Historic Urban Life Scenes

A collection of etchings depicting urban life, featuring streets, buildings, and figures in historical settings, showcasing a range of artistic styles and moods.

Demolition of the buildings at the Beurspleintje in Amsterdam. Seen to the Damrak. A figure in front of an advertising column.

Le Drageoir aux épices by J.K. Huysmans: Le Drageoir aux épices by J. K. Huysmans, 1929. Auguste Brouet (French, 1872-1941), Les Graveurs Modernes, J.K. Huysmans (French). Portfolio containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Victoria Club, 1879. James McNeill Whistler (American, 1834-1903). Lithograph;

Billboards, New York , Commercial streets, City & town life, Carriages & coaches, Pedestrians. Childe Hassam (1859-1935). Prints and Drawings

Down and Up the Hills to the Bay, San Francisco. Dated: 1912. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Le Drageoir aux épices by J. K. Huysmans: p. 90, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

The Teertuinen. Draughtsman: George Hendrik Breitner. Dating: c. 1905. Place: Amsterdam. Measurements: h 250 mm × w 361 mm. Museum: Rijksmuseum, Amsterdam.

A Corner of the Palais Royal. Dated: c. 1883/1886. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Mast James Abbott McNeill Whistler (American, 1834-1903). The Mast, 1880. Etching on paper, Sheet (trimmed to plate): 13 1/2 x 6 7/16 in. (34.3 x 16.4 cm). American Art 1880

Demolition of the buildings at the Beurspleintje in Amsterdam. Seen to the Damrak. A figure in front of an advertising column.

A City FarmNew York. Dated: 1881. Dimensions: plate: 15.4 × 25.7 cm (6 1/16 × 10 1/8 in.) sheet: 16.2 × 26.7 cm (6 3/8 × 10 1/2 in.). Medium: etching in black. Museum: National Gallery of Art, Washington DC. Author: Mary Nimmo Moran.

1893 Art Work - The Clock-Makers; Paimpol - James McNeill Whistler.

Churchyard, 1887. James McNeill Whistler (American, 1834-1903). Lithograph;

Chancellerie, Loches 1888 United States. Etching with foul biting in dark brown ink on cream laid paper . James McNeill Whistler

Boulevard sketch

Trial Sketch: Grand Rue, Dieppe. Dated: c. 1891. Dimensions: image: 7.2 × 13 cm (2 13/16 × 5 1/8 in.) sheet: 14.5 × 16.3 cm (5 11/16 × 6 7/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

View of a dark square. In the foreground right a man and woman by a handcart. In the background a bridge., Cityscape in foggy weather, print maker: Simon Moulijn, 1886, paper, etching, counterproof, h 200 mm × w 270 mm

Campiello San Rocco. John Marin; American, 1870-1953. Date: 1907. Dimensions: 157 x 121 mm (plate); 224 x 206 mm (sheet). Etching, selectively wiped, on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Piazzetta. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 254 x 181 mm (image, trimmed within plate mark); 259 x 181 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Its Streets are Wide and Silent. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 282 x 216 mm. Oiled charcoal, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Exeter Street. Dated: c. 1886/1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Traghetto No 2, Venice, 1879-1880. James A McNeill Whistler

A pencil illustration by August Xaver Karl von Pettenkofen depicting a scene from Gil Blas.

Figures on the street. .

Drawing by Ferdinand Boberg. Öland, Slättbo hd., Räpplinge sn., Appler room Nordic

Figures in a establishment, 1875 - 1934 There are waiters at the tables. Page 17 Recto from sketchbook LVI with 26 sheets. paper. chalk inn, coffee-house, public house, etc. (+ waiter, waitress, etc.). adult man (+ sitting)

Watercolor painting of a church square (Kirchenplatz) by Maximilian Lenz, showing buildings and open space.

Colored etching on Japanese paper by Emil Orlik from 1898 depicting the demolition of the Prague ghetto, showing buildings, rubble, figures, and street scene.

High Street, Brussels. Dated: 1887. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Figures on the street, possible in Paris. Page 34 From sketchbook XXXIX with 51 pages.

The Corner of Cheyne Walk, Chelsea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 122 × 187 mm (image); 133 × 190 mm (plate); 144 × 190 mm (sheet). Etching in black on thin cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Joseph Pennell, The Brussels Canal, 1910, etching on paper.

Bal Bullier, Paris. John Marin; American, 1870-1953. Date: 1906. Dimensions: 138 x 197 mm (plate); 227 x 289 mm (sheet). Etching with plate tone on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Some Scenes of Parisian Life: The Arc de Triomphe, 1899. Pierre Bonnard (French, 1867-1947), Published by Ambroise Vollard; Printed by Auguste Clot. Lithograph; sheet: 40.7 x 53 cm (16 x 20 7/8 in.); image: 31 x 46.5 cm (12 3/16 x 18 5/16 in.).

Maignan, Albert (n.1845-10-14-D.1908-09-29), Pont Marie in 1867 (dummy title). Lead mine. Carnavalet museum, history of Paris.

Capt. Thomas Hastings, 1778-1854, British, Crewkerne Abbey, 24 May 1833, 1833. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

View at the Oosterpark in Amsterdam. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 533 mm × w 723 mm. Museum: Rijksmuseum, Amsterdam.

'Along the Quay', 1915. Artist: Vaughan Trowbridge.

Street with figures. Leaf 45 Verso 46 Recto from a sketchbook with 57 sheets.

Artist: Emil Orlik, Czech, 1870-1932, In thePark, Auto-lithograph, sheet: 20.3 × 24.8 cm (8 × 9 3/4in.), Made in Czechoslovakia, Czech, 19thcentury, Works on Paper -Prints

Quai d'Anjou in Paris Pankiewicz, Józef (1866 1940)

The Boulevards (Les boulevards) from the album Das Mappenwerk der Insel. Dimensions: 28.4 cm x 36.2 cm, 26.5 cm x 33 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Stretched horses for a house, Johannes Taventrate, 1840 - 1880 drawing Tacked horses for a house, on the left a hay wagon is loaded, a mill on the right, a city with church towers in the distance. paper. ink. pencil pen / brush public road in village (+ city(-scape) with figures, staffage). hay-wagon. windmill

The study of C.G. 't Hooft in the Roemer Visscherstraat, draughtsman: Cornelis Gerardus 't Hooft (1791-1871), 1801 - 1871, paper, h 326 mm × w 457 mm

Face in a shed with farm wagon in Kalevoet, Pol Craps, 1897 print paper etching / drypoint (farm) wagon, freight wagon, cart. barn

Place des Voges. Stuart Davis; American, 1892-1964. Date: 1928. Dimensions: 230 x 340 mm (image); 248 x 350 mm (sheet). Lithograph in black on cream wove paper, laid down on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Une Matinée d'Hiver au quai de l'hôtel de Dieu. Félix-Hilaire Buhot (France, Valognes, 1847-1898). France, 1876. Prints; etchings. Etching and drypoint

Sir David Young Cameron, 1865-1945, British, Ponte della Trinita, 1902-1907. Etching and drypoint on Japan paper.

Old La Roche, plate seven from the Belgian Set Made 1907 Scotland. Etching, with touches of drypoint, on cream Japanese paper . David Young Cameron

Charles Samuel Keene, 1823-1891, British, Sketchbook Drawing, between 1846 and 1852. Graphite with pen and brown ink on ruled, medium, smooth, cream wove paper.

Quai d'Anjou in Paris, state II. Pankiewicz, Józef (1866-1940), graphic artist

Old Town Market Square in Warsaw. Gotard, Jan (1898-1943), painter

Shed under the dike, George Hendrik Breitner, 1867 - 1923

Artist: George H. Langzettel, American, 1864-1953, Perspective Problem, Grand Avenue from QuinnipiacAvenue, Pen and black ink over graphite on academy board, 35.9 × 25.4 cm (14 1/8 × 10in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Pencil drawing by August Xaver Karl von Pettenkofen illustrating a scene from Gil Blas, showing multiple characters and their interactions.

Boutique de Boucher: The Butcher's Shop. Date/Period: 1858. Painting. Watercolor and pencil on blue paper. Height: 217 mm (8.54 in); Width: 144 mm (5.66 in). Author: JAMES ABBOTT MCNEILL WHISTLER.

Gazette des Beaux-Arts XIV: House with a Turret, No. 22, rue de L'Ecole de Médecine, Paris, (called the Turret of Marat), 1861. Charles Meryon (French, 1821-1868). Etching and drypoint on chine collé; sheet: 26.4 x 16.7 cm (10 3/8 x 6 9/16 in.); platemark: 21.4 x 13.2 cm (8 7/16 x 5 3/16 in.).

Spichlerz w Sandomierzu ; verso: Zamek Królewski w Warszawie widziany z ulicy Piwnej. Jabłczyński, Feliks (1865-1928), graphic artist

Old mind from the place about the pond, Vijverberg and 's-Gravenhof. Colored print on brown. Discolored paper of square with people for buildings, a park, pond and weather buildings with streamers. Set up in paper, framed in wood behind glass. Back: 'Offered on June 24, 1955 to Dr. W. Drees, Prime Minister by officials of the Department of General Affairs on the occasion of his second anniversary as a minister. " Reproduction to a painting hanging on the town hall of the Hage.

Hohenzollernufer in Berlin; Graetzer, Alfred (1875-1911); 1910 (1910-00-00-1910-00-00);

Hamgurg, Freihafen (HamburgHarbor). Artist: Emil Nolde, German, 1867-1956

An etching and drypoint titled 'Le bruit de deux sabots trainant...' by Félix Hilaire Buhot, created between 1874 and 1879. The artwork depicts a scene related to rain and is noted for its specific state reference number

Rye, Sussex. Artist: Charles Adams Platt (American, New York 1861-1933). Dimensions: plate: 6 3/16 x 9 3/8 in. (15.7 x 23.8 cm)sheet: 12 1/4 x 17 1/2 in. (31.1 x 44.5 cm). Date: 1884. Museum: Metropolitan Museum of Art, New York, USA.

Watercolor painting by Johann Gualbert Raffalt showing a landscape with stormy weather, clouds, and atmospheric effects.

Fashionable "turn-outs" in Central Park. Worth, Thomas (1834-1917). 1868. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Central Park (New York, N.Y.), Carriages & coaches , New York (State) , New York

Whistler, James Abbott McNeill, Isle de la Cité, Paris, Île de la Cité, recto lower left - drypoint (), View of the Seine and the île de la cité in Paris., print, prints, Paris de la Galerie d'ap, height 199 mm, width 289 mm, American, 1834-07-10 - 1903-07-17, print maker, printmaker, 1859-12 - 1859-12, third quarter 19th century, derde kwart 19e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Fiesta de Sant Just, Barcelona, 1893.

James McNeill Whistler, Chelsea Rags, 1888 Chelsea Rags

Drawing by Ferdinand Boberg. Värmland, Färnebo hd. o sn., saxåhyttan Nordic

Drunks in a Country Town. Edward Ardizonne (1900-1978). Watercolour, pen, brush, black ink and grey wash. 8 x 10in

The Little Brown House, Passy. Christopher Wood (1901-1930). Oil on canvas-board. Painted circa 1928. 18 x 22in.

William Walcot, Holyrood Palace, Edinburgh (Queen Mary Stuart Leaving Holyrood Palace), 1918, etching and drypoint on wove paper.

Lhiver à Paris (The Winter in Paris). Artist: Félix Hilaire Buhot, French, 1847-1898

No title village scene, by Aenny Loewenstein. Gift of Hans and Martha Lachmann, 1995.

Rainy Night Chinatown Earl Horter (American, 1881-1940). , n.d. Aquatint on white wove paper, Sheet: 12 5/8 x 14 7/16 in. (32.1 x 36.6 cm). American Art n.d.

La Madeleine. Jean-François Raffaëlli (France, Paris, 1850-1924). France, 1898. Prints; etchings. Color etching and drypoint on Japan paper

'The Watering Place at the Pont Marie', 1915. Artist: Auguste Lepere.

Dachy Starego Miasta o zachodzie. Gerson, Wojciech (1831-1901), painter

Michel, Henri-Napoléon, flood in Bercy. (Attributed title), 1876. Brown feather and ink, gray wash and white raises on pink paper. Carnavalet museum, history of Paris.

Visit; Bielefeld, Bruno (1879-1973), Verlag Paul Sonntag (Publisher; Berlin; Fl. Ca 1910-1930); 1911 (1911-00-00-1911-00-00);

Tramp Passing Through a Sleeping Village 1902 France. Soft ground etching, aquatint and etching in grayish blue-black (noir bleutÈ) on ivory laid paper . Théophile-Alexandre Pierre Steinlen

Wiental, Karl Wiener , Artist

Stanis Aw Tondos (1854-1917), Wojciech Kossak (1856-1942), on vacation; Salon Painters Publishing House (Kraków; 1895-1949); around 1910 (1905-00-00-1915-00-00);

Snow Falling on a Dutch Town n.d. Abraham Rademaker Dutch. Snow Falling on a Dutch Town 335206

Il Cannaregio, Walter Richard Sickert (Munich, Germany, 1860 - 1942) c. 1935

Holmqvist, Anders Gunnar, work, Huurteinen puisto, 1932, technique text: aquatint, graphics, plate width 16 cm, plate height 21 cm, leaf width 25, 7 cm, leaf height 38 cm, image width 15.6 cm, image height 20.4 cm

In Place Breda / December 9th. (IFF 92) (registered title) | The winter of 1879 in Paris. (Registered title) | The snow in Paris (dummy title)

Hôtel de Sens, plate three from the Paris Set. David Young Cameron; Scottish, 1865-1945. Date: 1904. Dimensions: 281 x 157 mm (image/plate); 305 x 171 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Wola Rafałowska. Masłowski, Stanisław (1853-1926), painter

Churchyard 1887 James McNeill Whistler American. Churchyard 372800

View of Palazzo Montecitorio with the obelisk of Psammetichus II, Rome, Italy, illustration by Enrico Nardi (1864-1947) for Through the streets of Rome, reportage by Benedetto Cirmeni (1854-1935), woodcut by Meisenbach from Moderne Kunst (Modern Art), illustrated magazine published by Richard Bong, 1891-1892, Year VI, No 5, Berlin.

The El. Reginald Marsh (1898-1954). Watercolour and pencil on paper. Signed and dated 1929. 35.5 x 50.1cm.

Assyrian architecture. Comet above Babylon. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Attributed to Constantin Guys, The Strawberry Roans The Strawberry Roans

Hand-coloured engraving depicting a fire in Arbós, Spain. Dated 18th Century

Yvon. David Young Cameron; Scottish, 1865-1945. Date: 1911. Dimensions: 266 x 127 mm (image/plate); 324 x 188 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

industrial landscape, 1975, oil on tablex, Juan Manuel Seisdedos Romero, Huelva Museum, Huelva, Andalusia, Spain.

Kościół św. Marcina w Kolonii. Podczaszyński, Bolesław Paweł (1822-1876), draughtsman, cartoonist

Drawing, Project for Wall Paintings, as Decoration of a Frieze; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and sepia wash over traces of graphite on light-green laid paper; 15.1 x 23 cm (5 15/16 x 9 1/16 in.)

Widok Canal Grande, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

View of the Pont Neuf. Donald Shaw MacLaughlan; American, 1876-1938. Date: 1906. Dimensions: 247 x 189 mm. Graphite with brush and gray and brown wash, on cream wove paper, hinged onto blue wove card. Origin: United States. Museum: The Chicago Art Institute, USA.

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