Historic Religious Prints

Detailed artistic prints depicting historical religious themes, figures, and events, featuring intricate designs and engravings.

Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione?, and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase. Below, a coat of arms and the date., Reggio, Italy, 1619, religion, Print, Print

Lawyers Baldus and Bartolus and Emperors Charles V and Justinian; Title page for: Reiner Bachoff von, in Institutionum Iuris Divi Iustiniani Libros Quator, 1643. Lawyers Baldus The Ubaldis and Bartolus de Saxoferrato standing in Nissen Flank a tablet with title. At the top, the Threaded Emperors Charles V and Justinian sit on either side of a cartouche with the resurrection of Christ from the grave. On the underside a cartouche with figures around a ruler on a throne.

Frontispiece: Relatione di Alfonso Isachi intorno l'origine, solennita`, traslatione, et miracoli della Madonna di Reggio (Alfonso Isachi's account of the origin, solemnity, translatione?, and miracles of the Madonna of Reggio), Giovanni Luigi Valesio, Italian, ca. 1583 - 1633, Engraving on paper, Title page with inscription on central tablet, flanked by vase-topped columns and figures. Two ecclesiastical robed elders with scepters at right and left, and above them two haloed men, who each look up at a cherub. A scene of Mary and Christ as a child above the tablet, under a Latin phrase. Below, a coat of arms and the date., Reggio, Italy, 1619, religion, Print, Print

"Etching by Josef Ferdinand Fromiller from 1745 depicting a title leaf for the Saints' Martyria, showing decorative elements and symbolic religious imagery."

Titelpagina Voor: J. Tirinus, Commentary on the Old and New Testament, Antwerp, 1632, Cornelis Galle (1), after Peter Paul Rubens, 1632 print On a cartouche that is decorated with the evangelist symbols is the title of the book. The apostles Peter and Paul on both sides. Below Moses and Aaron. In Heaven Mary and God, Christ and the Holy Spirit in the form of a pigeon surrounded by angels and Biblical figures. print maker: Southern Netherlandspublisher: Antwerp paper engraving God the Father and Christ enthroned. Moses (not in biblical context); possible attributes: rays of light or horns on his head, rod, Tables of the Law. Aaron (not in biblical context); possible attributes: attributes of Aaron: censer, dressed as high priest or bishop, ointment jar, rod or flowering wand. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara. the apostle Paul of Tarsus; possible attributes: book, scroll, sword. th

Christ Testifying his Mission. Artist: Daniel Hopfer (German, Kaufbeuren 1471-1536 Augsburg). Dimensions: sheet: 8 9/16 x 6 in. (21.7 x 15.3 cm). Date: ca. 1520. Museum: Metropolitan Museum of Art, New York, USA.

This 1511 woodcut depicts the Pope receiving a deputation of right-wing scholars and monks, showing figures, gestures, and interior details.

The bishop and death; Dance dance. A bishop runs a hoined with death over a meadow with sheep. Eleventh print from a series of death dance expressions; With a picture frame with Minerva and Hercules.

Foot washing. Christ kneels on the ground with a pelvis with water and washes the feet of apostle Peter who lifts that protesive his hand. The other apostles watch. Book illustration with a rectangular picture frame of fine ornaments. The print is printed from multiple logs.

Pope pronounces banning over Emperor, Lucas Cranach (I), 1521 - 1522 print The pope is on a stage with clergy, including a cardinal and a bishop. He shows his authority over the emperor by saying a ban curse. The emperor stands in front of the stage and receives money from monks and nuns. Book illustration in rectangular frame with fine ornaments. The print is printed with multiple logs. Wittenberg paper archbishop, bishop, etc. (Roman Catholic). pope. representants of the Church (Christians in general, laymen, monks, etc.) in strife with each other or with opponents

Allegorical performance on the psalms and spiritual songs; Title page for: Willem Sluiter, Psalms, Lof-Sangen, Ende Geestelike Liedekens, 1661. A monument with the title of the book by Willem Sluiter is flanked by the personification of poetry, with writing feather, and the music, with a lute. At the top, King David, the writer of the Psalms, plays the harp. His crown is next to him. At the bottom of a bible bible and three cartouches with texts from Psalms.

Commissioning and burial laying of Christ; The round passion. From series of twelve prints. Dead Christ watched by his mother, the three Maria's and John. Calvary and grave laying in background. Round show ornamental frame. Down frame with text in Latin. Printed of multiple blocks.

Vrouwe Justitia for the judgment of Zalucus and the judgment of Cambyses. Vrouwe Justitia standing for two executions. Left on a platform Zalucus that his son leaves an eye. On the right of a bordes of Cambyses that let a judge vill. The penalties are declared on two banderoles. With text in French and Dutch in Schiprift van Maria Strick.

Worship of the Christ child by Smekkingen, 1629 print The Christ child stands on a hill. He is worshiped by two groups of supplications. Blood flows from the child's hands. Under the performance numbered 7 and with four lines of text. The print is part of an album. paper letterpress printing Christ-child (with attributes). Supplication; 'Supplicatione' (Ripa) (+ variant)

Geleerden ontdekken het tetragram; Caelum empyreum in festa et gesta sanctorum (...); Titelpagina voor: Henricus Engelgrave, Coelum Empyreum, 1666.Gathered scholars look surprised to the tetragram that has appeared above them in the air. A number of signs from the zodia is shown in the air under the Tetragram. Between the scholars are a few putti, put putti with spells in the air. In the foreground is a putto with a passer at a globe.

De Doornenkroning, Jacob Cornelisz van Oostsanen, 1517 print From series of twelve prints. Men push with sticks of thorn crown on the head of Christ. Round performance ornamental frame. Bottom frame with text in Latin. Printed from multiple blocks. paper the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Christ runs over water; Jesus walks on the sea. Christ gives his disciples to cross the Lake Galilee. Then he only goes on a mountain to pray (shown at the top right). On Lake Galilee the boat with the students of Christ is placed by the waves. Christ runs over the lake to them and Peter meets him. Because he doubt he starts to sink, after which Christ is taken by Christ. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to Matthew 14: 24-31. The print is part of an album.

Title page with the final judgment and works of mercy; Septem Opera Misericordiae Corporalia; The seven works of mercy. Title page of a series of prints of the works of mercy (consisting of this title page and seven numbered prints). The Last Judgment. Above oval cartouche with the title of the series. Left and right texts from Matthew 25. Left and right of the main show Ornament edge with trophies that refer to the seven works of mercy: bread and fruit refer to the food for the hungry, wine and jars to drink for the thirsty, garments to it Dressing the nudes, money pouches and chains with locks to visiting the prisoners, bottles and kitchen utensils to visit the sick, and a pilgrim hat and musical instruments to the hosting of aliens. At the bottom of the middle of a skull and other attributes that belong to the burial of deaths. Under the show four lines of Latin.

Sixth angel blows on a bazuin; Revelation of John on Patmos; ICONES Revelationum S Johs Evangeliste in Pathmo.The sixth angel blows on the trumpet. In addition to the angel, God is the father on his throne and is the golden altar with the four horns where a voice comes true that the four angels that are captured should be liberated. The angels and riders on horses with lion heads row a third of humanity. A four-line caption in Latin in the margin. Eleventh print from a series of twenty-four with the Revelation of John on Patmos.

Scholars Study the Hemel vault, Peter van Liesebetten, After Hendrik Herregouts, 1666 print Gathered scholars look in surprise at the triangle that proposes the holy trinity that appeared in the air above them. In the air under the triangle, a number of signs of the zodiac is depicted. There are some putti between the scholars, put in the air putti with spells. In the foreground is a putto with a passer at a globe. Cologne paper engraving scholar, philosopher. the all-seeing eye, triangle with eye ~ symbol of God the Father. zodiac; the twelve zodiacal signs together. cupids: 'amores', 'amoretti', 'putti'

Christ Sermonizing on the Bread from Heaven ca. 1520 Daniel Hopfer German. Christ Sermonizing on the Bread from Heaven 372991

Portrait of Augustine flanked by Allegorical Figures, Anonymous, 1646 print Above a tablet with title a portrait medallion by church father Augustinus van Hippo. On the left, a woman with a writing spring tramples a diabolical figure. On the right is a woman with a burning heart in her hand, from heaven she is shot. At the front are books, keys and the papal tiara. paper engraving Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen

The sick care, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print Interior with men and women who are sick in bed and a woman who sucks her child. Women at the beds take care of the sick with food and drink. The print has an ornamental edge that is decorated with all the necessities for and making medicines. Print from a series of eight with the last judgment and the seven works of mercy. paper engraving visiting the sick, 'aeger curatur' ~ one of the (seven) Acts of Mercy. pharmacist, druggist, apothecary; pharmacy, drugstore, dispensing chemist. medicament, medicine

Medallion with an allegorical representation of the marriage on both sides, Dirck Strijcker, 1607 - 1677 print Print of a medallion. Presentation of the marriage between Christ and the Church (Ecclesia). Above their head, the pigeon of the Holy Spirit and the Tetragram as a symbol of God the Father. Ecclesia holds a chalice in her hand and behind her standing faith, hope and love. Christ keeps the cross in his hand and stands on a frame as a sign of his victory over death. In the edge of a Bible from Hoogl. 8: 6. Amsterdam paper engraving / counterproof 'Ecclesia' as bride of Christ (the Lamb), 'Ecclesia sponsa Dei', 'sponsus-sponsa'. the Three Theological Virtues. tetragram (in Roman or Hebrew script) ~ symbol of God the Father. Holy Ghost represented as a dove (in flames)

Mary and Christ, Justice and Faith, Anonymous, 1607 print Above the title in Cartouche, Mary and Christ are flanked by justice with sword and scales and faith with cross and Bible. There are two men at the front. paper engraving / etching / letterpress printing Madonna: I.E. Mary with the Christ-Child. Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Faith, 'fides'; 'Fede', 'Catholica Faith', 'Christian faith', 'Christian faith Catholica' (Ripa) ~ one of the Three Theological Virtues

Besnijdenis van Christus; Vita Deiparae Virginis Mariae; Leven van de maagd Maria.The Christ child is circumcised in the temple by the high priest. The child is held by another priest on the altar. Maria and Jozef look. In heaven the Holy Spirit as a pigeon surrounded by angels. In the margin a six-line caption, in two columns, in Latin. The print is part of an album.

Christ predicts the arrival of the Holy Spirit; Christ appears on the apostles; Jesus reveals the Elve. Christ stands between his students and tells them about the arrival of the Holy Spirit, the worship of the Cross, his ascension and deviation of the devil. Used here as a picture of Christ appearance on the apostles, after his resurrection. With various elements from the show are letters. Above the show a title. There are six fresh rules and a reference to John 20: 19-21. The print is part of an album.

Sacrament van de confession, 1576 print The sacrament of the confession or sacrament of reconciliation. In the middle a representation of a woman who is taken from the confession and a man who receives absolution. In the background an interior with the risen Christ that appears to the disciples and Peter gives his assignment. Around performances of Bible stories that have to do with confession, forgiveness, cleanliness and uncleanness. At the top left David and the Prophet Nathan, at the top right of people with skin freezer, bottom right Christ who heals a man with skin freezer and at the bottom left of the generation of Lazarus. Left and right the prophets King David and Ezekiel. In the performance various Bible texts in Latin. Under the show a four -line verse in Latin. This print is part of an album. paper engraving confession; 'Confessione Sacramentale' (Ripa) ~ the third of the seven sacraments. Christ appears to the apostles (gathered behind locked doors). David rebuked by Nath

Christ with the first apostles, anonymous, after Pieter van der Borcht (i), after Georg Pencz, c. 1570 - c. 1610 print Christ calls the first apostles. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving calling of the apostles

Title page of a series of prints of the works of mercy consisting of this title page and seven numbered prints In center frame the Last Judgment Above oval cartouche with the title of the series To its left and right texts from Matthew 25 To the left and right of the main scene ornamental border with trophies referring to the seven Works of Mercy: bread and fruit refer to food for the hungry, wine and goblets to drink for the thirsty, garments to clothe the naked, money pouches and chains with locks to visit the prisoners, bottles and kitchen utensils to visit the sick, and a pilgrim's hat and musical instruments to shelter strangers Below in the center a skull and other attributes belonging to the burial of the dead Below the representation four lines of Latin, Title Page with the Last Judgment and the Works of Mercy Septem opera misericordiae corporalia The seven works of mercy , publisher: Philips Galle, (mentioned on object), print maker: anonymous, publisher: Antwerp, print maker

Pentecost.

Life of the Holy Dominicus; Saints lives. The holy Dominician standing with a lily and a book. Around this representation fifteen smaller performances with scenes from the life of Dominicus. Coat of arms in the middle.

Disobedience and obedience; Allegorical representations of man between good and evil. In the middle an open bible with bible quotes in Latin marked "Christ". The diabolical hose from the fall and death as a skeleton are crushed by the stone. The Bible is surrounded by the symbols of the four evangelists. Above the pigeon of the Holy Spirit and the Tetragram to the sky as a symbol of God the Father surrounded by cherubs. On the left The male personification of disobedience (Inobedientia), seen on the back, with a book under the arm. On the right the male personification of obedience (Obedientia), his arms crossed before the chest, looking up to the tetragram. Two biblical scenes are depicted in the background. Links the Holy Paul tries to convert the Jews (hand 18). On the right the calling of four apostles by Christ (matte. 4). The overscription of the print is a Bible quote from matte. 17 in Latin. In the margin a two-legged bible quote from 1 Cor. 1 in Dutch, French and German.

The monk and death; Dance dance. Death pulls the monk to his cap. Fifteenth print from a series of death expressions; With a picture frame with father time and eternity.

Dresses of the nudes, 1577 print Dressing the nudes as one of the seven works of mercy. The nudes are dressed in the middle. In the background Peter with the deceased Dorkas and Johannes preaching. Around performances of Bible stories that have to do with dressing the nudes. At the top left God the Father who gives Adam and Eva clothing, at the top right Joseph who gives his brothers clothing, at the bottom right Tobias who receives clothing and at the bottom left David and Jonathan. On the left the prophet Ezekiel and on the right Tobit. In the performance various Bible texts in Latin. Under the show a four -line verse in Latin. This print is part of an album. paper engraving clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy. Peter is shown the clothings made by Tabitha. John the Baptist preaching (perhaps Christ among the bystanders). Adam and Eve are clothed by God

Adoration of the Name ofJesus. Artist: Adriaen Collaert, Flemish, 1560-1618

Sixth angel blows on a bazuin; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). The sixth angel blows on the trumpet. In addition to the angel, God is the father on his throne and is the golden altar with the four horns where a voice comes true that the four angels that are captured should be liberated. The angels and riders on horses with lion heads row a third of humanity. Under the show a reference in Latin to the Bible text. 9:15. This print is part of an album.

The destruction of Sodom & Gomorrah, a page from the NURNBERG CHRONIK of 1493, one of the earliest and certainly one of the greatest of all printed illustrated books Date: 1493

Christ predicts the coming of the Holy Spirit, 1629 print Christ stands between his disciples and tells them about the arrival of the Holy Spirit, the worship of the cross, his Ascension and the expulsion of the devil. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing 'When the Spirit of truth comes ..'

Titelpagina voor: J. Tirinus, Commentarius in Vetus et Novum Testamentum, Antwerpen, M. Nutius, 1632.On a cartouche that is decorated with the evangelist symbols is the title of the book. On either side the Apostles Petrus and Paul. Underneath Moses and Aaron. In heaven Mary and God, Christ and the Holy Spirit in the form of a pigeon surrounded by angels and biblical figures.

Seven angels get a trumpet; Revelation of John on Patmos; ICONES Revelationum S Johs Evangeliste in Pathmo. The opening of the seventh stamp: God's father and seven angels with a trumpet. Among them the earth on which lightning bolts come up. A four-line caption in Latin in the margin. Eighth print from a series of twenty-four with the Revelation of John on Patmos.

Sacrament of the Eucharist; Sacramentum eucharistiae; The seven sacraments; Septem Novae Legis Sacramenta (...). The sacrament of the Eucharist. In the middle a representation of the consecration of the host and operation of the Eucharist. In the background an interior with the last supper and to the right the celebration of the supper by the first Christians. Around representations of Bible stories that prepigure the Eucharist. Top left man in the desert, at the top right elis that is fed by an angel, at the bottom right of Abraham and Melchizedek and the bottom left of the celebration of the first Passover party. Left and right the prophets King David and Malachi. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Praying for the loved ones; Pro Salute Proximi Deum Orare; Septem Opera Misericordiae Spiritalia. Prayer for the neighbor as one of the seven spiritual works of mercy. In the middle people in prayer for an altar. In the background the Mountain Speech and Christ praying in Getsemane. Around representations of Bible stories that have to do with prayer. Abraham at the top left of the three angels begging Sodom to save, at the top right Moses praying with his hands up for victory, bottom right Daniel in prayer and bottom left David in prayer. Left and right Paul and Judas de Makkabeet. In the show various bible texts in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Saint Cosmas and Saint Damian tending the frail and the sick. Line engraving by N. Picart, 1675.

Sermon of the Apostle Peter: 'The forgiveness of sins', 1740 print The tenth article: the belief in the forgiveness of sins. The apostle Peter addresses a crowd of believers about the forgiveness of sin. A light appears in the air. Believers are baptized in the background. The show is used here as an image of Peter's sermon after the outpouring of the Holy Spirit. A title above the show. Below six verses and a reference to Acts 2: 14-16. The print is part of an album. paper letterpress printing 'remissionem peccatorum' ~ articles of faith. disciples discussing the gentiles with Peter (Acts 11:1-18). disciples preaching and baptizing (in general). Peter delivers a sermon

Reformation in England, Jan Luyken, 1689 print Three scenes of the English Reformation placed one above the other. Upstairs: the king in conversation with an Anglican spiritual. Middle: heretics at the stake. Below: De Koning kneels for an altar (left) and a spiritual offers the queen a book (right). Amsterdam paper etching Reformation (Roman Catholic Church vs. Protestantism) England

Visitation, 1740 print Maria visits her niece Elisabet. In the doorway Zacharias and Joseph. On the left in the background the birth of John the Baptist. The window shows how Joseph and Mary flee to Egypt. A medallion with the annunciation above the window. There are letters with different elements from the performance. A title above the show. Below six verses and a reference to Luke 1: 39-41. The print is part of an album. paper letterpress printing Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56). birth of John the Baptist, sometimes Mary present. the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass. the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

Arrest of Christ, HSD monogrammist, after Pieter van der Borcht (i), c. 1570 - c. 1610 print Arrest of Christ. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ. Peter draws his sword and cuts off Malchus' ear

Pleasure of Christ (Crucifixion), 1598 - 1604 print Series of ten (originally twelve) allegories of the Christian faith. Each of the allegories consists of a central performance surrounded by a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. Bottom left the number 3. paper engraving the Virtues ~ crucified Christ

Life of Saint Stephanus, Anonymous, After Francesco Vanni, 1604 print The holy Stefanus with the palm branch of martyrdom in his hand. There are stones under his foot and on his head. Around this performance thirteen smaller performances with scenes from the life of Stefanus. Assignment and coat of arms under the central performance. after design by: Italypublisher: ItalyVaticaanstadItaly paper engraving / etching the deacon and (proto)martyr Stephen; possible attributes: censer, stones

Alliance of Pope Pius V, Philip II and Doge Mocenigo against the Turks, 1571, Anonymous, 1571 print Round show in which Pope Pius V concluded an alliance on 20 May 1571 with the Spanish King Philip II and the Venetian Doge Alvise I Mocenigo to act against the Turks together. In the background the personifications of steadfastness, faith and caution. In the foreground a dragon (the Turks) between three pots with coins. Edge in Latin. A piece of text with details of the Alliance, in Dutch, stuck under the print. Netherlands paper engraving / letterpress printing alliance, league, union, foedus. Fortitude, 'Fortitudo' ~ one of the Four Cardinal Virtues. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues

Title print for a series with the passion of Christ, Crispijn van de Passe (I), 1600 print Two angels point to a cartouche with the Lamb of God. They flank a cartouche with a Bible quote in Latin, around which the passion tools. The show is caught in an oval accompaniment. In the margin the serial title in Latin. Title print for a series with the passion of Christ. Cologne paper engraving Passion of Christ

The church plundered by Louis XIV, ca. 1701-1713; Le Pilleur d'Eglises / Church planed by Louis de 14, to make money by a to krygen to maintain the traitors and Turks. A French Catholic Church is looted by the troops of Lodewijk XIV where valuables are seized to cater to the stateal. Two verses in French and a caption in Dutch. Part of a group of individual cartrents at Louis XIV during the Spanish Succession War, ca. 1701-1713.

Maria with musical angels. Maria kneel between six musician angels of whom two angels hold tablets with sheet music. The music notation at Magnificat is from the composer Cornelis Verdonck, 1585.

Christ at the meal in Simon's house in Betania, 1740 print Christ sits in Batania at the table in Simon's house, the one who had suffered from skin. A sinful woman (Mary Magdalena) pours very precious oil from an alabaster bottle over the head of Christ. In the medallion the woman washes the feet of Christ and dries with her hair. There are letters with different elements from the performance. A title above the show. Below six verse rules and a reference to Matthew 26: 6-7. The print is part of an album. paper letterpress printing Christ's head is anointed by Mary (Magdalene). Christ's feet are anointed by Mary (Magdalene). a woman washes Christ's feet with her tears, and wipes them with her hair

Wedding in Kana; Too Cana in Galilee, the Lord makes it water to Wyn. On the wedding of Kana, Christ recommends six jugs with water to fill. Left in the background this happens. Then Christ changes the water into wine. Above the show a title. There are six fresh rules and a reference to John 2: 1-6. The print is part of an album.

Saint Begga, Adriaen Collaert, 1570 - 1618 print Saint Begga with an abbess staff in the right hand and a Bible in the left. Two putti fly above her head and crown her with three crowns. Around seven performances with the seven churches of Rome. The print has various Latin captions. print maker: Antwerpafter design by: Antwerppublisher: AntwerpAntwerpMechelen paper engraving female saints (with NAME). cupids: 'amores', 'amoretti', 'putti' Santa Maria Maggiore. Sint-Paulus outside the walls. San Pietro in Vincoli. Sint-Laurens outside the walls. Sint-Jan van Lateranen

. Maria and Jozef kneeled in the manger in the manger; Behind them the OS and the donkey, in a stable with a damned roof. In ornament list with the shepherds on the left, on the right the women who come to worship the child. In the four corners scenes from the New Testament in ovals. In the middle angel choirs at a pennant on which the Latin text: Vera ... can.

Satisfaction of Christ (crucifixion); Satisfactio Christi; Allegories of the Christian faith. Series of ten (originally twelve) allegories of the Christian faith. Each of the allegories consists of a central representation with a frame in which quotes from the Bible are combined with the imagination of certain events from the Bible. At the bottom left of the number 3.

Petrus as the first pope, 1633 - 1673 print Peter dressed as the first pope with the keys in his hand sitting on a throne. Angels wear the papal tiara above his head. Around the performance an ornamental frame with putti and fruitguirlandes. Print is part of an album. paper engraving throne of St. Peter. the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Mary Magdalene; Ester holes in a royal robe. Interior with Mary Magdalene, at a dressing table. She wins her jewelry, she says that she says her luxurious (sinful) life. Right rear the penitent Maria Magdalena, kneeling for a crucifix with a cave. The show is used here as an image of Queen Ester. It was forbidden to appear unsolicited from King Ahasveros. Ester attracted her most beautiful clothes and picked up all her courage. The print is part of an album.

Last judgment and symbols for the seven works of mercy; Septem Opera Misericordiae Corporalia (...). Title print for a series about the seven works of mercy. The Archangel Michael separates the good of the bad people who all get up from death. Christ's tront on the clouds, flanked by Maria and Johannes. The dead are led by angels to heaven (left) or led to hell (right). Left and right of the central show Ornamental trophies with objects that belong to the seven works of mercy. Under every trophy a reference to a Bible text in Latin. Under the show a four-line verse in Latin. This print is part of an album.

Two witnesses, 1585 print The two witnesses prophesy and are killed by the beast from the underground depth. In the background they rise to heaven. In the margin a four -line caption in Latin. Thirteenth print from a series of twenty -four with the revelation of Johannes on Patmos. paper engraving the two witnesses of God are slain by the beast and the people rejoice over their death

Vision of the unclean animals, in or after 1629 - in or before 1646 print The apostle Peter, praying in his room, gets a vision. A large sheet appears in heaven, in which all kinds of animals of the world are located. This vision was symbolic, a sign of God that non-Jews were created by God to receive Christ's message. In the background, the messengers of the Roman centurio Cornelius arrive at the house of Peter. The print is part of an album. paper letterpress printing Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Visiting the sick, Philips Galle, 1577 print Visiting the sick as fifth of the works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. In the foreground in the middle is a sick bed. There is a priest next to him; A lady and gentleman come to visit him and bring food. On the second plan, right, Christ who heals a sick person. On the left the merciful Samaritan who helps the wounded along the road. On the left in the frame is a king from the O.T. with the text of preacher 38 and 18; On the right the apostle Jacobus as a pilgrim, with text from John 5. In the four extreme corners scenes with the sick and healings from the O.T. and N.T. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints). paper engraving visiting the sick, 'aeger curatur' ~ one of the (seven) Acts of Mercy

Maria and John the Evangelist and Sebastiaan and Rochus worship the Sacred Heart with Christ on the Cross. Maria and John the Evangelist and the Saints Sebastiaan and Rochus kneel with their gaze facing up. They worship the sacred heart with Christ on the cross, depicted on a shield being held by four putti. Blood drops are shown on the right half of the crowned heart. Under the cross an empty curly text band that was completed in a later state with text. In the background in the landscape is a large building behind a city wall. At the bottom left of a shield with the judicial arm of Saxony, at the bottom right of the duel arm. In the margin among the print, the names of the saints depicted are stated.

Catharina visits a sick woman on her deathbed; The life of Siena H. Catharina. Catharina visits a dying woman. The woman's family is to collect the bed and burn torches on either side of the bed. Part of a series about Catharina van Siena consisting of a title print, a portrait and 32 numbered scenes from her life.

Worship of the Lamb of God. Kings and prophets - the 24 elders from the Apocalypse - depict the text from John's prophetic visions. Together with the heavenly Heerscharen they bring praise with Harpspel and scales of odor to God who sits on a throne and hold the book with the seven stamps. The symbolic steads of the four evangelists Johannes (Engel), Marcus (Lion), Lucas (Beef) and Matthew (Eagle) bear the music books. The chosen ones have palm branches in hand and kneel in worship for the Lamb of God, which appears in a beam wreath, with the banner of the resurrection, on the Zion mountain. The print is part of an album.

Crucifixion of Christ, Hieronymus Wierix, 1563 - Before 1619 print Cross -killing of Christ on Golgota. Maria Magdalena mourns under the cross. Maria on the left and Johannes on the right. In the corners of the frame the symbols of the four evangelists. In the margin a three -line Bible quote from Fil. 2 in Latin. Antwerp paper engraving crucified Christ, with particular persons under the cross. the four symbols of the evangelists, 'the apocalyptic beasts'

Emblem with the road to eternal life for the righteous and the road to hell for the wicked; Den Wech des century life.

Moses receives the stone tablets and Esther kneels for ahasveros; The round passion. Lower part of a leaf, from series of twelve prints. Printed of multiple blocks. Two scenes from the Old Testament, Prefigurations of Christ on the Olive Mountain: Links Moses receives the stone tables, there are referrals to Bible texts, right Esther coast Staff of Ahasveros, there are referrals to Bible texts. Two prophets in the middle.

Christ met antiquity en novelty, Cornelius Galle (1), after Erasmus Quellinus (2), 1680 print Christ Tronend on a Pieth stable. He points with his hand to a burning IHS symbol. There are two men on both sides: Antiquitas and Novitas. Both wear books with Bible verses in their hands. On a cartouche the title of the book. At the bottom of the Pieth stable, two portraits of Franciscans have been processed: on the left the H. Bonaventura and on the right John Dons Scotus. print maker: Southern Netherlandspublisher: Antwerp paper engraving IHS ('Iesus Hominum Salvator') ~ symbol of Christ. Christ enthroned. Bonaventura, cardinal bishop of Albano and Minister General of the Franciscan Order; possible attributes: book, cardinal's hat (sometimes hanging from a tree), crucifix (sometimes flowering)

Didacus of Alcalá, saint.

Title print of the series on the actions of the Apostles, Adriaen Collaert (attributed to), after Jan van der Straet, 1582 - 1633 print Central to a framework the title Acta Apostolorum. Around eleven apostles. To the left of the De Apostle Peter frame. To the right of the De Apostle Paulus framework. The apostles are depicted with their attributes. The print is the title print of a 34-part series about the actions of the apostles. print maker: Antwerpafter design by: Florencepublisher: AntwerpAntwerp paper engraving lives and acts of the apostles (part I). the twelve apostles (as a group), usually with books or scrolls (not in biblical context)

Four angels keep the four winds in control; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. Four angels keep the four winds in hand with their sword. In the middle an angel brings the seal of God on the forehead of a member of a tribe of Israel. At the top of the clouds an angel with a cross. A four-line caption in Latin in the margin. Sixth print from a series of twenty-four with the Revelation of John on Patmos.

Transfiguration, HSD monogrammist, after Pieter van der Borcht (i), c. 1570 - c. 1610 print Transfiguration. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving the Transfiguration: Moses and Elijah appear on either side of Christ on Mount Tabor (Matthew 17:1-13; Mark 9:2-13; Luke 9:28-36)

Title print for a series with scenes from life and miracles of Saint Catharina van Siena, Pieter de Jode (I), After Francesco Vanni, 1597 print Title print with various bishops, all writing in a book. In the middle a frame with the Catharina van Siena Bosteportet. She wears a veil and adores a crucifix. The stigmata of Christ can be seen in her hands. Under the frame a coat of arms with a reference to the marriage of Christine van Lorraine and Ferdinando I de 'Medici underneath in a framework. In the margin a six -line caption in Latin. First print from a series of twelve with life and miracles of St. Catharina van Siena. Italy paper etching / engraving the virgin and Dominican Tertiary, Catherine of Siena; possible attributes: book, cross, crown of thorns, crucifix, demon under foot, heart (with cross), lily, plague-stricken, ring, rosary, stigmata

Laur, Ricci, Gen. of the SOC. From Jesu, Roy of para. Prev. March. From the universe. / Stores of all kinds of goods, wholesale and in detail. / Gentlemen on the old method, stop paying yours. At Saint Ignatius we wind everything. Here are the fashionable merchants. (IT)

Elzear of Saban, Saint.

St. Agathon, Martyr, December 7th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year) 1636 Jacques Callot French This print is part of a series comprised of a title page, frontispiece, and 122 plates. Each of these 122 plates contains four oval scenes depicting Saints and Religious Events for each day of the year. This etching was originally one of four oval scenes on a plate in the series.. St. Agathon, Martyr, December 7th, from Les Images De Tous Les Saincts et Saintes de L'Année (Images of All of the Saints and Religious Events of the Year). Les Images De Tous Les Saincts et Saintes de L'Année. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Mathematician and putti; Title page for: Gregory à Sancto Vincentio, Problema Austriacum Plus Ultra Quadratura Circuli, 1647. A lion skin is tense with the title of the book between two columns. A man signs a circle and a triangle in the sand with a stick. Two men look behind him. Right two putti that show medals, behind three putti that draw a circle with a passer.

On earth all kinds of believers (bishops, monks and lay people) pray around the coat of arms of the Saint Norbertus. In the clouds a vision of the Saint Norbertus in heaven, together with other clergy. At the top of the clouds the tetragram of God. The print has two Latin inscriptions: an upstairs and one below the show.

Scholar studies a book in the presence of Earth, Water and Fire, Jan Luyken, Jacob Claus, 1688

Woodcut and type print by Lucas Cranach the Elder depicting the adoration of the Pope, showing figures, gestures, and composition.

Four evangelists around an access gate; Title page for: Junius, Franciscus and Marshall, Thomas. Quatuor D.n. Jesu Christi S.S. Evangelia Gothicè & Anglo-Saxonicè, 1665. In the middle an entrance gate, turned on with Rustica. Top left is Matthew with a sloped book next to an angel. Right Marcus wrapping at a table with a winged lion. Lucas is located on the bottom left of a writing table with a os next to him and Johannes writes in a beaten book, while he looks up. There is an eagle for him. Under the title of the book a four-line, former Greek text.

Cornelius lets apostle Petrus call him, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching Cornelius sends two servants and a soldier to Peter in Joppa

Man and woman wear a coffin with stuff. A man and a woman dare a coffin with stuff on a friend. In the background a city with different church towers.

Allegorical performance with Roman Catholic Church, piety and zeal; Title page for: S.N., Breviarium Romanum, 1694. The personification of the Roman Catholic Church with bishop's staff, papal tiara and a book flexes towards the kneeling piety (Pietas) and zeal (Zelus) with lightning bolts. Above her cherubs in clouds and a pigeon in beams as a symbol of the Holy Spirit.

Allegorical title page with two Dominican martyrs. Two Dominican martyrs are raised. One has a saber on his head, the other a sword in his chest. On a throne in the middle is the personification of the papacy, with Tiara and keys. Two angels hand over the martyrs a laurel wreath and a palm branch. A large crowd in the background.

Scholars discover the Tetragram, Peter van Liesebetten, After Hendrik Herregouts, 1666 print Gathered scholars look in surprise at the tetragram that appeared above them in the air. A number of signs of the zodiac are depicted in the air under the tetragram. There are some putti between the scholars, angels fly in the air. In the foreground is a putto with a passer at a globe. paper engraving scholar, philosopher. the all-seeing eye, triangle with eye ~ symbol of God the Father (+ variant). zodiac; the twelve zodiacal signs together. cupids: 'amores', 'amoretti', 'putti'

Christ for Annas, 1600 - 1699 print Christ is led by armed soldiers in front of the high priest Annas. Netherlands paper letterpress printing Christ before Annas (Hanna); maybe a soldier about to strike Christ (John 18:13, 18:19-24)

Apostle Peter Wekk Tabitha Tot Leven, Anonymous, after Johann Jakob von Sandrart, 1697 print paper etching Tabitha is raised from the dead by Peter's prayer

Two angels show the passion tools of Christ., Johann Sadeler (I), After Maerten de Vos, 1588 print Two angels with banners are kneeling on either side of the cross with the passion tools of Christ. At the top of the title of the series. München paper engraving printed matter. 'Arma Christi'. the Virtues ~ crucified Christ (+ angel(s)). angels

Aanbidding van het Lam op de berg Sion en drie verkondigende engelen; Openbaring van Johannes op Patmos; Icones Revelationum S Johs Evangeliste in Pathmo.The lamb on the mountain Sion surrounded by people. God the Father on His throne surrounded by the four beings and the elders. In the middle three angels: the first holds the eternal gospel and announces the day of judgments, the second the fall of Babylon. The third angel warns against the worship of the beast and the image, because as punishment one will have to drink the wine of God's anger. A four-line caption in Latin in the margin. Sixteenth print from a series of twenty-four with the Revelation of John on Patmos.

Allegory on the old and New Testament; Title page for: Historiae Sacrae Tam Veteris Quam Novi Testamenti, Amsterdam; The tiled histories zoo of the old as the New Testament. Allegory on the old and New Testament. Title in architectural frame, flanked by a sitting old woman with the ten commandments and a raised sword, left, standing woman with lamb and the book with seven stamps on the right. In the middle of a woman troning with snake scrubbing around her arm, the pigeon as a symbol of the Holy Spirit for her chest and scepter with every eye in her hand. Title stated in five languages.

Faith, Hope and Love and the Four Evangelists, Anonymous, 1643 - 1646 print Title print for the New Testament in 'Theatrum Biblicum' with the title on a monument. Around the monument the personifications of the three divine virtues: centrally the love (caritas) flanked by hope with anchor and faith with cross. Left and right the four evangelists with their attributes. From left to right: Matthew, Marcus, Lucas and Johannes. Above the head of love a jet wreath with the name Christ in Greek. Under the show a text in Latin. This print is part of an album. paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Hope, 'Spes'; 'Speranza divina e certa' (Ripa) ~ one of the Three Theological Virtues. Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. letters and monograms ~ symbols of Christ. evangelists, usually with books or scrolls (not in biblical context)

Letter P in a picture frame with a representation of Paul who is blinded by the appearance of Christ en route to Damascus. .

Six scholars with rolls of parchment on the stairs of a temple, Jan Luyken, 1698 print Print Maker: Amsterdampublisher: Franeker paper etching group of scholars or philosophers. parchment, vellum (writing material)

Christ heals a madman, monogrammist HSD, after Pieter van der Borcht (i), c. 1570 - c. 1610 print Christ heals a madman. Part of a Prentalbum with title print and 56 scenes from the New Testament. Each performance mounted in an engraving with ornamental cartouches in which a window is cut and provided with handwritten Bible passages. paper engraving healing of a lunatic boy (Matthew 17:14-21; Mark 9:14-29; Luke 9:37-43)

Almanach for the year of Grace MDCLXV (TI)

The capture of Christ, Jacob Cornelisz van Oostsanen, 1517 print From series of twelve prints. Christ, fascinated, is beaten and pushed by men. Round performance ornamental frame. Bottom frame with text in Latin. Printed from multiple blocks. paper Christ is led away ~ Garden of Gethsemane

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