Historic Scenes of Domestic Life

Illustrations portraying domestic dramas, featuring characters in distress, vivid emotions, and scenes set in 18th to 19th century settings.

Napoleon's English nightmare, 1813, Wijnand Esser, 1813 - 1814 print Cartoon on Napoleon from 1813-1814 in which the emperor lies helplessly on his camp bed while an English bulldog is on top of him. Dad Violet was a nickname for Napoleon. The Hague paper etching political caricatures and satires. dog (with NAME of kind). nightmare

Print made by Charles Grignion, 1717-1810, British, Illustrations for 'Gil Blas', plate II, undated. Line engraving on medium, slightly textured, cream wove paper.

Failed attack on Willem van Oranje, 1572, 1826 - 1828 print Failed attack by a Spaniard on Prince William I, in the night of 11 to 12 September 1572 before Bergen in Hainaut. Night scene where the prince is awakened in bed by barking his dog. Netherlands paper etching attempt, political murder Bergen (Belgium)

Je me sens malade! Allez chercher le médecin! -Oh monsieur! Je m'en garderais bien! On élevé des statues à tout le monde dans ce moment ci. -Monsieur ne retrouverait peut être pas cette occasion plus tard.. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1867. Prints; lithographs. Lithograph

A man in bedclothes prising insects () off his bed-curtains with a fork into a saucepan. Etching by T.L. Busby, ca. 1826.

Napoleon's English nightmare, 1813, Wijnand Esser, 1813 - 1814 print Cartoon on Napoleon from 1813-1814 in which the emperor lies helplessly on his camp bed while an English bulldog is on top of him. Dad Violet was a nickname for Napoleon. The Hague paper etching political caricatures and satires. dog (with NAME of kind). nightmare

Domestic miseries , Mice, Rodent control. Thomas Rowlandson (1756-1827). Prints and Drawings

Man wakes up by Kamerpot who is being emptied over him, Jean -Baptiste Oudry, 1696 - 1755 print publisher: ParisFrance paper etching / engraving (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). chamber-pot

Copper engraving and etching by Noël Le Mire, created between 1744 and 1801, presenting the allegorical theme of fear.

This 1646 etching by Rembrandt depicts a French bed using pinion etching, showing detailed interior composition, furniture, and 17th-century Dutch craftsmanship.

Precaution. (IFF 88) (registered title)

Death of Prince Willem IV, 1751; Image of 't die and parade bed of zyne spelled highness w.c.h. Friso, in the year 1751. Death of Prince Willem IV, October 22, 1751. Interior with the prince's death bed with crying woman and children; Visitors at the parade bed with the adversed body of the prince.

Rue Transnonain, le 15 Avril, 1834, Plate 24 of l'Association mensuelle July 1834 Honoré Daumier French This lithograph, published in Association Mensuelle, illustrates an event that occurred during the riots of April 1834, when government troops opened fire on the inhabitants of a building.. Rue Transnonain, le 15 Avril, 1834, Plate 24 of l'Association mensuelle 365806

- Let's see! Thirty-fifteen, forty-five, and, three books five, three pounds seven, three books seventeen ...

David in Prayer, 1652. Rembrandt van Rijn (Dutch, 1606-1669). Etching with drypoint; sheet: 14.6 x 9.9 cm (5 3/4 x 3 7/8 in.); platemark: 14.2 x 9.5 cm (5 9/16 x 3 3/4 in.).

Sickness (La Maladie). Dated: 1884. Dimensions: plate: 29.3 x 15.9 cm (11 9/16 x 6 1/4 in.) sheet: 30.2 x 16.2 cm (11 7/8 x 6 3/8 in.). Medium: etching and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Unknown, Fading Away, 1858, wood engraving on paper.

Alcibiade Cliquet laisse croître ses moustaches et songe à son avenir ,. Paul Gavarni (1804-1866). Lithographs and Other Works

On his deathbed, Basilus dedicates worthy followers, Reinier Vinkeles (I), 1804 print Amsterdam paper etching / engraving blessing (either of things or persons), e.g. by anointing. deathbed. candle

Honoré Daumier, Le mari lisant nous étions mollement étendus, 19th century Le mari lisant: nous étions mollement étendus...

Julie's father begs her to divorce, Daniel Nikolaus Chodowiecki, 1782 print Nummered at the top left: 6. With caption in French. paper etching interior of the house. kneeling figure. embracing each other, kissing

A nobleman lying ill in a four poster bed converses with another man as a maid pours him a drink. Aquatint after H. Dawe, 184-.

An Unfortunate Family, 1822. Pierre-Paul Prud'hon (French, 1758-1823). Lithograph;

Jan Długosz (1415 1480) Canon of Kraków, Historian, Chronicler. Last Moments of Długosz. Unknown, Mirecki, Kazimierz (1830 1911), Warsaw woodcut

Bedroom interior with creeping young man, Nicolas de Launay (goldsmith), after Pierre Antoine Baudouin, 1771 print print maker: Francepublisher: Paris paper etching / engraving armorial bearing, heraldry. couple of lovers. sleeping in bed

(LUSURIER.). Artist: Paul Gavarni, French, 1804-1866

Caricature with lawyer. Draughtsman: Pieter van Loon. Dating: 1853. Measurements: h 343 mm × w 320 mm. Museum: Rijksmuseum, Amsterdam.

Simon Francois Ravenet, 1721-1774, French, active in Britain, Marriage A-La-Mode, Plate V: The Death of the Earl, 1745. Engraving.

Joseph and Potiphar's Wife, Rembrandt van Rijn, 1634 print paper etching Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Plate 53 from 'Los Caprichos': What a golden beak! (Que pico de Oro!) 1799 Goya (Francisco de Goya y Lucientes) Spanish This print has been variously interpreted as a satire on the empty rhetoric of many public speakers and as an attack on sensationalist preachers and their gullible audiences. A parrot perches on a pulpit surrounded by an audience of gaping figures, all with the tonsured heads of clergymen except for the listener at center, who wears a bicorne hat and a look of disapproval.. Plate 53 from 'Los Caprichos': What a golden beak! (Que pico de Oro!). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1799. Etching, burnished aquatint, burin. Prints

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3), Print made by Thomas Gaugain, 1748-1812, French, and Thomas Hellyer, active 1800, British, after James Northcote, 1746-1831, British, 1797, Stipple engraving, open letter proofs, Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm), bedroom, corset, literary theme, nightgown, sleeping

The English philosopher or history of Cleveland Ovigure Choose to Prover Feign Pr�von, Volume 6, "The Philoso of Your Bonnera Ulutration Of Prevust Proverta, 1783. Museums of Fine Arts of the City, Petition of Paris, Small Palace.

Wagenaar, Pieter (II), Northern Netherlands, Bogerts, Cornelis, Prison at Torbay, Cruelties in the English prison, ca. 1781, verso - stamped, Cruel treatment of Dutch prisoners in an English prison at Torbay, ca. 1781. With four-line verse below the presentation., print, prints, Frederik Muller Historieplaten, height 155 mm, width 110 mm, 1745 - 1817-02-03, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, engraving, engraving (printing process), Noord-Nederlands, 1747 - 1808, intermediary draughtsman

Le roman nouveau. - The new novel ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Women and Children Mourning a Dead Man 1778 France. In the third quarter of the 18th century, a young generation of artists developed a sober, almost classicizing reaction to the artificial frivolities of artists like FranÁois Boucher. Greuze depicted scenes from daily life that were intended to be inspirational or morally uplifting. This drawing is a study for his painting of 1778 (now in the MusÈe du Louvre, Paris) showing the errant son who has returned home just as his father has died.. Pen and brown ink, and brush and gray and brown wash, with graphite, on cream laid paper, laid down on ivory laid paper, laid down on ivory laid paper . Jean Baptiste Greuze

Caroline Watson, 1760-1814, British, King Henry VI, Part II, Act III, Scene III. Engraving.

Madame, comment trouvez-vous cette cigarette. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Three very drunken men unaware of "death", as a crowned skeleton, emerging from under the tablecloth. Engraving by S. Natim, c. 1815, after W. Craig.

Allons haut! Y sommes-nous.. from La Chasse, published in Le Charivari, November 11, 1843 Honoré Daumier French Printer Aubert et Cie French Publisher Pannier et Cie. French November 11, 1843 View more. Allons haut! Y sommes-nous.. from La Chasse, published in Le Charivari, November 11, 1843. La Chasse. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). November 11, 1843. Lithograph; third state of four (Delteil). Pannier et Cie. (Paris). Prints

Honoré Daumier, Le 14 Juin, 19th century Le 14 Juin

Animal feast. Caricature of the hommes - betes type. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

Ma chère, je l'aime!... - Vous le lui avez avoué - ...V'oui... - Imprudente! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

At the masked ball / let's go. Whether you're stupid to wake up I dreamed that I was moving away.

Pardon, monsieur le directeur..., from Naïvetés, published in Le Charivari, March 21, 1859 March 21, 1859 Honoré Daumier French. Pardon, monsieur le directeur..., from Naïvetés, published in Le Charivari, March 21, 1859. Naïvetés. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). March 21, 1859. Lithograph on newsprint, second state of two (Delteil; Hazard & Delteil). Aaron Martinet (French, 1762-1841). Prints

Image reproduction: Stanis Aw Fabija Zadowny, from: "Tygodnik Ilustrowany" 1901, No. 44, (November 2) p. 861; Husnik & häusler (Praga; Reprographic Zak 1888-1936), Weekly Ilustrowany (Warsaw; magazine; 1859-1939); 1901 (1880-00-00-1880-00-00);

Honoré Daumier (French, 1808 - 1879). Récompense honnête decernée...A` Louis-Philippe..., 1835. Lithograph on white wove paper. Image: 202 mm x 265 mm (7.95 in. x 10.43 in.). Second state, with letters.

Frontispice. Les Enfants Terribles ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Captive (Sterne's Sentimental Journey) November 1, 1781 Etched and published by Robert Blyth British. The Captive (Sterne's Sentimental Journey) 408114

The Captive (Sterne's Sentimental Journey). Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 12 3/16 x 15 1/16 in. (30.9 x 38.2 cm). Date: November 1, 1781. Museum: Metropolitan Museum of Art, New York, USA.

Jésus dans le Tombeau. Edmond Lecadre (French, active 1870s)

Black and White Illustration: "The Idle 'Prentice Returned from Sea, and in a Garret with a Common Prostitute". Engraving after William Hogarth (1697 - 1764) from his series, "Industry and Idleness". His earlier series of painted works, "The Harlot's Progress" and "Marriage à-la-mode" which were subsequently released as engravings, "Industry and Idleness" was engraved from the outset. Hogarth's aim in this series was to illustrate the possible rewards for working hard, and the pitfalls of not doing so, a message predominantly aimed at working children. This reproduction was by Thomas Cook.

A Barber's Shop. After Thomas Rowlandson (British, 1756-1827). Etching and aquatint, hand colored;

Drawing by William Small, 1843 - 1929 for the New Prince Fortunatus by William Black, 1841 ñ 1898, a novelist born in Glasgow, Scotland UK, 1889.

Récompense honnête décernée...à Louis-Philippe... , Kings, Louis Philippe, King of the French, 1773-1850. Honoré Daumier (1808-1879). Lithographs

Combien veux-tu parier, mosieu Azor, que je vas te faire descendre dela?. Artist: Paul Gavarni, French, 1804-1866

The Antiquary's Last Will and Testament (The English Dance of Death, plate 2). Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: image: 4 13/16 x 8 1/4 in. (12.2 x 21 cm)sheet: 5 9/16 x 8 5/8 in. (14.1 x 21.9 cm). Publisher: Published by Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: The Dance of Death. Date: April 1, 1814. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Matthys Pool from 1690-1732 showing Susanna bathing, illustrating a biblical scene with a female figure in water, created in a detailed engraving style.

Il lui sera beaucoup pardonne, parce quelle a beaucoup danse.. Artist: Paul Gavarni, French, 1804-1866

Print made by John Simon, 1675-1755, French, The Gascon Punish'd or The Beau Outwitted, 1741. Mezzotint on medium, moderately textured, cream, laid paper.

IACHIMO AND IMOGEN. A. LIEZEN MAYER. William Shakespeare's play Cymbeline. Sˆndor Liezen-Mayer or Alexander von Liezen-Mayer (24 January 1839 - 19 February 1898) was a Hungarian painter.

Le 14 Juin. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The gaoler opening the door of the prison cell to find Condorcet lying on his bed, having killed himself. Stipple engraving by G. Aliprandi after J.H. Fragonard.

François-Robert Ingouf (Engraver) (Author of the original work: Ribera, Jusepe de, lo Spagnoletto); Manuel de la Cruz Vázquez (Drafstman) / 'Isaac and Jacob'. 1791. Taille douce: etching and engraving on wove paper. Museum: Museo del Prado, Madrid, España.

Honoré Daumier, La princesse, 19th century La princesse

Voilà le moment (passé minuit), ou le calme et la paix régnent véritablement dans les heureux menages (Moeurs Conjugales, No. 29) Honoré Daumier French Printer Aubert et Cie French Publisher Bauger et Cie French November 22, 1840

Mier Barbara Radziwny; Dümler, W Adys Aw (Fl. 1860-1868), Simmler, Józef (1823-1868), Dzwonkowski, Adam (Warsaw; Litographic Zak 1859-1872); 1860-1863 (1860-00-00-1863-00-00);Barbara Radziwiłłówna (Queen of Poland - 1520-1551), Barbara Radziwiłłówna (Queen of Poland - 1520-1551) - iconography, Zygmunt II August (Polish king - 1520-1572), Zygmunt II August (Polish king - 1520-1572) - iconography, Portraits on the deathbed, portraits of rulers, reproductions of paintings, death

Wolff von Todtenwart, Johann Jakob Draftsman: EiMmart, Georg Christoph (The Younger) Stecher: Sandrart, Jacob of (1630)

Rijn, Rembrandt van, Le lit à la française, Het bedkant, center top - pen in brown, print, prints, images, Rembrandt f. 1646, lower left, verso upper right, verso lower left, illegible, height 126 mm, width 224 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1646 - 1646, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Clytemnestre poussée par mimi Véron... Dated: 1850. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Un nouveau nez , Government officials, Diplomats, Argout, Apollinaire-Antoine-Maurice, comte d', 1782-1858. Honoré Daumier (1808-1879). Lithographs

Tears and Smiles ca. 1830-60 Célestin Nanteuil. Tears and Smiles. Célestin Nanteuil (French (born Italy), Rome 1813-1873 Bourron-Marlotte). ca. 1830-60. Lithograph. Prints

Widow with four children at a coffin. Artist: Johan van Hoogstraten. Draughtsman: Aert Schouman (mentioned on object). Dating: 1782. Measurements: h 193 mm × w 148 mm. Museum: Rijksmuseum, Amsterdam.

La Princesse. -Voyons, être féroce, finis-en..., from Croquis Dramatiques, published in Le Charivari, January 26, 1857 January 26, 1857 Honoré Daumier French. La Princesse. -Voyons, être féroce, finis-en..., from Croquis Dramatiques, published in Le Charivari, January 26, 1857. Croquis Dramatiques. Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 26, 1857. Lithograph; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Amsterdam, Tirion, Isaak, Philips, Jan Caspar, Tomb of Engelbert II. Lord of Breda and his Consort. The coats of arms of the back of the tomb are shown at the top of the plate, Tomb of Engelbert II of Nassau and his wife, verso below - stamped, Tomb of Engelbert II and his wife in the Grote Kerk in Breda. Above and below various coats of arms. On the cover plate are armorial equipment., print, book illustration, prints, height 173 mm, width 247 mm, Noord-Nederlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, etching, engraving, engraving (printing process), Publication (Event), Publicatie, 1705 - 1765, publisher

Karikatuur Van Minister Antoine Maurice Apollinaire d'Argout, Honoré Daumier, 1833 print Antoine d'Argout lets his three children play with his huge nose. Paris paper political caricatures and satires. caricatures (human types). historical persons. morphology of facial expression ~ nose. father with son(s) and daughter(s) (father-love)

Maignan, Albert (n.1845-10-14-D.1908-09-29), Le Revenant (title awarded), 1885. Lavis. Houses of Victor Hugo Paris - Guernsey.

Notre ame est si fortement emue dans un reve qu’il faut qu’il y ait quelque realite au fond de cette feerie de la pensee.”. Artist: Paul Gavarni, French, 1804-1866

Bel ange, vos cigares sont bons, mais je les trouve durs ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Les Thétres au mois d'Août. Honoré Daumier (France, Marseilles, 1808-1879). France, 1856. Prints; lithographs. Lithograph

Cartoon in Leiden student almanac, 1850; Love and lust. Cartoon with the right consequences of love, on the right the bad consequences of the lust. Cartoon in the student almanac of the University of Leiden 1850.

Etude de révérence pour le quadrille des lanciers. Honoré Daumier (1808-1879). Lithographs

Queen Mercèdes on her deathbed, with the hairstyle of the Sisters of Mercy, MADRID, - Exhibition of the queens body , Maria de Las Mercedes, Königin von Spanien, AUF Dem Totenbett, Aufbahrung des Leichnams IM Kö Königlichen Palast Aus Universal Journal , Paris, Smeeton , Tilly , xylographer

Death and the Debauchee, Thomas Rowlandson, 1756-1827, British, between 1814 and 1816, Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper, Sheet: 5 5/16 x 8 1/2 inches (13.5 x 21.6 cm), allegory, basin, bed (furniture), candles, chair, clothes, death, doorway, genre subject, hourglass, jug, linen covers, top, man, mirrors, pillows, skeleton, vanity, window, woman

Louis XVI's farewell from his wife Marie Antoinette and their distressed children. Wood engraving by J.B.C Carbonneau after J. R. Charlerie.

Paris, Aubert, Gabriel, Delaporte, Daumier, Honoré, Le cauchemar, Caricature of La Fayette during a nightmare, verso - stamped, General Lafayette has a nightmare about a huge pear on his stomach. This pear symbolizes King Louis Philippe I of France., print, cartoon, prints, height 280 mm, width 362 mm, French, 1808-02-26 - 1879-02-10, print maker, printmaker, 1832 - 1832, paper, lithography (technique), printer, printer's, Publication (Event), Publication, 1784-07-24 - 1847-03-16, publisher

The Inn at Marseilles, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution" January 1, 1822 Thomas Rowlandson. The Inn at Marseilles, from "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". "Journal of Sentimental Travels in the Southern Provinces of France, Shortly Before the Revolution". Thomas Rowlandson (British, London 1757-1827 London). January 1, 1822. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

'Cymbeline. Act 2 Scene 2. A Bedchamber. Imogen in Bed. Jachimo', 1795. Artist: James Stow.

Artist: Jacques Pierre Garnier-Allabre, French, 1782-1834, Mort deGericault, Lithograph, after Sheffer, image: 20.4 × 25 cm (8 1/16 × 9 13/16in.), French, 19thcentury, Works on Paper -Prints

Wszyscy Święci w MNK Blanpain, Peter (fl. 1890; 1895), Verlat, Charles (1824 1890)

The Despair of the Butcher - Just imagine Anybody can establish himself as a butcher! Ah! There are moments when I feel like taking my meat chopper and cutting myself in two halves like a simple veal,” plate 458 from Actualités 1857 France. Lithograph in black on buff wove paper, with letterpress verso . Honoré-Victorin Daumier

Honoré Daumier, Décidément elle est bien malade!, 19th century Décidément elle est bien malade!

A Vampire is a mythical being who subsists by feeding on the life essence (generally in the form of blood) of living creatures. In folkloric tales, undead vampires often visited loved ones and caused mischief or deaths in the neighbourhoods they inhabited when they were alive. They wore shrouds and were often described as bloated and of ruddy or dark countenance, markedly different from today's gaunt, pale vampire which dates from the early 1800s. The charismatic and sophisticated vampire of modern fiction was born in 1819 with the publication of The Vampyre by John Polidori; the story was highly successful and arguably the most influential vampire work of the early 19th century. However, it is Bram Stoker's 1897 novel Dracula which is remembered as the quintessential vampire novel and provided the basis of the modern vampire legend. The success of this book spawned a distinctive vampire genre, still popular in the 21st century, with books, films, and television shows. The vampire has

Henry Dawe, 1790-1848, British, The Life of a Nobleman: Scene the Ninth - The Sick Room, undated. Brown wash and graphite on medium, moderately textured, cream wove paper.

The Life of a Nobleman: Scene the Ninth - The Sick Room, Henry Dawe, 1790-1848, British, undated, Brown wash and graphite on medium, moderately textured, cream wove paper, Sheet: 7 7/8 x 6 5/8 inches (20 x 16.8 cm), death, elderly, genre subject, ill, life, nobleman, room, sick

Honoré Daumier, Croyant l'apercevoir , 19th century Croyant l'apercevoir ...

Romeo and Juliet, Act IV, Scene V, Print made by William Blake, 1757-1827, British, after John Opie, 1761-1807, British, Published by John Boydell, 1720-1804, British, Published by Josiah Boydell, 1752-1817, British, 1799, Line engraving and etching on moderately thick, smooth, cream wove paper, Sheet: 12 5/16 x 16 9/16 inches (31.2 x 42 cm) and Image: 6 1/2 x 9 5/16 inches (16.5 x 23.6 cm), bed, blankets, cloaks, crying, dark, death, drama, drapery, dying, family, hats, illustration, literary theme, lute, musicians, priest, romance, Romeo and Juliet, play by William Shakespeare, sheets

Marat's death, from a painting by Jacques-Louis David, engraving from French Revolution by Jules Janin, illustration from L'Illustration, Journal Universel, No 1148, Volume XLV, February 25, 1865.

Opium smokers, China, drawing by Paul Adolphe Kauffmann (1849-1940) from a photograph by Thomson, from Beijing and North China, by T Choutze pseudonym of Gabriel Deveria (1844-1899), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume V, Issue 5, January 4, 1876.

Morgan offending the delicate organs of Captain Whiffle : Hogarthian Novelist. Plate 4. , Sick persons, Health care. Thomas Rowlandson (1756-1827). Prints and Drawings

On ne dort pas les uns sans lesautres!…. Artist: Paul Gavarni, French, 1804-1866

O Spartan dog, plate fifteen from Othello Made 1844 France. Etching, engraving, roulette and drypoint on ivory China paper, laid down on white wove paper . Théodore Chassériau

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