Historic Scenes of Conflict and Daily Life

Dramatic etchings showcasing fights, conversations, and intimate settings, reflecting 19th-century life with expressive figures and mood.

Nettenboeter in Schuur, Frederik Hendrik Weissenbruch, after Ferdinand de Braekeleer (I), 1847 - 1865 print A net finisher sits in one on the ground against a ton and recovers a net. A woman feeds cows in the background. The Hague paper. mending of fishing nets

Two fighting young men surrounded by spectators, William Unger, After Franz von Defregger, 1847 - 1907 print Germany paper etching fighting. barn

Workplace, Piet Verhaert, 1879 print paper etching workshop-interior

Staff in conversation for a house, Daniel Urrabieta Vierge, 1861 - 1904 print Spain paper etching house personnel, servants. housekeeper

Jozef in Gevangenis; Joseph in the prison; History of Joseph. .

Roman statue and Ruins, Jan Linsen, 1630 drawing parchment (animal material). ink pen ruin of a building ~ architecture. piece of sculpture, reproduction of a piece of sculpture. emperor

Etcher: Augustin Mongin, French, 1843-1911, After: Jean-Honoré Fragonard, French, 1732-1806, LeFaucon, Etching, platemark: 13.3 × 8 cm (5 1/4 × 3 1/8in.), French, 19thcentury, Works on Paper -Prints

The rat catcher, 1760 - 1781 print paper etching / engraving rat exterminator

Nettenboeter in Schuur, Frederik Hendrik Weissenbruch, after Ferdinand de Braekeleer (I), 1847 - 1865 print A net finisher sits in one on the ground against a ton and recovers a net. A woman feeds cows in the background. The Hague paper. mending of fishing nets

Reproduction from a print to a drawing of a monk bends over a lying woman, Anonymous, After Adolphe Martial Potémont, after Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Diable and Enfer' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper monk(s), friar(s)

Two men talking to fireplace.

Copper engraving by Jonas Suyderhoef, created between 1627 and 1686, depicting three farmers sitting around a bench making music, illustrating rural musical activity in seventeenth-century Netherlands.

Father with child on his lap in interior; The family man. Copy to a print of Adriaen van Ostade where the original show has been completely accurately followed.

Woman with jug and piping farmer, anonymous, c. 1750 - 1899 print paper etching pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). farmers. jar, jug (used as drinking-vessel)

Etching by Hugo Steiner-Prag illustrating three bibliomaniacs from stories by Nodier, Flaubert, and Aselineau.

HolyFamily. Artist: Jules Ferdinand Jacquemart, French, 1837-1880

Evening School, Bernardus Theodorus van Loo, After Gerard Dou, 1826 - 1892 print A class illuminated by candles and a lantern. Students practice reading and writing around the master. The Hague paper. teacher and pupil. scholastic education, tuition. evening. candle

Young woman sitting by a fireplace, Adrien de Witte, 1879 print paper ETCHING / DRYPOINT / REDOUSSAGE adult woman. open hearth, fire-place. kitchen-utensils (with NAME)

Part of a map of De Krim (bottom left), Anonymous, After Jonkheer Jan Hendrik van Kinsbergen, 1787 print Amsterdam paper engraving / etching maps of separate countries or regions. horse Cream

Heuvellandschap with Jager, Lodewijk Schelfhout, 1939 print A hilly landscape covered with trees with a settlement. Left in the foreground a hunter who carries a gun around his shoulder and a horizontal dog. In the middle one lake where there are two deer. paper drypoint (high) hill - HH - ideal landscapes. trees. hunter

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Musées et Salons (Paris Series - Paris - Fl. Ca 1884-1893), Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967) - collection, Venus (iconogr.), Zefir (mitol.), French (Culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, parchment, Poland (culture), remarks, purchase (provenance)

A nice memory of the municipality

Artist: J. C. Lemaire, French, active 18th century, After: Nicolas Lancret, French, 1690-1743, Le GasconPuny, Etching, image: 9 × 13.5 cm (3 9/16 × 5 5/16in.), French, 19thcentury, Works on Paper -Prints

Violin player for an inn, Abraham Lion Zeelander, After Adriaen van Ostade, 1848 print A man with violin and a boy with swingers make music at an inn. Listen adults and children. A woman leans over the lower door. Amsterdam paper. etching / engraving one person playing string instrument (bowed). inn, coffee-house, public house, etc.. dog

Painting, Mathäus Küsel, 1680 print A painter in his studio. The painter, dressed according to the fashion of Louis XIV, sits on a stool and works on a painting with a naked lady and an old woman. It may be a performance of Vertumnus and Pomona. A boy with a book in his hands stands for a painting with Minerva. The walls of the studio are richly decorated. Under the performance four lines of text in Latin. The print is part of an album. Augsburg paper etching painting (including book-illumination, miniature-painting). painter at work, in his studio. (decorated) ceiling

God with the book with the seven stamps, Odilon Redon, 1899 print Imagination of the Bible verses at 5: 1, "Then I saw this: The one who sat on the throne had a scroll that was described on both sides and sealed with seven stamps". God sitting on a throne, the book rests on his right knee. On his right hand a lion, on his left the eagle (two of the four Apocalytic creatures). For him another lion, from the tribe of Judah, who can open the book. Proef pressure for the second print and series of twelve, made for an album. print maker: Franceprinter: Paris . the book with the seven seals enthroned ~ Revelation of John

Mephisto in Martha, Willem Geets, 1874 print paper etching (scenes from) specific works of literature: Goethe, Faust. Mephistopheles, name of the demonic tempter in the literary versions of the Faust legends

Young woman sitting by a fireplace, Adrien de Witte, 1879 print paper etching / drypoint adult woman. open hearth, fire-place. kitchen-utensils (with NAME)

Francisco de Goya y Lucientes, The healthy and the ill., 1810-1820, etching and aquatint.

Painting monkey, Charles Verlat, 1886 print paper ETCHING / ROUCH monkeys, apes. animals acting as human beings. artist at work, in his workshop

Young man skates past a group of ladies, Johann Leonhard Raab, after Wilhelm von Kaulbach, c. 1864 print paper. etching skates (winter sports). throwing snowballs - CC - adult(s) ~ snow and ice

Woman looks in a cradle, Bernardus Johannes Blommers, 1855 - 1914 print Netherlands paper etching / drypoint cradle, crib. mother and baby or young child

Amalie von Stolzenbach faints when she is surprised by her beloved Philip von Freudenthal, Daniel Nikolaus Chodowiecki, 1781 print paper etching fainting, swooning. (lovers) kissing each other. resting. ankle

Abimelech Sees Isaac Embracing Rebecca, from The LoggiaPaintings. Etcher: Orazio Borgianni, Italian, ca. 1578-1616 After: Raphael, Italian, 1483-1520

Painter behind his donkey, Anonymous, 1680 - 1780 print paper engraving / etching painter at work, in his studio

Virgin and Child with Parrot, Hans Sebald Beham, German, 1500-1550, Engraving on off-white laid paper, 1549, figures, Print, Print

The poor person finds in her a generous help.

Epitaphe Paul-Henri Regeau, French painter. Epitaph. Pencil and ink on layer paper. 1885. Paris, Victor Hugo House.

Four -Lände Baündiele, August Kaul, 1883 - 1949 print Farming at Fourlands. paper etching / drypoint farm (building)

1893 Art Work - Light Odilon Redon.

Two riders in a young lady in the doorway: night scene. Chalk lithograph from the 'Lithographic Original-Zeichnungen von J.G. Schinz, Zürich 1822 '

Figures in a paper workshop at work, Hendrik Numan, 1746 - 1788 print Haarlem paper paper (writing material)

Art Auction, Armand Coussens, 1891 - 1935 print France paper etching / drypoint art sale, auction

Scholar in his office, Frederik Hendrik Weissenbruch, after Herman Frederik Carel ten Kate, 1850 print The scholar is behind his desk full of books. He reads with a magnifying glass. There are a world map and weapons on the wall. There is a globe on the floor near the bookcase. The Hague paper scholar in his study. globe. bookshelves. map of the world

Night face with figures with a money bag. In a forest at night, two men exchange a money bag and something else with each other, under the watchful eye of a few. In the background, two men are looking at the scene, hidden behind it.

Francisco de Goya y Lucientes, This is no less so., 1810-1820, etching and aquatint.

Interior of a barn with an unloading haywagon Jean Louis de Marne (called Demarnette). Interior of a barn with an unloading haywagon. Jean Louis de Marne (called Demarnette) (French, 1754-1829). Etching and drypoint. Prints

In a cafe garden. Rapacki, Józef (1871-1929), graphic artist

Intérieur flamand. Clément, Albert (Paryż ; zakład graficzny, wydawnictwo ; fl. ca 1860-1900), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, L'Art revue hebdomadaire illustrée (Paryż, Londyn ; czasopismo ; 1875-1907), publishing house, Coques, Gonzales (ca 1614-1684), painter

Presentation of a story from the Aesopus Fabelen, Hendrik Numan, 1783 print A man with a knife climbs on the bed of two sleeping figures. Haarlem paper fables

Woman Bringing Her Pigs Back Home. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 115 × 152 mm (image); 125 × 160 mm (chine); 144 × 172 mm (plate); 312 × 430 mm (sheet). Etching and roulette on China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print, Decorations by Lebrun and Mignard at the Palace of Versailles; engraving on paper; 1901-28-64

Peter Marks with his fifth and sixth wife, Daniel Nikolaus Chodowiecki, 1779 print Left: In their colorful bridal clothing, Peter Marks and his fifth wife, a rich merchant daughter, fall out of the tone with the black -dressed municipality that gathered because of a penalty day. When leaving the church, the women pour themselves on the merchant's daughter and jerk her off the body, after which she dies. Right: Peter Marks has withdrawn to an estate he bought with the legacy of his fifth wife. One day he sees how a sixteen -year -old girl tries to resuscitate an apparently dead bird. She becomes his sixth wife and with her he becomes happy. Numbered: V and VI. paper etching the congregation. bride and groom in wedding-dress. spying on someone

Félix Vallotton's 1896 woodcut depicts a scene on January 1st, showing figures, interior details, and compositional elements.

Gustave Doré (1832-1883). "Train of pleasure for English tourists for the Paris exhibition. 1: Departure from London. IFF 80". Bois, 1861. Museum of Fine Arts of the city of Paris, Petit Palais. Departure, exhibition, pleasure, Paris, quai, English tourist, train, engraving

This 1920 Caltnadel print by Rudolf Grossmann shows an open-air painter at work outdoors, highlighting the figure, painting equipment, and natural landscape setting.

Sans Débrider, Stan I; Jasi Ski, Feliks Stanis AW (1862-1901), Meissonier, Jean Louis Ernest (1815-1891); around 1887 (1886-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, riders, horses, musketeers, state prints, purchase (provenance)

Man with Pijp, Jan Chalon, 1748 - 1795 print Interior of a room. A man is stretched out on a chair and smokes a pipe. A guest comes in. Northern Netherlands (possibly) paper etching / drypoint pipe ~ tobacco

Musicing youngsters in a window, Johann Gottfried Haid, after Godfried Schalcken, 1729 - 1776 print paper instrumental popular music - CC - out of doors. candle. night. human figure at (open) window, seen from inside - AA - feigned window

Reproduction from a print to a drawing of servants who discover a man under a bridge, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Les Quiproquos' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper hiding, hiding oneself

At the Chat Noir. Louis Auguste Lepère; French, 1849-1918. Date: 1893. Dimensions: 113 × 80 mm (image); 161 × 112 mm (sheet). Etching and aquatint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Susanna and the elders, Richard Earlom, After Rembrandt van Rijn, 1769 print Text in English in the lower margin. London paper the elders making advances towards Susanna

Man and his donkey, Frans Simons, 1882 print paper etching / drypoint ass, donkey

Blessed Czesław Odrowąż. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Masieski, Jan (fl. ca 1750-1800), graphic artist

Interior with a male group at the table with a portrait artist, Auguste Numans, After Louis Georges Brillouin, 1833 - 1879 print paper. etching interior ~ representation of a building. artist at work, in his workshop. drinking

Idols of people and animals and two seats, David van der Kellen (1827-1895), 1857 - 1864 print Home altail with different images or idols of people and animals, two seats on the right. Haarlem paper statues, paintings, etc. ~ objects of worship (Germanic and Scandinavian religions) Netherlands

Indian Hall Mortimer Borne American, born Poland Published by WPA 1935-43

Street seller Van Bijlen with two customers, Hendrik Numan, 1746 - 1788 print Haarlem paper street-trader. tools, aids, implements ~ crafts and industries: axe. customer

Flight to Egypt, Lodewijk Schelfhout, 1931 print Maria driving on a donkey in a mountain landscape with a lake. She wears the Christ child in her arms. Joseph is walking next to them. paper drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Women do the laundry in a canal, Carel Christiaan Antony Last, After Wilhelmus Cornelis Chimaer van Oudendorp, 1837 - 1855 print The water is up to the house. A courtyard is visible behind the women. The Hague paper building or outbuilding where laundry is done. courtyard. canal

The Title Page for 'Douze Eaux Fortes d'après Nature'. James McNeill Whistler; American, 1834-1903. Date: 1858. Dimensions: 112 x 147 mm (plate); 309 x 438 mm (sheet). Etching with foul biting in black ink on tan China paper laid down on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bridge of Alcantara, Toledo , Rivers, Bridges, Roads. Joseph Pennell (1857-1926). Prints and Drawings

Dood van Christoffel Columbus, Adolphe Mouilleron, After Joseph Nicolas Robert-Fleury, 1847 print Paris paper. historical persons. deathbed

Meeting of Boaz with the ten elders, Lucien Pissarro, 1896 print Boaz sitting in his garden with the ten elders. print maker: Englandprinter: Hammersmith paper Boaz, the kinsman, and the elders of the city discuss Elimelech's inheritance

Two ornament magazines with garden pavilion and a fountain and elements for wall decoration

The studio, Christmas 1916 , Artists, Family members, Families, Houses, Interiors, Christmas. George Bellows (1882-1925). Prints and Drawings

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Wniebowstąpienie Assumption (fragment) ; from: `Tygodnik Ilustrowany` 1902, no. 37 (September 13 (August 31)), p. 734. L.J. (fl. ca 1903), photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

N ° 9. / And, in the night of Walpurgis ... (title registered (letter)) | The beautiful nick. (Title of all)

Piotr Tomicki Bishop of Kraków; Paulussen & Co. (Vienna; Graphic Plant; 1906-1923), Dürer, Hans (1490-Ca 1538), Radziwiłł, Maria Róża (1863-1941), Altenberg (Lviv; Bookstore; 1880-1934); 1911-1913 (1911-00-00-1913-00-00);

Alva demands the tenth medal, 1571, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Alva demands the tenth medal, 1571. The Duke of Alva sitting on his throne, kneeling for him the begging Dutch Virgin. Bible and privileges torn on the ground. Amsterdam paper etching personifications of countries, nations, states, districts, etc. Netherlands

The battle of the pictures , Paintings. William Hogarth (1697-1764). Prints

Plate 47 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is how it happened.' (Así sucedió.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 6 1/16 × 8 1/16 in. (15.4 × 20.4 cm)Sheet: 9 13/16 × 13 1/2 in. (25 × 34.3 cm). Series/Portfolio: The Disasters of War. Date: 1810 (published 1863). Museum: Metropolitan Museum of Art, New York, USA.

Le sonneur , Bells, Alphonse Legros (1837-1911)

Vier Männer in der Kneipe. Kollwitz, Käthe (1867-1945), graphic artist

De Loyality, Francisco de Goya, 1864 print A man sitting on a chair is mocked by a group of men. One has a large syringe in his hands. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching Frankness, Loyalty; 'Lealtí', 'Realtí' (Ripa)

Interior with a doctor and a barber, William Unger, After David Teniers (II), 1847 - 1889 print Germany paper etching physician, doctor. quack, charlatan, mountebank, 'saltimbanco'. shaving, being shaved

Beer (Bruun) is attacked by a crowd, Bernard Willem Wierink, 1909 print paper fable of Reynard the Fox

Woman and a soldier with a child in his arms. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Funfair with merry -go -round, Willem de Zwart, 1924 print paper etching / drypoint merry-go-round, roundabout; chair o'plane. pleasure fair and circus

Woman who excites a wall clock, Petrus Johannes Arendzen, After August Allebé, 1908 - 1909 print Kitchen interior with woman who excites a wall clock. A row of city houses in margin. Netherlands . etching kitchen-interior. watch

Graftombe by Godfried van Bouillon, Auguste Numans, After Gustave Adolphe Simonau, 1833 - 1879 print paper etching grave, tomb. armour. interior of church

Draftsman with sleeping cap on, working on a bank, Pieter Christoffel Wonder, 1790 - 1852 drawing paper. watercolor (paint). pencil brush draughtsman at work

The Women Give Courage, plate four from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1809-1815. Dimensions: 136 x 185 mm (image); 153 x 205 mm (plate); 240 x 337 mm (sheet). Etching, burnished aquatint, drypoint, lavis on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, USA.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral16. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Félix Hilaire Buhot, Les Vieux (The Elders), c 1885 Les Vieux (The Elders)

The breath that focuses also exists in the celestial bodies, Odilon Redon, 1882 print A window with a large ball, an angel and a face, surrounded by a number of smaller balls. At the bottom of some faces. Fifth of six prints from the album "A Edgar Poe". print maker: Franceprinter: Parispublisher: Paris . angels. spheres ~ heavens

Bead Stringers. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 226 x 151 mm (image, trimmed within plate mark); 233 x 151 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Looking through with man and wife talking at the door, Anthonie van den Bos, 1778 - 1838 print paper etching visiting; receiving guests; elegant company

Without commending himself either to God or the devil, plate 15 from Los Proverbios. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1815-1824. Dimensions: 211 x 310 mm (image); 246 x 355 mm (plate); 350 x 487 mm (sheet). Etching, burnished aquatint and lavis printed in sepia ink on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Copper engraving and etching by Cornelis Bos from 1530-1556 depicting various Christian scenes, showing figures, religious symbols, and compositions.

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