Historic Tapestries and Textile Designs

Exquisite tapestry and textile pieces from various periods, featuring intricate floral patterns, landscapes, and ornamental borders with rich detailing.

Garden park with peacock and peahen in tree with bridge beyond. unknown c. 1625 Tapestry Dimensions: H 9'6" x W 6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Related Works: Panels in set: GCPA 0236488-0236490, 0236512

Garden park with peacock and peahen in tree with bridge beyond. unknown c. 1625 Tapestry Dimensions: H 9'6" x W 6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. Related Works: Panels in set: GCPA 0236488-0236490, 0236512

Piece 16th-17th century Italian. Piece 223386

Portion of a dress border 18th century Greek Islands, Crete. Portion of a dress border 221723

Panel second quarter 19th century probably French. Panel 227833

Large-leaf proscenium-verdure with duck pond. unknown c. 1550-1600 Tapestry Dimensions: H 11' x W 15' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 11/23/1927; sold to the Kunstgewerbemuseum 9/6/1961. Elaborate proscenium with foreground balustrade with 2 urns on pedestals, & grotesque side columns supporting cornice; ducks in pond, 2 feline animals, 1 with cubs, & monkey in front of balustrade; behind balustrade, greenery composed of scrolling acanthus-like leaves & flowering plants inhabited by birds, leopard, tiger, & other animals (BRD) narrow geometric border with alternating ornamental motifs in lozenges French & Co. stock sheet in archive, 15745-b Related Works: Panels in set: GCPA 0184703, 0236802, 0236804-0236807, 0236810-0236811, 0239822-0239823, 0239824

Valance 18th century Greek Islands, Rhodes. Valance 227632

Fragment (Border). Iran (Persia, Isfahan). Date: 1601-1700. Dimensions: 7 x 22 cm (2 3/4 x 9 1/2 in.). Brocaded compound cloth. Origin: Iran. Museum: The Chicago Art Institute, Chicago, USA.

Piece early 18th century French. Piece 217270

Floral with story of Esther in small medallion. unknown c. 1625-1675 Tapestry Dimensions: H 4'7" x W 7'8" Tapestry Materials/Techniques: unknown Culture: Dutch Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. Boyce Thompson Schulze, New York, received 8/25/1927; sold to Mr. Ed Wise 3/28/1928. French & Co. received from Mrs. Edmund E. Wise 1/20/1949; returned 1/12/1950. Floral with fruits & birds surrounds central wreath with medallion containing Old Testament scene, possibly story of Esther (=enthroned King Ahasuerus (Xerxes/Artaxerxes) several flanking figures, including Esther & Haman); 4 birds in corners (BRD) floral with figures of 4 Evangelists (apocalyptic beasts) in center of each side Possibly same tapestry as GCPA 0181771:0181772; same design, 2 out of 4 birds & apostle figure at top have been rotated 1/2 turn; same dimensions; also notation in ledger: birds changed. Furthermore, the 2 tapestries were given the same stock sheet numbers & thus have t

Basilicata Matera Montescaglioso Abbazia di S. Angelo46. Hutzel, Max 1960-1990 Medieval: Architecture (9th, rebuilt 15th), view of neighboring chiesetta S. Stefano, cloisters; architectural sculpture; frescoes depicting the family of Ufredo Machabeo, lord of Montescaglioso Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece late 16th century Spanish. Piece 227826

Panel first half 18th century Greek Islands, Crete. Panel 221740

Piece 1725-30 French. Piece 217075

Panel. Culture: Italian. Dimensions: Overall: 12 1/4 x 20 in. (31.1 x 50.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Hood for a cope. Culture: Italian, Florence. Dimensions: H. 14 1/2 x W. 17 1/2 inches (36.8 x 44.5 cm). Date: late 15th-early 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo91. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece 16th century Italian. Piece 224099

Piece. Culture: French. Dimensions: 10 1/2 x 16 1/2 inches (26.7 x 41.9 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Campania Napoli Naples S. Lorenzo Maggiore93. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Panel 16th century Italian. Panel 227146

Fragment. Culture: British or American. Dimensions: L. 50 1/2 x W. 24 1/2 in. (128.3 x 62.2 cm). Date: ca. 1830. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Russian. Dimensions: L. 43 x W. 20 7/8 inches (109.2 x 53.0 cm). Date: early 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece mid-18th century French. Piece 217147

Piece. Culture: French. Dimensions: 6 3/4 x 7 3/4 inches (17.1 x 19.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment. Dimensions: 27 15/16 in. high 19 3/8 in. wide (71 cm high 49.2 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.

Large-leaf proscenium-verdure with duck pond. unknown c. 1550-1600 Tapestry Dimensions: H 11' x W 15' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Henry Symons, invoiced 11/23/1927; sold to the Kunstgewerbemuseum 9/6/1961. Elaborate proscenium with foreground balustrade with 2 urns on pedestals, & grotesque side columns supporting cornice; ducks in pond, 2 feline animals, 1 with cubs, & monkey in front of balustrade; behind balustrade, greenery composed of scrolling acanthus-like leaves & flowering plants inhabited by birds, leopard, tiger, & other animals (BRD) narrow geometric border with alternating ornamental motifs in lozenges French & Co. stock sheet in archive, 15745-b Related Works: Panels in set: GCPA 0184703, 0236802, 0236804-0236807, 0236810-0236811, 0239822-0239823, 0239824

Panel 17th century possibly Italian. Panel 226752

Piece. Culture: Spanish or Italian. Dimensions: 87 1/2 x 25 inches (222.3 x 63.5 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: L. 41 x W. 35 1/2 inches (104.1 x 90.2 cm)(loom width 26 1/4 inches)66.7 cm. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece 16th century Spanish or Italian. Piece 229333

Panel. Italy. Date: 1675-1700. Dimensions: 81.9 x 64.7 cm (32 1/4 x 25 1/2 in.). Silk and gilt-metal strip, warp-float faced broken twill weave with supplementary faceing wefts and supplementary warps forming cut and uncut voided velvet. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Fragment. Culture: French. Date: 1695-1705. Museum: Metropolitan Museum of Art, New York, USA.

Piece 1872-86 British. Piece 226228

Piece 1780-90 Style of Philippe de Lasalle French. Piece 222978

Piece late 18th century French. Piece 217266

Fragment. Dimensions: 7 11/16 in. high 2 13/16 in. wide (19.5 cm high 7.1 cm wide). Date: 3rd-4th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: L. 12 3/4 x W. 6 inches (32.4 x 15.2 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Carpet fragment. Culture: Spanish or Italian. Dimensions: H. 13 x W. 20 1/2 inches33 x 52.1 cm. Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: Italian. Dimensions: Overall: 40 1/2 x 20 1/2 in. (102.9 x 52.1 cm). Date: first half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury unknown

Piece. Culture: Italian or Spanish. Dimensions: 43 3/4 x 41 3/4 inches (111.1 x 106.0 cm). Date: third quarter 18th century. Museum: Metropolitan Museum of Art, New York, USA.

"Vintage Scenes" 18th century French. "Vintage Scenes" 228833

Lazio Viterbo Bagnaia Villa Lante81. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sutra Cover late 17th-early 18th century China. Sutra Cover. China. late 17th-early 18th century. Silk. Qing dynasty (1644-1911). Textiles-Woven

Piece. Culture: French. Dimensions: 19 1/8 x 9 1/2 inches (48.6 x 24.1 cm). Date: ca. 1730. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo Pescara Loreto Aprutino S. Maria in Piano00. Hutzel, Max 1960-1990 Exterior views include: a portico with four arches, a tower, an ornately sculptured portal with a fresco of the Pieta in the lunette (1559). Views of the interior include: a stoup, 17th century wood pulpit, altar paintings, marble altar and baroque altarpiece with details of sculptures and paintings. Most views are of the 14th century frescoes. On the entrance wall is a curious scene of the Last Judgment: Christ in a mandorla sits enthroned among various saints, music-making angels, Virgins and Patriarchs; three saints kneel below him, one in bishops' robes and two in Capuchin habit; instruments of the Passion lay on a table. In the lower register, nude souls cross a bridge, are judged by St. Michael, and then climb up a palm tree to enter a house whereupon they are clothed and dance. Other frescoes include scenes of the life of St. Thomas (under which is much graffiti), and various saints such as St. Catherine

L'Amour Vainquerur (Love Triumphant) (Furnishing Fabric). Designed by Jean Baptiste Huet (French, 1745-1811) or Hippolyte Lebas (French, 1782-1867); Manufactured by Christophe Phillipe Oberkampf (French, active 1738-1815); France, Jouy-en-Josas. Date: 1804-1820. Dimensions: 191.2 × 97.1 cm (75 1/4 × 38 1/4 in.)Warp repeat: 25.9 cm (10 3/16 in.). Cotton, plain weave; engraved roller printed; two pieces joined. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: JEAN BAPTISTE HUET.

Campania Caserta Capua Chiesa dell'Annunziata6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Piece. Culture: Italian. Dimensions: L. 8 x W. 4 1/2 inches (20.3 x 11.4 cm). Date: 16th-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Wall hanging fragment first quarter 18th century After a composition by Daniel Marot the Elder French See 34.94.1 for another piece of same wall hanging, derived from a popular textile design by Daniel Marot from ca. 1712. Marot, court architect to William III, greatly influenced the decorative arts in the Netherlands at this time; his publication from 1702-1715 of several series of ornamental designs contributed to the popularization of the Louis XIV style in the Netherlands. Wall hanging fragment. After a composition by Daniel Marot the Elder (French, Paris 1661-1752 The Hague). Northern Dutch. first quarter 18th century. Leather, embossed, "gilded", and polychromed. Natural Substances-Leatherwork

Allegory of Smell. Cleyn, Franz (German, 1582-1658) (designed after, attr.) painter c. 1640 Tapestry Dimensions: H 10'1" x W 13'7" Tapestry Materials/Techniques: unknown Culture: English Weaving Center: Mortlake Ownership History: French & Co. Inscriptions: Latin inscription in lower border cartouche mostly illegible: Quid mihi cum n.. par.. /terquem semper.. / Af.. es infici/.. Central cartouche, female figure smelling flower, holding vase, dog smells flowers in vase; ribbons & flowers surround central scenes, flanked by 2 miniature architectural canopied structures with figures, while 2 monkeys sit on swags of drapery; dog below cartouche (BRD) stylized acanthus leaves & fruit, palmette-shells in corners; (L & R BRD) medallions with animals, terminal figures below; (UPR BRD) empty shield for coat of arms, (LWR BRD) cartouche with inscription Thomson notes that "Smell" has shield with arms of England & border medallions are scenes from fables: fox & stork, dog & shadow; states that di

Piece early to mid-18th century Japan. Piece. Japan. early to mid-18th century. Silk. Edo period (1615-1868). Textiles-Embroidered

Maid spinning; Blindman's bluff. Boucher, François (French, 1703-1770) (designed after) painter c. 1770-1790 Tapestry Dimensions: H 7'11" x W 13'4" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: Sir Anthony Rothschild coll., Aston Clinton, Buckinghamshire, 1922. French & Co. purchased from Anderson Galleries, Inc. (New York), (Leverhulme sale), lot 493, 2/9/1926; sold to J. J. Greenberg 7/2/1928 SS 28283. French & Co. purchased from Mrs. Jennye Greenberg, 7/16/1943; sold to Arthur H. Myers 2/6/1947 SS 76530. 2 medallions with young couples, 1 with maiden spinning & the other with Blindman's bluff (ALENTOUR) damask-patterned ground, central garden trophy; basket of flowers suspended from each medallion; frame of spiraling ribbons entwined with flowers, hung with festoons, decorated with bouquets This tapestry's composition is based directly on the Gobelins series Les Amours des Dieux, designed by Boucher, Pierre, Van Loo & Vien, & with

Shawl. India. Date: 1830-1850. Dimensions: 190 x 173 cm (74 3/4 x 68 1/2 in.). Interlocking twill weave; embroidered; pieced. Origin: India. Museum: The Chicago Art Institute, Chicago, USA.

Piece 16th-17th century Italian. Piece 223379

Piece. Culture: Italian, Venice. Dimensions: H. 87 x W. 38 1/2 inches (221.0 x 97.8 cm). Date: ca. 1720. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Caprarola Palazzo Farnese21. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece. Culture: French. Dimensions: L. 99 x W. 21 inches251.5 x 53.3 cm. Date: second half 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Panel 4th-5th century. Panel 445740

Piece. Culture: Italian. Dimensions: L. 21 1/2 x W. 10 inches (54.6 x 25.4 cm). Date: 16th-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: Overall: 38 x 28 3/4 in. (96.5 x 73 cm). Date: 1720-25. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Latina Cori S. Francesco. Hutzel, Max 1960-1990 Views of facade and flank, two views of cloister, many views of naves and altars, some views of paintings and sculpture, and three views of Roman fragments in the garden. One Roman statue, a gravestone and an urn for ashes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wallpaper Panel 1700-1730 This wallpaper panel is part of a set originally consisting of seventeen pieces (see 14.106.1-.16 for set). The panels depict mountain landscapes, scenes with houses, birds, and flowering shrubs. They were hand-painted in China during the early eighteenth century for export to England. There, as in America, such exotic wallpaper enjoyed a vogue among the fashionable gentry. Considered a great luxury, it added richness and colors to walls. This wallpaper hung in an English home for two hundred years. The panels are installed, in whole or in part, in the Powel Room in The American Wing.. Wallpaper Panel 9668

Umbria Terni Orvieto S. Domenico4. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Square early 18th century China. Square 70270

Campania Caserta Marcianise Chiesa dell' Annunziata35. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)83. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s u

Lazio Viterbo Bagnaia Villa Lante9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Altar frontal early 17th century Italian. Altar frontal 227433

Umbria Perugia Bevagna SS. Domenico e Giacomo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Pescocostanzo Basilica8. Hutzel, Max 1960-1990 Medieval: Wood statues (2) (9-10, 12th century); stone bust (10th century Post-medieval: Architecture, architectural sculpture, painting, sculpture, objects in the museum German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante67. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece. Culture: French. Dimensions: L. 15 x W. 10 inches (38.1 x 25.4 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Fragment mid-19th century French. Fragment 222185

Bladranken, anonymous, after Heinrich Aldegrever, 1529 - 1610 print Lower part of a design for a dagger sheath with leaf vines and two volutes. Germany paper engraving foliage, tendrils, branches ~ ornament

Fragment. Dimensions: 2.25 in. high 6.00 in. wide (5.71 cm high 15.24 cm wide). Date: 5th-6th century. Museum: Metropolitan Museum of Art, New York, USA.

Venus (Aphrodite) with Cupid) asks Vulcan to forge Aeneas' armour. unknown c. 1800-1850 Tapestry Dimensions: H 13'6" x W 5'8" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. purchased from Mrs. George Blumenthal sixth item on list of 6 tapestries, all in the present set, received 11/28/1919. Related Works: Panels in set: GCPA 0243325-0243326, 0243328-0243329, 0184459-0184460

Tolobei (tomb cover) 19th century China. Tolobei (tomb cover). China. 19th century. Silk, metallic thread. Qing dynasty (1644-1911). Textiles-Woven

The left half of the frieze consists of white moresques on a dark ground, the right half of black moresques on a white ground. In the center of the wide frieze is a mascaron. One of 15 sheets from a series of 23 with title page, One wide frieze and two narrow friezes with moresque friezes and geometric motifs with moresque and arabesque (series title), print maker: anonymous, Balthazar van den Bos, publisher: Jacques Honervogt (I), Netherlands, (possibly), 1550 - 1580, paper, engraving, h 81 mm × w 227 mm

Lazio Roma Anguillara Sabazia Collegiata dell'Assunta8. Hutzel, Max 1960-1990 Post-medieval: Architecture (16th century) ceiling painting; baptismal font (15th century) General Notes: There were two sets of prints of this monument, most from the same negatives. They have now been synthesized into one numerical sequence and assigned H-numbers 1-17. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece French, Lyons 18th-19th century

Cantonnière with "chinoiserie" border design. Vernansal, Guy (French, act.1642-d.1656) (author of design, attr., border) painter c. 1689-1732 Tapestry Dimensions: H 11'2" x W 7'2" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Beauvais Ownership History: French & Co. Related Works: Panels in set: GCPA 0241126, 0241128; compositionally similar tapestry (border): 0241158, 0241160, 0241188, 0241191, 0241192

Fragment. Italy. Date: 1625-1675. Dimensions: . Cisele voided satin velvet. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Hanging early 19th century China. Hanging 68490

Campania Napoli Naples S. Lorenzo Maggiore8. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches o

Piece. Culture: British, probably. Dimensions: Dimensions unrecorded. Date: ca. 1760. Museum: Metropolitan Museum of Art, New York, USA.

Textile Fragment 5th-6th century. Textile Fragment 444189

Bliżej Kultury unknown

Campania Salerno Padula Monastery of S. Lorenzo2. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

Teppich, als Samt gewebt.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Piece. Culture: French. Dimensions: L. 40 1/2 x W. 39 3/4 inches (102.9 x 101.0 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Viterbo Viterbo Museo Civico12. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

Ornament. Culture: French. Dimensions: Height (each): 6 1/2 in. (16.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Armorial panel 1635 German. Armorial panel 198886

Lazio Viterbo Caprarola Palazzo Farnese34. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hanging or Bed Cover (Palampore) early 18th century. Hanging or Bed Cover (Palampore) 447867

Lazio Viterbo Viterbo Sanctuary of S. Maria della Quercia0. Hutzel, Max 1960-1990 Extensive coverage of Renaissance sanctuary's exterior, with emphasis on the church portals. Several views of bell tower. Interior views of nave and altar, aisles, ceiling and cupola, tabernacle containing the miraculous tile, paintings, sacristy, choir, holy water font. Views of main cloister and cistern. General Notes: Two sets of prints fused into single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel. Culture: Italian. Dimensions: L. 58 x W. 21 3/4 inches (147.3 x 55.2 cm);Former dimensions: L. 134 x W. 128 in.. Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Historical print from the 19th century, drawing of a church window depicting the Saga of Roland in the Cathedral of Notre-Dame de Chartres, France, Europe

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