Historical Allegorical Prints

Engravings showcasing allegorical themes, highlighting figures of justice and peace, alongside depictions of historical events and figures.

Goltzius, Hendrick, Haarlem, Matham, Jacob, Trou moet blycken, Crucifixion in allegorical frame, verso lower left - stamped, Blazon of the rhetoricians' chamber De Pellicaen in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with at the top two allegorical figures with a pair of clasped hands and doves as attributes. At the bottom of the cross the pelican feeding its young by pricking its own breast. In the background Aeneas carrying his father Anchises from burning Troy., print, prent, prints, height 363 mm, width 240 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Netherlands, Rebus with dozens of representations, verso lower left - stamped, Rebus with dozens of representations in an ornamented oval of arabesques, fruits and flowers. In a frame two columns with seven lines of French and seven lines of Dutch text., print, prent, prints, prenten, height 280 mm, width 184 mm, print maker, prentmaker, 1564 - 1564, paper, papier, houtsnede, letterpress printing, boekdruk

Italy, Reni, Guido, Rome, Costantini, Giovanni Battista, Bacchanal with drunken Silenus, verso - stamped, Dish decoration with a drunken Silenus on a donkey. Around a border of vines, satyrs and children., print, engraving, ornamental print, prints, engravings, ornamental prints, height 248 mm, width 250 mm, print maker, printmaker, 1619 - 1619, paper, engraving (printing process), Work conception, Italian, 1575-11-04 - 1642-08-18

Architecture (Arquitraicture). Artist: Étienne Delaune (French, Orléans 1518/19-1583 Strasbourg). Dimensions: image: 3 x 2 1/8 in. (7.6 x 5.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Print, Engraving, black ink on paper, Cartouche, seen mounted by a winged Amor, above, and containing, within a central opening, a view of a forest lake with three figures and a dog in a boat., France, ca. 1632, ornament, Print

H. Babylas van Antioch, Jan Luyken, after Jan Goeree, 1698 print The Holy Babylas of Antioch studies a book and keeps a pen and writing tablet in the attack. Babylas is on a pedestal where his decapitation has been portrayed on the front. Amsterdam paper etching / engraving male saints (with NAME). male saints (BABYLAS) - martyrdom, suffering, misfortune, death of male saint. violent death by beheading

Geschiedenis en zachtmoedigheid; Livre hutieme. L'Histoire, Mansuétude; B Bordures; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A frame with the Diana with torch on the Pegasus horse. Below you have a picture frame with two Eastern dressed men with an elephant. Print number 79.

Print (France)

René Boyvin after Leonard Thiry, Medea Embarks with Jason, 1563 Medea Embarks with Jason

P. Jesus' whipping at the pole. Filipowicz, Jan Józef (CA 1710 Ca 1767/1770)

Apollo op zijn zegewagen, in ornamentrand; Suite de sept planches d'ornements (1733-1734).Apollo on his victory, in ornament edge of Volutes and Leaf Rank. In the background a balcony with balustrade. Fourth leaves from Seven. (Fuhring 27)

Artist: Jacob Gottlieb Thelot, German, 1708-1760, Bagaris, Engraving, 12 3/4 × 8 5/16 in. (32.4 × 21.1cm), Made in Germany, German, 18thcentury, Works on Paper -Prints

Man at the age of twenty, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments a performance of a young man on a falcon hunt. In the background, boys hunt for sports and play. On the right a group that makes music. The print has a Latin and French caption. Antwerp paper etching / engraving youth, adolescent. game, hunted animals (+ hunting with falcon, hawk; falconry). more than one musician with instrument

Hanger met vijf stenen; Ontwerpen voor hangers; Ontwerp voor juwelen.In the roller, the left is a man and a woman on the right. Three pearls hang in the middle. One of five blades with precious stones and pearls in setting up rollerwork and grotesken.

Nicolas Boileau with a Sater, Bernard Picart, 1718 print The writer Nicolas Boileau-the Spréaux takes a satire who depicts the satire by the arm. The Sater holds a scale with the names of Virgilius and Chapelain. In the background the Mount Parnassus. The show is caught in an ornamental list of two dragons at the top. Amsterdam paper etching / engraving ornaments ~ art. satyr(s) (in general). Parnassus, sacred to Apollo Musagetes

Netherlands, Custos, Dominicus, France, Androuet, Jacques, Germany, Sibmacher, Hans, Iacobus Androuetius Du Cerceau inventor ante annos non paucos conscripsit, Candelabra, bottom center are two satyrs back to back, verso bottom left - stamped, Sheet from series with architectural fantasies and grotesques with mythical creatures, garlands, candelabras and mascarons., print, ornament print, prints, ornament prints, height 106 mm, width 70 mm, German - 1611-03-23, print maker, 1525 - 1594, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, etching, Work conception, French, 1515 - 1584, after print by, Publication (Event), Publication, German, 1560 - 1615, publisher

Plat decoration: Hercules strangles in his cradle the two snakes, 1519 - 1591 print One of 9 sheets from a series of 12. Arated background. Netherlands (possibly) paper engraving Hercules strangles two serpents in his cradle

Design for a Buckle with Tendrils 1537 Heinrich Aldegrever German Design for a belt buckle with cherub in medallion at center. Leaf ornaments on plate and loop.. Design for a Buckle with Tendrils 422697

Print, Coat of Arms with an Eagle; Print Maker: Hans Sebald Beham (German, 1500-1550); engraving on off-white laid paper

Vase with Dancing Women and Satyrs 17th century (late) Originally by René Boyvin French Depiction of a vase or ewer. The vase is caracterized by a frieze filled with a circle of women and satyrs dancing. The foot of the vase is decorated with turtles. The print is part of a series of 12 vases said to be designed by Rosso Fiorentino and Polidoro da Caravaggio and initially engraved and published by René Boyvin. The current series was first published by Claes Jansz. Visscher in the early seventeenth century and subsequently also by Frederik de Wit.. Vase with Dancing Women and Satyrs 419101

The Flood Artist's working dates 1538-1583 France. Engraving on ivory laid paper . Étienne Delaune

Augsburg, Kilian, Lucas, Germany, Newes Gradesca Büchlein, Plane decoration with grotesques, verso lower left - stamped, A man in oriental clothing with a banner sits on a drum in the middle. Sheet 5 from a series with grotesque plane decorations with lobe ornaments., print, ornament print, prints, ornament prints, height 192 mm, width 146 mm, Work conception, German, 1579 - 1637, after a design by, 1607 - 1607, first quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Portion of plastered ceiling; Palazzo Pamphili.in an oval medallion looks for Aeneas to a gold branch. Ceiling of the Palazzo Pamphili in Rome. From series of 6 sheets.

Seated putto with a laurel wreath in the hands, Bernard Picart (workshop or), After Bernard Picart, 1683 - 1733 print Ornament with a sitting putto with a laurel wreath in your hands. Left and right a flower vase. Amsterdam paper etching / engraving / letterpress printing cupids: 'amores', 'amoretti', 'putti'. trees: laurel. ornament ~ festoon, garland. scrollwork, strapwork ~ ornament

Upper part of a cup with three parts to be vary, anonymous, 1594 - 1635 print The decoration consists of a landscape in a lying oval between busts of the young Bacchus and of Amor, a mascaron (center) and a lying oval with two fish between the busts of Diana (left) and mars (right). On the leaf is both a 6 (middle) and a 4 (bottom right). Passionate copies of the series mentioned under Orn Cat I-324.a. Title page and 14 partly numbered sheets from a series of 25. print maker: Germany (possibly)publisher: Northern Netherlands (possibly) paper

Antwerp, Galle, Cornelis (II), France, Lepautre, Jean, Varie soffiti, Title page: Varie soffiti, Dessus-de-porte with two small geniuses and part of a cornice. From a series of 6 sheets with reverse copies after an untitled series by Jean Lepautre, first published around 1650., print, ornament print, title print, prints, ornament prints, height 222 mm, width 147 mm, South Netherlands, 1615 - 1678-10-18, print maker, printmaker, 1650 - 1678, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, Publication (Event), Publication, publisher

Pendant with time; Pendants. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. pendant with a niche in the middle in which the time with sickle. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Van Isabella from Correggio, Gaspare Oselli (Possibly), in OR Before 1566 print An impresa by Isabella da Correggio, widow of Giberto da Sassuolo, with the image of two anchors and the motto His Suffulta. Around rolling and medallions with a landscape, Lady Justitia, a personification with two vases and a coat of arms flanked by two fantasy figures with horns and wings. Venice paper engraving / letterpress printing armorial bearing, heraldry - AA - female

Title page for Nieuw Rome, Van F. Desseine, Amsterdam, 1704, Hendrik Elandt, After Jan Goeree, 1704 print The female personification of the city of Rome is with her attributes on an increase. Next to her is the female personification of religion and another with a dog at her feet. Above her head a medallion with the portrait of Pope Clemens XI and under her foot a portrait of Peter and Royal Attributes. On the base two allegorical representations and a banner with the book title. print maker: Amsterdamafter drawing by: Netherlandspublisher: Amsterdam paper engraving / etching cities represented allegorically or symbolically Rome

Retorica, Etienne Delaune, 1528 - 1583 print The rhetoric with a palm branch and a writing table, standing under an arc of leaves with two horns of abundance in front of a building. From series of 6 magazines. France (possibly) paper engraving

Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, "Mirror Frame", Plate 5; Designed by Abraham Drentwet (1647 - 1727); Printed by Georg Heinrich Schifflen (German, 1666 - 1745); Published by Jeremias Wolff (German, 1663-1750); Germany; engraving

Antwerp, Ortelius, Abraham, Stella, Tillmann, Theatrum Orbis Terrarum, Typus Chorographus, Celebrium Locorum in Regno Judae et Israhel, Cartouche of a map of the known places in the kingdom of Judah and Israel, Cartouche with two angels and two birds, Cartouche in two parts within an architectural frame. The two angels and two birds on top shape the garlands. The cartouche is a fragment of a map of Judah and Israel. The print is part of an album., print, ornamental print, album sheet, prints, height 126 mm, width 83 mm, print maker, printmaker, 1586 - 1586, paper, papier, engraving, engraving (printing process), pasting, Work conception, after a design by, Zuid-Nederlands, 1527-03-16 - 1598-06-29, supervision, granter of privilege

Lazio Roma Rome Palazzo Quirinale3. Hutzel, Max 1960-1990 Post-medieval: Tapestries. (Also decorative furniture, etc.). General Notes: No information sheet provided by Hutzel, tapestries not mentioned in TCI. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Coat of Arms of Tschertie, Albrecht Dürer, German, 1471-1528, Woodcut and black ink on paper, Top, center, a man whose legs turn into flowing leaf patterns blows a horn and is flanked by two longer horns. Beneath, a medieval helmet and a shield depicting a satyr and 2 hunting dogs on leashes. On either side of the composition are vases that contain the tentrils of grape vines. At top, a plaque that reads: SOLI DEO GLORIA., Germany, ca. 1521, figures, print, print

Rocaille with a hunter who shows a woman's loot, 1719 - 1749 print Three rocailles with performances. Under hand, a hunter hands a woman a shot hare. Two hunting dogs with him. In the front of his gun. In the top two rocailles a Hinde and a deer. At the top left 280 numbered. paper etching pastorals, Arcadian scenes. hunter displaying or presenting the spoils of the hunt. lovers; courting, flirting. hoofed animals: deer

Herald..

Cartouche with allegory on the history of the Greeks, Jan Caspar Philips, 1740 print History in conversation with a woman, which points to a sheet of paper on which all kinds of Greek cities. In the background Aeneas that his father Anchises saves from the burning Troy. In the frame of the cartouche medallions with gods from the Olympus. paper engraving / etching 'Historia'; 'Historia' (Ripa). the Greek heroic legends (I). 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way. the Olympian gods together: Jupiter, Juno, Neptune, Ceres, Apollo, Diana, Mars, Venus, Mercury, Minerva, Vulcan, Vesta (or Bacchus) Greece

Announcement of the birth of Christ to Maria, Adriaen Collaert, After Hendrick Goltzius, 1586 print The Annunciation to Maria. Fourth plate in a series of six. The verse in the margin is attributed to Cornelius Schonaeus. paper engraving the Annunciation: Mary kneeling

Etienne Delaune, The Deluge The Deluge

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de diferentes Inventions, Cartouche with dragon heads and wings, In the cartouche is a fortified town depicted on the water. Sheet 2 from a series of 13 sheets with cartouches in French lobe style., print, ornamental print, prints, ornamental prints, height 176 mm, width 131 mm, 1578 - 1637-01-03, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Allegory with the weapon of the Calkoen family. The weapon of the Calkoen family flanked by Amor, with a flag of the V.O.C. In the hand, and the city council of Amsterdam. For the weapon a picture of Buddha, Chinese porcelain, an ointment pot and possibly a role side. Two fascces behind the weapon. In the background the town hall on the dam and masts of sailing ships. The allegory is caught in a frame decorated with plants. On the right also the cornucopia.

Two amorets next to pedestal; Various orders. The amornets have a caduceus, the pedestal has been awarded a mask with winged helmet. Leaf 10 from second edition.

Ariosto, Lodovico 1726/1775

Blazon or New Year's card of the Haarlem rederijkerskamer De Pellicaen. In the center in an oval Christ on the cross, with a banderole with the motto: Trou moet blycken. In the background Aeneas saving his father. On both sides of the oval two standing angels. Below in a cartouche a four-line verse, Blazon or New Year's card of the Haarlem chamber of rhetoric De Pellicaen., print maker: Jacob Matham, (mentioned on object), Hendrick Goltzius, (mentioned on object), Haarlem, 1597 - 1617, paper, engraving, h 96 mm × w 80 mm

Peregrino da Cesena, Italy, Ornament with winged goats as crowning and two horses on either side of a double-headed eagle on armor, verso below - stamped, print, ornament print, prints, height 75 mm, width 36 mm, Italian, print maker, printmaker, 1500 - 1520, first quarter 16th century, paper, niello (technique), niello technique, Work conception, after own design by

Rectangular Cartouche with in the middle of a mascaron, Anonymous, After Jacques Androuet, 1520 - 1584 print Left and right is an angel with a beret to blow up on a trumpet. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. France (possibly) paper etching

St. Cecilia on Clouds Upheld by Angels. Artist: Peter Berchet (French, 1659-1720 London). Dimensions: Sheet (trimmed): 7 15/16 × 7 1/16 in. (20.1 × 18 cm). Date: 1696. Museum: Metropolitan Museum of Art, New York, USA. Author: Peter Berchet.

Man subjects a harpy; Wanderings of Aeneas; L'ENEA Vagante Pitture Dei Caracci. Console with a naked man, one of the soldiers of Aeneas, sitting on a harp.

Design for an Overdoor ca. 1640 Anonymous, French, 17th century French. Design for an Overdoor 350883

Design of a tombstone: Representation du Tombeaux de Minos Bar d'Coehorn. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Twenty -seven motifs for watchmakers, Anonymous, After Daniël Marot (I), After 1706 - Before 1800 print Motives including five watch cabinets, two snuff boxes and four seal rings. From series of 6 sheets with copies to prints from the Series Second Liure d'Orlogeries, published by Daniel Marot. paper etching

Nicoletto da Modena, Ornament Panel with a Birdcage, c 1507 Ornament Panel with a Birdcage

Frame with an elongated cartouche with round sides in the middle, 1593 print In the middle of a rectangular cartouche. Left and right in the middle is a violin playing monkey on both sides. Belongs to a series of 18 blades in which twenty -four emblemata and forty -five coats of arms are printed in the middle of separate plates. The Emblemata are partly numbered A-D, 1-7 and 9-21. Three magazines have no number. The coats of arms, which are partly printed double, are unnumbered. Netherlands (possibly) paper engraving

Lepautre, Jean, Varie inventioni di vasi da acqua benedetta fatti al moderno, Holy water font, In the middle an empty octagonal frame., print, ornament print, prints, ornament prints, height 189 mm, width 135 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1659 - 1732, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Berthold, Duke of Bavaria.

Netherlands, France, Lepautre, Jean, Schenkkannen, Schenkkan met twee gevleugelde paarden, On the jug sits a man bitten by a snake. From a series by 6 sheets., print, ornamental print, prints, ornamental prints, height 185 mm, width 126 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1732, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, Publication (Event), Publication, publisher

The Imperial Eagle (Aquila Imperialis) 1507 Hans Burgkmair German Crowned double-headed eagle, with a series of seven roundels descending at each side (at left, the six days of creation; at right, the seven mechanical arts). Below these are the escutcheons of the Empire (left) and Austria (right). At center, a fountain topped with Emperor Maximilian I on a throne, the nine muses in the basin at center, and Philosophia and the Seven Liberal Arts above the Judgment of Paris on the base. At top and bottom, excerpts of text by Conrad Celtis.. The Imperial Eagle (Aquila Imperialis) 431412

Print, Plate in Nouveaux livres de peintures de salles et descaliers (New Books on Paintings for Rooms and Stairs); Designed by Daniel Marot (French, active in the Netherlands and England, 1661-1752); Netherlands; etching and engraving on white laid paper; Sheet: 23.5 x 35 cm (9 1/4 x 13 3/4 in.) Platemark: 19.5 x 29 cm (7 11/16 x 11 7/16 in.)

Lente, Jakob Wangner, after Gottfried Bernhard Götz, 1714 - 1762 print Allegory of spring. The goddess Flora is accompanied by a woman and surrounded by flowers. Twice a four -line text in German and French twice. Augsburg paper etching / engraving spring, 'Ver'; 'Primavera' (Ripa). specific aspects, allegorical aspects of Flora; Flora as patroness

Auricular Cartouche with Figures within a Strapwork Frame from Veederley Veranderinghe van grotissen ende Compertimenten. Libro Primo. Artist: Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589); after Cornelis Floris II (Netherlandish, Antwerp before 1514-1575 Antwerp). Dimensions: Overall: 14 7/16 x 11 7/16 x 5/16 in. (36.6 x 29 x 0.8 cm). Date: 1556.In his early career in Antwerp, the sculptor Cornelis Floris proved himself to be one of the most inventive designers of ornament. He took inspiration from Italian grotesque decorations and developed his very own vocabulary of, often exotic, creatures which inhabit a world of strapwork. Invertebrates and sea creatures play a prominent role in the designs, which illustrates the contemporary taste for the bizarre, but may also have be connected with Antwerp's success in trade by sea. This particular type of grotesques became characteristic f

Flat decoration with grotesken; Newes Gradesca Büchlein. A car is drawn by a winged Sater. Leaf 13 from series with grotesque flat decorations with lobe ornaments.

Title Blad: A new book of all kinds of gold work; A new book of all kinds of gold work (...); A new book of all kinds of gold work. De Tekst State in Twee Cartouches, Bedktekt Met Bladers, Guirlandes de Festoenen. Title Blad UIT Series Van 17 Blades.

Schenkkan with naked youngsters, after 1664 - 1716 print An ornamented jug of a naked young man on either side of a medallion with Venus. The jug is caught in an ornamental frame. In the middle of the numbered b. paper etching vase ~ ornament. youth, adolescent

Cartouche with allegory on the history of the Greeks, Jan Caspar Philips, 1740 print History in conversation with a woman, which points to a sheet of paper on which all kinds of Greek cities. In the background Aeneas that his father Anchises saves from the burning Troy. In the frame of the cartouche medallions with gods from the Olympus. paper engraving / etching 'Historia'; 'Historia' (Ripa). the Greek heroic legends (I). 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way. the Olympian gods together: Jupiter, Juno, Neptune, Ceres, Apollo, Diana, Mars, Venus, Mercury, Minerva, Vulcan, Vesta (or Bacchus) Greece

Cartouche with a quote from theogism; TheOhs / ne Ivppiter qvi = / dem omnibvs / placet.; Varii Generis Partitionum ...; Title and 15 sheets of the series: Varii Generis Partitionum. The cartouche is straight in the frame of rollerwork, on which a progressful Sater is at the bottom every corner. Leaf belongs to 15 sheets with title page from a series of 24 sheets. Woodcuts.

Design for a ceiling.

Ontwerp voor een tuinbank; Ein Garten Banck / Siege d'un Iardin; Neu inventirte Hollaendische Camine, Erster Theil, serie S; Neu inventirte Hollaendische Camine, Erster Theil / Nouveau Livre de Chéminees Hollandoises Premiere Partie.Design for a garden bench with a putto on either side and in the middle. The middle putto carries a basket with flowers above the head. The garden bench is decorated with rocaille ornaments.

Etienne Delaune, Title Page Title Page

Design for a Frame with Putti and Sirens 1550-1600 Anonymous, Italian, second half of the 16th century Italian. Design for a Frame with Putti and Sirens 363761

Can with a double ear, consisting of two hoses, in or after 1551 - in or before 1580 print The abdomen of the jug is decorated with two angels on either side of a herme with a cloth over the head. Horizontally shaded background. Leaf from series of 12 blades. paper engraving

The vase has handles shaped like tritons, under the spout a putto, Vase Modern vases and jugs , print maker: Cornelis Danckerts (II), Jean Lepautre, publisher: Cornelis Danckerts (II), print maker: Amsterdam, France, (possibly), publisher: Amsterdam, c. 1696 - c. 1717, paper, etching, h 219 mm × w 145 mm

Italian 16th Century, Illusionistic Ceiling with a Grape Arbor, Figures Poised on Galleries, and a Central Scene of Olympian Gods, c 1570 1580 Illusionistic Ceiling with a Grape Arbor, Figures Poised on Galleries, and a Central Scene of Olympian Gods

Portrait of Giovanni Girolamo Sbaraglia, within an oval flanked by two putti on cornucopias, with a cartouche below 1716 Donato Creti. Portrait of Giovanni Girolamo Sbaraglia, within an oval flanked by two putti on cornucopias, with a cartouche below. Donato Creti (Italian, Cremona 1671-1749 Bologna). 1716. Etching. Prints

Nuremberg, Solis, Virgil, Trinity, verso - handwritten in brown ink, print, prints, verso - stamped, 86, height 74 mm, width 55 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1568 - 1568, paper, engraving, engraving (printing process)

Reliquary with the Trinity Lucas Cranach the Elder German Additional woodcut to the Wittenberg Reliquaris (not used in the first edition) according to Hollstein. Cut out of a book. Printed text on verso.. Reliquary with the Trinity 625017

Manutius, VOL.

Portrait medallion surrounded by putti. Draughtsman: Franciscus Xaverius Xavery. Dating: 1761. Measurements: h 249 mm × w 194 mm. Museum: Rijksmuseum, Amsterdam.

Amsterdam city lag; Salvtem et cives servare pots. The urban staff bears the peace staff in her hand and is in the midst of two lions.

Two putti with a garland ..

Sheet 3 of 5 numbered sheets from a series of 12. Around the medallion, grotesques are winding with two jumping deer at the top, Diamond, in which a child is holding a medallion with a helmeted woman Flat decorations with grotesques on a shaded background (series title), print maker: Philips Galle, Marcus Geeraerts, publisher: Philips Galle, Netherlands, (possibly), 1547 - 1612, paper, engraving, h 96 mm × w 86 mm

Covered Goblet with Grotesques on a White Background n.d. Albrecht Altdorfer German. Covered Goblet with Grotesques on a White Background 405587

Venus 1575-1618 Flanders. Engraving on paper . Adriaen Collaert, II

Octagonal panel with Orpheus and Eurydice, c. 1670 - c. 1680 print Left and bottom right a kneeling satar holding a garland. Leaf from the first edition. paper engraving

Two pillars with numerous ornaments, title page of the episode "Gantz New very beneficial pillars and other ornaments". Title page (1) of the episode "Gantz New very well. Pillars and other ornaments of Joh. Andr. Bergmüller Invent. And drawn. Excud. Haered. Ierem. Wolffen in Augspurge ... Iacob Andreas Friedrich Sculp.

Etienne Delaune (aka Étienne Delaune) (French, ca. 1519 - 1583). Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne), 1578. From Several Gods of Classical Antiquity (Plusieurs Divinités de l'Antiquiteé Paienne. Engraving.

Lazio Viterbo Caprarola Palazzo Farnese51. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ovale Cartouche, bottom left and bottom right is a Sater pair., Anonymous, After Jacques Androuet, After Antonio Fantuzzi, 1520 - 1584 print At the top hangs a garland with fruits hung on three rings. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau .. print maker: France (possibly)after design by: France (possibly)after print by: Italy (possibly)publisher: France (possibly) paper etching

Mannerist style fountain with mythological character and marine animals, engraving from Architectura, Von Ausstheilungs-Symmetria und Proportion der Seulen (Architecture, distribution, symmetry and proportion of columns), Plate 164, by Wendel Dietterlin, 1655, Nuremberg.

Louis XIV (king of France), Paris, Mariette, Jean, France, Lepautre, Nouueau Liure de Cartouches et Ornemens, Two half panels with cartouche, On the left a kind of griffin, above in the middle a medallion with the bust of a man. From the second edition., print, ornamental print, prints, ornamental prints, height 234 mm, width 159 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1682 - 1734, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1660-07-22 - 1742-09-21, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Netherlands, Amsterdam, Ratelband and Johannes Bouwer, widow Jeronimus, Wish letter with dancing figures, verso - stamped, Wish letter with blank cartouche within a decorative frame with representations of a group of dancers and tightrope walkers. Numbered top right: N. 16., print, popular print, wish letter, prints, popular prints, height 410 mm, width 328 mm, Publication (Event), Publication, publisher, 1767 - 1779, paper, papier, etching, etchings, print maker, printmaker

A woman is trapped, Anonymous, 1546

. Orangistic allegorical performance in which a Batavier as Hercules drives away the monster of the discord to hell. On the left side of the medallion a trophy with the weapons of the discord, on the right a trophy with the weapons of the unity. At the top the sun shines with orange branch and olive branch, downwards, darkness with a skull and patriot pamphlets. With a peripheral in Latin. Used in Berkhey John Le Francq from Berkhey in 1787. A title page and statement.

Oval Cartouche with a quote from Valerius Maximus, Frans Huys, After Hans Vredeman de Vries, 1555 print Quote: Neqve Secvndarvm RervM Prventv in Solenter ABVTI .... in Cartouche. A border of bay leaves is bound around the text. In the middle of a mascaron with claws hangs. Shaded background. From series of title page and 12 magazines with cartouches with quotes from classic writers in a frame of rolling work with grotesken, mascarons and garlands. Netherlands (possibly) paper etching ornament ~ cartouche. ornament ~ festoon, garland. mask, mascaron ~ ornament

Caesar, Gaius Julius .

Titelblad: Trophez ancient, Jean Lepautre, 1680 print Weapon trophies à l'Antique, the title is at the bottom of the left trophy. From series of 6 magazines, second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Vase with two female figures, verso - stamped, Numbered top left: no. 77., print, ornamental print, prints, ornamental prints, height 240 mm, width 158 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

The Founding ofRome. Engraver: Domenico Maria Bonaveri, Italian, 1653-1731 After: Annibale Carracci, Italian, 1560-1609

Germany, Monogrammist CG (Germany), Round leaf with Lucretia, verso lower left - stamped, Lucretia is adorned with a hat with feathers. Around her is a border with leaf tendrils., print, ornamental print, prints, ornamental prints, diameter 70 mm, German, print maker, printmaker, 1534 - 1534, second quarter 16th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Scale with triumph of Galatea. A scale belonging to a Karel I watercan, king of England. An oval dish with in the middle of the triumph of Galatea or the birth of Venus: a naked woman surrounded by zeenimphs and tritons. Around the show of shell motifs and a border with marine aches and aquatic animals.

Two Dessus-de-Portes and a chimney piece, Daniël Marot (I), in or after 1703 print Three panels. At the left and right above, putti wear a flower basket. In the middle of a vase with flowers on a pedestal with four putti. Amsterdam paper etching panelling

Theatrum chemicum Britannicum by Vaughan, Robert (c. 1600-before 1663) Private Collection 1652 Great Britain Etching Graphic arts Mythology, Allegory and Literature,History

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