Historic Religious Art

A collection of medieval to Renaissance religious artworks featuring saints, frescoes, and notable artists like Max Hutzel and Michelangelo.

Emilia-Romagna Ferrara Ferrara S. Francesco67. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister43. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Umbria Perugia Corciano santuario della Madonna del Soccorso9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Francesco67. Hutzel, Max 1960-1990 Medieval: Sculpture, tomb monuments. Post-medieval: Architecture, architectural sculpture, sculpture, ceramics, frescoes, painting Specific Location: Via Savonarola Object Notes: Ferrarese Franciscan Archive was burned by soldiers in 1494; Founding date today is set at 1227. General Notes: Includes second set of 17 post-med photos with same numbering system. These have been labeled "B". German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Michelangelo (Michelangelo Buonarroti) (1475-1564). Italian Renaissance painter, architect and sculptor. Portrait. Chromolithography. Historia Universal" by César Cantú. Volume VIII. Published in Barcelona, 1886.

Luis Fernández / 'Saint Lawrence', 1632, Spanish School, Oil on canvas, 205 cm x 115 cm, P03349. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Ritratto di Cosimo il Vecchio / Portrait of Cosimo de' Medici the Elder. Date/Period: Between ca. 1518 and ca. 1520. Painting. Oil on panel. Height: 86 cm (33.8 in); Width: 65 cm (25.5 in). Author: Pontormo.

The jester of Valladolid, 1632, by Diego Velasquez (1599-1660).

VILLANUEVA , SANTO TOMAS DE. RELIGIOSO ESPAÑOL. 1488 - 1555. GRABADO RETRATO DE LA COLECCION " VARONES ILUSTRES ". CALCOGRAFIA NACIONAL , MADRID.

Raphael, Portrait of Pope Julius II, 1511, oil on canvas, National Gallery, London, England, Great Britain.

Giovanni Battista Moroni, Gian Federico Madruzzo, c 1560 Gian Federico Madruzzo

Portrait of Dante, small - half length, holding a book. Italian School, Late 16th Century. oil on panel, 55.8 X 45.7cm.

Moneta da Cremona (ca. 1180-1235). Dominican friar and inquisitor. Portrait of Blessed Moneta da Cremona by Giuseppe Nuvolone (1619-1703), between 1650 and 1699. Oil on canvas, 240 x 102 cm. From the church of San Domenico, Cremona. Museo Civico Ala Ponzone. Cremona. Lombardy. Italy. Author: Giuseppe Nuvolone (1619-1703). Italian painter.

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

Lazio Roma Grottaferrata Museo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Roccalbegna SS. Pietro e Paolo0. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (13th century) and architectural sculpture; wooden crucifix; stoup. Post-medieval: Fresco; paintings on canvas and panel; fresco German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diego González de la Vega / 'Saint Matthew'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Portrait of Cosimo de' Medici (1389-1464) the first of the Medici political dynasty. Painted by acopo da Pontormo (1494-1557) Italian Mannerist painter and portraitist from the Florentine School. Dated 16th Century

S JOAQUIN. Author: FERNANDEZ L. Location: COLEGIATA DE LA ASUNCION. Pastrana. Guadalajara. SPAIN. SAN JOAQUIN.

Lazio Roma Rome Gesu29. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

CUADRO. RETRATO DE GONZALO FERNANDEZ DE HEREDIA Y BARDAJI. DEPOSITO: MUSEO PARROQUIAL DE NUESTRA SEÑORA DE LA ASUNCION . ZARAGOZA, ARAGON, ESPAÑA.

Engraving of Dante Alighieri by Stefano Tofanelli, created between 1801 and 1833. The plate mark measures 12 13/16 x 9 1/16 in. (32.5 x 23 cm), while the paper sheet measures 16 1/8 x 12 3/16 in. (41 x 31 cm), and is made of cream wove paper

Portrait Of Pope Pius V (Michele Ghislieri) (1504-72) 1576-80 Artist Unknown Oil On Panel Pushkin Museum of Fine Arts, Moscow, Russia

Two Men in a Landscape, Anonymous, c. 1500

'Lukas Cranach der Ältere', (1933). Creator: Unknown.

S. Bruno, founder of the order / Chartreux. (Title registered (letter))

Diego González de la Vega / 'Saint John the Evangelist'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Portuguese school. St Vincent's polyptych. Henry the Sailor (1394-1460). Lisbo, Museum of ancient art. Author: NUNO GONÇALVES (1450-1572). Location: MUSEO DE ARTE ANTIGUO. LISBOA. PORTUGAL. HENRY THE NAVIGATOR. AVIS Y LANCASTER ENRIQUE.

Cosimo de MEDICI the elder, Pater Patriae, 1389-1464, painted c.1518-19

Saint Joseph. Portrait by a Lombard painter. Detached fresco, 1495-1500. Pinacoteca Castello Sforzesco, Milan, Italy.

Jan Polack ((), ca. 1450-Munich, 1519). Portrait of a Benedictine Abbot (1484). Oil on panel. 57.3 x 41 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Neri, Filippo.

Edelfelt, Albert, work, Seated monk, model exercise, watercolor, painting, 37.5 cm x 25.6 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

RETRATO DEL PAPA BENEDICTO XIV ENCARGADO CUANDO ERA ARZOBISPO DE BOLONIA - 1740 - OLEO SOBRE LIENZO - BARROCO ITALIANO. Author: CRESPI GIUSEPPE MARIA-EL ESPAÑOL. Location: MUSEOS VATICANOS-PINACOTECA. VATICANO.

RELIGIOSO BENEDICTINO. Author: JAN GOSSAERT MABUSE (1478-1532). Location: LOUVRE MUSEUM-PAINTINGS. France.

Rate, Torquato.

Portrait of Grand Prince Vasili III Ivanovich of Moscow (1479-1533) by Russian master / Museum of History and Art, Yegoryevsk/ Mid of the 19th cen./ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 39,5x29,5/ Portrait

Portrait of cardinal Gaspar de Molina y Oviedo (1679-1744), Tovar, Alonso Miguel de (1678-1758)

Tuscany Grosseto Montemerano S. Giorgio1. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

SAN BERNARDO-PINTURA BARROCA ESPAÑOLA SIGLO XVII. Location: CONVENTO DE SAN CLEMENTE-MUSEO. Toledo. SPAIN.

Juan Sanchez Cotan - watercolour on paper. Author: VALENTIN CARDERERA (1796-1880). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Portrait of an old woman from Misk; Bellotti, Pietro (1627-1700); XVII century (1601-00-00-1700-00-00);Italian painting, bowls, female portraits, message (provenance) of KP, old women

CONQUEST OF MEXICO - DETAIL - FRAY BARTOLOME DE OLMEDO - PAINTED ON COPPER - END OF THE 18TH CENTURY. Author: ANONYMOUS. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Francesco Maria Rondani (1490-1550). Italian painter. Portrait of a musician. Farnese Collection. National Museum of Capodimonte. Naples. Italy.

Saint Augustine by Andrea della Robbia, Arezzo. Tuscany, Central Italy. Europe. Small Towns and Great Art in Tuscany by Henri Belle (1837-1890) Old 19th century engraving from Le Tour du Monde 1880

Lazio Roma Rome S. Bernardo alle Terme4. Hutzel, Max 1960-1990 Post-medieval: 16th century architecture (1598), sculpture, painting Caterina Nobili Sforza, countess of Santa Fiora, patron. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ARISTOTELES 384/322 AC. Author: PEDRO BERRUGUETE. Location: LOUVRE MUSEUM-PAINTINGS. France.

Portrait of a Dominican prelate (Ritratto di prelato domenicano), by an unknown author, 17th Century, oil on canvas, 97 x 75 cm

Portrait of Erasmus of Rotterdam (1467-1536), Holbein, Hans, the Younger (1497-1543)

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)13. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Sebastiano del Piombo, Portrait of a Humanist, c 1520 Portrait of a Humanist

French crown, Champaigne, Philippe de, France, Bazin, Nicolas, S. Bruno Fondateur de L'ordre Des Chartreux., St. Bruno with book and skull, verso - stamped, print, prints, height 250 mm, width 190 mm, 1633 - 1710, print maker, printmaker, 1688 - 1688, paper, papier, engraving, engraving (printing process), French, 1602-05-26 - 1674-08-12, after, after painting by, granter of privilege

RETRATO DE CARDENAL - SIGLO XVII - ESCUELA ITALIANA - O/L - 72X60 CM. Author: PIETRO NELLI (ATRIBUIDO). Location: BANCO HIPOTECARIO. MADRID. SPAIN.

RETRATO DEL OBISPO SALIZANES - SIGLO XVII - BARROCO ESPAÑOL. Author: JUAN DE ALFARO Y GAMEZ. Location: CATEDRAL-INTERIOR. CORDOBA. SPAIN. SALIZANES OBISPO. SALIZANES Y MEDINA ALFONSO.

DEZA, Diego de (Toro,1443-1523). Teólogo dominico español. Fue obispo de Zamora (1494), Jaén (1497) Palencia (1500), arzobispo de Sevilla (1504) e inquisidor de Castilla, León (1498) y Aragón (1499) Se distinguió por su extremada dureza, que le obligó a dimitir presionado por Cisneros y el marqués de Priego (1507). Oleo de Francisco ZURBARAN (detalle). Museo del Prado. Madrid. España. Author: FRANCISO DE ZURBARAN (1598-1664).

Saint Paul the Hermit. Date/Period: 17th century. Painting. Oil on canvas. Height: 1,250 mm (49.21 in); Width: 1,010 mm (39.76 in). Author: Mattia Preti.

'Portrait of Father Getino', ca. 1923, Oil on canvas, 144 x 115 cm, AS02245. Author: DANIEL VAZQUEZ DIAZ (1882-1969). Location: MUSEO NACIONAL DE ARTE REINA SOFIA-PINTURA. MADRID. SPAIN.

Portrait of Cardinal de Richelieu, by Philippe de Champaigne, 1633-40, National Gallery, London, England, UK, GB, Europe

BERRUGUETE , PEDRO. PINTOR ESPAÑOL , PAREDES DE NAVA 1450-1504. EL REY DAVID .. TABLA DEL RETABLO DE LA IGLESIA DE SANTA EULALIA DE PAREDES DE NAVA . PALENCIA.

Campania Salerno Cava dei Tirreni Museo8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painting titled 'Portrait of Pope Julius II' by Raffaello Sanzio da Urbino (1483-1520) Italian painter and architect of the High Renaissance. Dated 16th Century

Unknown master (about 1460). Remains of an altar. Excerpt from the left wing. Oil on wood . Dessau: private property

Saint Louis of Toulouse. Dated: c. 1470/1480. Dimensions: overall (middle right panel): 31 x 12.4 cm (12 3/16 x 4 7/8 in.) framed: 43.5 x 16.8 x 4.4 cm (17 1/8 x 6 5/8 x 1 3/4 in.). Medium: tempera and distemper on panel. Museum: National Gallery of Art, Washington DC. Author: Cosme Tura.

Fernando del Rincón / 'Francisco Fernández de Córdoba y Mendoza', 1520-1521, Spanish School, Oil on panel, 51 cm x 40 cm, P02518. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Portrait of Marco Polo (Venice, 1254-1324) by Annibale Strata.

UN MARTIR DE LA ORDEN DE SAN JERONIMO - 1657 - OLEO/LIENZO - 249 x 130 cm - NP 2582 - BARROCO ESPAÑOL. Author: JUAN DE VALDES LEAL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. FRAY DIEGO DE JEREZ. JEREZ FRAY DIEGO.

Rafael Estrany i Ros / 'Retrato del Abad Dorda del Monasterio de Poblet', Óleo sobre lienzo, 143 x 108 cm. Galería de mataroneses ilustres, Ajuntament de Mataró.

Portrait of an Olivetan Monk. Artist: Attributed to Baldassare Tommaso Peruzzi (Italian, Ancaiano 1481-1536 Rome). Dimensions: 38 1/4 x 28 5/8 in. (97.2 x 72.7 cm).The sitter in this portrait is an Olivetan monk, a branch of the Benedictines. He is surrounded by his writing materials: ink well, quills, a scraping knife, a seal and red wax, as well as a packet of letters and a book closed with a clasp. Both the artist and the sitter are open to question. The artist may be the Sienese Baldassare Peruzzi (1481-1536), or the Venetian Battista Franco; both worked in Rome and were influenced by Raphael and Sebastiano del Piombo. The sitter must have been an important member of the order, and the names of two abbots have been suggested. Museum: Metropolitan Museum of Art, New York, USA.

Maurice of Nassau, Prince of Orange (1567-1625). Organised the Dutch rebellion against Spain. Engraving by G. Jacoboson Delff 1580-1638. Later colouration.

Portrait of a man, perhaps Rembrandt's father, Harmen Gerritsz van Rijn. Dating: 1730 - 1774. Measurements: h 18.3 cm × w 14.5 cm; d 3.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Rembrandt van Rijn (copy after). Christian Wilhelm Ernst Dietrich (possibly).

St. Anthony Abbot (Sant'Antonio Abate), by Domenico di Giacomo di Pace known as Domenico Beccafumi, 1538, 16th Century, oil on panel, 75 x 40 cm

Religious illustration with Saint Mary Magdalene by Piero della Francesca, Fresco, 1460, circa 1415-1492, Italy, Arezzo, Duomo di Arezzo, 190x105

MARIANA , PADRE JUAN DE. HISTORIADOR Y JESUITA ESPAÑOL.. TALAVERA DE LA REINA 1536 - 1624. OLEO DE MATIAS MORENO. INSTITUTO DE ESPAÑA . MADRID.

'St John the Apostle'. Italy, Circa 1490. Dimensions: 147x51 cm. Museum: State Hermitage, St. Petersburg. Author: JACOPO DEL SELLAIO.

Portrait of Clown Gonela

Portrait of Andreas Vesalius by Jan Stephan van Calcar, oil on canvas, 1499-1546/50, Russia, St. Petersburg , State Hermitage, 104x85, 5

Hippocrates (460-375 BC). 20th century lithograph by Julius Schledorn.

Portrait of the painter, Giovan Battista Tiepolo, by Giuseppe Ghislandi (1655-1743), oil on canvas, 60x46 cm.

'Saint Leander', 1767-1800, Oil on canvas, 45 x 38 cm, CE0186. Author: ESCUELA SEVILLANA (S XVII). Location: MUSEO DEL ROMANTICISMO-PINTURA. MADRID. SPAIN. SAN LEANDRO.

The Portrait of a Cardinal is a painting by the Italian Renaissance artist Raphael. It is housed in the Prado Museum in Madrid. The Cardinal has been identified as either Alidosi, Bibbiena, Cybo or Trivulzio, in the court of Pope Julius II. 1510

Andrea del Castagno, Portrait of a Man, c 1450 Portrait of a Man

Apostle's Head by Briullov, Karl Pavlovich (1799-1852) State Russian Museum, St. Petersburg 1843-1847 Russia Oil on canvas Painting Bible

Guidobaldo II della Rovere, Duke of Urbino (1514-1574), With his Armor by Filippo Negroli. Culture: Italian. Dimensions: 5 1/2 x 4 in. (14 x 10.2 cm); frame: 7 1/8 x 4 7/8 in. (18.1 x 12.5 cm). Date: ca. 1580-85.Guidobaldo II della Rovere (1514-1574) was a professional soldier, ruler of the duchy of Urbino, and an important patron of armor. This portrait includes his batons of command and portions of the embossed armor made by Filippo Negroli of Milan. The right shoulder defense belonging to the same armor, one of the finest made and most imaginatively designed Renaissance parade armors in the all'antica (antique) style, is also in the Metropolitan Museum's collection (acc. no. 14.25.714i). Museum: Metropolitan Museum of Art, New York, USA.

Christopher Columbus Artist Unknown Museo de America, Madrid, Spain

France: Cardinal de Richelieu (1585-1642), French bishop, politician and statesman. Oil on canvas, Philippe de Champaigne (1602-1674), c. 1635

Greco, DomŽnikos Theotokpoulos, called El (1541-1614). Saint John the Evangelist. 1595 - 1604. Mannerism art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

William Shakespeare (1564-1616). The Merchant of Venice. Shylock. Engraving. Colored.

Neri, Filippo.

Vincent of Paul, Holy Stecher: Pitau, Nicolas (1632) Publisher: Pitau, Nicolas (1632) Publishing Sort: Paris

St. Augustine, stucco relief, early baroque, Church of St Andreas, Duesseldorf, Rhineland, North Rhine-Westphalia, Germany, Europe

Portrait of Benedetto di Tommaso Portinari, Memling, Hans, 1487.

La Reve Du Moine S.D. 1880 Gustave Dore (1832-1883 French) Oil On Canvas Christie's Images, London, England

Portrait of a Man by Antonello da Messina (1430-1479) an Italian painter , active during the Italian Renaissance. Dated 15th Century

Jacques Cartier (1491 - 1557). French explorer of Breton origin who claimed what is now Canada for France. Portrait. Color.

Abbess Lucrezia Agliardi Vertova (1490-1558). Artist: Giovanni Battista Moroni (Italian, Albino, no later than 1524-1578 Albino). Dimensions: 36 x 27 in. (91.4 x 68.6 cm). Date: 1557.As the Latin inscription tells us, Abbess Lucrezia Agliardi Vertova founded the Carmelite convent of Saint Anne at Albino, outside Bergamo. This remarkably unidealized portrait of the widowed abbess hung there for centuries. Moroni was so famous for the naturalism of his portraits that the Venetian artist Titian singled him out for that quality, and his paintings were an important ingredient in the training that Caravaggio received while he lived in Lombardy. Museum: Metropolitan Museum of Art, New York, USA.

Illustration with Saint Mark by Agnolo Bronzino, oil on wood, 1525-1528, 1503-1572, Italy, Florence, Santa Felicita, D 70

'Philippe de Croy, Seigneur of Sempy', 1927. Artist: Rogier Van der Weyden

Portrait of Agnieszka from T Oście Firlejowa (Ca 1578-1644); unknown Polish painter; 1643-44 (1643-00-00-1644-00-00);Firlej, Agnieszka (Ca 1578-1644), Topór (coat of arms), portraits with an inscription, Tenczyn Castle (Krakowskie Voivodeship) - collections

Saint Anthony Abbot and Saint Bernardino of Siena. Dated: 1459. Dimensions: overall: 110 x 57 cm (43 5/16 x 22 7/16 in.) framed: 127 x 74 x 9.8 cm (50 x 29 1/8 x 3 7/8 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Jacopo Bellini.

Guido Reni / 'Saint Paul', ca. 1617, Italian School, Oil on canvas, 76 cm x 61 cm, P00220. Museum: MUSEO DEL PRADO, MADRID, SPAIN. SAN PABLO.

Autriche, Klosterneuburg, Leopold III

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