Historic Women’s Fashion Illustrations

Engravings showcasing traditional garments of European women, featuring intricate details, elaborate skirts, and period-appropriate accessories.

Mulier Generosa Italica / Italian Gentle Woman, Wenceslaus Hollar, 1644 Woman of prestige from Italy, in profile to the right, a range in hand. A small black hat with spring diagonally on the forehead. Large flat collar, trimmed with lace above a cover (kite) From brokaat, with loose decorative sleeves. A folded fan in the left hand. No. 6 from series with twelve costumes from different countries. paper etching Italy

Ciuis London's daughter / CittizNes Daugter, Wenceslaus Hollar, 1643 Civilian daughter from London, standing to the left, the right arm in front of the belly. Hat with edge sacked around the face with scalloped side. This edge hangs in the neck until the shoulder. Space on the back of the head for a round Wrong. Open body with a low straight cutting, a lap consisting of different buildings, wide 7/8 sleeves with shrinked around the arm hole. The neck cut is filled with the shirt or a stab. A double sculpted neck cloth over the shoulders. The body is closed over the - in the middle of a point -ending breastpiece - by horizontal tires of which five are visible. In the middle of the breastpiece a flat bow. Foot -long, comprehensive skirt. Long, scalloped apron. paper etching Europeans: Englishmen (+ women). fashion plates. clothes, costume (+ women's clothes). neck-gear: collar (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (SHIRT) (+ wo

Ciuis Londinensis Filia / Cittiznes Daugter; Theatrum Mechanic; European women in traditional costume. Civilian daughter from London, standing to the left, the right arm for the belly. Cap With Reflocked Edge around the face with scalloped side. This edge depends on the shoulder in the neck. On the back of the space for a round wrinkle. Open body with low straight neck cutting, a shot consisting of different buildings, wide 7/8 sleeves with ours around the armhole. The neck cut is filled with the shirt or a neck. A double folded scalloped neckerchief over the shoulders. The body is closed over the - center front in a point - closed by horizontal tires of which five are visible. Mid in front of the roasting piece a flat bow. Foot long, more than flicy skirt. Long, scalloped apron.

Mulier Nobilis Aut Generosa Gallica / a French Lady Or Gentlewoman; Traditional costumes from different countries. Woman of praise from France, standing to the right, with loose hair that has been turned into a bump on the back of the head. Jap with deep cleavage and wide collar, deposited with lace, over the shoulders. The dark dress is open from the front so that the brocade can be seen. A mirror hangs on the belt, folding impeller in the hands. Shoe with rosette. No 1 from series of 12 costume prints from different countries.

Virgo Tiguriensis / Ein Züricher Iungfraw; Jonk woman from Zurich; Aula Veneris; European dressers. Woman from Zurich, flattened with flat hat with feathers. A double folding college on a close-fitting body with branded, v-neck and cut-out sleeves in which shirts can be seen. Some cuffs deposited with strip side. Foot long, wrinkled skirt decorated with horizontal tires. Long white apron with lace intermediaries and ditto board. Long braid on the back ending in white cloth. There is a pommer to belong to belt and a knife and small pouch.

Ornatus Muliebris Anglicanus (The Clothing of English Women). The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Virgin Argentinensis / Ein Strassburger Iungfraw, Wenceslaus Hollar, 1644 Woman from Strasbourg, seen from the front. With a high fur hat. Under a sleeveless cover with wide, flat collar trimmed with fur, a shirt with a small flat collar and wide sleeves is visible. The shirt has and split in the middle. Ankle -length, wrinkled skirt trimmed with a wide edge of fur. Long, wrinkled apron. Two long ribbons, coming from the back, in her hands. paper etching head-gear: cap (+ fur used for clothes). head-gear: cap (+ women's clothes). dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes). clothing for the upper part of the body (SHIRT) (+ women's clothes). fluttering lappet of vestment, 'Pneumazipfel' (+ women's clothes). Europeans: Germans (+ women) Strasbourg (France)

Margarete of Austria Stecher: Sicking, Karel

Mulier Generosa Anglica / English Gentle Woman; Theatrum Mechanic; European women in traditional costume. English woman, half-left, with a smooth, dark headscarf - roll back around the face - and stretched under the chin. In the neck cutting of the body, the split of the shirt is visible in the middle with a neckerchief over it. Wide 7/8 sleeves with unmerkled ridden cuffs. Plain shawl that has fallen mid-front and attached to each other. Foot long, pleated skirt and long, wrinkled white apron. Long solid gloves with decorative stitching. Spring Stick fan to loop at the waist.

Paris, Langlois, François, Bosse, Abraham, Costumes of the French nobility, Le Jardin de la Noblesse Françoise, French noblewoman dressed in the French fashion of ca. 1630, verso - stamped, Lady seen from the front, standing in front of a landscape with an avenue of trees. She is dressed in a dress with floral motifs, over which an open coat with wide padded sleeves. Wide standing lace collar. In her left hand a folded fan., costume print, prints, height 143 mm, width 93 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1629 - 1629, paper, etching, etchings, engraving, engraving (printing process), stipple work, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher

Matrona Francophortensis; Theatrum Mechanic; European women in traditional costume. Woman from Frankfurt, seen from the front, on the head a fur hat over a white cap. Wide folding collar above a long shot bodice. Hang on her belt, a knife and a trade show on the right side. Shoes with heels.

Young actress, dressed in the Spanish costume (...), Martial Deny, After Aug. Leveillé, 1779 A young actress, dressed in a Spanish costume in the play 'Le Jaloux d'Estramadure', a comedy performed by the troupe of Mr. L'Ecluse (Troupe de l'Opera Comique). The costumes were designed by Monsieur P.N. Sarasin, court goalkeeper of the royal family. They later (1799) came into fashion at the 'Petites Maitresses' of Paris. No. C.16 From the Series Collection d'Habillements Modernes et Galants, AVEC Les Habillements des Princes et Seigneurs, 1779. Paris paper etching / engraving fashion plates. dress, gown (+ women's clothes). border, ribbon, braid (+ women's clothes). stage costume - CC - female. styles of hairdress - AA - ~ women

Lady with a puppet suspended on a shit hung around his neck; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Women, Pomaders, Historical costumes

Femme de Zurich and Suisse Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Zurich.

Lady with closed impeller, seen from the front; La Noblesse de Lorraine. Standing lady, seen from the front, dressed in a flyer costume with a wide collar, a range in the hands. In the background figures in a village or city. This print is part of a series of 12 prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies costumes.

Femme Villageoise de Anurons de Paris; Women in traditional costume; Livre Curieux. Country woman in traditional costume from Paris.

Lady with Fontange, Mouche on the cheek, open range in hand, right ..

Femme de Vienne and Autriche Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Vienna.

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

To the dinner of the adornment, 1577 print Standing woman in a suit, approx. 1570, with a bell -shaped long skirt, for which a apron. No. XIX Ein Fraw Wann Sie zu .... Het. paper dress, gown (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women. head-gear: cap (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes)

Margaret of Valois, La Reine Margot, Queen of France, 1553 1615 Margaret of Valois, La Reine Margot, Queen of France, 1553 1615 Copyright: xZoonar.com/Heinz-DieterxFalkensteinx 21665118

Ceremonial clothing of an English Duke, Wenceslaus Hollar, 1662 print paper etching nobility and patriciate; chivalry, knighthood. clothes for special purposes

Lady with closed fan, seen from the front, 1624 print Standing lady, seen from the front, dressed in a kite costume with a wide collar, a fan in the hands. In the background figures in a village or city. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. paper etching clothes, costume (+ women's clothes). dress, gown (VLIEGER) (+ women's clothes). neck-gear: collar (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). fan (+ women's clothes). necklace (+ women's clothes). hairdress - AA - ~ women

Ornatus Muliebris Anglicanus (The Clothing of English Women).The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Woman in Venetian clothes. .

Lady in summer habit, 1676 - 1678 print Woman in elegant summer clothes, standing in front of a park with fountain and statues. She is dressed in a manteau with skirt and matching sleeves. About the "HurluBeLu" hairstyle, a headscarf, hanging on the back. A folding range in the right hand. The print is part of the second series of: Suite de Costumes Gravée Par Jean Le Pautre (and Partie Pour le Nouveau Mercure Galant), consisting of 12 prints. Suite de Costumes consists of three series of a total of 40 prints. paper engraving dress, gown: manteau (+ women's clothes). fashion plates. clothing for the upper part of the body (+ women's clothes). sleeves (+ women's clothes). gloves, mittens, etc. (+ women's clothes). skirt (+ women's clothes).

Mulier Hibernica vel Irlandica / Ein Irische Fraw; Vrouw uit Ierland; Aula Veneris; Europese klederdrachten.Woman from Ireland, slightly left, with white headscarf and pleated cape with wide fur collar. Double folded neckerchief and necklace with a cross.

English woman with scissors to belt; Ornatus muliebris anglicanus; Women dressed according to the English fashion, approx. 1640. Standing woman, to the left, with dark curly hair on the forehead and along either side of the face where over a folded hat that is covered by a cap with secured edge of sculpting side. Dressed in a dress consisting of a short body with low straight neck cutting, high waist, half-length sleeves and 7/8 underwood, on a long, spacious skirt slightly slipping on the ground. In the neck cut a neckerchief deposited with a narrow strip (side), On which a double-folded neckerchief is trimmed with a narrow strip scalloped side. This last scarf is closed in the neck. In the middle of the chest a bow. Double, ranked cuffs deposited with lace. Long, untired gloves. A small scissors hang on the waist with a large loop (). No 22 from the Series Ornatus Muliebris Anglicanus.

Woman in Venetian clothing, Wallerant Vaillant, After Titian, 1673 - 1709 print Amsterdam paper necklace (+ women's clothes)

English woman of stand with handkerchief in hand, Wenceslaus Hollar, 1665 - 1707 English woman with a hat with a bordered edge at the forehead and who runs on either side of the face and outwards. Over the shoulders a double -fierce, transparent neck cloth, which is closed in the middle of a jewel and a bow. The underskirt is in the middle of the front with two vertical, shocked strips of lace or passion placed against each other. A handkerchief in her left hand. London paper etching clothes, costume. fashion, clothing (+ lace used for clothes). Europeans: Englishmen (+ women). head-gear: cap (+ women's clothes). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). neck-gear: collar (+ women's clothes). clothes, costume (+ women's clothes). bow (ornamental part of clothing) (+ women's clothes). handkerchief. dress, gown (+ women's clothes). fashion plates

After Jacques Callot, Noble Woman with a Small Hat Noble Woman with a Small Hat

Lady in a dress decorated with a large oval brooch Lady with a large jewel". Hollar, Wenceslaus (1607-1677), graphic artist, Stent, Peter (fl. 1640-1667), publisher

Portrait of Anna van Kleef, Abraham de Bruyn, 1572 print Portrait of Anna van Gulik, Kleef and Bery, daughter of Hertog Willem V Halven Lijve, standing next to a table. In the hand that rests on the table, she holds a handkerchief, a glove in her other hand. At the top left her weapon; Right and above her head a drapery. Antwerp paper engraving historical persons - BB - woman. neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear: cap (+ women's clothes). gloves, mittens, etc. (+ women's clothes). handkerchief (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes)

A woman with a pere string as a belt; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bildenn Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Women, Pearls, Historical costumes

Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders 1767 Thomas Chambars. Portrait of Helena Fourment, Rubens' second wife, wearing a fur coat over her shoulders. Thomas Chambars (Irish, ca. 1724-1789 London). 1767. Etching. John Boydell (British, Dorrington, Shropshire 1720-1804 London). Helena Fourment (Flemish, Antwerp 1614-1673 Brussels). Prints

Matrona Bernensis; Woman from bern; Aula Veneris; European dressers. Civilian woman from Bern, to the right, on the head a top hat over a white headscarf that has been beaten around the chin. She wears a dark dress with short puff sleeves over a dark dress.

Spanish farthingale (guardinfante), origin and history of the crinoline skirt, illustration from L'Illustration, Journal Universel, No 722, Volume XXVII, December 27, 1856.

Lady of the Order of the Scarf. It was established by Jean I, King of Castile, in 1390 to immortalize the role of the women of Placentia who helped lift the siege of their town by the English. It was later united with the Order of the Sash (Ordre de la Bande). The woman wears the order's distinctive gold scarf over her robes. Copied from an illustration by Christoph Weigel in Philipp Bonannis Ritter-Ordern, 1728. Handcolored copperplate engraving from Robert von Spalart's Historical Picture of the Costumes of the Principal People of Antiquity and Middle Ages, Vienna, 1802.

Gallerie des Modes et Costumes Français, 1781, II 199 (bis): White dress by Mousselin (...), 1781 Woman in white dress from plain muslin decorated with fine mousseline. 'Hals and Sabot'. Bottom skirt of 'Mousseline des Indes' with stripes/floral pattern, lined with colored taf side. 'Coëfure à l'Enfance' on which a simple hat 'according to the latest fashion'. Further accessories: earrings, necklace consisting of two cords with pendant, bracelets, long gloves, fan, shoes with heels and bows. Print from the II series. 35th Cahier de Costumes Français, 27th Suite d'Habillements à la Mode and 1781, Gallerie des Modes et Costumes Français. paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). gloves, mittens (LONG GLOVES) (+ women's clothes). skirt (+ women's clothes). fan (+ women's clothes). necklace (+ women's clothes). bracelet, wristlet (+ women's clothes). ear-rings (+ women's clothes). styles of hairdress - AA - ~ women.

Maria Theresa of Spain, wife of King Louis XIV, 1638-1683. Marie Therese d'Autriche, Reine de France et de Navarre. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio X 52 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Doge of Venice in official robes. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration from Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, etc., London, 1757:.

Marie le Jars, Lady Gournay, writer and editor of Montaigne, 1566-1645. Handcoloured lithograph after a portrait in Roger de Gaignieres' gallery portfolio X 12 from Le Bibliophile Jacob aka Paul Lacroix's Costumes Historiques de la France (Historical Costumes of France), Administration de Librairie, Paris, 1852.

Portrait of a young woman. A young woman with pearl earrings and a pearl necklace is wearing a dog. A ring to her Pink.

Young girl from the church of Antwerp Jesuits before she enters the marriage. Figure in contemporary costume. In the margin a three-legged caption in French.

French Prints Propagating French Fashion : Mademoiselle de Loube in a Hunting Habit. In the 1680s and 90s, Paris engravers produced a large number of fashion prints that combined illustrations with short texts about clothing or the wearer. They developed various strategies to promote these fashions’. In the print after Dieu de Saint-Jean, an anonymous woman departs for the city wearing a new style of over-garment called a manteau. By contrast, Trouvain and Bonnart relied on the power of celebrity by featuring prominent aristocrats dressed à la mode. These are not true portraits, though; the printmakers merely paired famous names with anonymous figures.

. Standing woman, dressed according to Dutch fashion ca. 1615-1620. She wears a suit with a vertically raised impeller-shaped collar, hanging sleeves (empty ornamental sleeves) and a saved skirt. To her belt a trade show and a key forest. A feather range in her right hand. To her feet shoes with rosettes. The title states on a banderole above her head.

Woman in mourning clothing, Adolf van der Laan, c. 1710 - 1755 Woman in a landscape, dressed according to Dutch fashion from 1710-1720. Seen from the front. Dressed in funeral gown with Engagantes, a closed fan in her left hand, a glove in the right hand. The print is part of a sixteen -part series of prints with performances of Dutch costumes. paper etching dress, gown (+ women's clothes). Europeans (with NAME) (+ costume). mourning dress. fan

Winter and Summer, Wenceslaus Hollar, 1644 Veiled woman with fan in her hand as personification of the summer. In the background a face on Saint James's park, Banqueting House and Saint Paul's Cathedral in London. paper etching summer, 'Aestas'; 'Estate' (Ripa). clothes, costume (+ women's clothes). dress, gown (+ women's clothes). veil (+ women's clothes). sleeves (+ women's clothes). neck-gear ~ clothing (CAPE COLLAR) (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). fan (+ women's clothes). park St James's Park. Banqueting House. Saint Paul's Cathedral

Hoftrachten zur Zeit von Ludwig XIV, Versailles, um 1700, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert

Recueil des modes de la cour de France, 'Femme de qualité en habit d'hyver'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1672-1686. Prints. Hand-colored engraving on paper

Gallerie of French modes and costumes 1776, C 17: Espece de Pouf (...), 1776 Ladies' hairstyle with 'pouf' about which a voile of transparent tulle. This is one of the four hairstyles on print C 17 from series C. 3rd Cahier De Modes Françaises Pour Les Coeffures Depuis 1776. paper engraving fashion plates. head-gear (POUF) (+ women's clothes). clothing for the upper part of the body (+ women's clothes). styles of hairdress - AA - ~ women. veil (+ women's clothes)

Ancilla Coloniensis; European women in costumes; Theatrum Mechanic. A maid from Cologne, with a hills of huge cape, which connects around the forehead. Wrinkled flat collar deposited with lace strip. Clear fitting body with bragons and sleeves on ankle-length wrinkled skirt of light color decorated with two horizontal tires above the hem. Wrinkled White Apron. Open shoes with block heel. Deep basket on the left arm.

Portrait of a distinguished woman, Jacques de Gheyn (II), 1575 - 1625 drawing Portrait of a distinguished woman, possibly Louise Juliana van Nassau (1576-1644). Rans turned to the left, looking at the viewer. Knee piece. In the right hand a host of ostriches. paper. ink. chalk pen historical persons - BB - woman. dress, gown (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). head-gear: cap (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear (with NAME) (+ women's clothes).. skirt (+ women's clothes) Low Countries

Portrait of Maria Eleonora, Queen of Sweden, Hendrick Hondius (I), After Jacob Hoefnagel, 1629 print Bust to the left of Maria Eleonora, Queen of Sweden at the age of 25 in an oval accompaniment. Two lines in Latin under the portrait. The Hague paper engraving / etching pearl; pearl necklace (+ women's clothes). ear-rings (+ women's clothes). pendant, trinket, 'breloque' (+ women's clothes). brooch, agraffe, clasp (+ women's clothes). neck-gear: collar (+ lace used for clothes)

Woman with pleated remedy, Head cap and Haarpin, Wenceslaus Hollar, 1645 print Antwerp paper etching head-gear: cap (+ women's clothes). styles of hairdress - AA - ~ women. neck-gear ~ clothing (with NAME)

Regency lady in walking dress holding a French bonnet, 1818. Dress of jaconot muslin, spencer jacket in gros de Naples with epaulettes, white lace Cornette cap, embroidered shawl. Designed by Miss McDonald of 50 South Molton Street. Vol. 6, Plate 23, October 1, 1818. Handcoloured copperplate engraving by Thomas Uwins from Rudolph Ackermann's Repository of Arts, Strand, London.

Costume of an Italian courtesan or prostitute outside the house, 16th century. Dressed like a widow in black veil and clothes of brocade, with embroidered skirts, stockings and chemise, hidden pearl necklace. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Lady with flowers; Hollar, Wenceslaus (1607-1677); 1638 (1638-00-00-1638-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, 17th century (costume.), Women, Historical costumes

Gallery des Modes et Costumes Français 1776, C 17: Espece de Pouf (...). Women's hairstyle with 'Pouf' about which a voile of transparent tulle. This is one of the four hairstyles at Prent C 17 from Series C. 3E Cahier the Modes Françaises Pour Les Coeffures Depuis 1776.

Woman of Hydra island, Greece, drawing by Etienne Ronjat (1822-) from a photograph, Voyage in Greece, 1861-1868-1874, by Henri Belle, from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume V, Issue 1, December 7, 1876.

Woman in Augsburg costume, Johann Simon Negges, after J.C. Rösch, 1753 - 1792 print paper historical persons - BB - woman. folk costume, regional costume

Portrait of a woman; Ajdukiewicz, Tadeusz (1851-1916); 1879 (1879-00-00-1879-00-00);Carrings, earrings, lace, book (attribute), furniture, pearls, portraits en Pied, portraits in the interior, fan

Mademoiselle Maupain dancing at the Opera Jean Mariette. Mademoiselle Maupain dancing to the Opera. Engraving.

Portrait of Antoinette Lemonnier as Elisabeth in the opera Leicester M.me Lemonnier Portraits of actors of Parisian theaters , print maker: Alexandre Marie Colin, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Francisique Noël (et Cie.), (mentioned on object), Paris, 1824, paper, h 429 mm × w 290 mm

Fashion from england at the time of maria stuart, 1550, 1600, late renaissance, woodcut, England

French noble lady, in the year 1570, fashion history, costume history, historical, digitally restored reproduction of a 19th century original, exact original date not known

Recueil des modes de la cour de France, 'Dame de qualité en manteau'. Nicolas Bonnart (France, 1637-1717). France, Paris, 1682-1686. Prints. Hand-colored engraving on paper

Recueil des modes de la cour de France, 'Femme de qualité en deshabillé d'esté'. Jean Dieu de Saint-Jean (France, flourished 1675-1695). France, Paris, 1683. Prints. Hand-colored engraving on paper

Portrait of Isabella Clara Eugenia, Infante of Spain, Jan Harmensz. Muller, after Peter Paul Rubens, 1615 print Portrait of Isabella Clara Eugenia, Infante of Spain and governor of the Netherlands, sitting in a chair. She wears a lace collar and holds a range in her hands. Amsterdam paper engraving fan. neck-gear ~ clothing (with NAME) (+ women's clothes)

Costume, clothing, a noble woman from Hungary around 1703, copperplate engraving by Caspar Luyken from 1703, digitally restored reproduction of an original from the 18th century.

Tracht, Bekleidung, eine Frau aus Regensburg um 1700, Bayern, Deutschland, Kupferstich von Caspar Luyken von 1703, digital restaurierte Reproduktion von einer Vorlage aus dem 18. Jahrhundert /.

Lady in a hat with a width of the roundabout, in the Kerza and with MUFK; Hollar, Wenceslaus (1607-1677); 1640 (1640-00-00-1640-00-00);England (Great Britain), Rehdigeran (collection), Schlesisches Museum der Bilden Künste (Wrocław - 1880-1945) - collection, 17th century (costume), women, muffs, headgear

Richly dressed standing woman. .

Woman in traditional costume from Strasbourg; Virgo Argentinensis. .

Noble damsel; Ancient habits, modern et worldwide .....

Portrait of a young woman wearing an elaborate gold brocade dress and a hat with feathers. It is adorned with several gold necklaces and a necklace. Based on a painting by Lucas Cranach the Elder, historical, authentic, digitally restored reproduction from a 19th-century model, record date not stated

Ceremonial clothing of an English Marquis, Wenceslaus Hollar, 1662 print paper etching nobility and patriciate; chivalry, knighthood. clothes for special purposes

Portrait of Archduchess Maria Anna, died 1616, daughter of Duke Wilhelm V of Bavaria. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck and published by Heinrich Keller. Dr. Hefner-Alteneck (1811 - 1903) was a German curator, archaeologist, art historian, illustrator and etcher.

Portrait of Isabella Clara Eugenia, Infante van Spain, Crispijn van de Passe (I), 1574 - 1637 print Portrait of Isabella Clara Eugenia, infante of Spain and consort of Albrecht, Archduke of Austria. In the edge of the frame the name and function of the portrayed person in Latin. In the margin a four -line praise in Latin. unknown paper engraving historical persons. neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes)

Woman with folding collar and wide-draining hat; Woman girls in round lists. .

The beautiful Ferronniere, vintage engraved illustration. 12th to 18th century Fashion By Image.

Woman in elaborate upswept hairstyle with curls, feathers and ribbons called Desire to Please. Coiffure au Desir de plaire with curls, feathers and ribbons. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style ou la Parure Excentrique: Epoque Louis XVI, Rouveyre, Paris, 1895.

Recueil des modes de la cour de France, 'Femme de qualité en habit d'Esté'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1682-1688. Prints. Hand-colored engraving on paper

Catherine de' Medici, 1519-1589, Italian noblewoman of the Medici family, queen consort of France by marriage to King Henry II. In hat, pleated gown with full sleeves, ruff collar. Catherine de Medicis. Femme de Henry II. Handcoloured lithograph by Lorenzo Bianchi after Hippolyte Lecomte from Costumi civili e militari della monarchia francese dal 1200 al 1820, Naples, 1825. Italian edition of Lecomtes Civilian and military costumes of the French monarchy from 1200 to 1820.

Amelia, Queen of Greece, 1844. Portrait of Amalia of Oldenburg, queen consort of King Otto of Greece. 'Her Majesty is universally beloved by her subjects, possessing all those feminine virtues and accomplishments which are the brightest jewels of a crowned head. The...portrait (which we have just received from Athens) represents her Majesty attired in the beautiful Greek costume which she wears on state occasions'. From "Illustrated London News", 1844, Vol V.

Fashion of the Patrician at the time of the High Renaissance, woodcut, Germany, Europe

A Venetian courtesan, a woman available for love services in aristocratic or high bourgeois circles, 1739, Venice, Italy, Historic, digitally restored reproduction of an original from the period, Europe

Portrait of amalia from solms. Portrait of amalia of Solms, bustle with lace folding cars and pearls on clothes, ornamental thread on chest and in the hair, in oval picture frame with Latin motto.

Traditional traditional costume, clothing, Imperatrix Eleonore Magdalene Therese von Pfalz-Neuburg (6 January 1655 to 19 January 1720) was a Catholic Countess Palatine of Neuburg, Roman-German Empress by marriage in 1676 and crowned at the Diet of Augsburg in 1690, copperplate engraving by Caspar Luyken from 1703, digitally restored reproduction from an 18th century original

Woman in traditional outfit by unknown painter, Russia, Moscow, State Tretyakov Gallery, 34, 3x26, 8

A watercolor, brush, and feather drawing by Constantin Guys depicting a standing lady, focusing on her skirt, executed in brown tones.

Portrait of Louisa Barbara Trefusis, Lady Rolle (c1795 - 1885), in the robes she wore at the coronation of King William IV of England. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.

Fashion look at the saxon court in the reformation, 1514-1564, woodcut, Germany, Europe

Fashion from the netherlands, 17th century, woodcut, Holland

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