print Oval show (intended for a medallion) With a sitting keyshond, symbol of the Patriots, ca. 1787-1792. With inscription: I rest. Northern Netherlands paper etching dog
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Harp playing wife and three putti, Reinier Vinkeles (I), After Bartholomeus Zijnsenis, 1751 - 1816 print Amsterdam paper etching / engraving Harp. Cupids: 'Amores', 'Amoretti', 'Putti'
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Sophie Charlotte, Princess of Mecklenburg-Strelitz.
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Dog Looking in the Spiegel, Nicolo Schiavonetti, After John Russell, 1797 print A young girl with a dog on her lap, in her left hand an oval mirror in which the dog looks at herself. London paper engraving / etching mirror. dog
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Leda and De Zwaan, 1760 - 1850 print paper etching / engraving Jupiter, in the shape of a swan, and Leda
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Edward Montagu
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Nomination. / N ° 9. (Registered title (letter)) | Compensation (title of all)
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New York.. 1774. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. State seals, seals , New York
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Cherub with lily, by Thomas Stewart Monkhouse. Gift of Mrs G Cook, date unknown.
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Portrait of C. G. von Burgsdorf
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The Drunken SiIenus: Design for the "Tazza Farnese". Artist: Annibale Carracci (Italian, Bologna 1560-1609 Rome). Dimensions: sheet: 10 1/16 x 10 1/16 in. (25.6 x 25.5 cm). Date: 1599-1600.The debauched god Silenus of Greek mythology reclines in the center, already drunk and about to continue imbibing wine from the sack held by a horned satyr and a nude youth, while at either side putti climbing on the ornamental vines of the frame offer grapes to the group. This final, highly finished demonstration drawing is for a standing silver cup or salver (the "Tazza Farnese"), for Annibale's patron Cardinal Odoardo Farnese and is one of the only signed drawings by the artist. The "Tazza Farnese" is no longer extant. A silver plaque (Museo Nazionale, Naples), probably a copy rather than an original piece from the "Tazza" was rediscovered in 1955. It was apparently used for printmaking, and pulls from it were taken from a fairly early date onward. Two other studies by Annibale for this silver pl
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"Do domu wraca odmieniony". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist
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Title leaf of album de Dibujos de Muyo Mayo. Part of travel album with photos and drawings by Manuel Mayo 1876.
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Malibran, Maria Happiness.
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Ludwig XVI., King of France Publisher: Humphrey, Hannahrer: Heideloff, Nicolaus Innocentius Wilhelm Clemens Vanverlaysort: London
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Print made by William Finden, 1787-1852, British, The Fountain, 1830. Etching and line engraving on medium, slightly textured, cream wove paper.
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Writing putto. A putto surrounded by books writes the name Marcus on a writing tablet. On the ground etching, a burin and a passer.
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Corps / Memorable Epoque Meal of 1821. (IT)
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Amazon warrior in helmet helping a wounded colleague holding a bow, with horse standing behind. Copperplate engraving by Francesco Bartolozzi after a design by Giovanni Battista Cipriani from 108 Plates of Antique Gems, 1860. The gems were from the Duke of Marlborough's collection.
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Bliżej Kultury unknown
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Body of Baron Fellner, 1830; Mr. Le Baron Fellner, General Commander and Head / Death camp help for the Fatherland on September 26, 1830; Evégenemens of Belgium drawn on the scene by oculeater witnesses, Brussels, to the lithography of Jobard. The Physical Surplus of Baron Fellner, Adjutant of the Supreme Commander, Lying on Table Under a Sheet, a Laurel Wreath on the Head. Sustain Field During Battle with the Dutch on September 26, 1830.
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Władysław III Warneńczyk (1424 1444) King of Poland and Hungary. A bas relief at the bottom of a silver plate that once belonged to Jan Kazimierz. In: Przedziecki A., Rastawiecki E., Patterns of medieval art and from the Rebirth Age after the end of the 17th century in former Poland , Ser.2, W. 1855 1858 Walter, Henryk (Fl. 1860), Epkowski, Ludwik (1829 1905), Chromolitography: Fajans Maksymilian
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Johann, King of Saxony.
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"Zwischen Himmel und Wasser". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist
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Bust of a Man in Profile to Left. Artist: Jacques Gamelin (French, Carcassonne 1738-1803 Carcassonne). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
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The H. Willebrordus. / After that he had reached the full of virtue, and high old age / twelve months as eighty years, / he has caught up with the sesden of the month of the square / after the heavenly shiny court, and eternal principality.
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Artist meeting / artist names (registered title (letter))
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Cupid presenting the colours before the King. Handcoloured copperplate engraving by William Nelson Gardiner after an illustration by Princess Elizabeth from Thomas Parks Cupid Turned Volunteer, London, 1804.