Historic Processions and Events

Engravings capturing significant historic events and processions. The images depict bustling crowds and dramatic scenes in detailed, period-specific styles.

Leprosy parade on Koppermaandag in Amsterdam, 1604, 1729 print The annual parade of the Gilden on Koppermaanddag (the first Monday after Epiphany) in Amsterdam, 1604. Procession and festivities of the guilds on Dam Square where the lepers are allowed to enter the city and where money was collected for them. In 1604, Koppermaandag was last celebrated in Amsterdam. Amsterdam paper etching / engraving 'blue Monday'. leper's procession Dam. City Hall of Amsterdam (14th century-1652). Waag on Dam Square

Leprosy parade on Koppermaandag in Amsterdam, 1604, 1729 print The annual parade of the Gilden on Koppermaanddag (the first Monday after Epiphany) in Amsterdam, 1604. Procession and festivities of the guilds on Dam Square where the lepers are allowed to enter the city and where money was collected for them. In 1604, Koppermaandag was last celebrated in Amsterdam. Amsterdam paper etching / engraving 'blue Monday'. leper's procession Dam. City Hall of Amsterdam (14th century-1652). Waag on Dam Square

Achterhoede van de stoet van Koning Lodewijk XIV van Frankrijk op de Pont-Neuf; Marche du Roy accompagné de ses gardes (...).The rear of the Royal procession of Louis XIV, king of France at Pont-Neuf in Paris. In the foreground a carriage is quiet and people look at fighting dogs. In the background the River Seine. At the bottom of the margin part of the legend in French and Latin.

L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6 1633 Jacques Callot French. Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Beheading of John of Barneveld, 1619, Reinier Vinkeles, 1777.

Jacques Callot (1592-1635). "The great miseries of war, devastation of a monastery. Sixth number of a series of 18 pieces" (Lieure 1344, Meaume 569). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99599-4 Etching, engraving

Ommegang on the Meirplaats in Antwerp, 1684-1685. Draughtsman: Gonzales van Heylen. Dating: 1684 - 1685. Place: Antwerp. Measurements: h 265 mm × w 405 mm. Museum: Rijksmuseum, Amsterdam.

L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10 1633 Jacques Callot French. L'Estrapade (The Strappado), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 10. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Headerma day with leprons procession in Amsterdam, 1604; Annual ommegang der Gildens and Leeproefen, at Koppermaand in Amsterdam; Catering AO. 1604; Procession Annuelle des Confraires & des Lepreux d'Amsterdam Hors Usage Dés L'Année 1604. The annual procession of the Guilds at Koppermaandag (the first Monday after Driekings) in Amsterdam, 1604. Procession and festivities on the Dam of the Guilds where the Leprozen The city in May and where money was collected for the leprosity. In 1604, Koppermaandag was last celebrated in Amsterdam.

State on horseback with various spectators. At the top right: fol. 352.

Mechelense Maanbrand, 1687, 1687 print Mechelen moon fire. Cartoon on the inhabitants of Mechelen who wrongly believe that the Tower of the Sint-Rombaut is on fire, January 27, 1687. However, it appears to be only the light of the full moon between mists. Night show with the crowd armed with ladders and extinguishing agents on Kerksplein. With the caption of 5 lines ending with the words: Lord forgives their Onooselheydt. Southern Netherlands paper etching fire-fighting Sint-Rombout Cathedral

Reception of Lodewijk XVIII, Anonymous, After Pierre Prud'Hon, 1814 - 1824 print Paris paper etching / engraving historical persons. king Town hall

Jean Pierre Norblin drawing of a provincial delegation for the election of MPs to the Polish parliament, executed in brown pen and brush with wash.

The Wheel, plate fourteen from The Miseries of War Published 1633 France. Inscribed The ever-watchful eye of divine Astraea Justice completely banishes mourning from a region when, holding the sword and scales in her hands, she judges and punishes the inhuman thief who lies in wait for peasants, murders them and toys with them, then becomes himself the plaything of the wheel.. Etching on paper . Jacques Callot

Netherlands, Tollenaar, Dirk Wijbrand, Asch-Karremans New Year's wish 1847, New Year's wish from the Amsterdam ash cart men for the year 1847, verso - stamped, New Year's wish on behalf of the ash cart men (cart man or garbage man) in Amsterdam for the year 1847. View of the Dam in Amsterdam with the Zocher Stock Exchange and the Commandant's House. Among the public the garbage men with their cart. At the bottom a poem in two columns. On behalf of Jan Farjon, the cartman of district no. 19., print, picture, New Year's greeting, prints, pictures, Frederik Muller History plates, height 338 mm, width 225 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1846 - 1847, paper, papier, letterpress printing, wood engraving

Edouard Eckman after Jacques Callot, Piazza Presso alla Porta al Prato, 1621 Piazza Presso alla Porta al Prato

. Print at the top right labeled: fourth part fol. 117.

Festival of freedom in honor of the Swiss of Chateavieux Freedom Festival in honor of the Swiss Chateavieux, April 15, 1792 ". Drawing by Jean-Louis Prieur The Younger (1759-1795).

Watercolor by Johann Nepomuk Höchle showing Emperor Franz I moving into a building in Vienna on June 16, 1814, with figures, carriage, and urban architecture.

Looting of the House of Captain Woestoog during the speaker riot in Amsterdam, 1696, 1779 - 1781 print Looting by a furious crowd of the house of Captain Martinus Waarzoog on the Reguliersgracht during the speaker riot in Amsterdam, January 31, February 1696. Northern Netherlands paper etching plundering ~ riot Regulatory giddom

Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665. Thanksgiving by count Johan Maurits after his salvation after the accident on the bridge of Franeker, 1665, January 6, 1665. The count kneels at the collapsed bridge.

Under a canopy in a square, Princess Charlotte von Brunswick-Wolfenb, print maker: Pieter Schenk (II), (possibly), Adolf van der Laan, (possibly), publisher: Pieter Schenk (II), (mentioned on object), Amsterdam, 1720 - 1727, paper, etching, h 171 mm × w 196 mm

Erepoort established at the place in The Hague, 1691. Erepoort established at the place in The Hague, for the arrival of King Willem III in The Hague, 5 February 1691. On the arc the motto: Soloque Saloque. Numbered top left: 4 and top right: Fo 13.

Looting Oranjeklanten in Delft, 1787, Reinier Vinkeles (I), After Jacobus Buys, 1796 print Orange customers from The Hague plunder houses in a street in Delft, September 19, 1787. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving plundering ~ riot Delft

Dorpskermis, ca. 1610.Large representation of the fair in a village. On the right, a stage is built for a theater performance by a rederal company and a farce is made for the collected audience. The tamboer is on the ladder while the Rederijkersblazon is hung above the scene. With farmers and elegant civilians. Further dancing farmers, a meal for an inn, making music, drinking, playing children and surrender. In the background a competition goose riding or bird cutting. With caption of 4 lines in Latin and Dutch.

The Slave Market. Dated: 1629. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Le Marché d'Esclaves, estampe appelée aussi Les Galériens, Le Petit Paris, La Petite Vue de Paris (The Slave Market, also called The Galley Slaves, The Small Paris, The Small View of Paris) early 17th century Jacques Callot French. Le Marché d'Esclaves, estampe appelée aussi Les Galériens, Le Petit Paris, La Petite Vue de Paris (The Slave Market, also called The Galley Slaves, The Small Paris, The Small View of Paris). Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching; fourth state of six (Lieure). Prints

21st table of the collection of historic engravings of the main events since the opening of the General States (1789-1791). Louis XVI sporting the national cockade at one of the windows of the Grand Hall of the City Hall, July 17, 1789, current 4th arrondissement. French Revolution. (Factitious title)

To offer the keys of the city to Louis Napoleon, 1808, Abraham Vinkeles, 1814 - 1816.

Cheapside Cross (as it apperared in the Year 1547), unknown artist, nineteenth century, after unknown artist, 1809, Engraving, Sheet: 9 3/4 x 11 15/16in. (24.8 x 30.3cm)

Monument consacré a la posterite en memoire de la folie incroyable de la XX. annee du XVIII. siecle Ter Eewiger Gedagtenisse der Dwaasheid van het XX jaar der XVII. Eeuw Monument erected for posterity in memory of the unbelievable madness of the 20th year of the 18th century. 1720. Picart, Bernard, 1673-1733. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Jacques Callot, Solimano, Act II, 1620 Solimano, Act II

Thanksgiving by Count Johan Maurits after the accident on the bridge of Franeker, 1665, Jan de Visscher, after Philips Wouwerman, after Pieter Jansz. Post, 1665 print Thanksgiving by Count Johan Maurits after his salvation after the accident on the bridge of Franeker, 1665, January 6, 1665. De Graaf kneels at the collapsed drawbridge. print maker: Northern Netherlandspublisher: Amsterdam paper etching accident with horse (or kindred animal). collapsing building. bridge. one person praying Franeker

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Remotie te Delft, 1787, verso - stamped, View of the town hall in Delft occupied by patriots demanding replacement of the eleven council members, August 21, 1787. Marked at the top: XVIII.D.Pl.IX., print, prent, prints, prenten, Frederik Muller Historieplaten, height 95 mm, width 61 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1787 - 1795, paper, papier, etching, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

Spectators look at the spirit appearance on the Oude Schans, Hartog Abrahams Swaluw, 1835 - 1839 print Appearance of spirits on the Oudeschans in Amsterdam, in the evening of 8 and 9 October 1833. Along the quay, the spooky white shadows of women move in long robes. In the foreground and on the bridge the collected spectators. The 'spirits' were produced by any students with the help of magic lantern plates. Amsterdam paper materialization, appearance of spirit or ghost. student life Oudeschans

Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6 1633 Jacques Callot French. Dévastation d'un Monastère (Devastation of a Monastery), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 6. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

The large meeting place of the wind sellers, 1720; The large meeting place of the wind sellers of 't year Ao. 1720; The great scene of foolishness. View in the Coffeehouse Quincampoix where traders are concerned with the wind trade. On the sides, smaller scenes of the emergence, fall and exodus of the promotionists and the recovery of the pure negotion. In a caption a verse in four columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

The Fair at Impruneta. Jacques Callot; French, 1592-1635. Date: 1622. Dimensions: 418 × 668 mm. Etching on two sheets of ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Entrance to their majesty Napoleon Premier and Marie-Louise d'Austria, April 2, 1810 Anonymous. Entrance to their majesty Napoleon Premier and Marie-Louise of Austria, April 2, 1810. Water.

Print made by Edward Francis Finden, 1791-1857, British, Liege, 1833. Line engraving on medium, slightly textured, cream wove paper.

Feast of Freedom on Dam Square in Amsterdam, 4 March 1795, Reinier Vinkeles (I), After Jacques Kuyper, 1795 print Feast of Freedom, celebrated at the inauguration of the Freedom Tree on Dam Square in Amsterdam, March 4, 1795. View of Dam Square with a large crowd dancing for the tree of freedom. In the caption the titles in Dutch and French and the three allegorical emblems of freedom, equality and brotherhood that hung on the tree. Amsterdam paper etching dancing around the tree of liberty Dam. City Hall of Amsterdam (1655-1808). New church. Waag on Dam Square

Seat of the couch in a courtyard in Algiers, Jan Luyken, 1684 print Session of the Divan, a council of officers, chaired by the Agha, which is in the highest place, in a courtyard in Algiers. Print at the top right marked: fol: 93. Amsterdam paper etching ruler, sovereign. square, place, circus, etc. Algiers

The processional entry of William III into The Hague through the bridge in the Westend. Etching.

The magnificent entrance made to Celebat Mehemet Effendi Ambassador of the Turks in Paris on the 16th of March 1721. (IT)

View of the ancient church of St. Peter in Rome. In the foreground the square with many walkers.. The print is part of a series depicting various places in the Mediterranean. View of St. Peter's Church S. Petri templum Romae Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 174 mm × w 245 mm

The 'White Hood' rebellion in Ghent : the insurgents are offered terms by Lewis, count of Flanders. Date: 1379

Ice entertainment on a flooded piece of land in The Hague, Iven Besut (attributed to), 1757 print Ice entertainment on a flooded piece of land in The Hague towards the Westland. On the right the Grut or Gortmolen. On the ice skaters and your sleighs, in the middle a cake-and-zopiek stall. Left in the background the contours of Delft, in the middle churches of a few villages in the Westland. Under the show the title and assignment in Dutch and French, with the family crest of Jacob Willem Dallens, Bailiff and Schout van Monster in the middle. Print from a series of eighteen faces in and around The Hague. paper etching / engraving windmill. armorial bearing, heraldry. winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). sledge, sleigh (winter sports). playing with snow and ice The Hague. Westland

The Tavern. Dated: 1761/1762. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Pierre-François Basan after Gabriel Jacques de Saint-Aubin.

Arrival of Leicester in Vlissingen, 1585, 1753 print Arrival of Robert Dudley, count of Leicester, in Vlissingen on December 20, 1585. Reception of the count on the quay for a large crowd. Northern Netherlands paper etching Flushing

Skating competition for women in Leeuwarden, 1805, Jan Anthonie Langendijk Dzn (Possible), After Jacob Ernst Marcus, After Aldert Jacob van der Poort, 1805 - 1807 print Skating competition for women on an ice rink on the Stadsgracht in Leeuwarden, 1-2 February 1805. With many spectators on the ice and on the bank. Amsterdam paper etching skates (winter sports) (+ the contest (sports, games, etc.)). windmill Leeuwarden

View of Huis Cranesteyn, Pieter Hendricksz. Schut, c. 1662 print View of the Cranesteyn house, a homestead just southeast of the village center of Oostkapelle. In the foreground, a man and woman are greeted on horseback by a well -to -do pair. The man takes off his hat. The print is part of an album. paper etching city-view, and landscape with man-made constructions. riding a horse, ass, or mule; rider, horseman. country-house. the rich Oostkapelle. House Cranesteyn

Netherlands, Tollenaar, Dirk Wijbrand, January 1860, The Ash Cart Man to Amstel Residents, New Year's greeting from the Amsterdam ash cart men for the year 1860, verso - stamped, New Year's greeting from the ash cart men (cart man or garbage man) in Amsterdam for the year 1860. View of the Dam in Amsterdam with the Zocher Stock Exchange and the Commandant's House. The garbage men with their cart among the public. At the bottom a poem in two columns. On behalf of AF Reetra, the cartman of district no. 21., print, picture, New Year's greeting, prints, pictures, Frederik Muller Historieplaten, height 342 mm, width 212 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1859 - 1860, paper, papier, letterpress printing, wood engraving

Despite the many assassination attempts, Louis-Philippe is popular with the majority of French people, who throng the Tuileries gardens to felicit- -ate him on his birthday. Date: 1846

Arrival of Maria de 'Medici in Leiden, 1639 Maria de 'Medici arrives in a carriage in Leiden and is greeted by a dignitaries. All kinds of people watch from the side and the windows of the houses. Three boats on the channel. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching Leiden Maria de 'Medici arrives in a carriage in Leiden and is greeted by a dignitaries. All kinds of people watch from the side and the windows of the houses. Three boats on the channel. The print is part of a book about Maria de 'Medici to the Netherlands. London paper etching Leiden

Bird flight face on the stock exchange by Hendrik de Keyser in Amsterdam, before 1668; The Burse der Stadt Amsteldam has begun indemen Jaere 1608 and the full-banded Anno 1611 / Bursa Urbis Amstelodamensis Aedificari Caepit anno 1608 et Perfecta fuit anno 1611 / La Bourse. Bird flight face on the stock exchange of Hendrik de Keyser in Amsterdam, for the renovation of 1668. In and around the building many figures. At the bottom left the coat of arms of the city surrounded by two putti with a caduceus, a cornucopia where valuables from flow and a money grant. Numbered at the bottom right: 3.

Entry from Prince Willem Frederik in Amsterdam, 1813; Willem den I. Souverein der Nederlanden. Entry from Prince Willem Frederik As a Souverein Vorst in Amsterdam on December 2, 1813. The procession with the driving back with the prince drives through the Haarlemmerpoort the city. Along the side of the road cheering spectators. Under the title a two-time fresh.

Fargue, Paulus Constantijn la, Amsterdam, Fokke, Simon, Funeral procession of Princess Anna of Hanover in Delft, Court servants in the funeral procession of Anna of Hanover in Delft, 1759, verso - stamped, Court servants on foot in the funeral procession of Anna of Hanover, Princess of Orange-Nassau, in Delft. The figures in the procession are numbered and described in more detail below the representation., print, prent, prints, prenten, height 190 mm, width 395 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, prentmaker, 1759 - 1761, paper, papier, etching, etchings, Nederlands, 1729-01-05 - 1782-06-11, intermediary draughtsman

Trevifontein te Rome; View of the vast trevi fountain formerly called the Virgin Water; Gezichten op Rome; Views of Rome designed and engraved by Giambattista Piranesi Architect Ve (Nez) iano. Gezicht op de trevifontein te Rome. Titel in OnDermarge.

Heinrich Joseph Schutz, active 1798, Entrance from Hackney or Cambridge Heath Turnpike with a Distant iew of St. Paul's, 1798. Aquatint, hand-colored.

Rebellion of the cheese and bread to Haarlem, 1492; Anger of 't Kaas- and Broods-People, in Haarlem, in years 1492. Uprising of the cheese and breadling in Haarlem, 1492. Riots by farmers on the Grote Markt, the town hall is looted. On the right, Baljuw Claes van Ruyven is murdered.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from the Villa of Pratolino near Florence. The big perron. Third issue of a series of 6 rooms. (A. de Vesme 840; Dutuit 178) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Kaiser-Ebersdorf, Ratz, Producer, After, Salomon Kleiner -, Engraver

Hault Dais or Royal Throsne. (IT)

Arrival of oracles in Delphi; Aath of oracles to Delphis. Arrival of oracles in Delphi. With numbers at elements in the show that refer to the accompanying text.

Parisian Week (IT)

French Revolution: The execution of Louis XVI, Place de la Revolution, Current Place de la Concorde, current 8th arrondissement, January 21, 1793. (Title)

Depicts the pageant for the departure of Infanta Katharina of Portugal in Lisbon on April 20, 1662, created as an etching on paper by Dirck Stoop, showing figures, architecture, and ceremonial elements.

Reception of S.M Louis XVIII, / At the hotel of Paris, by the municipal body on 29 August 1814. (IT)

Drawing by Jacob Cats depicting a nocturnal road scene with a group of women wearing a shining star, executed in brush and gray wash over black chalk.

Archduke Ferdinand in the flooded Jägerzeile on March , Carl Rahl -, Steel Engraver, after, Eduard Gurk -, drawer

Stefano Della Bella, The Great Stair Case, probably 1653 The Great Stair-Case

Super and magnificent entrance of Marie Anne Infante victory from Spain, in Paris on March 1722. (IT)

Joy in the election of William IV to Stadholder of Holland, 1747, 1756 - 1758 print Joy on the street in the election of Prince William IV as Stadholder of Holland, April 20, 1747. The prince drives a car through an honorary arched, welcomed by the public. Marked at the top right: bl. 158. Northern Netherlands paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'

The unveiling of the melanche monument in Wittenberg, Scenes for the unveiling of the melanchton monument in Wittenberg, Eduard Hallberger -, Xylographer, after, Ludwig Löffler -, artist

The bombing of the capital Vienna on October , Heinrich Gerhart, Lithograph

Jacques Callot (1592-1635). "L'I impruneta" (Lieure 361, Meaume 624). Etching. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-9 Etching, engraving

Departure from Karel II from Scheveningen to England, 1660; Uyttocht from Syne Majesteyt from Groot-Britanje; from the Hollandsche Coast in Schevingen Nae England. on June 2, 1660; The Departure of Charles Stuward The Kinge of England, Scotland, France and Yrland, from the Hollands Coast at Scheveling for England. The 2 of June Anno 1660; Exodus from Syne Majesteyt van Groot-Britannie and Syn Koninklyke Broeders the dukes of Jork and Glocester (...) 1660. The departure of the English king Charles II from Scheveningen to England, 2 June 1660. Face from the dunes on the beach where A crowd of spectators looks to say goodbye to the king on the hunt that will bring him to his ship. In the caption De Legendas 1-12 in English and Dutch. The state with the portrait of Karel II.

Looting of Lucas van Steveninck's house, 1787, Mathias de Sallieth, after Jan Arends, 1787 print Oranjegezinden plunder the broken house Leeuwenburg of the Patriotic doctor Lucas van Steveninck, July 1, 1787, in Middelburg. print maker: Rotterdamafter drawing by: Middelburg paper etching / engraving plundering ~ riot Huis Leeuwenburg

Inauguration of Christina, Queen of Sweden in Stockholm, 1650, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Print, Scenes of Parisian Life; France; engraving on paper; 40.1 × 11.5 cm (15 13/16 × 4 1/2 in.)

The Lottery in Piazza di Montecitorio. Artist: Giovanni Paolo Panini (Italian, Piacenza 1691-1765 Rome). Dimensions: 13 3/8 x 21 7/16in. (34 x 54.5cm). Date: 1743-1744.This large view is a highly finished preparatory sketch for a painting in the National Gallery, London (inv. NG6605), representing the drawing of the Roman lottery on the balcony of the Palazzo di Montecitorio (see here 'references': Draper 1969), as attested by a contemporary annotation in the lower margin of the sheet . The painting is said to have been commissioned by Cardinal Domenico Orsini (1719-1789; created September 9, 1743), and the annotation itself cannot predate October 1749, when Panini was granted the title Cavaliere dello Sperone d'oro. The view is very accurate, although Panini has taken certain liberties in showing, on the right, the whole Column of Marcus Aurelius, which in fact at the time was obscured by buildings separating the Piazza Colonna from the Piazza di Montecitorio. At the right is the bas

Arrival of the Prince of Orange in The Hague, 1813, Anonymous, 1813 - 1814 print Arrival of the carriage with the Prince of Orange in The Hague on November 30, 1813. De Koets with the Prince driving on the street in the direction of an honorary arch decorated with orange tones, the weapon of The Hague and the inscription 'Vivat Willem'. Under the arc view of troops set up on either side of the street and a drawbridge. Along the streets cheering people. Netherlands paper etching public festivities at other royal events, not meant or mentioned above (+ festive decoration ~ festive activities). triumphal arch The Hague

Free World Trade presented as a market square; Un Marché Sous La République Universelle Democraqtique et social. The utopia of free world trade proposed as a market square where people from all over the world. Can be seen, among other things, traders in books, fabrics, prints, musical instruments, art and paintings. On the square stand statues with the personnifications of the four continents, each with the motto 'Liberté Égalité Fraternité' on the base. On the left a building with 'Banque du Peuple' facade. Sailing ships in the background. With four-line poem by Pierre-Jean de Béranger under the image.

Men and women dancing around the tree of liberty placed in front of the town hall on the Grote Markt in Delft, 4 February 1795. Military personnel on horseback are lined up around the square. In the background the Nieuwe Kerk. See also the pendant, Planting the tree of liberty in Delft, 1795 Depiction of the Joy Companies, at the Planting of the Tree of Liberty within Delft, on the 4th of February 1795., print maker: Johannes Jelgerhuis, (mentioned on object), Johannes Jelgerhuis, (mentioned on object), burgerij van Delft, (mentioned on object), Northern Netherlands, 1795, paper, etching, engraving, h 334 mm × w 415 mm

The Carriere of Nancy, 1626, Jacques Callot, French, 1592-1635, 6 3/8 x 20 in. (16.19 x 50.8 cm) (plate)6 13/16 x 20 1/4 in. (17.3 x 51.44 cm) (sheet), Etching, France, 17th century, The carriere is described as the 'new street' where public festivals were staged; it was situated in close proximity to the Ducal Palace. As inscribed in the banderole (scroll) at the top of the composition, it is indicated that it was the site where jousting, tournaments, and other forms of recreation took place. The present theme may well be the pre-Lental carnival. Callot depicts in the foreground, from left to right: acrobats balancing on a horse tethered on a cart; a charlatan 'devil' impersonator on stilts throwing coins from his right hand and dangling, different pawned objects at the end of a cord; held in his left hand; actors from the Italian comedy troupe; two men fencing; a rearing horse; a troop of cavaliers followed by a chariot bearing a blind-folded cupid, drawn by two centaurs. In the midd

The March to Finchley. 1750. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Hague, Lier, Gebroeders van, Netherlands, Solemn Procession of His:M: the King of the Netherlands to the opening of the session of the States-General, on 21 October 1839, Departure of the carriage with King William I and his two sons with escort from Noordeinde Palace for the opening of the session of the States General in The Hague, 21 October 1839., print, prent, prints, enten, Frederik Muller Historieplaten, height 550 mm, width 715 mm, print maker, prentmaker, 1839 - 1839, chine collé, lithography (technique), Dutch, printer, drukker

. Ray of the Princess of Orange and the children by the Burgerij in The Hague, September 24, 1787. The open carriage with the royal family is pulled by men a women over the road to the Bosch Bridge. With pendant.

Jacques Callot, The Fair at Impruneta, 1620 The Fair at Impruneta

Speculum Romanae Magnificentiae: Papal Benediction 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients com

Netherlands, Beheading of eighteen nobles, including the two Van Batenburg brothers, 1568, The beheading of eighteen nobles, on a scaffold at the Paardenmarkt in Brussels, 1 June 1568. The executioner is about to behead the condemned man. Printed on the back with text in French., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 104 mm, width 129 mm, print maker, printmaker, 1618 - 1620, first quarter 17th century, paper, etching, etchings

Anjou takes the oath to the city of Antwerp, 1582, 1582 - c. 1585 print Festive entry of Anjou in Antwerp, 22 February 1582. On a stage in front of the town hall, the duke takes the oath to the city of Antwerp. On the square a floats with allegorical figures. With caption of 10 lines in German and 2 lines in French. Nummered in the bottom left: 178. The print is part of an album. Cologne paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. New RURUL TOCK THE OATH Antwerp

1692 etching by Romeyn de Hooghe depicting the reception of the king in The Hague at the Bridge of the West End, highlighting ceremonial details and public gathering in the city.

Test op de Liebfrauenberg, Te Frankfurt am Main, Georg Daniel Heumann (Possibly), after Salomon Kleiner, 1738 print View of the Liebfrauenberg, in Frankfurt am Main. A number of horse sleds drive around the square. Numbered at the top right: 5. paper engraving / etching market. horse-sleigh Frankfurt am Main

Italy, Bassano del Grappa, Remondini, family, Prospectiva de la Plaça de Monte Cavallo a Roma, View of the Piazza del Quirinale in Rome, In the middle the Fontana di Monte Cavallo. On the right Palazzo del Quirinale. Numbered lower left: B 4., print, prent, opticaprent, prints, prenten, opticaprenten, height 325 mm, width 419 mm, Publication (Event), Publicatie, Italian, publisher, uitgever, 1700 - 1799, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, schilder, print maker, prentmaker

Middelburg, Arends, Jan, Rotterdam, Sallieth, Mathias de, Accurate Illustration of the Plundering of the House called Leeuwenburg inhabited by Doctor Lucas van Steveninck AZ on Sunday morning 1 July 1787 in Middelburg in Zeeland, Plundering of the house of Lucas van Steveninck, 1787, verso - stamped, Orange supporters plunder the shot-up House Leeuwenburg of the patriotic doctor Lucas van Steveninck, 1 July 1787, in Middelburg., print, prints, height 396 mm, width 421 mm, Czech, Northern Netherlands, 1749 - 1791-11-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process), 1738 - 1805-04-22, intermediate draftsman

May allegory from a series of 12 months; Collaert, Adriaen (CA 1560-1618), Momper, Josse de (1564-1635; young); 1586 PO (1586-00-00-1611-00-00);Seweryn (1850-1920) - collection, Smolikowski, gift (provenance), months (allegory), personifications (iconogr.)

The beheading of Johan van Oldenbarnevelt, 1619, Anonymous, After Claes Jansz. Visscher (II), 1705 - 1707 print The beheading of Johan van Oldenbarnevelt on the Binnenhof in The Hague on 13 May 1619. View on the square with all surrounding buildings and the collected public. In the tower at the top left the court of Prince Maurits. In the performance three banderollen with statements by Van Oldenbarnevelt and Prince Maurits. paper etching violent death by beheading. death penalty, execution Courtyard

Pillory, Charing Cross, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolor on paper, Pillory with two men in it, center of the square, on a platform. A large motley crowd. Equestrian statue, right. Title, artists', and publisher's names below., Europe, London, England, 1809, Print, Print

Racing: Preparing to Start, William Mason, 1724-1797, British, 1796, Mezzotint, Sheet: 9 7/8 x 13 7/8in. (25.1 x 35.2cm)

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