Historic Urban Scenes and Landscapes

A collection of prints featuring detailed etchings of streets, temples, and landscapes. The mood is nostalgic, showcasing architecture, animal-drawn carts, and serene waterscapes.

Ossenkar near Hindoetempel, Marius Bauer, 1897 print A cart for which two oxen are tense at a Hindu temple. paper etching ox. animal traction, animal-drawn vehicle (carriage etc.). temple, shrine ~ Hinduism, Buddhism, Jainism India

Ossenkar near Hindoetempel, Marius Bauer, 1897 print A cart for which two oxen are tense at a Hindu temple. paper etching ox. animal traction, animal-drawn vehicle (carriage etc.). temple, shrine ~ Hinduism, Buddhism, Jainism India

Mill on the Water, George Hendrik Breitner, 1880 - 1882 Page 32 from a sketchbook with 23 magazines. The Hague paper. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone). windmill in landscape

Old House, Rue des Arpents, Rouen, I. John Marin; American, 1870-1953. Date: 1909. Dimensions: 174 x 213 mm (plate); 282 x 333 mm (sheet). Etching, selectively wiped, on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Street Grenier on the water (dummy title)

James McNeill Whistler, A Corner of the Palais Royal, c 1883 1886 A Corner of the Palais Royal

The Priest's House, Rouen. James McNeill Whistler; American, 1834-1903. Date: 1894-1895. Dimensions: 241 x 160 mm (image); 284 x 219 mm (sheet). Transfer lithograph in black with stumping and scraping, on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Rialto. Dated: 1880. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Classic architecture. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 161 mm × w 208 mm. Museum: Rijksmuseum, Amsterdam.

Fleur-de-lys Passage. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 184 x 81 mm (image, trimmed within plate mark); 186 x 82 mm (sheet). Etching and drypoint with foul biting in dark brown ink on buff laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Vitré: The Canal. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 9 5/16 in. × 6 in. (23.6 × 15.3 cm)Sheet: 12 1/8 × 7 1/2 in. (30.8 × 19 cm). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Pencil drawing by August Xaver Karl von Pettenkofen illustrating a Gil Blas scene with multiple figures, emphasizing gestures and interaction.

Kerr Eby, Polperro, 1923, etching on laid paper.

The Temple 1880-1881 United States. Etching in black ink on ivory Asian laid paper . James McNeill Whistler

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Gezicht op de Kalverstraat te Amsterdam.View of the Kalverstraat in Amsterdam. Loose drawing between page 3 and page 4 in a sketchbook with 46 sheets manufactured in Antwerp, Ghent and Amsterdam.

Study for Bridewell Prison, Women's Side, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 210 × 261 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Clothes Exchange, No.I, 1887, etching and drypoint in dark brown on laid paper, overall (trimmed to plate): 16 × 24.1 cm (6 5/16 × 9 1/2 in.), MacDonald 2012, no. 358, state i/ii, James McNeill Whistler (artist) American, 1834 - 1903

Ponte del Piovan, 1886. James McNeill Whistler (American, 1834-1903). Etching;

The Swan, Chelsea, c. 1870. James McNeill Whistler (American, 1834-1903). Etching;

Jews' Quarter, Amsterdam. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 131 x 221 mm (image, trimmed within plate mark); 133 x 221 mm (sheet). Etching with foul biting in dark brown ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, FLORENCIA, USA.

Street. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

The balcony, James Ensor, circa 1860-1949, drawing, Belgian Art

Cityscape in South Holland, possibly with a market, George Hendrik Breitner, c. 1882 Page 21 and page 22 from a sketchbook with 31 sheets made in The Hague and Rotterdam. The Hague paper. chalk stall, booth (~ market) South-Holland

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

The Kurza Stopka" (Hen’s Foot) turret. Cotty, Jan (Warszawa ; drukarnia i zakład litograficzny ; 1863-1939), lithography atelier, Wyczółkowski, Leon (1852-1936), graphic artist, Warszawskie Towarzystwo Artystyczne (Warszawa ; wydawnictwo ; fl. 1899-ca 1918), publisher

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 4 7/16 x 5 1/2 in. (11.2 x 13.9 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Spilman, Hendrik, Stratum, Haen, Abraham de (II), Pronk, Cornelis, Sint-Joriskerk in Stratum, handwritten in pencil, Sheet 47 recto from a sketchbook with 65 sheets., sketchbook sheet, drawings, Strath...m, Northern Netherlands, 1691-12-10 - 1759-09-29, draughtsman, draftsman, 1701 - 1759, paper, pencil, 1707-04-06 - 1748-08-08, 1721-02-17 - 1784

James McNeill Whistler (American, 1834 - 1903), Little Smithfield, c. 1877, etching in brown

James McNeill Whistler (American, 1834 - 1903), The Rialto, 1880, etching and drypoint

Figures on a path along the houses in Gaiberg, 1876 Also a study of a standing man. Page 52 Recto from a sketchbook with 69 sheets. Gaiberg paper. pencil village street (+ city(-scape) with figures, staffage). standing figure Gaiberg

Gaiety Stage Door 1879-1887 United States. Transfer lithograph in black ink with scraping, on ivory laid paper . James McNeill Whistler

Drawing, View of Venice, Italy; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 13.2 × 10 cm (5 3/16 × 3 15/16 in.)

James McNeill Whistler, The Mast, 1879 1880 The Mast

The auto school , Schools, Automobile driving, Doors & doorways. Childe Hassam (1859-1935). Prints and Drawings

View of the Colosseum. Artist: Richard Wilson (British, Penegoes, Wales 1712/13-1782 Denbighshire, Wales). Dimensions: sheet: 10 3/16 x 7 11/16 in. (25.9 x 19.5 cm). Date: 1751-56. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler, La Fruitière de la rue de Grenelle, 1894 La Fruitière de la rue de Grenelle

Victoria Club James Abbott McNeill Whistler (American, 1834-1903). , 1879. Lithograph, 12 3/16 x 7 15/16 in. (31 x 20.2 cm). American Art 1879

The Fair. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 9 5/16 × 6 1/4 in. (23.6 × 15.8 cm)Sheet: 12 5/8 × 8 1/8 in. (32 × 20.6 cm). Date: 1895-96. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Stockholm, Söder, kv. Ersta, Nordic

The Crystal Palace. Dated: 1905. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Garden with pond, in the foreground garden tools, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

Okolice klasztoru św. Franciszka w Loja. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Old-Clothes Shop, No. 2 (Rag Shop). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 3 11/16 × 6 7/16 in. (9.3 × 16.3 cm)Sheet: 3 11/16 × 6 7/16 in. (9.3 × 16.3 cm). Date: 1884-86. Museum: Metropolitan Museum of Art, New York, USA.

Reclining woman at a source. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 208 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Study for Paris Street; Rainy Day. Gustave Caillebotte; French, 1848-1894. Date: 1877. Dimensions: 302 × 465 mm. Graphite, with touches of erasing and touches of charcoal, on tan, moderately thick, moderately textured handmade laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Stadsplein with a vase -shaped fountain surrounded by figures, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1600 Square with a vase -shaped fountain in three floors. The vase is in a cross -shaped pelvis and is crowned by a sphere from which water spewing bird heads stitches. The fountain is crowned by an image of a woman with a Tazza and a drinking cup in her hands. Left in the foreground a minnekozend pair. Laying women in the background to dry. The print is part of an album. Antwerp paper etching Square with a vase -shaped fountain in three floors. The vase is in a cross -shaped pelvis and is crowned by a sphere from which water spewing bird heads stitches. The fountain is crowned by an image of a woman with a Tazza and a drinking cup in her hands. Left in the foreground a minnekozend pair. Laying women in the background to dry. The print is part of an album. Antwerp paper etching

A pencil drawing by August Xaver Karl von Pettenkofen illustrating a scene from Gil Blas.

Grote Markt in Haarlem, 1634 drawing Haarlem paper. chalk

Face in Venice, Pietro Gaspari (attributed to), 1730 - 1785 drawing paper. ink. chalk pen / brush public road Venice. Italy

Nocturne: Palaces, from the Second Venice Set (A Set of Twenty-sixEtchings). Artist: James McNeill Whistler, American, 1834-1903

James McNeill Whistler, Steps, Amsterdam, 1889 Steps, Amsterdam

August Xaver Karl von Pettenkofen produced a pencil illustration for Gil Blas.

Victor Hugo (1802-1885). "Beaufort". Red pencil. 1871. Paris, house of Victor Hugo. 60600-7 Chateau-Fort, MEDIEVALE CONSTRUCTION, Red-colored pencil, drawing, tower, view in counter-the-line, 19th XIXth 19th 19th 19th 19th century

The Long Gallery, Louvre Made 1894 United States. Transfer lithograph in black, with stumping, on cream laid paper . James McNeill Whistler

Street in Deventer, Willem Adrianus Grondhout, 1888 - 1934 print A man and a woman in a street in which a washing line is tense between two houses. paper etching windmill in landscape Deventer

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Grondwetsherziening van 1887.Sketch for a cartoon in the Dutch Spectator Nr. 46 of 1887, following the assumed constitutional revision with the CAoutchouc article. Hogendorp and Thorbecke in the clouds above the Binnenhof in The Hague. In the middle a statue with a politician with the constitution 1887 in his left hand.

The Clockmakers, Paimpol, 1893. James McNeill Whistler (American, 1834-1903). Lithograph;

A Venetian Capriccio: A Rio Leading to a Bridge ca. 1780-85 Francesco Guardi Italian. A Venetian Capriccio: A Rio Leading to a Bridge. Francesco Guardi (Italian, Venice 1712-1793 Venice). ca. 1780-85. Pen and brown ink, brown wash. Drawings

James Johnson (British, 1803 - 1834), High Street, Bristol, 1821, watercolor and graphite on wove paper

A High Bridge in Tivoli. Dated: 1744/1750. Dimensions: sheet: 18.1 x 11.7 cm (7 1/8 x 4 5/8 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

Guillaume Lethière, Tomb of Cecilia Metella (Tombeau de Cecilia Metella), early 19th century, Counterproof.

Fireplace and a street with figures and a bridge over a canal, c. 1905 - c. 1906 Leaf 20 Verso from a sketchbook with 30 sheets. paper. pencil chimney-piece, mantelpiece. street (+ city(-scape) with figures, staffage)

Woman Emptying a Wheelbarrow Made 1880 France. Drypoint in black with plate tone on ivory laid paper . Camille Pissarro

Pencil drawing by August Xaver Karl von Pettenkofen illustrating a scene from Gil Blas, depicting figures in action and narrative elements.

1893 Art Work - The Steps; Luxembourg - James McNeill Whistler.

Clothes Exchange, No.I, 1887, etching and drypoint on laid paper, overall (trimmed to plate): 16 × 24.1 cm (6 5/16 × 9 1/2 in.), MacDonald 2012, no. 358, state ii/ii, James McNeill Whistler (artist) American, 1834 - 1903

Design for the Corner of a Ceiling. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 12 3/16 x 8 9/16 in. (31 x 21.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Architecture and Figures, Rodolphe Bresdin, 1867 - 1871 drawing France tracing paper. ink. pencil pen the (nude) human figure; 'Corpo humano' (Ripa). civic architecture; edifices; dwellings

Courtyard, Chelsea Hospital. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 215 x 162 mm (image); 316 x 196 mm (sheet). Lithograph, in black ink, with stumping, on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Moreau, Pierre Louis, Le Passage Saint-Pierre. (Faithful title), 1898. Carnavalet Museum, History of Paris.

Grand Rue, Dieppe. James McNeill Whistler; American, 1834-1903. Date: 1891. Dimensions: 72 x 130 mm (image); 145 x 163 mm (sheet). Transfer lithograph in black on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

San Biagio 1879-80 James McNeill Whistler American San Biagio describes a working-class Venetian neighborhood east of the Riva degli Schiavoni. In the foreground, two small boats have been pulled onto the bank and drying laundry is strung overhead. Whistler used these details to establish a range of textures but devoted more attention to establishing a series of visual planes linked by a shadowed passageway. The composition progresses from the half-light of the canal into a dark tunnel and emerges into a brightly lit receding walkway punctuated by tall chimneys. A version of this print was exhibited in 1883 at the Fine Art Society then published in 1886 as part of the "Second Venice Set.". San Biagio 372577

James McNeill Whistler, The Long Balcony, 1894 The Long Balcony

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Road of the cat who fishes

VARIA: Three studies of landscapes with buildings in Italy, image compositional study, cup with a saucer and a spoon, card from a sketchbook; Czachórski, Władysław (1850-1911); 1876 (1876-00-00-1876-00-00);Italy (state), artistic ceramics, cups, landscapes, landscapes with buildings, studies for paintings, sketches, cutlery, purchase (provenance)

Old household goods in a courtyard or yard, Emanuel Murant, 1632 - 1700 drawing paper. chalk brush furniture and household effects. courtyard

The Great War: the effort and ideal of Great Britain represented in a series of lithographs. The Hammer-Pilon Sir Georges Clausen (1852-1944). "The Great War: the effort and ideal of Great Britain represented in a series of lithographs - the Hammer-Pilon". Lithograph, 1914-1917. Museum of Fine Arts of the city of Paris, small palace.

Still lifes with different objects, such as a can and book. Also studies of a niche. Leaf 16 Recto from a sketchbook with 19 sheets.

The Temple Made 1880-1881 United States. Etching, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

Arthur-Joseph Guéniot (1866-1951). Large arcade of a city entrance with horsemen. Feather. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Study for Doctor's Commons, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 199 × 260 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Two faces on buildings on a water. Above a moored sailing ships. Left buildings and figures on the quay. A jetty in front. Under a face of a castle or countryside between trees on the water. On the left a figure on a path. Right a rowing boat. Leaf 29 Recto from a sketchbook with 41 sheets.

Hot brown merchant at the entrance of a passage (dummy title)

Mary Cassatt, View of Venice, 1887 View of Venice

The Pantheon, from the Terrace of the Luxembourg Gardens. James McNeill Whistler; American, 1834-1903. Date: 1892-1893. Dimensions: 182 x 160 mm (image); 331 x 210 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Place Pigalle in 1878 Made 1878 France. Etching, aquatint and drypoint on ivory Japanese paper . Félix Hilaire Buhot

Cold pin etching on gray-brown cardboard by Ernst Ludwig Kirchner depicting a street with a round bay at Neumarkt Dresden, 1910.

Etching by Camille Pissarro depicting Rue Géricault in Rouen, showing street, buildings, figures, and urban landscape, created in 1896.

Lovis Corinth, Street in Königsberg (Strasse in Königsberg), German, 1858 - 1925, 1918, lithograph

Balcony, Amsterdam. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 273 x 170 mm (approx plate); 274 x 170 mm (sheet). Etching and drypoint in black ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Barrow - Quartier des Marolles, Brussels, 1887. James McNeill Whistler (American, 1834-1903). Etching;

Gracht in Dordrecht, Carel Nicolaas Storm van 's -Gravesande, 1884 - 1887 print View of a canal in which barges sail. In the foreground, a woman is washed off at the open window. Netherlands paper etching / drypoint canals, waters (in city) (+ city(-scape) with figures, staffage). washing up Dordrecht

Drawing, Temple with Semua present day as-Samu in the Distance; Frederic Edwin Church (American, 1826-1900); USA; graphite, brush and white gouache on gray paper; 30.8 × 44.1 cm (12 1/8 × 17 3/8 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.)

Bacharach on the Rhine, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Line engraving, engraver's proof (early) on moderately thick, slightly textured, beige wove paper, Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm), Plate: 9 3/16 × 6 7/8 inches (23.3 × 17.5 cm), and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm)

Street with figures. Leaf 26 Recto from a sketchbook with 39 sheets.

View of Mansardes, Rue des Ursins (dummy title)

Two figures at a portal, 1881 - c. 1885 Page 44 from a sketchbook with 26 sheets. Delft (possibly) chalk loggia, verandah, porch. anatomy (non-medical). flight of steps

Snow face in a hilly landscape, Guillaume Anne van der Brugghen, 1821 - 1891 drawing paper. oil paint (paint) brush low hill country. snow

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