Historic Rural Life Scenes

A collection of detailed artworks depicting rural life and agricultural activities, featuring figures engaged in harvesting, fishing, and cultural gatherings in scenic landscapes.

Horseman's fight, Charles Parrocel, 1698 - 1752, draughtsman: Charles Parrocel, 1698 - 1752, paper, pen, brush, h 221 mm × w 320 mm

Four Chinese figures in a landscape; New inconvested sinesen with great Moeyte complicated and given in it, by P. Schenk Jun (...), second part. Four Chinese figures in a landscape with water in the background. A child on the left. Chinese men in the middle two richly exhausted. Right a man who bends. Print is part of an album.

Horseman's fight, Charles Parrocel, 1698 - 1752, draughtsman: Charles Parrocel, 1698 - 1752, paper, pen, brush, h 221 mm × w 320 mm

William Hamilton, 1751-1801, British, Figures Harvesting, undated. Watercolor and pen and black ink, pen and brown ink and graphite on medium, slightly textured, cream laid paper.

The Harvest Moon, Print made by Robert Walker Macbeth, 1848-1910, British, after George Heming Mason, 1818-1872, British, 1883, Etching on medium, slightly textured, cream wove paper, Sheet: 14 3/8 × 35 3/8 inches (36.5 × 89.9 cm), Plate: 14 × 34 7/8 inches (35.6 × 88.6 cm), and Image: 12 3/4 × 33 3/4 inches (32.4 × 85.7 cm)

Netting a Salmon Pool, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper, Sheet: 6 1/2 x 10 1/8 inches (16.5 x 25.7 cm), baskets, fishing, genre subject, landscape, men, nets (objects), pool, rocks (landforms), trees, water, women

Sketch magazine with various studies, including Van IJspret, August Allebé, 1848 - 1927 drawing Sketch magazine with various studies, including pair in rain, sunshine, snow, ice fun and people in a haircut. paper. pencil skates (winter sports). railway-coach, railway-carriage, wagon. walking, hiking (recreation)

Utrechtse Maskerade from 1876 (seventh plate), Anonymous, After Cornelis Willem Hoevenaar (II), 1876 print Seventh and last part of the parade. Part of a series of seven records Plus title print and statement of the costumed parade organized by the students of the Utrecht University of Applied Sciences to celebrate the 48th anniversary on 27 June 1876. The parade proposes the entry of Karel in Stoute in Zutphen on August 4, 1473 . print maker: Netherlandsafter drawing by: Netherlandsprinter: Amsterdampublisher: Utrechtpublisher: Utrecht paper commemoration of the founding of a university. students' pageant. costumes used in pageants Utrecht

Winter face on the Black Water near Zwolle, Gerrit Grasdorp, 1661 - 1693 drawing paper. watercolor (paint). ink pen / brush ice ~ freezing weather. winter sports Black water. Zwolle

Maskerade of the Leiden students, 1850 (plate 3), 1850 Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Third plate with the groups numbered 25-34. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch Historically costumed parade of the students of the Leidse Hogeschool on 11 June 1850. The parade depicts the entry of Frederik Hendrik in Den Bosch in 1629. Third plate with the groups numbered 25-34. Part of the series of thirteen sheets stuck. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: Leidenpublisher: Leiden paper Suffer. the Bosch

Plume ball during New Year, Hiroshige (I), Utagawa, 1850 - 1855 print Unguine envelope on which the image of a woman and a girl, both with battle wood, playing plume ball; Pine branches in the foreground. Japan paper nishiki-e / color woodcut games of skill. parents with their children

Gainsborough Dupont, 1754-1797, British, Landscape with three figures, cottage, and church spire, undated. Graphite and gray wash on medium, moderately textured, beige, laid paper, mounted on, very thick, slightly textured, beige, card paper.

Casanova, Francesco-Giuseppe (n.1727-06-01-D.1802), the lifting of a camp or the regiment on the move. Sleeping of military convoys (main title), 1787. Organic. Textile. Wool. Tapestry. Petit Palais, Museum of Fine Arts of the City of Paris.

Print made by Robert Walker Macbeth, 1848-1910, British, The Harvest Moon, 1883. Etching on medium, slightly textured, cream wove paper.

Interior of a cottage , Dwellings, Interiors. Thomas Rowlandson (1756-1827). Prints and Drawings

Landscape with kegelaars at a home, Jean Théodore Joseph Linnig, after David Teniers, 1834 print paper etching ninepins, skittles

Capean Otro Enceration /they Misguide the Bull with the cloth in the arena; Board no. 4 from: Laurmaquia bullfighting, ed. III, Goya, Francisco de (1746 1828)

Fragments (France); cotton; Warp x Weft (a): 23 × 84 cm (9 1/16 × 33 1/16 in.) Warp x Weft (b): 34 × 54.5 cm (13 3/8 × 21 7/16 in.) Warp x Weft (c): 76 × 28 cm (29 15/16 in. × 11 in.) Warp x Weft (d): 11 × 84.5 cm (4 5/16 × 33 1/4 in.); Bequest of Elinor Merrell; 1995-50-47-a/d

Plate V "Print recto L.B.

Three Men Talking, James Bruce, 1730-1794, British, undated, Pen and brown ink and gray wash on medium, slightly textured, beige laid paper, Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm)

Dr. Syntax Sketching the Lake, Thomas Rowlandson, 1756-1827, British, 1812, Watercolor with pen and red ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/8 x 7 5/16 inches (13.7 x 18.6 cm), boy, elderly, figures, genre subject, horse (animal), lake, man, pail, paper (fiber product), sketching, umbrellas

Death Turned Pilot, Thomas Rowlandson, 1756-1827, British, between 1815 and 1816, Watercolor with pen and red-brown ink over graphite on medium, smooth, cream wove paper, Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm), allegory, boats, death, genre subject, hourglass, meteorology, oars, People, sails, science, ships, shipwreck, skeleton, storm, waves, tidal

Salamander of Eug�ne Sue (registered title) | Woman suppliaments a man (registered title)

Views of The American War of Independence, Zuber & Cie, Rixheim, Alsace, France, founded 1797, Jean-Julien Deltil, 1791 - 1863, Block-printed paper, canvas mount, The background of 'Scenic America' is used for scenes of the American Revolution. At the left, background, is seen the natural bridge, Virginia; in foreground, British troups are retreating, firing as they do so. Strip 25 and 26 from a set of 32. Paper label affixed to top left corner., Rixheim, Alsace, France, 1852-53, Wallcoverings, Scenic panel, Scenic panel

Bricklayer's Arms , Taverns Inns, Horses, Carriages & coaches, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

Appraisers in the painter's studio; Decamps, Alexandre-Gabiel (1803-1860); after 1837 (1835-00-00-1845-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Society of Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, caricatures, moral caricatures, art critics, monkeys, artists' studios, drawings French, Singerie (iconogr.), Animals

Moses Striking the Rock in Horeb. Nicolaas Henneman (British, 1813 - 1893)

Costumi Fatti a Rocca di Papa, Carlo Labruzzi, 1748-1817, Italian, 1793, Pen and brown ink with wash, portrait, Rocca di Papa

Die Schlacht. Josef Albert (German, 1825 - 1886)

Edward Lear, 1812-1888, British, Near Suez, 1 pm, 16 January 1849 (48), 1849. Watercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper.

Henry Thomas Alken, 1785-1851, British, Set of seven: Military Discoveries, 1819. Aquatint, hand-colored.

Dr. Syntax Made Free of the Cellar. Genre subject. Watercolor with pen and brown and gray ink on medium, moderately textured, blued white, wove paper. Height: 133 mm (5.23 in); Width: 213 mm (8.38 in). Author: Thomas Rowlandson.

Carnival de 1830 (from La Caricature) 1850 Victor Adam French. Carnival de 1830 (from La Caricature) 418728

Amsterdam, Senefelder, Carl, Halbertsma, Joost Hiddes, Boer, J. de, This is what the monkeys do: they use cats to get chestnuts out of the fire, Cartoon on Louis de Potter, 1828-1830, Cartoon on Louis de Potter who worked for the Belgian clergy, but was harnessed to their cart, ca. 1828-1830. Four monkeys dressed as clergymen force a cat to get chestnuts from a hearth fire. A set of petitions hangs on the wall. With two-line caption., print, picture, cartoon, prints, pictures, height 154 mm, width 198 mm, print maker, printmaker, 1828 - 1830, paper, papier, lithografie (technique), Work conception, Dutch, 1789 - 1869-02, after a design by, 1786-06-08 - 1836, printer, drukker

Two studies for a male portrait, George Romney, 1734-1802, British, undated, Pen and brown ink on medium, moderately textured, beige laid paper, Sheet: 5 3/4 × 8 1/4 inches (14.6 × 21 cm), Bible, coat, crowd, figure study, portrait, religious and mythological subject, trial

Edward Francis Burney, 1760-1848, British, View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge, undated. Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, blued white, laid paper.

Artist: William Sharp, American,1749-1824, After: John Trumbull, American, 1756-1843, The Sortie Made By the Garrison of Gibraltar in the Morning of the 27 of November1781, ca.1799, Engraving, image: 50.3 × 76.6 cm (19 13/16 × 30 3/16 in.), Made in United States, American, 18thcentury, Works on Paper -Prints

Traditional costumes of island of Gozo, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. watercolor (paint) brush / pen

At close range , Kissing, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

Alexander the Great lets the moons and tails of horses and mules cut off, Leonaert Bramer, c. 1655 - c. 1665 When Hephaestion, the best friend of Alexander the Great, dies, Alexander has the mane and tails of all horses and mules in his army as a sign of mourning. Numbered at the top right: 47. Drawing is part of an album. paper. ink. deck paint pen / brush When Hephaestion, the best friend of Alexander the Great, dies, Alexander has the mane and tails of all horses and mules in his army as a sign of mourning. Numbered at the top right: 47. Drawing is part of an album. paper. ink. deck paint pen / brush

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set. Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). 1830-90. Drawings

Scene depicting activities in a Jewish school by Thomas Wyck, with figures, architecture, and objects, executed in brown pen with brown washes and traces of black chalk on paper, damaged and restored.

La promenade après dîner, from La vie de chteau, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, People walking in a park; come conversing. Four dogs, left, with them. Title and artists' names below., Paris, France, 1832, Print, Print

Winter view, Gerrit Grasdorp, 1661 - 1693, draughtsman: Gerrit Grasdorp, 1661 - 1693, paper, pen, brush, h 174 mm × w 254 mm

After Winslow Homer, On the Bluff at Long Branch, at the Bathing Hour, 6 Aug. 1870, wood engraving on newsprint.

Milkmaids and Gentlemen in St. James's Park. Genre subject. Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, blued white, laid paper. Height: 181 mm (7.12 in); Width: 310 mm (12.20 in). Author: Thomas Rowlandson.

Bodmin Cornwall: The Arrival of the Stage-Coach, Thomas Rowlandson, 1756-1827, British, 1795, Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream, wove paper; mounted on moderately thick, moderately textured, beige, laid paper, Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm) and Mount: 14 1/8 x 20 1/8 inches (35.9 x 51.1 cm), birdcage, bowl (vessel), buildings, cat (domestic cat), children, dog (animal), drum (musical instrument), genre subject, hats, infant, inn, men, piglets, pigs, plant, soldiers, stagecoach, tables (support furniture), uniforms, military, windows, women, Bodmin, Cornwall, England, Europe, United Kingdom

Paris, Basset, Malbranche, Louis Claude, France, Lambert II, La Nuit, Nachtelijk militaire kamp, recto lower right - printed, print, prints, verso - stamped, Déposé au Bureau des Estampes, height 338 mm, width 424 mm, French, print maker, printmaker, 1815 - 1841, paper, aquatint, etching, etchings, engraving, engraving (printing process), roulette, 1790-09-03 - 1838-11-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Plate 18, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." Two scenes: at top, an old man, officer, woman, and young girl inspect an elaborate urn on a pedestal at left, and a couple sits on a bench at right. Below, a man and two women sit on the grass at left, drinking and smoking, and a man bowls skittles at right while a young girl and two men watch.. Plate 18, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

The Bowlers, William Henry Simmons, 1811-1882, British, after Sir George Harvey, 1806-1876, British, 1852, Engraving, mainly stipple, colored by hand, Sheet: 19 1/8 x 31 1/8in. (48.6 x 79.1cm)

Henry Thomas Alken, 1785-1851, British, Foxhunting: Drawing a Cover, undated. Watercolor, with pen, in brown ink, graphite, and gouache on medium, slightly textured, cream, wove paper.

Robert Hills, 1769-1844, British, Studies of Haymakers, ca. 1807. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Richard Corbould, 1757-1831, British, Winter, ca. 1802. Watercolor, with graphite, pen and black ink on medium, moderately textured, beige wove paper.

Caricature, Unknown, 1855 drawing Drawing was stored in a brown leather cover with gold print `1836 Tribute to Dr. G.A.N. Allebé 1886 ', containing letters, drawings and poems from the family of the painter August Allebé. paper. pencil

Paris, Basset, Malbranche, Louis Claude, France, Lambert II, L'Aurore, Military camp at sunrise, recto bottom right - printed, print, prints, verso - stamped, Déposé au Bureau des Estampes, height 328 mm, width 421 mm, French, print maker, printmaker, 1815 - 1841, paper, aquatint, etching, etchings, roulette, 1790-09-03 - 1838-11-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Bazaar Day, Livadhia, Greece, April 13, 1849 By Edward Lear, Watercolour, Sketch

Attributed to Francesco Casanova, Herdsman Crossing a River Herdsman Crossing a River

Five Vignettes of Scenes from Antiquity, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, undated, Watercolor and graphite on medium, moderately textured, cream, wove paper, mounted on, thick, smooth, peach, wove paper, Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm) and Mount: 10 × 14 1/2 inches (25.4 × 36.8 cm), buildings, clouds, colors, figure study, gods, halo, Pegasus, religious and mythological subject, wings, women

Laboureurs de Khosrova. Azerbaidjan. Laboureurs chrétiens.. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Thomas Rowlandson, 1756-1827, British, Fox-hunting set of four: 3. Fox Chase / Scene near maidenhead thicket, 1801. Aquatint, hand-colored including borders.

Sumfin did drap.. Franklin G. Weller (American, 1833 - 1877)

Rinaldo after killing the knight Gernard, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Rinaldo

Sir Charles D'Oyly, 1781-1845, British, active in India, View of Calcutta and its Environs:Office of the Sudder Board of Revenue from Kyd Street - Calcutta, undated. Watercolor, white gouache, graphite, and gray wash on moderately thick, moderately textured, blue/gray, wove paper.

Russia. People on skates and on a horse drawn sleigh. Engraving by Lemaitre, Vernier and Chaillot. History of Russia by Jean Marie Chopin (1796-1870). Panorama Universal, Spanish edition, 1839.

Maenaden at an altar, Anonymous, 1688 - 1698 print Maenaden or bacchanches around a sacrifice for a Herme. On the column, a Maenade puts a bowl with grapes. There are a Thyrsus and a pan flute on the floor. This print is part of an album. Netherlands paper etching Maenad(s), Female Baccan(es). Other hybrid forms in the shape of a pillar. Thyrsus ~ Attribute of Bacchus

Baduy of the residence Banten, a jealous playing. The jealous calung only occurs in West Java (the name is Sundanese). The Baduy live in the central mountainous part of West Java, located west of Bogor, Baduy of the residence Banten, West Java., draughtsman: Jannes Theodorus Bik, (attributed to), West-Java, c. 1816 - c. 1846, bristol board, pen, h 208 mm × w 306 mm

A Gibbet. Genre subject. Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, beige, wove paper. Height: 360 mm (14.17 in); Width: 275 mm (10.82 in). Author: Thomas Rowlandson.

Henry Thomas Alken, 1785-1851, British, A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain", 1821. Watercolor, with pen, in blue ink and graphite on medium, slightly textured, cream, wove paper.

Dr. Syntax Bound to a Tree by Highwaymen. Date/Period: 1820. Painting. Watercolor. Height: 213 mm (8.38 in); Width: 270 mm (10.62 in). Author: Thomas Rowlandson.

The Repast under the Tent, from the Russian Games Series. Jean-Baptiste Le Prince (France, Metz, 1734-1781)Beauvais Tapestry Manufactory (France, active 1664). France, Beauvais, circa 1770-1780. Textiles; tapestries. Wool and silk; 23 warps per inch

Winter Landscape with a Hunter and his Dog 17th century () Follower of Hendrick Avercamp Dutch Hendrick Avercamp, one of the most beloved painters of the Dutch Golden Age, is renowned for his iconic winter landscapes. Already in his own time the artist enjoyed great popularity, and it is therefore not surprising that his work was avidly copied and imitated. This drawing seemingly shows the typical Avercamp icescape. To the left, a hunter and his dog observe another huntsman in action. In the distance, small groups of figures skate across the ice. The wide and low horizon, with the sky coloring orange and pink, is equally characteristic of Avercamp’s winter scenes.Several stylistic properties, however, pose room for doubt about the drawing's authenticity. The figures in Avercamp’s finished drawings are characterized by a great accuracy in the rendering of posture as well as a high degree of detail in the execution of costume and physiognomy; aspects that are lacking in this sheet. The

Print made by Thomas Rowlandson, 1756-1827, British, One Tree Hill Greenwich Park, 1811. Etching with watercolor on medium, brown, slightly textured wove paper.

Cain andAbel. Artist: Unknown

Covent Garden Market, Thomas Rowlandson, 1756-1827, British, between 1795 and 1810, Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream, wove paper, Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm) and Mount: 8 1/4 x 11 5/8 inches (21 x 29.5 cm), baskets, buildings, bushes, children, crowd, dog (animal), elderly, genre subject, hats, market (event), men, parasols, plants, pots, shops, signs, identification, stands (mercantile structures), trellis, weather vanes, women, youth, Covent Garden, England, Europe, Greater London, London, United Kingdom

Robert Mabon, died 1798, British, Indian Guard Room, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Henry William Bunbury, 1750-1811, British, Carter Filling his Pipe, undated. Watercolor and crayon on medium, slightly textured, cream wove paper.

The Paris Diligence, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black, gray and red-brown ink over graphite; verso: graphite on medium, slightly textured, beige, wove paper, Sheet: 9 3/16 x 14 1/8 inches (23.3 x 35.9 cm) and Mount: 12 1/2 x 17 7/16 inches (31.8 x 44.3 cm), archways, beggars, buildings, carriages, cityscape, crucifixes, Grand Tour, horses (animals), ladies, monks, pig, piglets, riding crops, soldiers, town, transportation, windows, Europe, France, Paris

Life of Saint Philip of Jesus (Vida de San Felipe de Jesus) José Montes de Oca (Mexican, active ca. 1788-1820). Life of Saint Philip of Jesus (Vida de San Felipe de Jesus), 1801. Engraved prints on white antique laid paper, modern binding, size of cover: 9 1/8 x 6 7/16 in. (23.2 x 16.4 cm). These three objects tell a story of Mexicos early nineteenth-century Creole patriotism. The Mexican independence movement was fueled by Creoles, who were often denied a voice in colonial government. The 1821 Act of Independence formalized the independence that had been declared in 1810 and was signed by many Creole aristocrats, among them Don José María Gómez de Cervantes, whose portrait is on view nearby. New World figures like the Virgin of Guadalupe, who miraculously appeared to the Indian Juan Diego in 1521, and Saint Felipe de Jesús, the first Mexican-born saint, became important nationalist symbols, supporting the idea that the independence of Mexico was divinely ordained. Estos tres objetos

Zaragosa brought under the rule of King Philip V of Spain, 1707, 1707 Zaragosa brought under the rule of King Philip V of Spain, May 19, 1707. Under the show an explanation in Dutch and Latin. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Zaragoza Zaragosa brought under the rule of King Philip V of Spain, May 19, 1707. Under the show an explanation in Dutch and Latin. Print is part of an album. print maker: Amsterdampublisher: AmsterdamThe Hague paper etching Zaragoza

A pencil and watercolor illustration by Leander Russ from 1842 showing a botanical study scene with figures, plants, and interior details.

Engraving by British artist & engraver, William Hogarth 1697ñ1764: Ticket for the Tiverton school feast 1740

A Man, seen from behind, holding a trophy of arms, from Nouveau Livre de diverse Figures (New Book of Various Figures). Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Sheet: 9 7/16 x 7 in. (24 x 17.8 cm). Publisher: Gabriel Huquier (French, Orléans 1695-1772 Paris). Series/Portfolio: Nouveau Livre de diverse Figures. Date: 1751. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

The water wagon , Carts & wagons, Water, Dogs, Horses. Thomas Rowlandson (1756-1827). Prints and Drawings

Outline of Figures and Animals. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 15/16 × 17 5/16 in. (27.8 × 44 cm)Plate: 10 5/8 × 14 5/8 in. (27 × 37.2 cm). Series/Portfolio: Outlines. Date: January 31, 1791. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Rowlandson, 1756-1827, British, Set of sixteen: Outlines of Figures and Landscapes, 1790-1792. Etching, colored by hand.

The Slave Market by Jacques Callot, 1629

Humbugging, or raising the Devil , Magicians, Crocodiles, Cats, Magic. Thomas Rowlandson (1756-1827). Prints and Drawings

Portrait of a tattooed postman. .

attributed to Francis Place, 1647-1728, British, Dunbar Castle and the Bass Rock, undated. Pen and black ink over graphite with gray wash on two joined sheets of medium, slightly textured, cream laid paper.

Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857, George Cressal Ellis, ca. 1810-1875, undated, Watercolor and gouache over graphite on thin, smooth, brown wove paper, Sheet: 8 × 11 inches (20.3 × 27.9 cm), crowd, literary theme, production, theaters, England, Europe, London, United Kingdom

Racing set of six: 4. Between Heats, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1799, Hand colored etching, Sheet: 10 1/4 x 13 1/4in. (26 x 33.7cm)

Veteran. Draughtsman: Alexander Ver Huell. Dating: c. 1854 - c. 1887. Measurements: h 239 mm × w 192 mm. Museum: Rijksmuseum, Amsterdam.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo.. Goya, Francisco (1746-1828). 1815. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bulls , Spain, Bullfighters , Spain, Bullfighting , Spain

The Fair Bather 1799 Thomas Rowlandson. The Fair Bather. After François Boucher (French, Paris 1703-1770 Paris). 1799. Hand-colored etching, printed in brown ink. () Thomas Rowlandson (British, London 1757-1827 London). Prints

Les Pommiers, 1902. Eugène Deltre (French, 1864-1938). Color aquatint;

Old blind beggar led by a boy, 1660 - c. 1687 Old blind beggar led by a young guide. Zwolle paper. watercolor (paint). ink brush Old blind beggar led by a young guide. Zwolle paper. watercolor (paint). ink brush

Delay at the Grotte delle Capre on the border at Nemorosa and Fredda, 1778 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk. pencil. watercolor (paint) brush / pen

Thomas Rowlandson, 1756-1827, British, Set of sixteen: Outlines of Figures and Landscapes, 1790-1792. Etching, colored by hand.

Edwin Austin Abbey, With Pride Upon Her Brow, c 1878 With Pride Upon Her Brow

Innere Ansicht des grossen Tempels von Abusimbel Abû Sunbul.. Weidenbach, Ernst (1818-1882). 1849 - 1856. Lepsius, Richard, 1810-1884. Prints. General Research Division. Egypt , Antiquities, Ramses II, King of Egypt, Egypt , History , Nineteenth dynasty, ca.1320-1200 B.C

An animal in the moon / Un Animal dance la Lune Illustrations for fables by Jean de La Fontaine (series title) Night scene with men studying the moon with a telescope. Design for a print., South of France, Jean Baptiste Oudry, 1731, paper, brush, h 310 mm × w 259 mm h 240 mm × w 187 mm

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