Historical Allegorical Prints

Ornate prints depicting allegorical scenes with figures kneeling or engaged in rituals, set against elaborate ornamental backgrounds with a historical context.

Schijnvoet, Jacobus, Amsterdam, Habere regnum casus est virtus dare, Man kneeling before a throne in a large hall, verso - stamped, A man kneels, under the watchful eye of a crowd of people, before two figures standing before a throne. The representation is set in an ornamental frame with plant and animal motifs. On the left and right are two crowned allegorical figures in the company of an eagle (left) and a stork (right)., print, prints, height 134 mm, width 187 mm, Noord-Nederlands, 1685-05-20 - 1743, print maker, printmaker, 1704 - 1733, paper, papier, etching, etchings, letterpress printing, Work conception, after own design by

Schijnvoet, Jacobus, Amsterdam, Habere regnum casus est virtus dare, Man kneeling before a throne in a large hall, verso - stamped, A man kneels, under the watchful eye of a crowd of people, before two figures standing before a throne. The representation is set in an ornamental frame with plant and animal motifs. On the left and right are two crowned allegorical figures in the company of an eagle (left) and a stork (right)., print, prints, height 134 mm, width 187 mm, Noord-Nederlands, 1685-05-20 - 1743, print maker, printmaker, 1704 - 1733, paper, papier, etching, etchings, letterpress printing, Work conception, after own design by

Wall with ornamental paintings and a wall carpet, Pietro Sante Bartoli, After Giovanni Lanfranco, 1665 print Wall with ornamental paintings and a wall carpet. On the wall carpet is a group of men who kneels for a pope. The pope sits on his throne under a canopy. Print is part of an album. paper etching pope. tapestry

Praal grave for Admiral Jacob Baron van Wassenaer from Obdam, 1665; Tombe van den Hoog Noen Gezien Lord Jacob Baron van Wassenaar, Lord of Obdam, & c. 's national admiral. Praal grave for Admiral Jacob Baron van Wassenaer from Obdam in the Grote or Sint-Jacobskerk in The Hague. The admiral died in the explosion of his flagship the unity during the battle at Lowestoft on 13 June 1665.

Chapel woodwork decoration, anonymous, after Jean Lepautre, c. 1670 - c. 1690 print From series with Dutch opposite copies to magazines from two series by Jean Lepautre: Chaires the predicators and a series without title. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdam paper etching

Triumph arch with Ferdinand of Austria and Dutch Virgin with allegorical figures, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1635 print Triumph arch of monumental architecture with allegory on Spanish domination and the Southern Netherlands. Cardinal Ferdinand of Austria, the Cardinal Infant, is taken by Minerva and surrounded by, among other things, the goddesses of peace and abundance. A soldier as a personification of war holds the Dutch virgin. A man with two faces as a personification of fraud threatens the virgin with a dagger hidden behind an olive branch. In a cartouche under a weapon on top of the architecture there is a motto: in Spes Inclinata Recumbit. In honor of the entry of Ferdinand in Antwerp, April 17, 1635. paper engraving (story of) Minerva (Pallas, Athena). symbols of particular nations, states, districts, etc. Antwerp

Man kneeling in front of a throne in a large room, Jacobus Schijnvoet, 1704 - 1733 print A man kneels, under the watchful eye of a crowd of people, for two figures in front of a throne. The show is caught in an ornamental frame with plant and animal motifs. Left and right are two crowned allegorical figures in the company of an eagle (left) and stork (right). Amsterdam paper etching / letterpress printing kneeling before a ruler

Allegorical Presentation on the occasion of a marriage, Jan Punt, 1738 print Allegorical performance made on the occasion of a marriage. The love couple sits under a round arch in a garden surrounded by love, peace and the wedding god Hymen. On either side of the bow the coats of arms of the spouses. In the foreground various putti. Some of them play yarn with bobbins, probably a reference to the spouse's profession. Amsterdam paper etching / engraving couple of lovers. (story of) Hymen(aeus). symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. attributes of Mercury

Fireplaces and Other Interior Decorations. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Lepautre.

Volckamer, Gottlieb .

TITELBLAD: Alcoves at La Romaine, Jean Lepautre, c. 1656 - C. 1657 print An alcove with Cararatids, Draperieën and an eagle at the top. In the middle of a balustrade with cartouche with the serial title. There are various figures in the alcove, pointing to the middle. Nummer 1. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Couronnement de Voltaire (The Crowning of Voltaire). Dated: 1782. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles-Etienne Gaucher after Jean-Michel Moreau.

Jacques Callot (French, 1592 - 1635). The Last Supper (La cène), 1624. From The Small Passion. Etching and engraving.

Fireworks lit on December 9, 1721 to celebrate the peace of Nystad; To Pedegeans of the Overyke Vreede by his keyserlyke Mayesteit of Russia (...) and the king and the Croon from Sweden, the 30s of Augusty S.V. Sucnished (...) Has Den Ed: Lord Christoffel Van Brants (...) Resident Van Zyn KeySerlyke Majesty Van Russia (...) Have this joy-fire sincere, and doing AenSteken on 9 December: S.N: AO. 1721. Fireworks lit from the temple of peace on December 9, 1721 on the Inner-Amstel at the Kloveniersburgwal to celebrate the peace of Nystad concluded between Russia and Sweden on September 10, 1721. The fireworks commissioned by Christoffel van Brants, representative of the Russian crown in Amsterdam. With caption in Latin in six columns.

Bassin and mobile water fountain in cartouche; Mobile water fountains and water basins in cartouches. Water fountain in the shape of an urn resting on four dolphins. From third edition.

Fireworks at the celebration of the Peace of Utrecht in Leeuwarden, 1713, 1713 print Scaffolding with fireworks commissioned by the States of Friesland on the Markveld in Leeuwarden at the celebration of the Peace of Utrecht, June 14, 1713. Centrally the Temple of Peace, representing figures on the four corners of the four parts of the province of Oostergo representing , Westergo, Zevenwouden and the cities. In the caption the title and explanation of the letters A-K in Dutch and French. print maker: Northern Netherlandspublisher: Amsterdam paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Leeuwarden

Weekly consultation by the States General in the Trêveszaal, 1738, Jan Caspar Philips, 1738 print The weekly consultation by the States General in the Trêveszaal, 1738. Centrally a large round table. paper etching / engraving national government. Lower House, Parliament, Chamber Trêves room

Title page for the Hollandsche Mercury for the year 1674, 1675 print Title page for the Hollandsche Mercurius for the year 1674. Mercurius aggravated with the female personification of Zeevaart. Below and above small scenes of naval battles and fights, a lighthouse and a map of fortress. print maker: Northern Netherlandspublisher: Haarlem paper etching specific aspects, allegorical aspects of Mercury; Mercury as patron. warfare; military affairs (+ naval force)

Print (France)

Melchior Küsel after Johann Wilhelm Baur, Title Page, 1681 Title Page

La Cène (The Last Supper), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. La Cène (The Last Supper), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Christ for Annas and the denial of Peter, 1613 Christ is brought before a man on a throne (Annas) by a group of soldiers. On the left in the courtyard the denial of Peter (John 18). With an incorrect motto in Latin above the show and an incorrect four -line caption in Latin with the number 33 under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Christ is brought before a man on a throne (Annas) by a group of soldiers. On the left in the courtyard the denial of Peter (John 18). With an incorrect motto in Latin above the show and an incorrect four -line caption in Latin with the number 33 under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Pope Pius II holds a council in Mantua; The life of Pope Pius II. View in a room with half-round vault in Mantua where a council takes place under the leadership of Pope Pius II. Numbered at the top left: T. VIII.

Trompe l'Oeil Painting, Decoration for the Staircase, De Voorst, The Netherlands, Plate from 'Nouveaux livres de peintures de salles et d'Escaliers', Arnold Joost van Keppel, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching on white laid paper, Alcove decorated with male and female Classical figures before a planned garden with trompe loeil ceiling depicting wind and clouds., Netherlands or France, ca. 1700, architecture, Print, Print

Staten van Holland en West-Friesland, Amsterdam, Persoy, Pieter, Londen, Hooghe, Romeyn de, Northern Netherlands, The Death and Funeral Procession of Mary II Stuart, Queen of England, 1695, Queen Mary II Stuart on her Deathbed, London, Large representation of the room in which Queen Mary II Stuart lies in state on her deathbed. On the left, the weeping William III sits on his throne. The print was used as an illustration in Samuel Gruterus, Funeralia Mariae II Britanniarum, Haarlem 1695., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 462 mm, width 570 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1695 - 1695, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publicatie, 1668 - 1714, publisher, uitgever van privilege

The Circumcision. Dated: c. 1631. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Woodcut by Lucas Cranach the Younger depicting a Protestant supper contrasting with the depiction of the Papist hell, showing figures in symbolic interaction.

Graftombe of Willem I, Prince of Orange, 1623, 1678 - 1680 print Graftombe or Praalgraf from Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With visitors around the fence. Low Countries paper etching grave-building, monumental tomb new church

Monument for the Remonstrants, ca. 1800, 1790 - 1836 print The history of the Remonstrants depicted in various historical representations, portraits and allegorical figures, depicted in medallions against the portal of a church, ca. 1800. Centrally the conference in The Hague in 1611, the Synod of Dordrecht in 1619 and the first meeting in Antwerp in 1619. At the top of portraits of Jacobus Arminius, Johan van Oldenbarneveld, Simon Episcopius, Johannes Wtenbogaert and Hugo de Groot. print maker: Rotterdampublisher: Delft paper etching organizations, assemblies, etc. in Protestant churches. Holy Communion ~ Protestant service

Shoemaker and his wife in the store, Abraham Bosse, 1632 - 1633 print Shop of a shoemaker. The shoemaker is in the workshop with two students to ignore shoes. On the left a counter behind which a man who gives one workers a shoe. The woman spins yarn with a small device. On the ceiling hanging rows, shoes and boots that were in fashion around 1630. The boots were a nouveauté, which were finally allowed in the salons. They have wide covers (canons) One of the pairs has as protection wooden galoches or trips. With 3 x 4 lines of French caption: JCY par vn diverse ouvraage .... Parmi les Pots et les bouteilles. In a list of palmets and praise. Paris paper etching / engraving shoe-maker, cobbler (+ indoors; in laboratory, factory, barn, etc.). shop, store. shoes, sandals (+ men's clothes). shoes, sandals (+ women's clothes). boots (+ men's clothes). shoes, sandals

Franz Farnese, Duke of Parma.

Amsterdam, Allard, Abraham, Marot, Daniël (I), Northern Netherlands, The States General Peace Fireworks, Set off in The Hague on 14 June 1713, Feu d'Artifice des Etats Generaux pour la Paix, Fireworks at the celebration of the Peace of Utrecht, 1713, Scaffolding with fireworks set off by order of the States General on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, 14 June 1713. In the superscription descriptions of the fireworks in Dutch and French., print, prints, Frederik Muller Historieplaten, height 328 mm, width 440 mm, print maker, printmaker, 1713 - 1713, paper, papier, etching, etsen, Work conception, 1663 - 1752-06-04, after a design by, Publication (Event), Publication, Dutch, 1676 - 1725-01-26, publisher

Staircase of Old Age, Ten steps of the stairway of old age, in the form of a bridge, are ten men aged 0 to 100 years. Under the bridge three arches with allegorical representations: in the middle The Last Judgment. At the bottom of the text: Des menchen and nangergangh d'ee sweet and dander bangh. At the top in cartouches two 4-line verses in Dutch, the ages of man represented by a staircase, Death as skeleton, owls, anonymous, Amsterdam, 1612 - 1652, paper, engraving

Visser, Jan Gerritsz., Netherlands, Temple of the Batavian Freedom, 1795, verso - stamped, Allegory of Freedom, 1795. The Batavian Freedom steps out of an open temple to welcome the French troops arriving over the ice. Portraits of meritorious Patriots hang from the pillars of the temple. The seat of the National Convention is empty. On the right, the pillar with a knight is struck by lightning and falls over. Slavery, Pride, Avarice and Falsehood flee., print, prints, Frederik Muller History plates, height 507 mm, width 655 mm, Northern Netherlands, 1765 - 1821-05-08, print maker, printmaker, 1795 - 1795, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Analysis of Beauty, Plate 2 March 5, 1753 William Hogarth British. Analysis of Beauty, Plate 2 404838

History shows a map of the Turkish Empire, Jan Caspar Philips, 1733 print Architectural niche in which the coat of arms of the Turkish Empire on a pedestal. History shows a Turk the map of the Turkish Empire. In the foreground antique antiquities. On a pedestal the title in Dutch. In the background a landscape with pyramids. paper engraving / etching coat of arms (as symbol of the state, etc.). Asiatic races and peoples: Turks. maps, atlases. 'Historia'; 'Historia' (Ripa)

Staging with fireworks set off by order of the States of Holland and West Friesland on the Hofvijver in The Hague in celebration of the Treaty of Utrecht, 14 June 1713 In the center, the Temple of Janus surmounted by the Dutch Virgin with freedom hat in the Dutch Garden The Temple surrounded by seated figures of Faith, Liberty, Commerce, Science and the Arts Below the title and the explanation of the numbers 1-14 in Dutch and French, Fireworks celebrating the Treaty of Utrecht, 1713 Illustration of the fireworks in the river Vyver Opgerecht by ordre of Ed: groot-mogende Heeren Staten van Holland, over het sluiten der Uitrechtse Vreede inden Jaare 1713 , print maker: Bernard Picart, (mentioned on object), intermediary draughtsman: Bernard Picart, (mentioned on object), intermediary draughtsman: Pieter Jacobsz. Roman, (mentioned on object), Northern Netherlands, 1713, paper, etching, h 364 mm × w 446 mm

Passion show in the list of birds and bats, anonymous, c. 1600 - c. 1699 print Two bats fly at the top. Germany (possibly) paper etching

Analysis of Beauty, Plate II. 1753. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print, L'Heure du Matin, from a set of the hours of the day; Print Maker: Antoine Aveline (French, 1691 - 1743); After Jean Mondon (French, fl. 1736 - 1745); France; engraving and etching on paper; 35.3 × 43 cm (13 7/8 × 16 15/16 in.); 1902-19-1

French Revolution: Louis XVI and the royal family at the Temple and the victories of the French Republic in 1792. 4th arrondissement. (Tititice title)

Augsburg, Nilson, Johann Esaias, Cartouches Modernes orné avec des diferentes Figures, Cartouches with musicians, verso - stamped, Two rocaille cartouches in a landscape. In front of the left cartouche a woman plays a stringed instrument, next to her stands a man with sheet music. Between the two cartouches a man and a woman approach. In the bottom margin two columns with two-line German text. Publisher's number VI., print, ornament print, prints, ornament prints, height 185 mm, width 283 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher

. Statue in honor of Amsterdam mayor Egbert de Vrij Temminck due to feeding the word at the Prince of Orange on June 8, 1781. Standing figure with the keys of the city of Amsterdam in one hand, with the other hand he straightens with the lance of Freedom the envy. At the foot of the honorary column the Amsterdam city mawn and an allegorical women's figure with key and ring (possibly the faithfulness). In the background right the town hall and left the Kalverstraat. In the caption a four-line verse.

Vlucht van de Vaandrig in Middelburg / mistreatment of mayor Van den Brande, 1672, 1764 - 1766 print Leaf with two performances. Above: The flight of the Vaandrig in Middelburg at the arrival of the rebellious farmers. Under: The mistreatment of mayor Van den Brande by the rebellious farmers, 1672. Illustrations no. IV and V by a poem by Petrus Johannes Beronicius about the rebellious Zeeland farmers and the tumult in Middelburg around Mayor Philip van den Brande on July 21, 1672. Northern Netherlands paper etching Middelburg

Monument to the Reformed Church of the Netherlands, from 1566. Above a small portrait of the first Lutheran preacher Jan Arentsz, on the left and right scenes of the first Calvinist sermons in the years 1566 and 1572 in Amsterdam, Hoorn, Leeuwarden and Dordrecht. In the middle the revision of the translation of the Bible in Leiden and The Hague. Zinneprent op de Hervorming, Monument voor de Hervormde Kerk van Nederland, from 1566 Monument voor de Hervormde Kerk van Nederland. Begonne in't Jaar 1566 , print maker: Theodoor Koning, (mentioned on object), intermediary draughtsman: Daniël Kerkhoff, (mentioned on object), publisher: Gerbrand Roos, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1780 - 1796, paper, etching, engraving, h 482 mm × w 601 mm

Memorial column for the Battle of Waterloo, Cornelis Bogerts, after Johannes van Diepenhuijsen, c. 1815 - c. 1817 print On the pedestal an image of the Battle of Waterloo, called 'Battalje above Brussels'. The portraits of Blücher, Wellington and the Prince of Orange, the later Willem II, hang on the column. A young woman is smearing the column with flowerguirles. The flags of the Allies are draped behind the column. Under the show a Dutch verse over the victory, signed M.V.L. Amsterdam paper etching monument, statue

Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva 1780-90 Leonardo Marini Italian. Design for a Stage Set: A Classical Courtyard and Colonnade with a Statue of Minerva 340765

Jacques Callot (1592-1635). "The catafalque of Emperor Mathias" (Lieure 299, Meaume 597). Etching and chisel. 1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99600-2 Chisel, etching, engraving

General picture of French Revival, completed by that of peace (IT)

Man surrounded by his harem. In an oriental room there is a man in the company of elegantly dressed women who talk, eat, drink and make music. The man is sitting in the middle of the leaving hand in hand with one of his harem women. There is a two-legged caption in Dutch in the margin. Print at the top left of marked: b.b.b.

Taddeo Decorating the Facade of Palazzo Mattei; Federico Zuccaro (Italian, about 1541 - 1609); about 1595; Pen and brown ink, brush with brown wash, over black chalk and touches of red chalk; 25 x 42.2 cm (9 13,16 x 16 5,8 in.)

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Veüe Grottes et Fontaines de Jardins a l'Italiene, Garden pavilion with three arches, Sheet 4 from series of 6, second edition, second print., print, ornament print, prints, ornament prints, height 160 mm, width 244 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Johann Sigismund en Wolfgang Wilhelm in Conflict Aan Tafel, Daniel Nikolaus Chodowiecki, 1798 print Berlin paper etching History. evening meal, dinner, supper. slap in the face. drunkard

Northern Netherlands, Kok, Willem, Events surrounding Hendrik Danielsz. Hooft in Amsterdam on 26 February 1787, Mayor Hendrik Hooft Danielsz addresses the citizens, 1787, verso - stamped, The Amsterdam mayor Hendrik Hooft Danielsz. addresses the assembled citizens in the Citizens' Hall of the Town Hall and assures them that he will defend the interests of the city and the fatherland, February 26, 1787. In the margin the coat of arms of Hooft., print, prints, Frederik Muller Historieplaten, height 238 mm, width 188 mm, 1761 - 1807-03-29, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by

Netherlands, Amsterdam, Visscher, Claes Jansz. (II), Trap des oudes, verso - stamped, Een trap des oudes: een mannentrap. On the steps of the stairs, in the form of a bridge, are men aged 0 to 100 years. Under the bridge is a representation of the Last Judgement. Front left a putto and front right Death. On either side of the representation a tree. Below the representation a 24-line verse in six columns. Top left and right and center below cartouches with text. Numbered lower left: 28., print, prent, volksprent, prints, prenten, volksprenten, height 288 mm, width 355 mm, height 263 mm, width 323 mm, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher, uitgever, 1596 - 1652, paper, papier, engraving, engraving (printing process), print maker, printmaker

Erpoort at the grave of the Actionists, 1720, 1720 Stadsplein with a large honorary gate founded at the death and the funeral of the acted actionists. In the middle a grave is filled with the worthless shares, a funeral procession comes from the left. In the courses on the honorary arches are performances of the Actionist's sickbed, John Law, the Utrecht Channel etc. Left front a man with a viewing box with the Mississippi and the South. With caption in 8 columns in Dutch and French ending with the burial of: Menheer de Bubbelaar. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Stadsplein with a large honorary gate founded at the death and the funeral of the acted actionists. In the middle a grave is filled with the worthless shares, a funeral procession comes from the left. In the courses on the honorary arches are performances of the Actionist's sickbed, John Law,

Coat of arms before classical architectural backdrop. Melter, Jan de (Flemish, act.1679-1698) (workshop) weaver Borcht, Jacques van der (the elder) (Flemish, act.1676-1710) (workshop) weaver c. 1679-1688 Tapestry Dimensions: H 13' x W 10'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased, Mrs. Toby 3/1941 from negative ledger. Netherlands, North Holland, Amsterdam, Rijksmuseum, accno. BK.1974.100. Inscriptions: City mark in central field, lower right corner Inscriptions: Woven signature in central field, bottom center: I V D BEVRL.. not identified Inscriptions: Woven in central field, bottom right of center: IABACKWARDS N MELTER FECIT Coat of arms of Count Monterey, surmounted by crown, within oval frame, supported by 2 figures, Hercules (Heracles/Herakles) with animal skin loin-cloth, holds club, behind him figure of Mars (Ares) with armor & helmet (L) & personification of Literature with book (R), putti sit

The newly-opened Greco-Roman Saloon, a rather formidable array of classical statuary, Date: 1855

Adoration of the Magi. Henri Mauperché; French, 1602-1686. Date: 1622-1686. Dimensions: 217 × 308 mm (image); 228 × 313 mm (plate); 228 × 315 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

Image of a meeting of the negotiators of the Union of Utrecht standing around a round table while they take the oath. The show is caught in a decorative frame with the weapons of the seven provinces and of the new republic and above a cartouche with an symbolic performance.

Dubourg, Louis Fabritius, Laan, Adolf van der, Flooding of the Rhine and the Waal, verso - stamped, View of a flooded landscape with figures and animals floating on rafts and boats in the water. The representation is set in an architectural frame with the river gods of the Rhine and Waal on the left and right., print, book illustration, prints, height 152 mm, width 196 mm, 1690 - 1742-05-09, print maker, printmaker, 1734 - 1734, paper, papier, etching, etchings, Work conception, 1693 - 1775-09-16

Cinyras tries to kill his daughter Myrrha, Anonymous, After Jean Lepautre, 1675 - 1711 print Cinyras discovers that he and his daughter Myrrha slept and tries to kill her with his sword. Putti fly in the room and the bed is in the background. Under the show a four -line verse in Dutch and a reference to the text in the metamorphoses of Ovidius. Amsterdam paper etching / engraving when Cinyras discovers the incest, he attempts to kill his daughter

Fresco 4. From the series: Life of Aeneas Silvius Piccolomini, 1502-1508, maker unknown. Acquisition history unknown.

Incorrectness in the Hôpital de la Charité de Paris, Abraham Bosse, 1642 - 1643 print paper etching / engraving physician, doctor. hospital. charitable works Paris

Gezigt from the great water cave of Neptunis / with his sea horses.

Red tile with image of capture of a woman by Romans, found at home in Britten, 1732 - 1734 print Red tile with image of the capture and the preliminary leading of a woman by Romans found at the house in British. The supply is very similar to the one found on the tile in the Waal below Nijmegen (see FMH 70a). Northern Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). siege, position war House in Britten

A death angel with scythe in hand presents an open book depicting the last judgment. Next to it are two skeletons. People look up at the book. In the background the house of Jacob Cats: Zorgvliet, Angel of Death presents a book at Zorgvliet Title page for: Jacob Cats, Buytenleven op Zorgvliet, in: All the Works, 1790, print maker: Antoni Zürcher, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1790, paper, etching, engraving, h 130 mm × w 78 mm

Le concert. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos after Augustin de Saint-Aubin.

Graftombe of Gerrit van Assendelft and Beatrix van Dalem; Graf-Tomb van Heere Gerrit van Assendelft, Ridder, Council Ordinaris in Den Hove van Holland, and Ionkvr. Beatrix van Dalem, Ambatchtsvsv. Van Besoyen, etc. Tomb of Gerrit van Assendelft and Beatrix van Dalem in the Van Assendelftkapel in the large or Sint-Jacobskerk in The Hague. Above the Tomb the weapon of Gerrit, under the tomb a shield with the weapons of Gerrit and Beatrix. Right eight coats of arms with regard to gerrit, left eight coats of arms related to Beatrix. For the Tomb three spectators of which one is drawing.

Man looks at wall painting. A man studies a wall painting in a richly decorated departure. Links lies a theological treatise on the table. Print at the top left of marked: XVIII.

Royal scene (upper half), 1676, 1676 print Upper half of the Royal Scene Screen magazine. Almanak for the year 1676 in three circles with constellations with above it in a row the war -carrying princes and commanders of that time. These are from left to right: the dukes of Brunswijk-Lüneburg, the Elector of Brandenburg, General Montecucculi, Villa-Hermosa, the Spanish king Charles II, the Danish king Christiaan V, Markgraaf Leopold Wilhelm van Baden, Bishop of Münster, the Stadhouder van Friesland, Prince William III, the Pope Clemens X and the English king Charles II. Above a bust of the emperor Leopold I and an obelisk or pyramid with a breast image of the Polish king Jan III. In the clouds the prominent figures, including Amalia van Solms, Rabenhaupt and the Vicomte de Turenne. At the bottom of 9 columns short texts in Dutch, relating to the warring parties. Northern Netherlands paper etching / letterpress printing

Giuseppe Vasi, after Paolo Posi, The Seconda Macchina for the Chinea of 1752 The Banquet of the Gods in Villa Carl'Amalia in Caserta, 1752 The Seconda Macchina for the Chinea of 1752: The Banquet of the Gods in Villa Carl'Amalia in Caserta

Rome, Piranesi, Giovanni Battista, Vasi, candelabri, cippi, sarcophagi, tripodi, lucerne, ed ornamenti antichi disegn. ed incisi dal cav. Gio. Batta Piranesi, Vases, candlesticks, gravestones, tripods, lamps and ornaments designed and engraved by Giovanni Battista Piranesi, Bassorilievo Antico che if before the Portico of the Church of the SS. Apostles. The vases were placed at the feet of the Cavalier Knights stationed in the Vatican Library, Title print with vases, sculpted reliefs and marble block with inscription, verso - stamped, Text above image., print, title print, prints, height 480 mm, width 715 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, Work conception, after own design by

Dedication. Ferdinand Olivier; German, 1785-1841. Date: 1823. Dimensions: 282 x 356 mm (image); 371 x 529 mm (sheet). Lithograph without a tint-stone on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

VENICE VAN BACCA SY ESTE ETETE te tar vehi, Giovanni Venturini, 1653 - 1691 Numbered below: 8. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 8. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

Surrender of Calais to King Edward III, 1347. Copperplate engraving by J. Hall after an illustration by Edwards from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Fokke, Simon, Noordelijke Nederlanden, Assault on mayor Van den Brande, 1672, Northern Netherlands, Assault on mayor Van den Brande by the rebellious farmers, 1672. With two-line caption. Illustration no. V with a poem by Petrus Johannes Beronicius about the rebellious Zeeland farmers and the tumult in Middelburg around mayor Filips van den Brande on 21 July 1672., print, prent, prints, prenten, Frederik Muller Historieplaten, height 83 mm, width 103 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1764 - 1766, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etsen, Work conception, after own design by

Trap of the old age with women. At ten steps from the stairs of the old age, in the form of a bridge, ten women aged 0 to 100 are. Below the bridge three arches with allegorical performances, with 'the last judgment' in the middle. At the bottom of the text: the man and Nedergghan falls d'a soet and Danider Bangh. At the top of in cartouches two 4-arranged verses in Dutch.

King Charles II of England addresses the standing members of the States General, 1660, 1718 print King Charles II of England addresses a small group of standing members of the States General, 1 June 1660. Episode during his tour through and departure from the Netherlands. The king standing behind a table, on the wall portraits of Stadhouders Willem I, Maurits, Frederik Hendrik and Willem II. On either side small representations of the arrival of the King in Delft and his departure from Scheveningen. Northern Netherlands paper etching festivities (+ speech, address ~ festive activities)

Decor with the old-fashioned citizen room in the Nieuwe Schouwburg in Amsterdam; The old-fashioned citizen room. With the image of the twelfth stance from the farce game the step nut; Decors in the new Schouwburg in Amsterdam. Decor with the old-fashioned citizen room in the new Schouwburg in Amsterdam with scene from play the step nut. In the room the orchestra plays and the audience faces, even from the lodges. In the margin below a verse in six rules.

Cartoon in Leiden student almanak, 1863; Schiller's Punschlied. Schiller's Punschlied allegorically proposed in theological, literature, legal and medical faculties. At the top of a verse. This prints in a separate folder in the front of the almanac. Cartoon in the student almanac of the University of Leiden 1863.

'Le roi soleil' is eclipsed - the dead king lies in state. Date: 1 September 1715

Paris, Gantrel, Étienne, Lepautre, Jean, France, Livre de Cartouches et Mausolées, Tombstone in the form of an obelisk, From a series of 6 sheets, first or second edition., print, ornamental print, prints, ornamental prints, height 224 mm, width 153 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1682, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, first quarter 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, 1646 - 1706-11-01

Medea: or Jason and Creusa's marriage.

The deceased Alexander is carried from his bed. Etching.

The Coronation of Esther 1510-85 Carlo Urbino Italian This detailed sketch was formerly ascribed to Paolo Veronese (note on the mount), but when it was acquired by the Metropolitan Museum in 1984, Lawrence Turčić proposed that it might instead be the work of Carlo Urbino (March 1984), a relatively little known painter from Crema whose drawings are somewhat similar in style to those of Bernardino Campi. The attribution to Urbino was subsequently confirmed by Giulio Bora, who connected the sheet with a fresco in the church of Santa Maria di Campagna at Pallanza, on Lago Maggiore. According to Bora, the interior of the charch was richly decorated about 1576-77 by Urbino in collaboration with the Milanese painter Aurelio Luini. Luini was responsible for roughly half of the large Assumption of the Virgin’ that occupies the entire apse of the church, as well as for the figures of Saint Mark and Saint Luke in the pedentives beneath the dome and the Death of the Virgin on the apsidal arch. U

Hall of the antiquities from Nineveh, Syedenham palace (Crystal Palace), London, United Kingdom, illustration from L'Illustration, Journal Universel, No 591, Volume XXIII, June 24, 1854.

Map of Burgerswijk number 11, led by Captain Christian Scholten, Hendrik de Leth, 1744 - 1748 print Map of the Amsterdam Citizen District number 11, led by Captain Christian Scholten (captain from 1743 to 1748). At the top in the middle the weapon of Scholten, flanked by Mars (left) and Minerva (right). Under Mars a leaf with a face on the main guard, under Minerva a leaf with the title. At the top left the weapon of Lieutenant Gerrit de Nys. At the top right the weapon of Vaandrig Mattheus van Zuylen. At the bottom of the weapon of Amsterdam flanked by two lions, below the weapon of Sergeant Frederik Smit. To the left of the city coat of arms The coat of arms of Sergeant Statius Westpalm, including the Legenda K, O, S, P. to the right of the city coat of arms The coat of arms of Sergeant Harmanus van Selm with the scale underneath: Schale van 250 Amsterdamse Voete. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal). armorial bear

Fokke, Simon, Noordelijke Nederlanden, Vlucht van de ensign te Middelburg, 1672, Northern Netherlands, Flight of the ensign at Middelburg upon the arrival of the rebellious farmers, 1672. With two-line caption. Illustration no. IV to a poem by Petrus Johannes Beronicius about the rebellious Zeeland farmers and the tumult in Middelburg around mayor Filips van den Brande on 21 July 1672., print, prent, prints, Frederik Muller Historieplaten, height 85 mm, width 103 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1764 - 1766, third quarter 18th century, derde kwart 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Le concert mecanique. Dated: 1769. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Joseph de Longueil after Charles Eisen.

Neptunus fountain in Florence. A Neptunus fountain, probably that fountain that was established in Florence in honor of the entry of Johanna of Austria in 1565. Central to the fountain, Neptune drives to a shell by four sea horses. Around him water nymphs. Two putti on swans in the foreground. A woman walks towards the fountain to get water. To the right of her a child. Under the margin a four-line caption in Latin.

Martyrdom of Saint Bartholomew. Etching.

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna, Transept of the St. Peter's Basilica in Vatican City, verso - stamped, View in the transept of St. Peter's Basilica in Vatican City. In the center of the transept is Bernini's Baldacchino (Baldacchino di San Pietro) above the tomb of Peter. Title in center bottom., print, prints, height 489 mm, width 675 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1748 - 1778, paper, etching, Work conception, after own design of

An ornate garden monument with women seated either side holding garden plans and design implements. Etching by J. Schynvoet after S. Schynvoet, early 18th century.

States of Friesland, Leeuwarden, Fonteyne, Claude, Reyners, Jelle, Northern Netherlands, Hermans, J., Treur-Stategihe Uyt-Vaert, or Burial of the Deceased Body, of the Unsaved and Very Militant War Hero, Ernest Casimyr Died in the Siege of Roermond, by an Enemy Koeghel on the Twenty-fifth Maij, MDCXXXII. Buried in Leeuwarden in the Choir of the Iacobijner Kercke, the third January, MDCXXXIII. Old Style., Funeral of Ernst Casimir, Count of Nassau-Dietz in Leeuwarden, 1633, Portrait of Ernst Casimir, his death at Roermond and the interior of the Grote Kerk in Leeuwarden (plate 1), Portrait of Ernst Casimir decorated with two trumpeters and banners, his death at Roermond on 2 June 1632, the interior of the Grote Kerk in Leeuwarden with the tomb of Willem Lodewijk, Count of Nassau and the group of soldiers walking at the front of the procession. Plate no. 1 in the print series of the funeral of Ernst Casimir, 3 January 1633. This sheet together with sheets 2, 3 and 4 glued together., print

A palatial building representing the Academia Caesareo-Leopoldina Naturae Curiosorum, surmounted by a coat of arms; two seated figures in the foreground. Engraving by J.G. Pintz, 17--.

Theater at Modena, seen from above and filled with spectators, with a triumphal car at center and horses in formation at lower left and right, from 'La Gara delle Stagioni'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 22 3/8 × 16 7/8 in. (56.9 × 42.9 cm). Series/Portfolio: 'La Gara delle Stagioni'. Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Almanac for 1689 Almanac for 1689 - The Royal Troupe of Italian comedians playing at the Hotel de Bourgogne. Anonymous at Pierre Landry (1672). Engraving.

Jean Baptiste Rigaud, La Colonade La Colonade

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

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