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Historic Scenes of Conflict and Daily Life

Dramatic etchings showcasing fights, conversations, and intimate settings, reflecting 19th-century life with expressive figures and mood.

Nettenboeter in Schuur, Frederik Hendrik Weissenbruch, after Ferdinand de Braekeleer (I), 1847 - 1865 print A net finisher sits in one on the ground against a ton and recovers a net. A woman feeds cows in the background. The Hague paper. mending of fishing nets
Nettenboeter in Schuur, Frederik Hendrik Weissenbruch, after Ferdinand de Braekeleer (I), 1847 - 1865 print A net finisher sits in one on the ground against a ton and recovers a net. A woman feeds cows in the background. The Hague paper. mending of fishing nets
246 assets in this story
Group men with caps and overray, Adolf Eduard Herstein, 1879 - 1932 print paper etching / drypoint crowd, mob. adult manStreet face with children playing, Anonymous, 1850 - 1910 print Belgium paper etching / drypoint village streetMan with a dying woman, Noah van der Meer (II), After Dirk Jan van der Laan, 1785 print A man is at the deathbed of a woman. She holds his hand. Amsterdam paper etching deathbed. bedroomDryburgh , Tombs & sepulchral monuments, Abbeys, Ruins, Dryburgh Abbey Dryburgh, Scotland. Sir David Young Cameron (1865-1945). PrintsYoung woman with a parasol, Constant Aimé Marie Cap, 1874 print paper etching / drypoint parasol, sunshadeEtruscan burial chamber in Tarquinia decorated with reliefs, c. 1762 - c. 1770 print Etruscan burial chamber Tomba della Mercareccia in the Necropolis of Monterozzi at Tarquinia. On the right a man is dressed in a cape; In the foreground, a woman points to a deeper space on an entrance. paper engraving / etching historical grave forms TarquiniaPlate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.) 1810 Goya (Francisco de Goya y Lucientes) Spanish This is among the most blatant representations in the Disasters of the wartime aggression inflicted upon women. This form of wanton violence seems particularly to have touched Goya, as it became the subject of eight plates in the series. Here, a group of French soldiers assaults a Spanish woman watched by a man standing on the left with his hands tied, in all certainty a relative of the victim. Goya etched this print on the back of the plate for Landscape (see 2015.539).. Plate 13 from "The Disasters of War' (Los Desastres de la Guerra): 'Bitter to be Present.' (Amarga presencia.) 333975The crime of the Temple Boulevard.Hamlet a Countin Greertrude, Egène Delaeroix, 1834 print Print is part of a cover with fourteen prints. Paris paper Hamlet, Prince of DenmarkTroc! (You)Copper engraving by Johann Sadeler the Elder depicting the biblical story of the lost son. Created between 1590 and 1600, illustrating religious narrative and human figures.(). (LE FRERE IGNORANTIN.). Artist: Paul Gavarni, French, 1804-1866(La Goutte) ,. Paul Gavarni (1804-1866). Lithographs and Other WorksBlancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: Illustration of the Kabyle weavers at the Esplanade des Invalides (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.Young woman sinked into a chair at a table with the remains of dinner, G. Laguenesse, 1877 print paper etching evening meal, dinner, supper (+ lingering at table)Catharine of Aragon and her Maid, from Old English Masters 1900 United States. Wood engraving on chine paper . Timothy ColeMonkey lifts the wig of a sitting man and a child secretly drinks from a bottle, Eugène Hippolyte Forest, 1834 print Leaf with two separate performances. This print is part of an album. Paris paper Wig. Monkeys, Apes. Glutton. Gluttony, intemperance, 'gula'; 'Gola', 'Ingordigia', 'Ingordigia overo aviditè', 'voracitè (Ripa) ~ Personification of one of the seven deadly sinsArchitecture fantasy with antique elements .. Remnants of antique sculptures. On the right a lion on a high base. At the bottom right: No 2.Verhiizing, Nicolas Toussaint Charlet, 1835 print A young painter reluctantly leaves his house. The mover for him laughs cheerfully, despite the heavy burden on his back. Anyone who has never had trouble has never known the pleasure. Paris paper moving (house). Bohemian life of artistGraf monument for Engelbrecht II, Count of Nassau-Dillenburg-Breda, 1504, 1838-1887 print Graf monument for Engelbrecht II in the Prinsenkapel of the Onze-Lieve-Vrouwekerk in Breda, died on May 31, 1504. There are a number of figures around it. The Hague paper grave-building, monumental tomb. interior of church BredaWasherwoman 1850 France. Etching and plate tone on ivory laid paper . Charles Émile JacqueParisian Courtyard. Charles Émile Jacque; French, 1813-1894. Date: 1865. Dimensions: 174 × 118 mm (image); 199 × 138 mm (plate); 333 × 270 mm (sheet). Etching and drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.Couple study (dummy title)Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these.' (Ni por esas.) 1810 Goya (Francisco de Goya y Lucientes) Spanish. Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these.' (Ni por esas.). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810. Etching, lavis, drypoint, burin. PrintsDrawing (Italy); Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); graphite, brush and gray watercolor on cream laid paper; 30.1 x 15.4 cm (11 7/8 x 6 1/16 in.)It's not all that! We can not go out to go to food: there must be / one who is devoted to feed the others .... / (7)Tour from the eighty people from Liège to Tervuren, Abraham Vinkeles, 1832 print The leader of the Liegearen group falls defeated in the straw when the Dutch army enters Leuven. Cartoons as an illustration in a hero singing about the journey from the Eighty Liège residents to Tervuren on 6 September 1830. Numbered in the top right pl. 3. Rotterdam paper fainting, swooning Tervuren. CorkReading man in front of chimney. A young man is sitting on a seat in front of a fireplace. A clock on the mantelpiece. Left in the room a plant in a pot on a table.Balletles in room with violinist, Paul Renouard (1845-1924), 1855 - 1924 print paper etching the ballet, ballet performance. violin, fiddleFresco with different animals in a building in Pompeii, Italy, Anonymous, 1851 - 1900 photograph Pompeii cardboard. paper albumen print wall-covering. picture, painting PompeiiLes chanteurs.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Guitars, SingingPainter and the Bourgeois 1862 France. Wood engraving on cream Japanese paper . Charles MaurandPrint , Architectural Drawing with Figures; Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); engraving on paperBacchus, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Bacchus shown in mountainous country holding thyrsus in his right hand and with left hand, pouring wine into bowl for panthers., Italy, ca. 1810, figures, Drawing, DrawingCaprichos: Sleep Overcomes Them. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;Figures in an inn near Lyon, Antoine Vollon, c. 1863 print France paper etching / drypoint inn, coffee-house, public house, etc.. dogThere isn't Time Now, plate 19 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1812. Dimensions: 131 x 198 mm (image); 165 x 235 mm (plate); 240 x 340 mm (sheet). Etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.Sitting man in armor with a glass in hand surrounded by figures, Célestin François Nanteuil, 1823 - 1873 print paper. armour. hacking and thrusting weapons: swordSeven scenes that relate to observation and interpretation, Christoph Wilhelm Bock, after Daniel Nikolaus Chodowiecki, 1774 print At the top left, a boy who from crippled people in front of the Stadspoort deduces that all inhabitants of that city are crippled. In addition, an experiment with eggs in water. In addition, a woman and child who worry about the approaching thunderstorm. In the middle a lottery on a market and a burning house. Under a girl who makes butter and an experiment with an electrification machine. In the middle of numbered: tab. Liv. paper etching person with a physical disability. experiment, test ~ science and technology. thunder. lottery booth (on pleasure fair). book-stall, kiosk. extinguishing a fire. milkmaid. electrical phenomenaThe little draftsman. A child drawing, lying on a sofa. On the wall a print or drawing of a rider. A hoop and stick are leaned against the couch.The Engraver's Instruments ca. 1862 Jules-Ferdinand Jacquemart. The Engraver's Instruments. Eight Studies and Compositions of Flowers. Jules-Ferdinand Jacquemart (French, Paris 1837-1880 Paris). ca. 1862. Etching. PrintsLucella and Ascagnes as a love couple; The loving couple.Picture photography: Olive miracle In. John the member, picture on the wing of the triptych John the member from the beginning of the 16th century in the church. Catherine in Krakow; Krieger, Ignacy (Kraków; Photographic Zak 1860-1926); 1888 (1888-00-00-1888-00-00);Amalia (1846-1928) - collection, KriegerTwo girls in winter clothing, Eugène Delâtre, 1894 print paper etching girl (child between toddler and youth). muffEcce Homo. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Bosch, Hieronymus (ca 1450-1516), painterLantaarn, Henri Charles Guérard, 1876 print paper etching lanternDog market, Florimond Buyck, After Joseph Stevens, c. 1880 - in or before 1909 print paper etching marketLaudon Mourut, Allegorical sheet for the death of the field marshal Laudon in a neutest from July , UnknownEtching and aquatint from 1810 by Goya depicting both healthy and sick individuals affected by war, showing contrast between survivors and wounded in 'The Disasters of War'.Business card from print trader Edmond Sagot in Paris. Interior with a sitting man and woman, together view a picture that the woman has taken from a picture stand. Front right a table with flowers and crockery.Maître Bébé. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Orchardson, William Quiller (1832-1910), painter, Chardon, Charles (Paryż ; drukarz ; fl. ca 1830-1890 ; st.), printer of graphic printsAndreas Flinch (1813-1872); C.e. Andersen (1817-1845), Illustration to Niels Ebbesens Vise, 1813 - 1872st, Rathausplatz - Rathaus - municipal council meeting hall - Interior view - Detailed view - Fresco by Ludwig Mayer by Ludwig Mayer charity, Unknown, photographerVegetable woman praises her goods, Johannes Huybertus van Hove Bzn, After Charles Rochussen, 1837 - 1878 print The Hague paper vegetables. sellingPortrait of William Hogarth, from Old English Masters. Timothy Cole (American, born England, 1852-1931); after William Hogarth (English, 1697-1764). Date: 1897. Dimensions: 435 x 345 mm (sheet). Wood engraving on chine paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.Le Baron Moïse mendiant , Pleading Begging, Jews. Henri de Toulouse-Lautrec (1864-1901). Prints and DrawingsSea battle in the heads, 1554, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Sea battle in the heads (near Calais), 1554. Drowning people are fished out of the water. Ships burning in the background. Amsterdam paper etching battle (+ naval force) Carefoot of CalaisIntérieur Flemand; Jasi Ski, Feliks Stanis Hebdomadaire Illustée (Paris, London; Magazine; 1875-1907); 1885 (1885-00-00-1885-00-00);L'A Art Revue Hebdomadaire Illustée (Paris, London - magazine - 1875-1907), Wellisz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, Polish graphics, graphics reproductive, women, men, Poland (culture), dogs, interiors, purchase (provenance)Sous le charme, state II; Jasi Ski, Feliks Stanis AW (1862-1901), Worms, Jules (1832-1914 Ant 1924); 1886 (1886-00-00-1886-00-00);Spain, Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), guitar (musical instruments), French graphics, Polish graphics, reproductive graphics, state prints, Polish (culture), genre scenes, toradors, purchase (provenance)Allegorical figure with writing utensils in her hand looks towards the statue on the Markt of Antwerp, Josué Dupon, 1887 print paper etching piece of sculpture, reproduction of a piece of sculpture. market. sitting figure - AA - female human figure (+ back view) AntwerpRiver in Warsaw on April 8, 1861 "Repr. Fleury Fleury in the album" Polish National Museum in Rapperswyl "; Bondy, Franciszek (1851-1918), Anczyc, in the ADYS AW Ludwik and Spóka (Kraków; Drukarnia; 1875 -1948); 1896 (1896-00-00-1896-00-00); was downloaded from the Muse of the National Museum in Warsaw; Graphic / Runing; products from Wzkien / Paper; DI 66837/12 MNW; all rights reservation.Copper engraving and etching by Pierre Audouin from 1803-1818 depicting an officer and a young lady, showing figures, attire, and interaction.Two mosaics and a sculpture, presumably from apostles, from the San Marco in Venice, Carl Heinrich Jacobi, c. 1880 - in or before 1885 photomechanical print This print is part of a cover with 79 prints on 53 sheets and 2 text magazines. Venice paper collotype piece of sculpture, reproduction of a piece of sculpture. architectural detail Basilica of San MarcoJean-Paul Laurens (1838-1921). A Prussian soldier brought him a glass of water. History of a crime. Graphite pencil, charcoal, Ink, boosts of gouache. 1879. Paris, house of Victor Hugo. DRAWINGPainter, his model and an art lover in the studio, Léon Brunin, 1883 print paper etching / drypoint painter working from clothed modelGagne Small At Gagne Small , sign of remerge. Drawing by Jean Jules Dufour.Etching and aquatint from 1810 by Francisco Goya depicting women affected by war, showing the impact of conflict on civilians and their environment.JOURTAGE OF BAIST CORNELIS VAN DER BURGH in LEEUWARDEN, 1789, Reinier Vinkeles (I), After Jacobus Buys, 1789 - 1795 print Judgment of Cornelis van der Burg, pronounced Patriotic mayor of Bolsward, in Leeuwarden on May 16, 1789. When the mayor kneels blindfolded on the scaffold, the executioner keeps the sword over his head and the death sentence is converted into a prisoning of twenty years. Northern Netherlands paper etching / engraving violent death by hanging. pardon, reprieve LeeuwardenSimson en Salila, Anonymous, 1500 - 1600 print Delila cuts Simson's hair, a little further for the Filestinian soldiers waiting. Modern print of an old plate. Germany paper engraving Samson's hairlocks are cut off by DelilahThe Little Savoyard. Alexandre Gabriel Decamps; French, 1803-1860. Date: 1820-1830. Dimensions: 135 × 170 mm (image); 272 × 210 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Alexandre Gabriel Decamps.Petrus with crowing rooster, Carl Bloch, 1882 print Peter, sitting in a bent position sitting on the pedestal of a column, his hand supports the curved head. A crowing rooster next to him. paper etching / drypoint the crowing cock ~ denial of PeterIntérieur d'une kibitka. Zaleski, Bronisław (1820-1880), graphic artist, Beillet (Paryż ; wydawnictwo ; ca 1850-ca 1875), publishing houseGod Tells Abraham His Destiny, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520Allegory on the trade. Trade a scales in her right hand and a sword in her left hand. Around her is a number of allegorical objects, including an anchor, a ship and a Mercury staff.Works by Rembrandt and Dürer in different print techniques, 1898 - 1920 print Study sheet for lecture ('Urania-Fortrag') about printing techniques with reproductions of paintings and prints of, among others, Albrecht Dürer ('Self-portrait' and 'Melancholia') and Rembrandt ('Self-portrait with circle', 'Three crosses' and' A hundred guilders print '). The title is done in the bottom left. paper etching / engraving / drypoint portrait, self-portrait of painter.The Horrors of War: There Isn't Time Now. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;Portrait of Alexandre Carpenter in his workshop Portrait of Alexandre Carpenter in his workshop. Draw with gelatino silver chloride.Illustration design for "The Economy of Human Life" 1834 Frank Howard A rustic family stands next to a fireplace, backing away from a snake. One of a group of twelve book illustration designs reproduced as an engraving in an 1834 edition of Robert Dodsley's "The Economy of Human Life," published in London John van Voorst. The image illustrates the text: "Warm him in thy bosom and he will requite thee with death.". Illustration design for "The Economy of Human Life". Frank Howard (British, London 1805-1866 Liverpool). 1834. Watercolor. DrawingsEtching 'Ruler' Opus XIII Sheet 2 by Max Klinger from 1910, depicting a figurative representation of authority with detailed composition.A Woman's Charity, plate 49 from The Disasters of War 1812-1815 Spain. Etching, lavis, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y LucientesFrance, Géricault, Théodore, Guillaume le Conquérant reported after his death at the church of Saint-George de Boscherville, William the Conqueror laid out in the church of Boscherville, verso center - stamped, William the Conqueror (William I), King of England, laid out in the church of Saint-George in Boscherville. At his feet kneel a group of monks, behind them are soldiers., print, prints, height 175 mm, width 217 mm, French, 1791-09-26 - 1824-01-26, print maker, printmaker, 1823 - 1823, first quarter 19th century, paper, lithography (technique)Deathbed of a poor painter, Marie Alexandre Alophe, 1844 print In a small room a poor painter lies on his deathbed, accompanied by his dog. He takes a final look at the canvas that he will never complete and regrets his destiny. Paris paper artist on his deathbedFamily leaves house and is checked by Dienstmeid, Johannes Alexander Rudolf Best, After H.P. Oosterhuis, 1835 print Amsterdam paper etching family life. house personnel, servantsBliżej Kultury H. Kleinmann & Co Haarlem, Ostade, Adriaen van (1610 1685)Plate 1st. / Song 1st./ah! ... I'm sleeping. (Registered title (letter)) | The dream. (Title registered (letter))Drawing by Ferdinand Boberg. Hälsingland, Voxna sn., Voxna use NordicEtching and copper engraving by William Walker from 1766 depicting Balthazar Gerbier with his family, showing detailed facial expressions, clothing, and 18th-century portrait techniques.The Shoemaker. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 6 1/4 × 8 11/16 in. (15.8 × 22.1 cm)Sheet: 7 11/16 × 12 3/8 in. (19.5 × 31.5 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.Four men and an old woman among the palm trees. .The Smithy, Sir David Young Cameron, 1865-1945, British, 1896, Etching on Japan paper, Plate: 8 1/16 x 10in. (20.5 x 25.4cm) and Sheet: 11 x 13 1/2in. (27.9 x 34.3cm)Tomb of Benjamin Franklin and Deborah Franklin, corner of Fifth and Arch Streets, Philadelphia.. Prints. 1870. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Tombs & sepulchral monuments, Philadelphia (Pa.), Franklin, Deborah Read Rogers, 1708-1774 , Tomb, Franklin, Benjamin, 1706-1790 , TombBosl Anders, Clockmaker at Mora. Anders Zorn; Swedish, 1860-1920. Date: 1907. Dimensions: 159 x 118 mm (image/plate); 360 x 243 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.The Hungarian Woman Standing in the Door. Johann Adam Klein; German, 1792-1875. Date: 1817. Dimensions: 150 x 99 mm (plate); 257 x 196 mm (sheet). Etching in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.Reproduction of a painting in an album: Henryk Siemiradzki (1843-1902), Schwertertanz (The Sword Dance). Angerer, Victor (1839-1894), printing house, unknown, photographer, Robiczek, Maurycy (Warszawa ; wydawnictwo : 1879-?), publishing house, Towarzystwo Rozprzestrzeniania Sztuk Pięknych (Wiedeń ; 1871-1934), publisherFrisian with human figures, putti, leaf vines and floral motifsCompany with Tsar Peter the Great at a ship model, Jean Baptiste Pierre Michiels, After Gustave Wappers, 1858 print print maker: Antwerpafter painting by: Belgiumprinter: Paris paper. steel engraving ship-modelYa no hay tiempo (There Isnt Time Now), pl. 19 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828Plaster Unloaders, plate three from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste LepèreAvances from a bagpipe player to a woman, Matthias Scheits, 1635 - 1700 print paper etching bagpipe, musette. one person playing wind instrument. courtingAn etching by Christian Wilhelm Ernst Dietrich from 1800 depicting a scene related to interest or finance, showing figures, gestures, and interaction.