Historic Public Celebrations

Engravings capturing lively regattas and public festivities in historic European cities, showcasing costumes and architectural backdrops.

Celebration of the proclamation of the Alliance with France at the Grote Markt in Haarlem, 1795, Vincent Jansz. van der Vinne, 1795, Illumination and celebration at the Grote Markt in Haarlem at the proclamation of the Alliance with France, 10 June 1795, draughtsman: Vincent Jansz. van der Vinne, Haarlem, 1795, paper, pen, brush, h 272 mm × w 352 mm

Regatta at CA 'foscari; Marieschi, Michele (1710-1744); 1741-1742 (1st edition) (1741-00-00-1742-00-00);Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920)-collection, Venice (Italy), Italy (state), gift (provenance), regatta, ceremonies, weduty

The Coulis Decor the Italian street with scene from: The Changed Lawyer. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Regaty przy Ca' Foscari. Marieschi, Michele (1710-1744), graphic artist

The career of rue Neuve in Nancy, Jacques Callot, 1622 - 1635 print View of a square in Nancy (Place de la Carrière or Rue Neuve) for the Ducal Palace, lined with houses. All kinds of festivities and performances take place on this square, probably on the occasion of carnival. You can see acrobats, floats and a joust. Above the performance the coat of arms of the Duke of Lorraine, worn by two eagles, surrounded by a banderol with French text. paper etching village square, place. palace. public festivities. joust, tilt, with barrier. acrobat ~ circus. armorial bearing, heraldry. predatory birds: eagle Nancy

Autre Veüe de la Cour de Fontaines et la Galerie d'Ulisse à Fontaine-bleau. Artist: Adam Perelle (French, Paris 1640-1695 Paris). Publisher: Published by Nicolas Langlois (French, Paris 1640-1703) , Paris. Date: 1680s. Museum: Metropolitan Museum of Art, New York, USA.

January; Ianuarius; The twelve months, with village scenes. Landscape with skating drivers and horses drawn sledges on the ice at the court in The Hague, representing the month of January. At the top of the constellations belonging to this month: Aquarius. First print from a series of twelve.

View of the Great Laan at the Tuileries, Adam Perelle, 1660 - 1695 print Print is part of an album. publisher: ParisFrance paper etching palace. French or architectonic garden; formal garden Tuileries

Gilles van Berlaymont, baron van Hierges, wordt te Amsterdam ingehaald, 1574.Night scene in which Gilles of Berlaymont, Baron of Heges, is received in Amsterdam, 1574. In the foreground representatives of the city, in the background soldiers with burning torches. Design for a print.

Celebration of the proclamation of the Alliance with France at the Grote Markt in Haarlem, 1795, Vincent Jansz. van der Vinne, 1795, Illumination and celebration at the Grote Markt in Haarlem at the proclamation of the Alliance with France, 10 June 1795, draughtsman: Vincent Jansz. van der Vinne, Haarlem, 1795, paper, pen, brush, h 272 mm × w 352 mm

Demonstration of the hose fire sprayers at the Town Hall on Dam Square, ca. 1700, 1690 - 1710 print Demonstration of the hose fire sprayers at the town hall on Dam Square, around 1700. A jet of water is sprayed on Dam Square from the facade. In the air at the front and downside of a leading medal and a leaf with a pump. A second plate is printed against the underside of the plate on which the title and 4 lines of text are. Belongs to the incentives at the fire spray book by Jan van der Heyden. Northern Netherlands paper etching / engraving fire-extinguishing equipment Dam. City Hall of Amsterdam (1655-1808). New church. Waag on Dam Square

Arrival of the Amsterdammers in Utrecht, 1787, Daniël Kerkhoff, 1787, View of Utrecht with the arrival of barges with the 600 armed Amsterdam citizens, 17 July 1787. Pendant of the drawing with the departure from Amsterdam. Design for a print., draughtsman: Daniël Kerkhoff, (mentioned on object), Northern Netherlands, 1787, paper, pen, brush, h 150 mm × w 210 mm

Venice's own design, Marieschi, Michele, Venice, Magnificentiores selectioresque urbis Venetiarum prospectus, Views of Venice, Foscarorum aedes ad levam, et e conspectu altera Balborum ambo praeter canalem, Ca' Foscari and Palazzo Balbi in Venice, View of the Grand Canal in Venice with Ca' Foscari and the Palazzo Balbi. Various gondolas and festive vessels sail on the water., print, prints, height 313 mm, width 470 mm, height 18 mm, width 467 mm, 1696 - 1743, print maker, 1741 - 1741, paper, etching, engraving, engraving (printing process), Work conception, after own design of

Barriers of Elisées / Premier May Champs given to the city of Paris by the assembly N ... (IT)

Louth, Lincolnshire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

View of the Schreierstoren Amsterdam The Netherlands, Caspar Jacobsz. Philips, Pierre Fouquet, 1769

High Street, Edinburgh, Henry Le Keux, 1787-1868, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Line engraving on moderately thick, smooth, cream, wove paper, with beige, chine colle, Sheet: 10 9/16 × 14 7/8 inches (26.8 × 37.8 cm), Chine collé: 9 3/8 × 12 3/4 inches (23.8 × 32.4 cm), and Image: 6 9/16 × 9 11/16 inches (16.7 × 24.6 cm)

Louth, Lincolnshire, William Radclyffe, 1780-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1829, Line engraving and etching, 3rd state on moderately thick, smooth, cream, wove paper, Sheet: 10 5/8 × 14 9/16 inches (27 × 37 cm), Plate: 9 1/2 × 12 inches (24.1 × 30.5 cm), and Image: 6 9/16 × 9 1/2 inches (16.7 × 24.1 cm)

View of the Champ-de-March, May 21 (IT)

Robert Bremmel Schnebbelie, active 1803-1849, Westminster, during Queen Caroline's Trial, undated. Watercolor with pen and black ink on thick, slightly textured, cream wove paper.

Corpse of Princess Anna, 1759, plate 6; Slates of Princess Anna van Hannover in Delft; Lycstation of Hair Royal Highness Anna, Crown-Princesse of England, Customs of Willem Carel Hendrik Frisso, Prince of Orange. Held on Vrydag on 23 February 1759, by set in Delft.members or Stadholder Court. Part of a Series of 16 Plates Plus a Printed Description of the Corpse of the Princess Anna of Hanover in Delft on 23 February 1759. Numbered at the bottom right: 6.

William Radclyffe, 1780-1855, British, St. Julian's, Tours, 1833. Line engraving, engraver's proof.

Thomas Rowlandson, 1756-1827, British, Fox-hunting set of four: 4. Return from the Chase. / Scene at Eaton, 1801. Aquatint, hand-colored including borders.

The Ceremony of Opening London Bridge with the Old London Bridge in the Background, Thomas Allom, 1804-1872, British, after Thomas Allom, 1804-1872, British, 1831, Lithograph, Sheet: 8 1/8 x 12 11/16in. (20.6 x 32.2cm)

Activities at a Haven, Jean Daullé, After Claude Joseph Vernet, 1760 print Paris paper etching / engraving harbour. swimming (movement in water). fisherman

The funeral of the late King William II, at Delft on April 4, 1849. The funeral procession with the hearse arriving in front of the Nieuwe Kerk in Delft, The Groote Markt in Delft, on 4 April 1849 , print maker: Carel Christiaan Antony Last, (mentioned on object), printer: P. Blommers (Steendrukkerij van), (mentioned on object), print maker: Netherlands, printer: The Hague, 1849, paper, h 221 mm × w 292 mm

Attack on Nantes, by De Vendeers, on the 29th of Wiedemaand 1793, Reinier Vinkeles (I), after Jacques François Joseph Swebach, 1793 - 1795 print Amsterdam paper etching / engraving breaking into city or fortress ~ siege Nantes

Elephant and Castle, Newington, Robert William Smart, British, active 19th c., George Hunt, British, active 1824 - 1831, George Hunt, British, active 1824 - 1831, Samuel John Egbert Jones, British, active 1820 - 1855, Etching and engraving, brush and watercolor on stiff paper, Busy London street corner, seen from opposite the Elephant and Castle Tavern. In the foreground, right, people eating oysters from a wooden tub on the sidewalk. One man holds a sauce bottle. Artists' and publisher's names, title, and date below., London, England, Paris, France, 1826, Print, Print

Popular Celebrations in Dam Square, Amsterdam, on 4 March 1795, marking the erection of the Liberty Tree and the success of the Batavian Revolution. Artist: Daniël Johannes Torman Kerkhoff (Dutch, Amsterdam 1766-1831 Amsterdam). Dimensions: sheet: 15 7/16 x 21 3/4 in. (39.2 x 55.2 cm). Date: 1795 or after. Museum: Metropolitan Museum of Art, New York, USA.

Port St Bernard Made 1783 France. Gouache views of Paris were very popular in the 1780s, and color prints emulating them became highly marketable. This rare proof is one of the most expensive of such views offered at the height of the market, in 1784.. Color aquatint with etching and engraving in black ink on cream laid paper . Charles Melchior Descourtis

. Disturbances such as the deputies of Dordrecht, the Gentlemen Gevaerts and the Hostage, with their carriage by the Stadhouderpoort the Binnenhof on the Binnenhof and their horses at the TOOM are grabbed by the Hague wig maker F. Mourand, March 17, 1786. In the caption a vigetje and The titles in Dutch and French.

Anecdote of King Louis XVI, Place Louis XV. The king gives a room to a sweeping child. October 1789. Current Place de la Concorde, 8th arrondissement. Extract from the Paris Revolutions Journal. (Factitious title)

Print (France)

Print (France)

Inheritance of Leopold II on April , The train over the ditch to St, Stephan, Johann Hieronymus Delete Kohl -, publishing house

Widok Canal Grande na wysokości San Geremia, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

William Radclyffe, 1780-1855, British, Marche aux Fleurs and Pont-au-Change, 1835. Line engraving, engraver's proof, (early).

The Quincampois Street taken in the eighteenth century.

View of the City with the Louvre, etc., taken from Pont Marie, from A Selection of Twenty of the Most Picturesque Views in Paris. Thomas Girtin; English, 1775-1802. Date: 1802. Dimensions: 185 x 474 mm (image/plate); 223 x 520 mm (sheet). Soft ground etching, with aquatint, printed in black and gray inks, on cream wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, FLORENCIA, USA.

View of the national garden and decorations / day of the holiday celebrated in honor of the Supreme Being the Decadi 20 Prairial the year 2nd of the French Republic. (IT)

Trouw Zweren at the Stadholder in Veere, 1787, Mathias de Sallieth, after Jacob Schwartzenbach, 1789 print On the stairs of the town hall, the city council and the bourgeoisie swear faithfully to the Stadholder Willem V and to the Oude Constitution, July 2, 1787. print maker: Rotterdamafter drawing by: VeereVeerepublisher: Veere paper etching / engraving swearing an oath (with two fingers raised). new ruler taking the oath Veere

Fontein on a square in Rome, Anonymous, Pieter Schenk (I), 1705 print Numbered in the bottom right: 27. Amsterdam paper etching / engraving ornamental fountain Rome

Fargue, Paulus Constantijn la, Amsterdam, Fokke, Simon, Funeral procession of Princess Anna of Hanover in Delft, Members of the States General and court servants in the funeral procession of Anna of Hanover in Delft, 1759, verso - stamped, Members of the States General and court servants on foot in the funeral procession of Anna of Hanover, Princess of Orange-Nassau, in Delft. The figures in the procession are numbered and described in more detail below the representation., print, prent, prints, prenten, height 190 mm, width 394 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1759 - 1761, paper, papier, etching, etchings, Nederlands, 1729-01-05 - 1782-06-11, intermediary draughtsman

Doctor Syntax at Liverpool, from The Tour of Doctor Syntax. Thomas Rowlandson (English, 1756-1827); published by Rudolph Ackermann (English, 1764-1834). Date: 1808-1813. Dimensions: 105 × 190 mm (image); 150 × 250 mm (plate); 290 × 360 mm (sheet). Hand-colored etching and acquaint on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, USA.

Assembly of the field of May / held in Paris in 1815. (IT)

Review in the Courtyard of the Tuileries in Honor of the Prince of Orange,

Coronation of Napoleon 1804 , aquatint

Flower market March, print maker: Victor Adam, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Giraldon-Bovinet & Cie., (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: London, 1829, paper, h 274 mm × w 362 mm

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), Strasbourg station in 1870 (dummy title), 1870. Lead mine, Aquarelle Rehaut. Carnavalet museum, history of Paris.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Skating Competition for Woman in Leeuwarden, 1805. View of the ice rink on the city canal in Leeuwarden, on which a competition is driven between two female skaters, gaming beaten by a large crowd of spectators.

Jacobins Club. / year 2 of the Republic

Netherlands, Tollenaar, Dirk Wijbrand, January 1853, The Ash Cart Man to Amstel Residents, New Year's greeting from the Amsterdam ash cart men for the year 1853, verso - stamped, New Year's greeting from the ash cart men (cart man or garbage man) in Amsterdam for the year 1853. View of the Dam in Amsterdam with the Zocher Stock Exchange and the Commandant's House. The garbage men with their cart among the public. At the bottom a poem in two columns. On behalf of P. Willemse, the cartman of district no. 19., print, picture, New Year's greeting, prints, pictures, Frederik Muller History plates, height 341 mm, width 215 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1852 - 1853, paper, letterpress printing, wood engraving

INAUGURATION OF THE STATUE OF THE LATE EARL OF BELFAST, AT BELFAST

Fantasy on the Villa Medici with Fountains, c. 1768, pen and black ink with gray wash on laid paper, sheet: 17.9 x 24.7 cm (7 1/16 x 9 3/4 in.), Pierre Lelu (artist) French, 1741 - 1810

GOBIERNO PROVISIONAL. ESPAÑA 1869. " CEREMONIA DE PROMULGACION DE LA CONSTITUCION DE 1869 EN LA FACHADA DELCONGRESO ". GRABADO DE L ¿ILLUSTRATION.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Gezicht van't Koningsplein naar de Reguliers of Munts-Tooren, Te Amsterdam. Dated: 1760. Dimensions: sheet (trimmed within plate mark): 31.1 x 38.4 cm (12 1/4 x 15 1/8 in.). Medium: engraving and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Paulus van Liender after Jan de Beyer.

Arrival in Trieste, Italy, of Archduchess Maria Clementina of Austria, 6 June 1797, engraving by G. Pollencig

The decoration of the second elevator from the Paris Opera, the cloth dealer from Skribe costume picture No, to the theater newspaper, Andreas Geiger -, Copper Engraver

Giovanni Battista Brustolon after Canaletto (Italian, 1712 - 1796), The Doge Attends the Giovedi Grasso Festival in the Piazzetta, 1763-1766, etching and engraving on laid paper

. Face from the water of the Damrak on Dam Square in Amsterdam with the Royal Palace and the Waag decorated with banners in the proclamation of William IV as a cityholder, on 2 May 1747. At the top of an orange branch and two medallions of the cityholder's insertion.

View of the fountain of the Giardino Montalto at the Thermen of Diocletian in Rome, Paquier, 1700 - 1799 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. garden ornaments. garden fountain. ornamental plants. watering-place, spa Thermen from Diocletianus

Canaletto (Italian, 1697 - 1768), Pra della Valle, c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697-1768), Pra della Valle, c. 1735-1746, etching

Cat music in the Salvatorgasse at the Liguorians on April , Eduard Ritter -, Lithographer, Bayer, Lithograph

Medallion No. 104 of Planche No. 7 of the historic gallery or historical paintings of the French Revolution (1795-1799). Days of May 31, June 1 and 2 1793. (TF)

January 1618 Jan van de Velde II. January 781783

Execution of Robespierre and his accomplices, 1794. Artist: Unknown

Matthew Dubourg, active 1786-1838, British, The Queen Returning from the House of Lords, 1821. Aquatint, hand-colored.

Rotterdam, Haasbroek, Gijsbertus, Northern Netherlands, Mare, Pieter de, Image, of the Fire, which occurred in Rotterdam, on 11 March 1779. van den Maas Zijde to see, Fire in the Pottebakkerssteeg in Rotterdam, 1779, verso - stamped, Major fire in several houses in the Pottebakkerssteeg in Rotterdam, 11 March 1779. Large crowd on the street, attempts are made to extinguish the fire with fire engines. In the caption: Dedicated to Noblemen., print, prints, Frederik Muller Historical plates, height 360 mm, width 466 mm, 1758-01-30 - 1796-06, print maker, printmaker, 1779 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), 1752-10-10 - 1805-09-25, intermediary draughtsman

Market Place at Cambridge November 15, 1801 Thomas Rowlandson. Market Place at Cambridge. Thomas Rowlandson (British, London 1757-1827 London). November 15, 1801. Hand-colored etching. Prints

Very high, very / illustrious / very big, / singularly noble / from / mirabeau barrel (IT)

Winters village view, Andrew Lawrence, After David Teniers, 1718 - 1747 print print maker: Francepublisher: Parispublisher: Paris paper engraving / etching winter ~ human activities (the four seasons of the year). village

Lofthen guide the corpse of Anna van Hannover in the field in Delft, 1759; Slates of Princess Anna van Hanover in Delft.The hearse with the coffin. Part of a series of 16 plates in ince printing of the corpse of the Princess Anna van Hannover in Delft on 23 February 1759.

The Palais Royal Garden Walk 1787 France. Color aquatint with etching and engraving in black ink on cream laid paper . Louis Lecoeur

Eersteesteenlegging for the 1813 monument in The Hague, 1863, 1863 print Ceremony on November 17, 1863 of laying the foundation stone by King William III for the monument in memory of the independence and the foundation of the Kingdom of the Netherlands in 1813, in the Willemspark (now Plein 1813) in The Hague. View of the structure with the stands for the guests. Leaf printed on the back with text. Netherlands paper ceremonial laying of the foundations, laying the first stone The Hague. Plein 1813. National monument

Gezicht op het pool of Apollo in Het Grand Canal in Tuin Van Versailles; OPTICAL VIEW REPRESENTING THE GREAT APOLLON BASIN AND THE GREAT CHANNEL IN THE GARDENS OF VERSAILLES. .

Philanthropic Society, The Chapel April 1, 1809 Designed and etched by Thomas Rowlandson. Philanthropic Society, The Chapel. Microcosm of London, pl. 61. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). April 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

" t Konings Huis van de Tuin-zyde, met de Fontein van Venus", in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld n.d. Carel Allard Depiction of the Royal Loo palace at Apeldoorn, seen from the garden side with in the forefront the Fountain of Venus. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century.. " t Konings Huis van de Tuin-zyde, met de Fontein van Venus", in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. n.d.. Color engraving (à la poupée). Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Engraved by Lorenz Scherm (Dutch, active 1619-1707)

. The scene decor the Italian street, with a scene from: Son's betting-made. Part of a series of six stage deposits of plays raised in the new Amsterdam Theater from the years 1775-1777.

Amsterdam, Tollenaar, Dirk Wijbrand, The Garbage Cart Man to Amstel Residents, Fairground print of the garbage collectors of Amsterdam for the year 1860, verso - stamped, Fairground print of the Amsterdam garbage collectors for the year 1860. View of the fair on the Botermarkt with the old Waag. Two garbage carts on the market. With poem in two columns. Of the garbage cart man in district no. 21: J. van den Wijngaard., print, fairground print, prints, Frederik Muller Historieplaten, height 343 mm, width 213 mm, Dutch, 1808-06-03 - 1858-02-05, print maker, printmaker, 1860 - 1860, paper, papier, letterpress printing, letterpress, wood engraving

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four illustrations from Dutch history. From left to right: Removal of the magistrate and the Roman clergy from Amsterdam; Deventer in Spanish hands due to betrayal by William Stanley; Peat ship from Breda; Pacification of Ghent., print, prints, verso - stamped, 39, 46, 47, 38, height 110 mm, width 249 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Kings Bench Prison, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, Joseph Constantine Stadler, German, 1780 - 1822, Aquatint, brush and watercolor on paper, Walled yard, running its length. Outer wall to the left; dormitories to the right. Men and women walk in the evening light. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Great illumination in the park and on the canal of the Palace of Versailles, on the occasion of the wedding of Louis-Auguste, Dauphin de France with Marie Antoinette, Archiduchess of Austria, May 16, 1770, reproduction of a design of Moreau The young. (TF)

Print made by Joseph Josiah Dodd, 1809-1894, British, View of Tonbridge During the Late Election, December 18, 1832, after 1832. Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé.

France, Paris, Daumont, Jean-François, Le port de Marseilles, View of the Town Hall and the harbour at Marseille, Ships and boats lie on the water. On the right are groups of figures with goods on the waterfront., print, prent, opticaprent, prints, prenten, opticaprenten, height 282 mm, width 438 mm, Publication (Event), Publicatie, Frans - 1775, publisher, uitgever, 1745 - 1775, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, etsen, brush, Borstel, cutting, haken, perforating, perforeren, print maker, prentmaker

View of a screen school, family remondini (attributed to), 1700 - 1799 print A number of men with weapons practice in a room. Figures are watching left and right. Nummered in the bottom left: P 2. Publisher: Bassano del Grappaprint Maker: Italy paper. watercolor (paint) etching / brush fencing (sport). scholastic education, tuition

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Zee- Undage In Allhand , Views Descence, it Earn the L`augglagars , Artarian, Artaria , Artaria , Camerish, Publishing House

Like what / The big knight of the July sun defeats in a singular fight (IT)

Wymarsz powstańców ze wsi w 1863 roku. Gierymski, Maksymilian (1846-1874), painter

View of the Royal Piss Piss of the Queen Course

HER MAJESTY'S RETURN

Design for the title page for the play De Schoenlapper -Capithyn or Krispyns Koddige Schakinge, Adolf van der Laan, 1694 - 1755 drawing Design for the title page for the play by J.G.L.L. Ran 'The Shoelapper-Capithyn or Krispyns Koddige Schakinge'. paper. ink pen / brush (scenes from) specific works of literature (with AUTHOR, Title)

Two faces in the Haarlemmerhout, 1856, 1856 print Faces on the flower exhibition in the Hertenkamp and on the monument for Coster in the Haarlemmerhout. Part of a series of six records of festivities around the unveiling of the statue of Laurens Coster on the Grote Markt in Haarlem, 15-17 July 1856. print maker: Netherlandsprinter: The Hague paper rejoicing on special occasions. monument, statue Haarlem. Haarlemhout

Sonnenleiter, Johannes, work, Boreas robs Oreithyia, steel drawing, graphics, plate width 28.5 cm, plate height 31.3 cm, leaf width 31.7 cm, leaf height 49.1 cm, image width 18.3 cm, image height 20.8 cm

View of the Kremlin from the Stone Bridge. Alexandre E. Fragonard (French, 1780-1850); after Jean-Baptiste Cadolle (French, 1782-1849); printed by Gottfried Engelmann (French, 1788-1839). Date: 1833. Dimensions: 385 × 563 mm (image); 499 × 650 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: ALEXANDRE EVARISTE FRAGONARD.

The Departure, from "Poetical Sketches of Scarborough" 1813 Thomas Rowlandson Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand.. The Departure, from "Poetical Sketches of Scarborough". "Poetical Sketches of Scarborough". Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

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