Historical Allegorical Prints

A collection of prints showcasing allegorical themes, including connections between nations, memorial designs, and ornate architectural elements in a historic style.

Medallion on the alliance between the French and the Batavian Republics, 1795, 1795 print Allegorical medallions on the alliance between the French and the Batavian Republics, 1795. Left allegory on the new alliance (Frenchman with revolutionary hat and the Dutch Virgin with Freedom Hood on a stick). On the right receiving the Broederkus by the Dutch representatives Blauw and Meyer of the chairman of the French Convention on 6 Messidor, an 3. Paris paper etching / engraving medal (considered as a piece of sculpture, regardless of its specific function)

Ludwig Xiv., King of France Print of Sébastien Leclerc

Print, Designs for Firearms Ornament and Hunting Scenes; Print Maker: de La Collombe (French, active 1702 - 1739); Published by Gilles Demarteau (Belgian, active in France, 1722 - 1776); France; etching and engraving on laid paper

Allegory on the connection between the French and the Batavian Republic, Michel Poisson, 1795 - 1801 print Paris paper etching republic; 'Governo della republica' (Ripa). personifications of countries, nations, states, districts, etc.

Medallion on the Alliance between the French and Batavian Republics, 1795; Alliance et Union Éternelle Entre Les Républiques Française et Batave. Allegorical medallions at the Alliance between the French and Batavian Republics, 1795. Links Allegory on the new Alliance (Frenchman with revolutionary hat and the Dutch virgin with freedom hat on a stick). On the right receiving the Broederkus by the Dutch representatives Blue and Meyer of the Chairman of the French Convention at 6 Messidor, AN 3.

Memorial to Anthony and Katherine Nourse from Fulham Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Warsaw. Sandstone panel bearing the date 1742 in the marble fireplace of the Dining Room beside the Column Room of the Royal Castle - view in the scale of 1:5. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Drawing for the village album of the Town Hall on the occasion of the birth of the Imperial Prince.

Jacobsthal Johann Eduard (1839-1902), title page for a magazine (1888): Cartrage. Pencil on cardboard, 30.8 x 19.3 cm (including scan edges)

Medallion on the alliance between the French and the Batavian Republics, 1795, 1795 print Allegorical medallions on the alliance between the French and the Batavian Republics, 1795. Left allegory on the new alliance (Frenchman with revolutionary hat and the Dutch Virgin with Freedom Hood on a stick). On the right receiving the Broederkus by the Dutch representatives Blauw and Meyer of the chairman of the French Convention on 6 Messidor, an 3. Paris paper etching / engraving medal (considered as a piece of sculpture, regardless of its specific function)

Award to give ao. 1820, Daniel Abrahams, 1820 print Medal awarded as a prize at a Beurs or Competition in Ghent in 1820, in frame of laurel and oak brief. paper etching medal (considered as a piece of sculpture, regardless of its specific function) Ghent

Portrait of Louise Marie van Orléans with ornamental frame with various performances, Jean Baptiste Madou (Possibly), 1836 - 1837 print publisher: Brusselspublisher: Parispublisher: Rotterdam paper historical persons. adult woman. couple of lovers. historical costume

HARES X (it)

Cartouche with calligraphy, above two dogs; Exercitatio Alphabetics Nova et utillisima .... Leaf VIII. Cartouche with the text Faire Iustice et iugement .... from series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Advertising of Drukkerij S. Mayer in Antwerp. Decorated picture frame with a cartouche at the top of Alois Senefelder in his workplace, including four putti and a globe. At the bottom of a bust of senefelder adorned by two angels with floral wreaths. Along the edges four large and two small scenes that relate to the production of a litho, among other things: loving and polishing the stone, drawing on the stone, printing the print and sale of the print.

Portrait of Augustus Frederick at the age of 7, Daniel Nikolaus Chodowiecki, 1780 print Berlin paper etching historical persons. ornament ~ medallion. ornament ~ festoon, garland. trees: olive-tree (+ branch, stick)

Jeannin, Pierre.

Page Six from 'Toisieme Livre Contenant Des Frises ou Paneaux en Longueur Inventés Par G. M. Oppenort Architecte du Roi et Gravés par Huquier', Gilles-Marie Oppenord, French, 1672-1742, Gabriel Huquier, French, 1695-1772, Etching on paper, Three ornamental compositions in sequence characterized by: First, a stork-like bird on a console; second, a putto with two dolphins on an upright shell; third, books, writing material on a console. Inscribed, upper left: 'C'; upper right: '6'; lower left: 'Oppenort inv.'; center: 'Avec privilege du Roi'; lower right: 'Huquier scul. et ex.', France, after 1751, Print, Print

Coat of arms and landscape. Ornamental list with a coat of arms at the bottom, with three birds in the upper part and a lion in the lower part, flanked by lions. In the show a landscape with a farmer and a cattle heap.

Two men playing hockey at a bridge, Bartholomeus van Lochom, after Hans Janssen, c. 1630 print Amsterdam paper engraving

Since parents die the child's grunts, one sees day lyks happen, 1761 - 1804 print Leaf with a large representation of a mother on her deathbed. Her son stands next to the bed and hugs and kisses his mother. Presentation surrounded by tibs with flowers and fruits. A verse under the show. Numbered at the top right: No. 20. Amsterdam paper letterpress printing deathbed. mother and baby or young child

Christ's heart; Masieski, Jan (fl. Ca 1750-1800), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1750-1770 (1750-00-00-1770-00-00);

Portrait of Manvoy Athalie, (1842-1887), (Actress) Portrait of Athalie Manvoy (1842-1887), actress. Business card (verso). Draw on albuminum paper. 1860-1890. Photograph of Alphonse Maze (Active from 1862).

Bliżej Kultury Oleszczyński, Antoni (1794-1879), Wilczyński, Jan Kazimierz (1806 1885)

Harp met zwaard en Sabel / Toren op een berg in zee; The rest, he is / will last forever; Roman pontiff of the human and the divine symbol Regum.An emblem with two performances. Above a harp with a crossed swords and saber. Under a tower on a mountain in the sea. The invention of Pope Clemens 8.

Ticket for 'The Author's Benefit Pasquin', A.M. Ireland, William Hogarth, English, 1697 - 1764, Etching on paper, Etching after a pen drawing. A stage upon a podium. Upon the stage in foreground actors and actresses., England, 1736-1794, Print, Print

Fokke, Simon, Amsterdam, J. v. Vondels Gysbrecht van Aemstel, Gysbrecht van Aemstel in the new theatre on the Leidseplein, verso - stamped, Five medallions with scenes from the tragedy Gysbrecht van Aemstel written by Joost van den Vondel and performed in the new theatre on the Leidsplein in Amsterdam. Four smaller ones are grouped around the centrally placed medallion. The medallions are numbered from I to V and connected with ribbons., print, prints, height 194 mm, width 232 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etchings, Work conception, after own design by

Josef II, Roman-German Emperor Stecher: Nilson, Johannes Esaias

Wszyscy wici w MNK Le Niak, Franciszek Borgiasz Jan (1846 1915), Rusinowski, Anastazy (1829 1893)

Man and his profession, The fisherman, victualia dealer, etc, Josef Machold -, Drawer, Greger, Lithographer, Matthias Rudolph Toma -, printer, publisher

Business card from William Hogarth, Samuel Ireland, after William Hogarth, 1794 - 1799 print Frame with two putti at the top, one with a print in his hands. On the left a woman and a writing man. paper etching cupids: 'amores', 'amoretti', 'putti'. handwriting, writing as activity

Spray Saint Martin on the Île de Ré, July-November 1627 (edge, part in the mid-top). Substanted part (edge, part in mid-top) of a print of the siege of the Citadel Saint Martin on the Île de Ré in 1627, that became that Executed by English troops led by the Duke of Buckingham and ended by French troops led by Cardinal Richelieu. On this leaf a portrait of Louis XIII in oval with peripheral, surrounded by a crown and military attributes. Top left the letters 'RCIS' and at the top right the letters 'Sam', parts of the inscription of the print.

Vignette from Nicholas Staphorst. A chair in an oval with a peripheral. In the middle of the coat of arms of the city of Haarlem.

Book, L'oeuvre (Works)

Claesen, Charles, Carpey, P.-J., Decorative Tables, Déposé, Photographic reproduction of a painting of a woman kneeling to watch two birds, by PJ Carpey, recto - printed, This photograph is part of a cover with 24 photographs on 22 sheets., photograph, photo, reproduction, photographs, photographically illustrated books, Etab. Photog. de Ch. Claesen Editeur a Liége., height 224 mm, width 156 mm, photographer, 1874 - 1881, photographic paper, photo paper, albumen print, albumine print, after, after a painting by, Publication (Event), Publication, publisher

An epitaph with a winged cartouche on legs with drapes and text Tecum Principum. At the bottom a winged coat of arms and an owl with a shield with Medusa head, Epitaph of Io. Fr. A Slingelant In the St Ians Church in Mechelen, draughtsman: anonymous, in or after 1647, paper, pen, brush, h 336 mm × w 238 mm

Frame with performances from daily life, Hendrik Numan, 1778 print Ornamented frame with four performances from daily life, including letter reading, dining and conversing. Haarlem paper letter, envelope. reading. dining-room. eating and drinking. conversation, dialogue; conversation piece

Parade with children and a viewing cupboard; La Parade De Foire / La Curiosité. Two scenes in Rocaille Picture frame: Two children with a trumpet and drum and a fantasy with flag and two children looking through the window of a viewing cupboard on wheels.

Allegory on the Peace of Paris, 1814; Peace. Allegory on the first peace of Paris, 30 May 1814. Central to calligraphy the word 'peace' in which four of the five letters a banderole with inscription in honor of one of the Allies Russia, Great Britain, Prussia and Austria. At the bottom within the Dutch garden a city with a few Amsterdam buildings (Royal Palace, Exhibition and Waag) can be recognized. Agriculture and trade flourish in and outside the city. On the columns of the fence are the weapons of the seven provinces and sovereign frost. At the entrance gate the Dutch virgin with freedom slate and hat with a young hero, left and right olive branches. Behind the city the merchant fleet at sea at a rising sun. At the top of the clouds the peace surrounded by geniussen. A separate statement is one of the print.

Portrait of Pieter van der Hulst.

Image of Our Lady and Child, the miraculous painting of Baruny. Tyszkiewicz, Konstanty (1806-1868), merchant employer, Marcinowski, Antoni (Wilno ; drukarnia ; 1817-1862), printing house, Rein, Joseph Friedrich (1720-1795), graphic artist

Design for monogram and weapon of one of the children of Frans van Lorraine and Maria Theresia. .

Jesus Christ, Constantine and Charles the Great; 1er Epoque Depuis J.C. Jusqu'à Constantin. 2eme Epoque Depuis Constantin Jusqu'à Charlemagne; Q piedestaux et socles; Nouvelle iconology historique ou attributs hereogliphyques (...). A pedestal with an oval medallion with helmets, weapons, a pedestal, a cross and an eagle with a crown. On the pedestal are a book, fishing, snakes, a crown, a smoke barrel and a list of a globe and a lamb. Print number 23.

Calligraphy of the song 'Wien Neêrland's Blood' at the twenty-five-year-old government anniversary of King Willem I, 1838. Calligraphic show on the twenty-five-year-old government anniversary of King Willem I in November 1838. The couplets of the song 'Wien Neêrland's blood in the conductors flows' performed in Calligraphy. With portraits of all members of the Royal House and Previous Stadhouders and Princes of Orange, Vignettes and Weapent Profes, Festoten and Angels. The print includes a separate statement and a message of subscription.

Coat of arms of Amsterdam, Anonymous, 1639 print The coat of arms of the city of Amsterdam flanked by two lions. Above the coat of arms the Keizerskroon, below the head of a dolphin. paper etching / engraving coat of arms (as symbol of the state, etc.) (+ city; municipal). dolphin ~ ornament. beasts of prey, predatory animals: lion Amsterdam

Portrait of Eug�ne Isabey (Louis Gabriel, 1804-1886), Painter Portrait of Eugene Isabey (Louis Gabriel, 1804-1886), Painter. Business card (verso) .Tire on albuminum paper. Between 1860-1890. Photograph of Pierre Petit (1831-1909) (Pierre Lanith Small, said).

Wszyscy Święci w MNK Leśniak, Franciszek Borgiasz Jan (1846 1915), Rusinowski, Anastazy (1829 1893)

Vignette with the Dutch Virgin with a lance of freedom on a lance, Isaac Weissenbruch, 1836 - 1912 print Netherlands paper vignette. personifications of countries, nations, states, districts, etc.

Comic album / The fun of the evenings, c. 1840 print Cover decorated on front, back and inside with comic performances with captions in French and English. The folder contains five separate lithographs. paper

Medal against the atrocities operated in Brabant, 1789; Médaille Frappée Dance Les Pays-Bas. And Horreur de l'Exécrable Ministre du Comte de Strautmansdorf (Trautmansdorff); Brabant Review, 1787-1790. Both sides of a medal against the atrocities are proficient in Brabant; With the date August 16, 1789. On the front, a wolf and a woman hold a child that is minced meat by a leopard. On the downside, the Brabant lion frees itself from a net. In the caption, reference is made to Landvoogdrettmansdorff. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Baories, bird catchers, low caste Hindoos, Delhi.. Photographs. 1868 - 1875. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. India, Indigenous peoples , India, Manners & customs , India, Game bird hunting, Candalas

Design for the Trade Card of Arrivet, Paris, Unfinished, J. Arrivet, French, active 1776 - 1779, Engraving, graphite on paper, Design for a trade card: architectural frame with swags of flowers; lettering in dilute ink, between ruled lines. ARRIVET / GRAVE L'ORNEMENT, / L'architeceture et le paysave / etc., France, ca. 1770, Print, Print

The inscription is written in a central rectangle with a more elaborate frame having spirals above, on top of outwards turned cherubim, at the sides, and moldings on top. In the upper band is a Maltese cross. Below the frame is an escutcheon-like console with an inner escutcheon. The whole is surrounded by a garland springing from the mouth of a mask and ending there. Laterally framed by leaves of two crossed branches. The paper next to it, at left and at right is colored. Written below, at right, by the artist: "In triplicata/propozzione". On the reverse, part of two pen sketches. Date: 1780-1800. Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Flower Ranks, Edgard Farasyn, 1868 - 1910 print paper etching flowers

Ornamental frames and cartouche, Heinrich Hugo Coentgen, after Johannes brands, in or before 1782 - 1785 print In the middle a crowned rocaille cartouche with calligraphy -out texts released decorations welche zu auszierung und einfalsung (...). Left and right of the cartouche are a naked woman and man. At the bottom a trophy with painting palette, caduceus, passer and sword. Various ornamental frames around the cartouche. Publisher: Elberfeld publisher: Mülheim (Am Rhein) paper engraving ornaments ~ art (+ framing decorations). ornament ~ cartouche

Attributed to Daniel Lysons, 1762-1834, British, Memorial to H.S.E. from Acton Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Memorial to Alice Coburne from Stratford Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 7/8 inches (37.8 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, St Mary's Church, United Kingdom

Memorial to Fraces Trotman from Acton Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, Acton, England, Greater London, London, St Mary's Church, United Kingdom

Man and his profession , The Glassmaker , Carl Josef Geiger -, Drawer, Dre Twer Dreyer, Lithographer, Matthias Rudolph Toma -, Printer, Publisher

Medal at the relief of Leiden, 1574. Medal at the relievance of Leiden, 1574. carrying-in award to a pendant. Silver medal to three chains and carrying ring. Front: Siege from Jerusalem by the king of Assyria, whose soldiers from tent camp flights for an angel with drawn sword inside. Reverse: Face on the city Leiden above map with fortifications and retreat from besiegers within circumcision.

Athene in Macedonië, Jean Charles Delafosse, 1768 - 1771 print A tomb with a medallion at the bottom with a female figure with a torch and a dragon. At the top weapons, a scythe, books, a list of an owl and a medallion with Minerva looking in a mirror. Print number 19. Paris paper etching / engraving grave, tomb. symbols of particular nations, states, districts, etc. (+ city; municipal) Athens. Macedonia

Label from press traders Joubert Fils and Charles Bance in Paris, 1804 - 1815 print. label Address on the inside of a king's mantle, surrounded by Regalia. The cloak on the outside decorated with bees, at the top a crown, on the left the hand of justice and on the right a scepter with a frost with a government apple. This combination was used in the first French empire (1804-1815). paper etching / engraving art dealer. imperial mantle (symbol of sovereignty). sceptre, staff (symbol of sovereignty). crown (symbol of sovereignty)

Memorial to Richard Billingsley, from Sudbury Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm), architectural subject, church, memorial, England, Greater London, London, St. Gregory Church, Sudbury, United Kingdom

Heinrich, Prince of Prussia Stecher: Nilson, Johannes Esaias

Man and his profession, The brass and string instrument maker, the fortepianomacher, organ builder, the intestinal and wire strings, Carl Kari Schustler, Drawer, Greger, Lithographer, Matthias Rudolph Toma -, printer, publisher

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 9 (recto). Designer: Pietro Paulo Tozzi (Italian, active 1593-1628). Dimensions: Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm). Publisher: Libraria del Giesu , Padua. Date: October 1, 1604.Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua. Calligraphy by Antonello Bertozzi and Sebastian Zanella, scribes of Padua.Design is composed of a central rectangle upon which a variation of the alphabet is printed and one line of calligraphic text. Surrounding this middle section is a decorative border comprised of 2 levels of geometric and linear motifs. Museum: Metropolitan Museum of Art, New York, USA.

. Sheet with six representations of the events in Amsterdam at the time of the Patriots in the summer of 1787. Four square scenes with the departure of armed civilians to Utrecht, the remotion of nine guessing, the Wijverhuis on the Koningsplein and the civil guard at Kattenburg. Central two medallions with a portrait of the gold bank and the election of two mayors. Patriot counterpart of the first orangistic print titled "Monument to Amsterdam".

Wish letter with performances from the New Testament, 1782 - 1793 print Wish letter with unwritten cartouche within a decorative framework with performances from the New Testament and from the passion tools. Numbered at the top right: N. 22. publisher: Amsterdamprint maker: Netherlands paper etching New Testament. 'Arma Christi'

The Corcoran Gallery of Art. Dated: 1890-1891. Dimensions: image: 22.23 × 15.56 cm (8 3/4 × 6 1/8 in.) board: 25.4 × 19.37 cm (10 × 7 5/8 in.). Medium: pen and black ink with graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

Helmet crowned with sphinx, 1651 print The sphinx wears a headgear with feathers. From series of title page and five magazines. print maker: France (possibly)publisher: Paris paper engraving

Gemele. Josef Albert (German, 1825 - 1886)

Lorenz Froelich (1820-1908), Illustration No. 1 to "Quoning Dagmar Visory to Denmark", 1863

Print (France)

Business card from printser Edmond Gosselin in Paris, 1907 print Two putti hold a rug with the address up, the left has a painting palette in his hand. paper etching tools, implements of painter. cupids: 'amores', 'amoretti', 'putti'

Medallion with Madonna with child, presumably by Luca della Robbia, c. 1875 - c. 1900 photograph Europe cardboard. photographic support albumen print sculpture (+ relief ~ sculpture). Madonna: i.e. Mary with the Christ-child. cherubs, i.e. children's heads with wings Europe

Octagonal Panel Decoratio, Brush and brown wash, black chalk, heightened with opaque white Support: toned laid paper laid down, Italy, Italy, 1675-1700, ornament, Drawing, Drawing

Umbria Terni Ferentillo S. Maria8. Hutzel, Max 1960-1990 General views of town and basilica-style church, with its tall, pointed campanile. The church has a plain facade. Interior has slightly pointed arches and a wooden ceiling. There are few paintings. One large fresco depicts a series of female martyrs. Paintings appear to have been done from late Medieval to Renaissance. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Pius VI., Pope.

Remembrancesprent for Theresia van Camp, Jean -Baptiste Anthony, 1881 - 1909 print paper. etching / drypoint old woman

Flower Ranks, Edgard Farasyn, 1868 - 1910 print paper etching flowers

Wish letter with tow barge, 1784 print Wish letter with described cartouche within a decorative framework with representations of a man with plants, a woman with flowers and of a barge. Handwritten message in calligraphy (Pentecost letter) by W. Groot to father and mother. Numbered at the top right: No. 11. Netherlands paper. ink etching / pen tow-boat, towing-barge. foliage, tendrils, branches ~ ornament. plants; vegetation

Print, Title Page, from "Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés"; Designed by Jean-Baptiste Pillement (French, 1728-1808); Print Maker: Jean-Jacques Avril the Elder (French, 1744 - 1831); France; engraving and etching on laid paper; 19.8 × 28.8 cm (7 13/16 × 11 5/16 in.)

Wish letter with tow barge, 1792 - 1847 print Wish letter with unwritten cartouche within a decorative framework with a performance of a river with a barge. In small medallons representations of skating and slaying people, people in the rain and a walking family. Numbered at the top right: No. 4. publisher: Amsterdamprint maker: Netherlands paper etching human types. tow-boat, towing-barge

Cartouche in framework of rollerwork with children, fruitsGuirlands and four men. Title sheet of series flat decorations.; Molding change of cavity of cavity (...) Libro Primo. Cartouche in framework of rollerwork with children, fruitsGuirlands and four men. Title in Catouche: Ghedruckt at Hieronymus Cock, 1556. Leaf A from series of 12 sheets, numbered a-m.

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Joseph Biscoe and his wife Elizabeth, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Frontispiece for the Revue Fantaisiste. Rodolphe Bresdin; French, 1825-1885. Date: 1861. Dimensions: 211 × 136 mm (plate); 297 × 215 mm (sheet). Etching on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

An etching by Wenzel Hollar from 1627-1677 depicting a heraldic coat of arms with decorative and emblematic elements.

Table pour converrtir les heures et minutes de lancienne Division du jour. Artist: Gambey, French

Statue of Laurens Jansz. Coster; Tasting of wood graves. Statue of Laurens Jansz. Coster. Around a number of allegorical objects, including a globe, a harp, a laurel wreath, a passer and a shopping hook. Completely in an ornamented oval frame with flowers and plants.

Frontispiece from Capricci Published 1785 Italy. Etching on paper . Giambattista Tiepolo

Speculum Romanae Magnificentiae: A Marble Plaque with Military Insignia. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). Dimensions: sheet: 13 9/16 x 19 1/8 in. (34.5 x 48.5 cm)plate: 9 3/16 x 10 13/16 in. (23.4 x 27.4 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1551.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, L

The chamber of pairs

Louis ten seven / king of France and Navarre

Copper engraving by Nicolaus Weishun from 1631 depicting a portrait and equestrian scene, demonstrating 17th-century engraving techniques and composition.

Das Mädchen aus der Fremde. Josef Albert (German, 1825 - 1886)

Trophy with bellows, fire tension and boiler; Recueil des Trophés Chinoises. A trophy with a bellows, a tongs, a shovel, a boiler with coal and a standard on which the serene title.

Platter from Venice, Italy, landscape inside a border of foliage. Hand-finished chromolithograph from Ris Paquot's General History of Ancient French and Foreign Glazed Pottery, Chez l'Auteur, Paris, 1874.

Atget, Eugène (Jean Eugène Auguste Atget, dit) (n.1857-02-12-D.1927-08-04), HEURTROI, Austrian Embassy (Hôtel du Maréchal de Montmorency, hotel of Matignon), 57 rue de Varenne, 7th arrondissement, Paris. (Dummy title), 1900-10. Albumin paper draw. Carnavalet museum, history of Paris. Hottoir, Austrian Embassy (Hôtel du Maréchal de Montmorency, Hôtel de Matignon), 57 rue de Varenne, 7th arrondissement, Paris.

Business card from lithographer J.B. Coppens in Brussels, 1862 - 1865 print. porcelain card In ornamental frame with fantasy scenes, an at the top of the portrait of Alois Senefelder flanked by two women with laurel wreaths draw on a stone. . fantasy ornament. drawing

Nohl Maximilian (1830-1863), door knocker, Bologna (28.09.1858): Views. Pencil on paper, 18.5 x 13.4 cm (including scan edges) Nohl Maximilian (1830-1863): Türklopfer, Bologna

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