Historic Women’s Fashion Designs

A collection of vintage fashion illustrations showcasing 18th and early 19th-century women's attire, featuring elaborate dresses, accessories, and hairstyles.

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costume Parisien, 15 décembre 1819, (1865): Turban de velours plein, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'crêpon à la sévigne', fastening at the back and with 'baleines perpendiculaires'. Trims embroidered with satin. On the head a turban of plain velvet. Further accessories: necklace, fan, scarf, shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, Costume Parisien., top center in the margin - engraved, Turban de velours plein. Creped robe with sévigné, engraved behind and with perpendicular baleins. Satin border trimmings., height 176 mm, width 109 mm, print maker, printmaker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher

Gallery of the French costume after Watteau Son. The annoying Eriphile goes to the voice of the one who owns his heart ... (dummy title) | The annoying Eriphile goes to the voice of the one who has his heart ... (title registered)

Lady of rank, 1770. She wears a tiny hat with feather, wig, choker with cross, purple dress lined with fur, lace sleeves, sash, and embroidered petticoat. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Paris, Mésangère, Pierre de la, Journal des Dames et des Modes, Costume Parisien, 15 décembre 1819, (1865): Turban de velours plein, bottom centre in the margin - engraved, Woman, seen from the back, dressed in a dress of 'crêpon à la sévigne', fastening at the back and with 'baleines perpendiculaires'. Trims embroidered with satin. On the head a turban of plain velvet. Further accessories: necklace, fan, scarf, shoes. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, 1797-1839., fashion print, prints, costume and fashion prints, Costume Parisien., top center in the margin - engraved, Turban de velours plein. Creped robe with sévigné, engraved behind and with perpendicular baleins. Satin border trimmings., height 176 mm, width 109 mm, print maker, printmaker, 1819 - 1819, first quarter 19th century, paper, engraving, engraving (printing process), hand coloring, Publication (Event), Publication, French, 1761 - 1831, publisher

Elegantia, or magazine of fashion, luxury and taste for women, July 1807, No. 17: Chapeau de Paille .... according to the description in the magazine (p. 232): Jap of 'Petite Toile'. Apron of mousseline mesh. Silk Fichu embroidered cotton. 'Shawl de Bagnères' (scarf) from yellow silk. Straw hat with white satin ribbons. Gloves from light brown 'Cabret'. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for women 1807-1814 (interrupted by the period 1811-1813).

Store of new French and English modes, December 11, 1788, 4th year, 2nd notebook, pl. 3, 1788 Woman in 'habit the ball' or baljapon with drag. The white dress and bottom skirt are decorated with pink ribbon. Pink satin corset. Fichu for the shoulders. Two chatelaines. The print is part of the 2nd Cahier, 4th Année, from the Magasin des Modes Nouvelles Françaises et Anglaises. The series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. dress, gown: ball gown (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). clothing for the upper part of the body (+ women's clothes). skirt (+ women's clothes). border, ribbon, braid (+ women's clothes). shoes, sandals (+ women's clothes)

Journal of the ladies and fashions, Parisian costume, February 23, 1799, year 7 (91): hat to the Minerv (...), 1799 Standing woman with a hat on the head: 'Chapeau à la Minerve'. She is wearing a spencer with fur on a dress with tow, trimmed with a contrasting tire. flat shoe with pointed nose. The print is part of the fashion magazine Journal des Dames et des Modes, published by Sellèque, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (SPENCER) (+ women's clothes). shoes, sandals (+ women's clothes)

Journal of ladies and fashions, Parisian costume, October 20, 1821, (2020): Gros de Naples hat (...), 1821 Standing woman dressed in a dress of 'Marceline'. On the head a hat of 'Gros de Naples', trimmed with silk plush and decorated with curled springs. Silked seam cloth. Further accessories: gloves, handkerchief, shoe with bow. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes). handkerchief (+ women's clothes)

Observer of modes, 1822, No. 229: Parisian modes: straw of Itali (...), 1822 Standing woman, seen on the back, in a dress of 'barrège' decorated with bias tires and ruffles. 'Canezou' with folds and collar. Hat of 'Paille d'Italie' decorated with feathers. 'Coiffure à l'Anglaise'. Cashmere scarf. Print from the fashion magazine Observateur des Modes (Août 1818 - 30 Novembre 1823). paper engraving dress, gown (+ women's clothes). fashion plates. head-gear: hat (+ women's clothes). fan (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). styles of hairdress - AA - ~ women.

Soubrette, 1870, c. 1870 Maid with a letter in hand. She wears a striped dress with half -length sleeves. Fichu. Flower corsage. Aprite a bow at the waist. A cap on the head. paper engraving fashion plates. servant - AA - chambermaid. apron (+ women's clothes)

Costume of a lady, reign of George III, Louis XVI, 1779. She wears a large hat decorated with flowers and feathers, wig, chain and pendant, low-cut bodice dress with full skirts and ruffles, sash belt, and carries a cane. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Fashion Plate, 'Parisian Ball Dress' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, May 1, 1820. Prints; engravings. Hand-colored engraving on paper

Woman in a bonnet adorned with hydrangeas, Paris, 1804. She wears a funnel collar, muslin dress with pinched sleeves. Bonnet frise orne d'Hortensia, dessus et dessous, Colerette en Entonnoir. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 12, August 1804. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.

. Standing lady, to the left, with close-folded range in hand, hat with flowers on the head. A so-called 'Robe and Fourreau'. Design for a costume print for Gallery des Modes ....., which appeared in 1784 (song Yy 266 in the '' 42e Cahier de Costumes Francais '')

Journal des Dames et des Modes, Costume Parisien, 15 février 1819 (1795).Standing woman dressed in a crêpe dress with a body of satin, decorated with pleated strips crepe. Short puff sleeves and a conical skirt. The raised hair decorated with a wreath of flowers. Accessories: Earring in the right ear, necklace, flower corps, long gloves, flat shoes with square noses, straps and bows. One long glove to the other in hand. Test pressure of a print from the fashion magazine Journal des Laden et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839.

Montaut d'Oleron. Gabriel Xavier, Revue des Modes de Paris, July 1834, No. 28: Robe de mousseline de l'ind, center bottom - engraved, Dress of embroidered 'musseline de l'inde' and mantilla without ends from the shops of Mes Melliers et Grignon. Dress of foulard. Hat of gros de naples. Jewelry by M. Dekouw. Print from the fashion magazine Revue des Modes de Paris (1833-1834)., fashion print, prints, costume and fashion prints, Journal à 6 fr. par an., top center - engraved, Robe de mousseline de l'inde brodée et mantille sans bouts des M.ins de M.es Melliers et Grignon, rue de Bussy St G.4 Robe de foulard. Chapeau de gros de naples, bijoux de M Dekouw pass. Choiseul 75., bottom center - engraved, Le Bureau du Journal Place du louvre 18., height 231 mm, width 155 mm, French, 1789 - 1852, print maker, 1834 - 1834, second quarter 19th century, paper, hand colouring, engraving, engraving (printing process), intermediary draughtsman

Gallerie des modes et costumes français, 1787, SSS 384: Court dress at Turkish; (...), vs. 1787 Woman in a Hofjapon 'à la Turque'. The dress is decorated with ribbons and brushes, drapering of striped fabric, bows and trimmed with wrinkled fabric strips. 'Coeffure Orientale' decorated with aigrettes and feathers. Further accessories: earring in the left ear, necklace consisting of two cords, long glove, fan, shoe with heel and bow. From series SSS. 3rd Cahier de Grandes Robes d'étiquette de la Cour de France Faisaint Suite Aux Costumes Français, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown: court gown or court dress (+ women's clothes). dress, gown (ROBE À LA TURQUE) (+ women's clothes). head-gear: hat (+ women's clothes). ear-rings (+ women's clothes). necklace (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes). fan (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes). style

Walking Dress, Rudolph Ackermann, English, b. Germany, 1764-1834, Engraving, brush and watercolor on paper, Woman standig by a railing, facing out to sea. She wears a yellow dress with pink trim, and a pink bonnet. Title below., London, England, 1819, Print, Print

Dress. Dated: c. 1939. Dimensions: overall: 30 x 22.7 cm (11 13/16 x 8 15/16 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Eleanor Ruelos.

Fashion Plate, Evening Dress’ for The Repository of Arts’. Rudolph Ackermann (England, London, 1764-1834). England, London, February 1, 1827. Prints; engravings. Hand-colored engraving on paper

Antoinette de Pons, Marquise de Guercheville, comtesse de La Roche-Guyon, lady of honour to Marie de Medici, 1560-1632. Handcoloured lithograph directed by Breton and Borromee after a contemporary engraving from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Woman with fur coat, hands in front of the belly; Woman in French civil dress ca. 1620-1625; Four women in different costumes. Woman, full, seen on the right, the hands in front of the belly, wrapped in French civil clothing as it was worn around 1625.

The beautiful assembly, July 1, 1822, No. 162: Walking Dress., 1822 Walking gown with short puffed sleeves and long sub -sleeves. Hat decorated with flowers and ears. Scarf trimmed with fringes. Beach umbrella. Print from the fashion magazine La Belle Assemblee, Or Bell's Court and Fashionable Magazine Addressed Partularly to the Ladies (1806-1832). paper etching fashion plates. dress, gown: walking dress (+ women's clothes). head-gear (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). shoes, sandals (+ women's clothes). parasol, sunshade (+ women's clothes)

Costume De Divers Pays, 1827, No. 32: Jeune Dame de la Nord-Hollande. Young woman in traditional costume from Noord-Holland. She reads a letter.

Journal of the ladies and fashions, Parisian costume, 1805, year 13 (586) straw hat and ribbons, Anonymous, 1805 Young woman in dress (chemise) of white mousseline whose lower edge is decorated with a pattern of flowers. Long red scarf and long white gloves. Pink straw hat with small border, ribbons over the sphere and a dash of flowers on the front. The text of "Modes" on p. 16 reports that these small straw hats (capotes) with ribbons are very fashionable in 1805. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839 paper engraving Young woman in dress (chemise) of white mousseline whose lower edge is decorated with a pattern of flowers. Long red scarf and long white gloves. Pink straw hat with small border, ribbons over the sphere and a dash of flowers on the front. The text of "Modes" on p. 16 reports that these small straw hats (capotes) with ribbons are very fashionable in 1805. The print is part of the f

Cabinet des Modes ou les Modes Nouvelles, 1 août 1786, Pl. I.Woman in a mourning juke and skirt from black tap side, suitable for heavy mourning. Around the shoulders a fichu or collar deposited with ruffles. Accessories: Hat with wide edge and feathers, long gloves, zadoek, shoes with heels. The print is part of the 18th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, issued by Buisson, Paris, November 15, 1785 - November 1, 1786.

Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, October 1, 1818. Prints; engravings. Hand-colored engraving on paper

Woman in English-style hooped dress with fan, bonnet, ringlets, era of Marie Antoinette. Copperplate etching by Auguste Etienne Guillaumot from Costumes et coiffures du XVIIIe siecle, Costumes and hairstyles of the 18th century, Cagnon, Paris, 1875. Original illustration by Pierre Thomas Le Clerc from the Gallerie des Modes et Costumes Francais, 1778-1787.

Mlle. Angelina Grave as Marie in Marie ou l'Inondation by Anicet Bourgeois et Francis Cornu, Theatre de la Porte St. Martin, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Woman in wig, bonnet trimmed with foliage, yellow silk jacket and matching long skirt both trimmed with black silk ruffles.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.

Fashion Plate (Promenade Dress). Rudolph Ackermann (England, London, 1764-1834). England, London, October 1, 1814. Prints; engravings. Hand-colored ngraving on paper

The author to the public, 1788, No.76: Redondilla. For the chivalry (...), 1788 Woman in Spanish clothing. She is wearing a hood with hood on a body with long sleeves. Skirt. Decorative apron () With floral pattern, trimmed with fur. Around the neck a necklace with oval -shaped pendant on which a heart and arrows. Under the image a four-line verse in Spanish. paper etching fashion plates. pendant, trinket, 'breloque' (+ women's clothes). bracelet, wristlet (+ women's clothes). fan (+ women's clothes). ear-rings (+ women's clothes). shoes, sandals (+ women's clothes). skirt (+ women's clothes). clothing for the upper part of the body (MANTELET) (+ women's clothes). apron (+ women's clothes)

Journal of ladies and fashions, 1803 - 1804 paper. printing ink. watercolor (paint) etching fashion plates

Gallery of Fashion, Fig. 180, 1798 Standing woman in checkered dress with fan. paper. printing ink. watercolor (paint) etching fashion plates

Paysanne Basque. - Chapeau de velours garni de houppes de chemille. Corsage et jupe de laine, espadrilles de maroquin, écharpe de tulle ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Journal des Dames et des Modes, Costume Parisien, 30 septembre 1825, (2351): Chapeau de bois (...).Standing woman in a crêpe dress. On the head a hat decorated with satin ribbons, feathers of the bird of paradise and slipping of blonde (dick edge). Further accessories: necklace consisting of two cords, gloves, bracelets around both wrists, impeller, handkerchief, scarf trimmed with fringes, shoe. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Journal des Dames et des Modes, Costumes Parisiens, 1823, (2181): Chapeau de sparteri (...).Standing woman dressed in a "robe blouse" of cotton breathing (percale) decorated with 'dents de loup à jour'. On the head a hat of 'sparers' (braided plant fibers). Ribbon scarf. Further accessories: handkerchief, walking stick that can also be used as a parasol, shoe. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Magasin des Modes Nouvelles Françaises et Anglaises, 10 Ferrier 1787, pl. 1. Standing woman dressed in a caraco of apple green satin and a pink skirt deposited with a wrinkled strip of fabric decorated with flowers. FICHU. The tapped hair is decorated with feathers, bow and a wreath of flowers. Accessories: earrings, flower corsage, gloves, shoes with heels and rosettes (). The print is part of the 9th Cahier, 2nd Année, from the Magasin des Modes Nouvelles Françaises et anglaises series. The series consists of 172 fashion prints, published by BuisSon, Paris, 20 Novembre 1786 - 21 Décembre 1789.

Journal of the ladies and fashions 1823, Parisian costume (2172), 1823 Print from the journal Journal des Dames et des Modes, 1823. paper etching Print from the journal Journal des Dames et des Modes, 1823. paper etching

Journal of ladies and fashions, 1804 - 1805 paper. printing ink. watercolor (paint) etching fashion plates

Court dress, reign of King James II, circa 1687. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Journal des Dames et des Modes, Costume Parisien, 17 décembre 1803, An 12 (519) : Chapeau de Velours (...).Velvet and satin hat. Jap of the side with short sleeves and drag. 'Bouffettes' from satin. Further accessories: necklace consisting of two cords, long gloves, scarf to the left arm, flat shoes. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Costume of an English lady, reign of King George II, circa 1746. Taken from William Hogarth. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

English lady in walking dress, reign of King George II, circa 1740. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Journal of the ladies and fashions, Parisian costume, August 25, 1821, (2007): gas hat (...), 1821 Standing woman with a canopy hat of tulle decorated with rainbow ribbon and matching flower on the head. Pelerine with a front point, embroidered and garnished with muslin. Kapon of cotton batist (percale) garnished with pleated strips of fabric between which smoked mousseline. Mamelukken sleeves. Further accessories: belt, scarf trimmed with fringes, flat shoes with tires and bows. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (PELERINE) (+ women's clothes). clothing for the upper part of the body (SHAWL) (+ women's clothes). embroidery (ornamentation) (+ women's clothes). shoes, sandals (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). glov

Fashion Plate (Fancy Ball Dress). Rudolph Ackermann (England, London, 1764-1834). England, London, August 1, 1820. Prints; engravings. Hand-colored engraving on paper

Ladies' diary and modes 1824, Parisian costume (2276). Prant UIT Het Tijdschrift Journal des Dames and Modes, 1824.

Mlle. Rose Cheri or Rose Marie Cizos in Clarisse Harlowe by Dumanoir and Guillard, Theatre du Gymnase Dramatique, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Matelot. - Costume de bal pour dame ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Journal of the ladies and fashions, Parisian costume, December 5, 1823, (2198): co -deffure decorated with gas (...), 1823 Standing woman with a 'coeffure' decorated with tulle and flowers, designed by Mr Albin. She wears a tulle dress, decorated with flowers and tulle ribbons. Accessories: earring in the left ear, necklace, long gloves, fan, flat shoes with crossed tires (Cothurnes). The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). styles of hairdress - AA - ~ women. shoes, sandals. ear-rings (+ women's clothes). necklace (+ women's clothes). fan (+ women's clothes). flowers

Incredible and wonderful, 1815, wonderful, No. 24: velvet hat (...), 1815 'Merveilleuse', seen on the back, with a hat of velvet decorated with ostriches on the head. Below a 'Cornette' from Tulle. She wears a jaron of velvet, decorated with fringes at the bottom. Collar with ruffles and pleated strip with serrated hem. The print is part of a series of 33 fashion prints, engraved by George Jacques Gatine, Paris, 1810-1818. paper engraving fashion plates. head-gear (CORNETTE) (+ women's clothes). head-gear: hat (+ women's clothes). neck-gear: collar (+ women's clothes). dress, gown (+ women's clothes). 'merveilleuse'

Gallery des Modes et Costumes Francais, 1887, G 40, Copy. Woman of stand, walking in the countryside in a morning juke or 'deshabillé'. The 'Demi-Polonaise' consists of a bodice and a shoulder lady with hood and a small queu skirt. Straw hat with ribbons and flowers to protect the face against the sun. Shoes with heels and rosettes. Further accessories: collette, long gloves, bracelet, impeller, walking stick. Print from Series G. 7th Cahier des Costumes Français, 1Re Suite d'Habillemens de Femmes à la Mode, Gallery des Modes et Costumes Français.

Fashion Plate, 'Evening Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1816. Prints; engravings. Hand-colored engraving on paper

Journal of the luxury and fashion 1790, Volume V, T.31, Friedrich Justin Bertuch, 1790 Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching Print from the fashion magazine Journal des Luxus und der Moden, published by Friedrich Justin Bertuch and Georg Melchior Kraus, Weimar, 1786-1826. Weimar paper etching

Fashion Plate, 'Trage de Paseo' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, 1825. Prints; engravings. Hand-colored engraving on paper

Gallerie des modes et costumes french, 1784, vv 257: lady in a lonely dreamer .., 1784 Standing woman in a dress and bottom skirt of mousseline, garnished with striped blonde (bobbin). Mantelet (small shoulder mantle) from tulle with embroidered dots and large fichu from plain blonde. On the hairstyle a hat that was called 'Bastienne', on which a hat with feathers. Further accessories: earrings, long gloves, fan, mules with heel and bow. Print from the series VV. 39th Cahier (BIS) des Costumes Français, 35th Suite d'Habillemens à la Mode and 1784, Gallerie des Modes et Costumes Français. paper engraving fashion plates. head-gear: cap (+ women's clothes). head-gear (BASTIENNE) (+ women's clothes). head-gear: hat (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). piece of clothing covering the breast or décolleté (FICHU) (+ lace used for clothes). clothing for the upper part of the body (+ women's clothes). dress, gown (+ women's clothe

Small mail of the ladies, December 10, 1827, no. 518: Gros de Naples Redingotte ..., 1827 Standing woman dressed in a Redingote from Gros de Naples. On the head a hat of satin decorated with ribbons. Sitting figure in the same redingote, seen on the back. Print from the fashion magazine Petit Courrier des Dames (1821-1868). Bound (with a few pp. Le Journal des Dames et des Modes). January 15, 1827 to March 20, 1830. Incomplete. paper engraving fashion plates. head-gear: hat (+ women's clothes). border, ribbon, braid (+ women's clothes). dress, gown: redingote (+ women's clothes)

Regency lady in evening dress, 1814. She wears her hair in ringlets, strings of pearls, red dress with lace sleeves and decoration, and carries a white shawl. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Woman in extravagant tall floral bonnet, wearing a flower-trimmed pale green dress, holding a fan.. Francois-Claudius Compte-Calix (1813-1880) was a French painter and illustrator. A regular exhibitor at the Salons, he illustrated numerous books and several romantic books of poetry, and for many years contributed to the fashion magazine "Modes Parisiennes".. Handcolored lithograph of an illustration by Francois-Claudius Compte-Calix from "Les Modes Parisiennes sous le Directoire" (Paris Fashions under the Directory 1795-1799) 1865.

Opera singer Clarisse Sainte-Foy as the milkmaid Denise in Les Deux Gentilhommes by Justin Cadaux, Theatre de l'Opera Comique, 1844. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1845.

Woman in pansy dress with straw-coloured apron, bonnet with white lace. Handcoloured lithograph by A. Carrache after an illustration by Francois-Claudius Compte-Calix from Les Modes Parisienne sous le Directoire Aux Bureaux des Modes Parisiennes, Paris, 1871.

Incredible and wonderful, 1815, wonderful, pl. V, Kopie Naar No. 24, 1955 'Merveilleuse', seen on the back, with a hat of velvet decorated with ostriches on the head. Below a 'Cornette' from Tulle. She wears a jaron of velvet, decorated with fringes at the bottom. Collar with ruffles and pleated strip with serrated hem. The print is a copy to No. 24 from the 'Incroyables et Merveilleuses' series, Paris, 1810-1818. (Possibly from Roger-Armand refuses, 1955). paper engraving fashion plates. 'merveilleuse'. head-gear (CORNETTE) (+ women's clothes). head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). shoes, sandals (+ women's clothes). neck-gear: collar (+ women's clothes)

Cabinet des Modes or Les Modes Nouvelles, September 1, 1786, Pl.iii, 1786 Woman in a Hofjapon, consisting of a body of pink taf side and skirt of apple -green taf side. A transparent small shoulder mantle from Tulle, trimmed with wrinkled strips. Accessories: Tulle hat with feathers and pearls, earrings, long gloves, folding range. The print is part of the 20th Cahier from Cabinet des Modes Ou Les Modes Nouvelles. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. paper engraving fashion plates. head-gear: cap (+ women's clothes). dress, gown: court gown or court dress (+ women's clothes). clothing for the upper part of the body (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). sleeves (+ women's clothes). ear-rings (+ women's clothes). shoes, sandals (+ women's clothes)

Dress during the Protectorate, 1653~1659. She wears five ribbons in her hair, a tall lace collar, a black dress with green sleeves and scarlet shoulders over embroidered petticoats. Based on Speeds Map of England, portrait of Lady Croke. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Woman with parasol. A woman, walking to the right, seen from the front, an umbrella or parasol, deposited with a large bow in the left hand. Hat with same bow on the head. Blue About a ...

Contralto singer Madame Montano as Rosine in the opera Le Barbier de Seville by Gioachino Rossini, Theatre Royal de l'Odeon, 1823. Handcoloured lithograph by F. Noel after an illustration by Lavigne Marin from Portraits d'Acteurs et d'Actrices dans different roles, F. Noel, Paris, 1825.

QUALITY WOMAN IN DESHABILLE OF ESTÉ. STANDAND NAAR LINKS

Portrait of Albina Maray, 1851. Eduard Kaiser (Austrian, 1820-1895). Color lithograph;

Bourgeoise woman of the reign of King Henry IV, 1610. She wears a taffeta bodice and skirt, silk petticoat, lace collar and headdress, and velvet aumoniere (alms purse). Handcoloured lithograph after a design by Leon Sault from "L'Art du Travestissement" (The Art of Fancy Dress), Paris, c.1880. Sault was a theatre and opera designer and luxury fashion magazine publisher.

Journal des Dames et des Modes, Costume Parisien', 30 avril 1825, (2316): Chapeau de paille d'Itali (...).Standing woman in a rescueote of 'moiré' garnished with 'rouleaux' of satin. 'Mantille' from blonde (dump edge). On the head a hat of 'Paille d'Italie' decorated with peacock feathers. Further accessories: bracelets around both wrists, gloves, parasol, shoes. The print is part of the fashion magazine Journal des Laden et DES Moldes, published by Pierre de la Mésangère, Paris, 1797-1839.

Fashion Plate, 'Costume for Dinner Parties' for 'La Belle Assemblée'. John Bell (England, 1745 - 1831). England, London, March 1, 1816. Prints; engravings. Hand-colored engraving on paper

Incredible and wonderful, 1818, wonderful, No. 32: Ball costume., 1818 'Merveilleuse' in a ball japon with short puffed sleeves and richly decorated body. The bottom of the skirt is decorated with a circle motif of ruffles and bows. The hairstyle is decorated with flowers and a diadem. Long gloves, one of which is loose in hand. Further accessories: earrings, necklace consisting of two cords, flower corsage, flat shoes with bows. The print is part of a series of 33 fashion prints, engraved by George Jacques Gatine, Paris, 1810-1818. paper engraving fashion plates. dress, gown: ball gown (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). stockings, socks (+ women's clothes). styles of hairdress - AA - ~ women. flowers. necklace (+ women's clothes). ear-rings (+ women's clothes). diadem, tiara (+ women's clothes). corsage (+ women's clothes). 'merveilleuse'

French woman in formal costume at the court of the Emperor Napoleon, 1808. With plumed headdress, puff-sleeved gown with embroidered insert. Costume de Cour.

Elegantia, or magazine of fashion, luxury and taste for women, January 1807, no. 1: Capote de Velours ..., 1807 According to the accompanying text (p. 32): pale -colored velvety quilted cloak (Douillette), the sleeve seams on the shoulders and the board around the neck 'and Touffe'; Capote (awnings) of black velvet, on a hat, garnished with tulle. Roserode scarf; Blue satin shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving According to the accompanying text (p. 32): pale -colored velvety quilted cloak (Douillette), the sleeve seams on the shoulders and the board around the neck 'and Touffe'; Capote (awnings) of black velvet, on a hat, garnished with tulle. Roserode scarf; Blue satin shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving

Le Mercure des Salons, Modes de Paris, 1831, no. 109: Chapeau de Velours (...). Velvet hat, decorated with feathers. Jap of Merino wool with a pressure from velvet from the shops of Maey. Print from the fashion magazine Le Mercure des Salons (Janvier 1830 - Mars 1831).

Petit Courrier des Dames, 25 avril 1828, No. 549 : Costume de Mariée....Standing woman in brideslothing. She is wearing a bridal gown of tulle decorated with volants and foliage made of mesh ribbons. Short puff sleeves that are transparent mamel cubs. Coiffure with veil carried out by croizat. Seen the same Jap on the back. Print from the fashion magazine Petit Courier des Ladies (1821-1868). Bound (with a few pp. Le Journal des Laden et des modes). January 15, 1827 to March 20, 1830. Incomplete.

Dancers. Guérard, Eugène Charles François, 1821-1866. Prints. 1850 - 1859. Jerome Robbins Dance Division. Dancers , 19th century

Hatter, Paris, early 19th century, in dusty pink dress, black apron, brown cap, making a top hat with her foot on a footrest. Handcoloured copperplate engraving by Gatine after an illustration by Louis-Marie Lante from "Ouvrieres de Paris" (Tradeswomen of Paris), Paris, 1823.

Elegantia, or magazine of fashion, luxury and taste for women, October 1807, no. 23: Coeffure et Robe Parées ..., 1807 According to the description in the magazine (p. 328): dress of white muslin with 'Remplis' from cotton batist (percale) and tulle. Short puffed sleeves with the same decoration. White satin 'Chapeau de Lévantine'. White gloves and shoes. Print from the fashion magazine Elegantia, or magazine of fashion, luxury and taste for ladies 1807-1814 (interrupted by the period 1811-1813). Amsterdam paper engraving fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). ornamental parts of clothing (+ women's clothes). border, ribbon, braid (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). shoes, sandals (+ women's clothes)

Journal of the ladies and fashions, Parisian costume, May 5, 1822, (2065): white wooden hat (...), 1822 Standing woman dressed in a dress of 'Gros d'été'. On the head a white hat decorated with flowers and feathers. Further accessories: belt with buckle and necklace (), Handkerchief, shoe. The print is part of the fashion magazine Journal des Dames et des Modes, published by Pierre de la Mésangère, Paris, 1797-1839. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). neck-gear ~ clothing (+ women's clothes). belt, girdle, waistband (+ women's clothes). handkerchief (+ women's clothes). shoes, sandals (+ women's clothes). necklace (+ women's clothes)

Le Follet Courrier des Salons, Lady's Magazine, 1833, No. 272: Dress with Pelerine (...), 1833 Woman, standing by a staircase, with a hat from the Hocquet stores on the head. Japon with Pelerine from Mousseline from the Ateliers of Larcher, 'Couturière de SM la Reine'. Magnoted neck cloth, bag and umbrella of 'Gros de Naples' with black lace. Sitting figure in the same dress, seen on the back. Print from the fashion magazine Le Follet Courrier des Salons (Novembre 1829-Octobre 1882). paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). parasol, sunshade (+ women's clothes). bag (HANDBAG) (+ women's clothes). clothing for the upper part of the body (PELERINE) (+ women's clothes). neck-gear ~ clothing (CRAVAT) (+ women's clothes). belt, girdle, waistband (+ women's clothes). lace (+ women's clothes)

Regency lady in evening dress and Gloucester turban. Dress of pale blush gauze over white satin slip, decorated with moss roses, turban with ostrich feathers, pearl necklace. Designed by Mrs Marchant of 40 Gerrard Street, Soho. Vol. 3, Plate 35, June 1, 1817. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Fashion image, French woman with Italian straw hat, batist blouse dress, belt and umbrella, Unknown

The Lady's Magazine, 1824, No. 1 : Walking Dress (...).Woman in a hiking gown with long sleeves. Pleated collar. Accessories: canopy hat with veil, around the neck a cord with lorgnet, glove, scarf, shoes. Print from the fashion magazine The Lady's Magazine (1770-1837).

Fashion Plate, 'Ball Dress' for 'The Repository of Arts'. Rudolph Ackermann (England, London, 1764-1834). England, London, June 1, 1826. Prints; engravings. Hand-colored engraving on paper

Woman in the fashions of 1635, reign of King Charles I. Handcoloured lithograph from Thomas Hailes Lacy's "Female Costumes Historical, National and Dramatic in 200 Plates," London, 1865. Lacy (1809-1873) was a British actor, playwright, theatrical manager and publisher.

Dress of the reign of George I, 1714~1727, copied from one preserved from the era. She wear a flat hat decorated with ribbons, a dress with long train in floral stripes, tied at the bust with a ribbon. Based on The World, Addisons "Spectator," Watteaus pictures. Handcoloured lithograph from "Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria, London, Dickinson & Son, 1840. 48 mounted plates of women's fashion from 1066 to 1840 based on effigies, manuscripts, portraits, prints and literary descriptions.

Woman dancing at a ball. She wears foliage in her hair, and a low-cut ball gown trimmed with green ribbons and bows. Costume de Bal. Handcoloured copperplate engraving from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, An 11, 1803. Illustrations by Carle Vernet, Jean-Francois Bosio, Dominique Bosio and Philibert Louis Debucourt, engraved by Pierre-Charles Baquoy.

Gallerie des Modes. In 1778 two young publishers tapped a previously undiscovered market with the launch of a series entitled Gallerie des Modes, which responded to the growing demand among Parisians for fashion news. Initially featuring only hairstyles, the series illustrations were later extended to include complete outfits to cater to its audience. These showed figures from head to toe. All ranks of French society were represented in a wide variety of fashionable clothes, from the simple negligée 1 to the robe à la polonaise 2 3, the robe à langlaise 4 and the occasional smart gentlemans suit.

COSTUME DE BAL1835.. Artist: Paul Gavarni, French, 1804-1866

Belgian actress Eugenie Doche as Fanchon in Les Chansons Populaires de la France, Vaudeville, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Regency lady in evening dress. Round dress of pink polka dot gauze with flounces, bodice with lace and bows, lace scarf, bandeau headdress with feather. Designed by Miss Pierpoint, 9 Henrietta Street, Covent Garden. Vol. 8, Plate 5, July I, 1819. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Bourgeoise woman, 1794, French National Convention era. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Nouveau costume de Gavarni - exécuté par Babin, rue Richelieu, 21 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Store of new French and English modes, Kopie Naar 1787, pl. 1, 8th notebook, 1787 Woman in a caraco of purple satin with a collar and cuffs of pink satin. Pink skirt with falbala. Chatelaines with pocket watch (). The print is a copy by J.J. Tuttot (à liège) to print pl. 1, of the 8th cahier from the Magasin des Modes Nouvelles Françaises et Anglaises. This series consists of 172 fashion prints, published by Buisson, Paris, November 20, 1786 - 21 Décembre 1789. paper engraving fashion plates. piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). head-gear (+ women's clothes). clothing for the upper part of the body (CARACO) (+ women's clothes). skirt (+ women's clothes). gloves, mittens, etc. (+ women's clothes). shoes, sandals (+ women's clothes)

Princess Elisabeth Charlotte, Madame Palatine, second wife of Philippe, Duke of Orleans, 1652-1722. Charlotte-Elisabeth de Baviere, Duchesse d'Orleans. Handcoloured lithograph after a print by Bonnard from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Marie Antoinette, Queen of France, wife to King Louis XVI. In the costume she wore when confined in the Temple prison, 1792. Handcoloured lithograph from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Charles Pilatte for the Ghys house. Model-figure for seamstress. White town dress, with a bodily buttoned tip in front, decor and blue braid, MADAME GHYS model. Watercolor on cardboard. 1860. Galliera, fashion museum of the city of Paris. 37797-7 Watercolor on Carton, album, Couturiere, young woman, Ghys house, modeling, Second Empire, Dress

Eleanor Ruelos, Dress, c 1939 Dress

Fashion imaging, French lady with brown hat and a coat of same -colored, bordered with satin bands, Unknown

Fashion Plate (Evening Dress). Rudolph Ackermann (England, London, 1764-1834). England, London, August 1823. Prints; engravings. Hand-colored engraving on paper

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