Historical Allegorical Prints

Engravings showcasing allegorical themes, highlighting figures of justice and peace, alongside depictions of historical events and figures.

Goltzius, Hendrick, Haarlem, Matham, Jacob, Trou moet blycken, Crucifixion in allegorical frame, verso lower left - stamped, Blazon of the rhetoricians' chamber De Pellicaen in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with at the top two allegorical figures with a pair of clasped hands and doves as attributes. At the bottom of the cross the pelican feeding its young by pricking its own breast. In the background Aeneas carrying his father Anchises from burning Troy., print, prent, prints, height 363 mm, width 240 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Allegory on the elevation of William IV to inheritance holder and on the liberal gift, in or after 1747 print In the middle are peace and justice on a throne on a pedestal. There is a money box in front of the pedestal and jewelry and vases. The objects indicate the liberal gift of the fiftieth medal requested in 1747 in the support of the country in war. Above the two women the text monentae date. Around a frame with eight cartouches: at the bottom the weapon of Zeeland with motto luctor et emergo; At the top, a harnessed figure (possibly Minerva) receives a phases from an angel; On both sides three cartouches that refer to the elevation of William IV. At the bottom the caption Felix Congressio qus Pax Se Themidi Jungat. paper engraving / etching Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa)

Goltzius, Hendrick, Haarlem, Matham, Jacob, Trou moet blycken, Crucifixion in allegorical frame, verso lower left - stamped, Blazon of the rhetoricians' chamber De Pellicaen in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with at the top two allegorical figures with a pair of clasped hands and doves as attributes. At the bottom of the cross the pelican feeding its young by pricking its own breast. In the background Aeneas carrying his father Anchises from burning Troy., print, prent, prints, height 363 mm, width 240 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1597 - 1597, paper, papier, engraving, engraving (printing process), Work conception, 1558-01 - 1617-01-01

Rectangular cartouche with Mercury on Pegasus; Grottesco: In divorce ways .... Two each other embracing children, each with a boar are under his feet on the leaf rights above the cartouche. From series from title page + 16 sheets with cartouches or architectural fantasies with a performance in a picture frame with fabric designs, animals, garlands, trophies and mascarons.

WIJWATERBAK, FIRE ENTINGER, AFTER Jean LePAUTER, After Philip Freeties, C. 1677 - c. 1692 print The holy water bin is supported by three putti and six cherubs. The back plate is formed by an oval medallion, held by two angels, with Christ on the cross. From series of 6 magazines. Antwerp paper etching

Ornament Panel dated 1521 Attributed to Agostino Veneziano (Agostino dei Musi) Italian Inspired by ancient Roman art, this ornament print was produced soon after Giovanni da Udine (1487-1564), working under the direction of Raphael, had completed a series of fresco decorations in the Vatican and other Roman palaces based on the painted ceilings of the emperor Nero's Golden House (Domus Aurea). This vast and luxurious Imperial palace on the Oppian hill, overlooking the present site of the Colosseum, had been buried when the emperor Trajan used it as the foundation for his Baths. Therefore, when Renaissance artists discovered the ancient Roman palace in the 1480s, it was necessary for them to enter through holes in the roof. Their enthusiastic investigations of the dark chambers and corridors revealed a playful and lively painted decoration such as they had never seen before. Since these subterranean rooms resembled caves, grotte in Italian, this type of decoration, in which delicate scr

Cabinet with combat scene on panel, Jean Lepautre, in or before c. 1709 - 1716 print To the right of the panel is Minerva, Hercules on the left. From fourth edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Crucifixion in allegorical frame, Jacob Matham, after Hendrick Goltzius, 1597 print Blazoen van de Rederijkerskamer de Pellicaen in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with two allegorical figures with a few hands and pigeons beaten as attributes. At the bottom of the cross the pelican that feeds his boy by piercing his own chest. In the background Aeneas who carries his father Anchises from the burning Troy. Haarlem silk engraving Christ crucified on a tree or on a vine. symbols of Christ ~ animals. Fidelity; 'Fedeltí' (Ripa). armorial bearing, heraldry. 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way Haarlem

Chimney with a Bacchanal over the Mantle from 'Grandes Cheminée' ca. 1644-66 Jean Le Pautre French Design for a chimney characterized by double terms on either side. Over the mantel an octagonal panel with a Bacchanal has been placed. The panel is surrounded by four ignudi holding up a heavy garland.. Chimney with a Bacchanal over the Mantle from 'Grandes Cheminée' 428389

Panel with vase and terms, Edward Pearce, 1647 print A panel with grotesken. Two terms flank a vase in the middle. Left and right pedestals with fantasy animals. London paper etching ornament ~ grotesque. vase ~ ornament

Cybele surrounded by animals; Gods and Goddesses. At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

Soil; That was coming / la terre; Element Earth elements. Loily in a picture frame of flowers, baskets and shepherd's hats and stages. A woman is under a fruit tree and catches the fruits that a man picks into the tree. Children collect the fallen on the ground. In the undermaster twice a four-line German and French text.

Water; Wasser; Four elements. Allegory of the water element. Pastoral scene of people in water sources and waterfalls. Rocaille ornaments framed the scene. A four-line German text in the undermarge.

Karl VI., Roman-German Emperor Eraser: Fridrich, Jacob Andreas (1684) Dating: 1711/1751

François Marie Isidore Queverdo and Jean Dambrun, Allegory in Honor of Henri IV Allegory in Honor of Henri IV

Diana, seen on the back, with bow and arrow sleeve; Gods and Goddesses. At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a picture frame of grotesken with fantastic beings, animals, garlands and mascarons.

. At the top a woman is shown in an octagonal list. From series of 12 magazines with ornamental panels made up of medallions, tablets, friezes, sarcophagus, vases, shields, garlands, climbing plants and putti, placed along a vertical axis. From first edition.

Allegory with the coat of arms of the Empire and two coats of arms of the city of Nuremberg, Albrecht Dürer, 1521 print The coat of arms of the Habsburg Empire and the two city weapons of Nuremberg, surrounded by four angels. The top two of them represent the justice and the abundance. On the Verso side a German text in Gothic script. Nuremberg paper armorial bearing, heraldry. angels. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Abundance; 'Abondanza', 'Abondanza maritima' (Ripa) Nuremberg

Frame with cartouches, 1593 print Narrow rectangular cartouche in the middle and a cartouche with round sides in the middle. At the top left and top right, a trumpet -playing angel rises from a volute. Belongs to a series of 18 blades in which twenty -four emblemata and forty -five coats of arms are printed in the middle of separate plates. The Emblemata are partly numbered A-D, 1-7 and 9-21. Three magazines have no number. The coats of arms, which are partly printed double, are unnumbered. Netherlands (possibly) paper engraving

Panel with figure of Saturn, plate 1 ca. 1550-65 René Boyvin French Panel with figure of Saturn, devouring one of his children and standing on a socle, surrounded by masks and vessels in a rectilinear composition, plate 1 from a series of sixteen ornamental panels with mythological divinities. Panel with figure of Saturn, plate 1 397252

Design for an Altar Tabernacle, Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, 1661, Print, Print

Republiek der Zeven Verenigde Nederlanden, Amsterdam, Marot, Daniël (I), Nederland, Panelen met arabesques en moderne grotesques, L'air, Panel with the element air, Netherlands, At the top the coat of arms of England is depicted, at the bottom a cartouche with an angel holding a monogrammed coat of arms and animals. At the bottom in the middle a banderole with the text IE. MAIN.TIEN.DRAY. From a series of 6 sheets, of which 4 sheets with the four elements and two sheets on which two vertical panels are placed each., print, ornament print, prints, ornament prints, height 333 mm, width 190 mm, 1663 - 1752-06-04, print maker, printmaker, 1712 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever van privilege

Neptune en Thetis, after 1551 - c. 1580 print Neptunus and Thetis companies De Liefde in a shell that rests on a fish head. Sea beings are sitting on the arch above them and nets are hanging at the top. paper engraving (story of) Neptune (Poseidon)

Epitaaf with harness; Representation d'Orthographie The Diverses Sortes d'Epitaphes (...). An ornamented epitod decorated with weapons, bullets and flags. In the middle, a putto flies with a star on the head at a harness surrounded by musical instruments, weapons and flags. Above a cartouche and a crown with cross and scepter. Left flies a winged putto with a palm branch, he holds a cloth.

Cartouche aux armes de Médicis. 1646. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Collection of planks: Cabinet (top). Fourteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: Cabinet. Fourteenth Cabinet of a sequence of 21. Etching. 1575.

A horseman and a lady riding side saddle, galloping towards the right, another horseman follows, in an elaborate frame decorated with a mask of a young woman, cherubs, and fruit ca. 1652-57 Stefano della Bella Italian. A horseman and a lady riding side saddle, galloping towards the right, another horseman follows, in an elaborate frame decorated with a mask of a young woman, cherubs, and fruit 410799

Maria with child surrounded by putti, c. 1677 - c. 1692 print Maria with child surrounded by putti. From series of 6 sheets with copies to the Inuentions Pour faire des plaques ou des Aubenistiers Seruans Aux Orfeures by Jean Lepautre. Designs for holy water tray. Print is part of an album. after print by: Parispublisher: Antwerp paper etching ornaments ~ art. Holy Water font. Madonna: i.e. Mary with the Christ-child

CASEOUCHE: Jupiter a dana, 1584 print Jupiter, disguised as a golden rain, conceives Perseus at Danaë. She is lying in a heaven bed. In the frame left and right of the cartouche a woman under a canopy. paper engraving ornament ~ grotesque. ornament ~ cartouche. Jupiter wooing Danae; she is usually lying in bed receiving a shower of gold

Title page: DESSEINS D'évails et Écrans; Dessoints d'évails et Écrans. Hemisphere range sheet with an oval medallion in the middle in which the title state. In the middle below: n °. 55. Leaf 1 from second edition.

Netherlands, Galle, Theodoor, Vredeman de Vries, Ornamental frame with scrollwork and figures, in which landscape with the Good Samaritan, A landscape with trees in which the Good Samaritan bends over the attacked traveler. A horse stands next to it. The scene is set in a broad ornament with scrollwork and figures., print, ornament print, prints, ornament prints, height 204 mm, width 270 mm, print maker, printmaker, 1591 - 1633, fourth quarter 16th century, first quarter 17th century, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, South Netherlands, 1571 - 1633, publisher

Panel with empty medallion, Jean Lepautre, 1657 print Right half of page 4. From the first edition of series Frisians or vertical ornamented panels inspired by candlesticks. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Print, Grotesque Panel, plate 10; Designed by Simon Vouet (1590 - 1649); Engraved by Michel Dorigny (1617 - 1665); France; black ink on paper; 9 5/8 X 10 3/8 in. (24.5 x 26.3 cm)

A panel of ornament with putti and other figures 1530-60 Master of the Die Italian. A panel of ornament with putti and other figures 396426

Two portraits of Johan and Christian Friss, Chancellors of Denmark, are placed on a pedestal by three putti, François van Bleyswijck, after Unknown, 1681 - 1746 print Leiden paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Cartouche in frame of rolling work with grotesken, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1558 - 1608 print There are two saters in the middle. In the middle of two boys with shields and swords on either side of a mascaron on the rolling work. Leaf numbered I-XX. Netherlands (possibly) paper etching ornament ~ cartouche. ornament ~ grotesque. scrollwork, strapwork ~ ornament. satyr(s) (in general)

Artist: Jean Le, Pautre, French, 1618-1682, Grandes Cheminees a laRomaine, Etching, image: 32.7 × 23.4 cm (12 7/8 × 9 3/16in.), French, 17thcentury, Works on Paper -Prints

Advertisement for Memento, Inventions Exhibition, South Kensington, 1885 ca. 1885 Francesco Bartolozzi This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Advertisement for Memento, Inventions Exhibition, South Kensington, 1885. Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). ca. 1885. Engraving

Wapenschild van de family Pömer, Anonymous, Hans Sebald Beham, after Albrecht Dürer, After Erhard Schön, 1510 - 1550 print paper armorial bearing, heraldry

Twee cartridges, 1636 print Above a cartouche with cherub. Under a horizontal cartouche with head and bunches of fruit. print maker: ItalyItalypublisher: Bologna paper etching ornament ~ cartouche

Michel Dorigny, after Simon Vouet, Ornamental Panel Surmounted with Two Figures Leaning on the Bust of a Woman, 1647 Ornamental Panel Surmounted with Two Figures Leaning on the Bust of a Woman

Cartouche dont la partie centrale est marbrée Cartouche contenant un écusson vide. 1610 - 1664. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Oval mirror with Apollo and Cyparissus; Livre de Miroirs Tables et guéridons. The left variant of the table has a putto as a leg. Off series n ° 7.

Plat decoration: Hercules kills the dragon Ladon, 1519 - 1591 print One of 9 sheets from a series of 12. In the frame is in the middle of a bird in a cage. Shaded background. Netherlands (possibly) paper engraving Hercules kills Ladon, the dragon which kept the tree of the Hesperides

Allegory on the heavenly Jerusalem in cartouche. Female personification with censer seated by image of The Great City of God, held by little angels. On background silhouette of the city of Jerusalem. Framed with animals such as a lion, snake, squirrel and birds sitting on ornaments derived from plant forms, Allegory on the celestial Jerusalem Title page for: The main truths of the naturalistic divine service, in ten treatises, Leiden 1758, print maker: Abraham Delfos, (mentioned on object), publisher: Abraham Honkoop (I), (mentioned on object), Leiden, 1758, paper, etching, h 182 mm × w 111 mm

Tantalus speaks against Diana, Giulio Bonasone, 1501 - 1580 print Tantalus is located under a tree and speaks to Diana who stands on the right. Behind Diana is a second woman. Under a four -line verse in Italian. The show is caught in a decorative frame with a ramskop, masks and garlands. Italy paper etching / engraving (story of) Tantalus. (story of) Diana (Artemis)

Object ID #18289043; Matthias Zündt (German, 1498 - 1572); Germany; etching support: white laid paper tipped into beige paper; 16.8 x 12.1 cm (6 5/8 x 4 3/4 in.) Platemark/repeat: 15.3 x 10.8 cm (6 x 4 1/4 in.) Mat: 45.7 x 35.6 cm (18 x 14 in.)

Candlestick with winged tritons, putti, lions and eagles; Various ecclesiastical objects; Disegni Diversi Inventati E Deineati da Giovanni Giardini da Forlì.numbered Top Left: No. 67

Ambassades envoyées des extrêmités de la Terre (Embassies Sent from the Extremities of the Globe) pl. 15. Dated: published 1752. Dimensions: sheet: 64 × 45.8 cm (25 3/16 × 18 1/16 in.) plate: 48.4 × 30.2 cm (19 1/16 × 11 7/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Massé (designer) and Pierre Soubeyran (engraver) after Charles Le Brun.

The image of Christ is contained in an ornamental frame with floral motifs and Christian symbols, print maker: Caspar Luyken, Dating 1705

Glass Design with Saint John the Baptist and Saint John the Evangelist. Dated: 1595. Dimensions: sheet: 41.1 x 31.5 cm (16 3/16 x 12 3/8 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: the Elder Hans Kaspar Lang.

The printer's trademark of the publishers Wetstein in Amsterdam, draughtsman: Monogrammist ASD, Amsterdam, 1783, paper, pen, brush, h 121 mm × w 146 mm, h 198 mm × w 248 mm

Medallion in which Venus with the parisel in her hand and amor on her side; Medallions with figures from Paris judgment; Mythological performances. Suite of 6 pieces. Medallion in frame of grotesken, tendrils with flowers and birds. Shaded background. Part of series of 6 sheets with medallions in a picture frame with flowers, garlands, animals and mascarons.

Element water as a young man with vases from which water flows; Four elements. Element water as a young man crowned with flowers and plants, holds a vase in both hands, from which water flows. In oval list inside rectangular frame with ornaments, between which different animals such as fish and lobsters.

Panel with siege of city in Cartouche, Jean Lepautre, c. 1655 - c. 1657 print print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Amsterdam, Visscher, Gerrit, Figures in a landscape, monument and putti on clouds, verso - stamped, A man playing the flute and a woman playing the lute in a landscape. A dancing man is shown next to them. At the bottom a monument with a satyr and a man as supporting figures. In the sky a putto on a bird and several blowing putti on the clouds., print, ornament print, prints, height 280 mm, width 169 mm, print maker, printmaker, 1690 - 1710, paper, papier, etching, engraving, engraving (printing process)

Mars Tissen Victoria in Minerva, René Boyvin (Workshop of), After Léonard Thiry, 1551 - 1580 print At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France (possibly) paper engraving (story of) Mars (Ares)

Allegory of the Glory of the Dauphin. Antoine Coypel; French, 1661-1722. Date: 1680. Dimensions: 296 × 219 mm. Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Cartouche with portrait medallion of Horace. In addition to a coat of arms, included in a gracefully designed cartouche, Apollo is in his hands with a portrait medallion of Horatius. He is accompanied by various allegorical figures.

Schweickhardt, Hendrik Willem, 8 figurines, Peasants, Peasant woman sweeping the street, verso - stamped, print, prints, height 85 mm, width 56 mm, German, 1746-04-03 - 1797-07-08, print maker, printmaker, 1756 - 1797, paper, papier, etching, etchings

. In the middle is Venus on an oval medallion. Leaf 3 from series of 6 sheets, third edition.

Sardanapal in the Bath 1576-1623 Johann Theodor de Bry Netherlandish A scene with the bearded figure of Sardanapal, the Assyrian king, in a bath at center, surrounded by six attendants. The scene is framed by a circular ornamental frieze with pairs of animals and groupings of fruit. Copied from a rectangular print by Crispijn de Passe I (Hollstein XV.142.119), after a drawing by Maerten de Vos.. Sardanapal in the Bath 423860

Medea goes on board the Argo, René Boyvin, after Léonard Thiry, 1563 print The whole is framed by an ornamental list of putti and mythological figures. paper engraving the Argonauts and Medea go aboard, pursued by the Colchians. the story of the Argonauts: the quest for the Golden Fleece

Medallion with minerva with lance and shield with medusa head in picture frame of grotesken with flowers, garlands, animals and mascarons; Medallions with figures from Paris judgment.

Mars between Victoria and Minerva, 1551 - 1580 print At the bottom is a Latin text. From series of 16 partly numbered sheets with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France (possibly) paper engraving (story of) Mars (Ares)

The earth, in frame of grotesken; Terra; Four elements. Terra (the earth) with fruits and keys in her hands. Various mammals around her. The print is part of series with the four elements, proposed by women in a picture frame of grotesken. Shaded background.

Frames with militaria, Johann Christoph Hafner (Possible), 1678 - 1724 print A flag held by a rider, riders fighting in the background. Below that a frame with militaria, two figures in harnesses, a face with turban and a coat of arms. Augsburg paper etching / engraving ornaments ~ art (+ framing decorations). battle, fighting in general. riding a horse, ass, or mule; rider, horseman. (military) equipment and supply

Shepherd and shepherdess; Figures in landscapes; 9ME Livre I Morceaux de Caprices, Propre a Divers Usages. A shepherd plays on a flute, beside him a shepherd is against a tree under a hanging cloth. On the right and in the background their cattle runs. Around the show an oramic frame.

Mander, Karel van (I), Haarlem, Matham, Jacob, Coat of arms of the chamber of rhetoric The white angieren, Christ as bridegroom of the Church (Ecclesia), Coat of arms of the chamber of rhetoric The white angieren. In the middle Christ as bridegroom of the Church (Ecclesia), surrounded by an oval cartouche with at the top two allegorical figures with a pair of clasped hands and a burning heart as attributes (Faith and Love). At the bottom Minerva (left) and Mercury (right)., print, prints, height 334 mm, width 247 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1602 - 1602, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1548-05 - 1606-09-11

A Vase between Two Chimeric Figures, 1553. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Print, Giovanni G. Sbaraglia; Italy

Allegorical print. Two lions hold banners and the family crest of the Italian Geldhord Don Andrea Cantelmo. An eagle is on top of the crowned weapon. The assignment, in a cartouche, is flanked by two harpies and guns. In a cartouche down a river god and a nymph with the city of Antwerp in the background.

Print, Hand Mirror with Scenes from the Story of Medea; Etienne Delaune (French, 1519 - 1583); France; engraving on white laid paper

Le feu' (Fire), designed by Daniel Marot (1661-1752), features allegorical figures forging iron over an anvil, along with an image of Apollo in his chariot. The work was published by Rapilly in Paris between 1875 and 1890, and includes elements of decoration, ornamentation, and architectural engravings

Study for a Decorated Initial A with the Annunciation. Artist: Gilles-Marie Oppenord (French, Paris 1672-1742 Paris). Dimensions: 5 1/8 x 4 1/8 in. (13 x 10.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Blazoen or New Year's card of the Haarlem rederijkerskamer De Pellicaen, Jacob Matham, after Hendrick Goltzius, 1597 - 1617 print Blazoen or New Year's card from the Haarlem rederijkerskamer de Pellicaen. In the middle in an oval Christ on the cross; Hereby a banderole with the motto: Trou must blycken. His father saves his father in the background. Two standing angels on either side of the oval. Below a four -line verse on a cartouche. Haarlem paper engraving armorial bearing, heraldry. Fidelity; 'Fedeltí' (Ripa). Fidelity in Friendship; 'Confermatione dell'Amicitia', 'Fede nell'Amicitia' (Ripa). chamber of rhetoric (Dutch: 'rederijkerskamer') Haarlem

Medallion with Mercury in frame of grotesken with flowers, garlands, animals and mascarons, Adriaen Collaert, 1570 - 1618 print Netherlands paper engraving (story of) Mercury (Hermes). ornament ~ grotesque

Allegory in Heavenly Jerusalem, Abraham Delfos, 1758 print A female personification with incense vessel sitting in an image of the great city of God, held by putti. In the background the silhouette of the city of Jerusalem. Around a frame with animals such as a lion, snake, squirrel and birds. paper etching the New Jerusalem. the all-seeing eye, triangle with eye ~ symbol of God the Father

France, Delaune, Etienne, Ornament with Juno, Ovals with gods, surrounded by grotesques, Juno with peacock at her feet, Juno stands between two fantastic creatures with scaled bodies and a dog's head. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 79 mm, width 64 mm, French, 1519 - 1583, print maker, printmaker, 1528 - 1583, second quarter 16th century, third quarter 16th century, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Coat of arms of Willem IV van Hessen-Kassel, Bernard Picart, 1729 print The coat of arms of Willem IV of Hessen-Kassel flanked by two lions. Wapentuit on the ground. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.)

Twee over-doors in Een Schooorsteenstuk; New book of door tapeaux, and fireplace useful to penguins. LEFT AND RIGHT ABOVE PUTTI PUTTI A FLOWER BASKET. In The Middle of a Vase with Flowers We have Pedestal with Four Putti.

Drawing by Jean Le Pautre depicting an equestrian battle, executed in pen, ink, and brush.

unknown, Brussels, Bolswert, Schelte Adamsz., Title page for: Académie de l'Epée, 1628, Horsemen with swords and other weapons in front of an architectural frame of an empty title field, recto - handwritten, Horsemen with swords and other weapons standing in front of an architectural frame of an empty title field. Goddesses with armor are seated under the flying buttress and Saint Michael is depicted fighting the devil in the arch field. Two men, including Hercules, stand in front of the columns., print, engraving, engraving (printing process), pen, Work conception

Flat decoration with rollerwork. In the middle, fruit roasts lie on a tripod table, flanked by two saters. There is a Herme on the fruits. The table rests on a mask with horns.

Maria Elisabeth, Archdukezogin of Austria.

Depicted at top is the coat of arms of England, at bottom a cartouche with an angel holding a monogrammed coat of arms and animals Bottom center band with the text IE MAINTENDRAY From series of 6 sheets, of which 4 sheets with the four elements and two sheets each with two vertical panels, Panel with the element air L'air Panels with arabesques and modern grotesques , print maker: Daniël Marot (I), (mentioned on object), Daniël Marot (I), (mentioned on object), publisher: Daniël Marot (I), print maker: Netherlands, (possibly), Netherlands, publisher: Amsterdam, 1712, paper, etching, h 333 mm × w 190 mm

Mercury Artist's working dates 1538-1583 France. Engraving on paper . Étienne Delaune

Amsterdam, Aldewereldt, Pieter, Bleyswijck, François van, Leiden, Bookroom of the Gentlemen, Title page for: Richard Steele, The Bookroom of the Gentlemen, Amsterdam 1737, Interior of library with History and Father Time in frame with medallions showing subjects of literature, verso bottom center - stamped, A scholar stands in a library and points to a personification of History (Historia) who is taking notes of all memorable events, assisted by Father Time and under the watchful eye of Minerva and the truth. The interior is taken up by an architectural frame decorated with medallions suspended from bows. The medallions show subjects that are part of suitable men's literature, these are listed on banderoles. The theme of love is illustrated with a scene from the story of Hero and Leander, and the theme of idleness is linked to Bathsheba bathing in the garden at King David's palace., print, engraving, title page, prints, engravings, height 153 mm, width 93 mm, Noord-Nederlands, 1671-05-

Solms-Braunfels, Amalie Countess to almost hip piece, half left; with pearl-occupied hair bolt, pearl ears and necklace; In décolleted galak dress with lace trim on the expansion chain and cutout with central piece of jewelry, surrounded by double row, to chest and shoulders running pearl necklace, thumb and forefinger the right with two-rows. Pearl bracelet; Leakage at the waist and on the left body of construction; Inelectual ovalleria framing; including three-line. FRZ. Legend; Numbered right publisher note. Copper engraving in the publisher of the widow of the Jan Cnobbaert; Implemented in an engraved roll cartridge framing with the symbolism of the human resume, presented by four genius sitting at the corners; Bothed single line Latin. Sewname.

Allegory on the marriage commitment between Cornelis Calff and Grietje Bloem, Jan Goeree, 1707 print A triumphal arch with Cupido and a putto in the middle. Both are on either side of an altar on which two hearts with the initials C and B. Cupido set fire to the hearts. Festive nymphs in the background. On the altar the title of the book. Two putti in hug on top of the triumphal arch. Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. (story of) Cupid, Amor (Eros). (civil) marriage ceremonies. heart symbolism. triumphal arch. nymphs (in general); 'Ninfe in commune' (Ripa)

France, Chauveau, François, Cartouche with three compartments, Compartments in a frame with lobe ornament with sphinxes on either side and at the top two putti carrying a basket of fruit and flowers. In the upper compartment Hercules fights with the Nemean Lion., print, ornamental print, prints, ornamental prints, height 193 mm, width 247 mm, Work conception, French, 1613-05-10 - 1676-02-03, after a design by, 1623 - 1667, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Indian with transit; The king of Missisipi; The large scene of foolishness (extra pieces). Printed from two plates. Plate 1: Portrait of an Indian with pensify half in oval, an arrow in the left hand. In the background three miners, among them the words: Dream gold mines. Plate 2: Ornamental cartouche with bluch figures, dwarfs and animals. Belongs to the group of prprans added to the scene of scene of foolishness with cartrents at the 1820 wind trade.

Title sheet: Nieuwt Bloemboeck, Anonymous, c. 1600 - c. 1699 print Rolwerkkartouche with three cherubs, which hold an open crown over their heads. In the cartouche a vase with flowers, worn by three sateerk children. From series of 9 sheets with flowers. print maker: Netherlandspublisher: Amsterdam paper engraving

Pouring decoration design Nymph and satire; Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Netherlands, Letter of greeting with various figures, verso - stamped, Letter of greeting with unwritten cartouche within a decorative frame with representations of various figures, including skating people and a milkmaid., print, folk print, letter of greeting, prints, folk prints, height 410 mm, width 330 mm, print maker, printmaker, 1700 - 1899, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher

Schenkkan turned to the left, Franz Ertinger, After Jean Lepautre, After 1659 - Before 1678 print The jug has a handle in the form of two snakes, children play with a dolphin on the body. after design by: France (possibly)publisher: Antwerp paper etching

Italy, Giardini, Giovanni, Rome, Limpach, Maximilian Joseph, Disegni diversi inventati e delineati da Giovanni Giardini da Forlì, Various ecclesiastical objects, Ornament with two putti with garlands, verso - stamped, Numbered upper left: no. 94., print, ornamental print, prints, ornamental prints, height 273 mm, width 175 mm, Czech, print maker, printmaker, 1714 - 1714, paper, papier, etching, etchings, Italian, 1646 - 1722, intermediary draughtsman, after a drawing by, Work conception

Set of Trophies, from 'Trophey a l'Antique', Jean Le Pautre, French, 1618-1682, Etching on paper, Shows two designs; bordering line. Left: suspended from a mask. Weapons. Two puttos. Right: Panoply with two puttos., France, 1680, Print, Print

Candelabrum with vines, a candelabrum with grotesques, a rearing horse, print maker: Lambert Hopfer (mentioned on object), Dating 1520 - 1530

Design for the pulpit in the St. Laurentius church in Lokeren. .

Frame with an elongated cartouche with round sides in the middle, Theodor de Bry, 1593 print Rectangular cartouche in the middle. At the top left and top right is a winged monkey. Belongs to a series of 18 blades in which twenty -four emblemata and forty -five coats of arms are printed in the middle of separate plates. The Emblemata are partly numbered A-D, 1-7 and 9-21. Three magazines have no number. The coats of arms, which are partly printed double, are unnumbered. Netherlands (possibly) paper engraving

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