Historical Allegories

Etchings and engravings depicting allegorical scenes and characters, often rooted in historical narratives and cultural references.

Islamic Galace slaves on either side of a Cartouche, M. Schaep, After Cornelis de Wael, 1649 print The cartouche in the middle contains an assignment in Latin and is decorated with the coat of arms of Joannes d'Easso and two winged women's busts. On either side of the cartouche is a chained Islamic Galace slave with rowing pans under his feet. Behind each of them is an Islamic Galace slave with a musical instrument. The left man plays a trumpet and the right a drum. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. In the background cannons and different flags. Print Maker: Northern Netherlands Figter Design by: Genuapublisher: Northern Netherlands paper etching armorial bearing, heraldry. slavery; serfs and the enslaved. musician. (military) flags and standards

Criminals at the Campidoglio are starting to form the people of Rome, Louis de Châtillon (Rejected Attribution), After François Tortebat, After Annibale Carracci, 1659 print paper etching / engraving (story of) Romulus and Remus

Petrus, Paul and Religion, Minerva and Pax; Title page for: Jeremias Drexel, Omnia Omnia (...) Illustrata, Indicibus (...) Congestis et compositis, 1643. Peter with keys and Paul with sword flanking a cloth with title retained by two putti. In addition, the same putti holds a wreath above three women: religion with cross, minerva with helmet with rooster and a woman with caduceus, possibly pax. Between them in the lamb on the book with the seven stamps and a pigeon in beams as a symbol of the Holy Spirit. On the underside a putti with books, two putti with a cornucopia that water flows and a putto to a drawing board with lion.

Islamic Galace slaves on either side of a Cartouche, M. Schaep, After Cornelis de Wael, 1649 print The cartouche in the middle contains an assignment in Latin and is decorated with the coat of arms of Joannes d'Easso and two winged women's busts. On either side of the cartouche is a chained Islamic Galace slave with rowing pans under his feet. Behind each of them is an Islamic Galace slave with a musical instrument. The left man plays a trumpet and the right a drum. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. In the background cannons and different flags. Print Maker: Northern Netherlands Figter Design by: Genuapublisher: Northern Netherlands paper etching armorial bearing, heraldry. slavery; serfs and the enslaved. musician. (military) flags and standards

Twewees figures on one oever, carl albert Von's losing, justice, after Franwiszil the Cuviian (SR.), 1745 print Two figures are located on a bank of a river, behind them a bridge and ruins. Around the show a frame with Eastern figures, putti and musical instruments. Germany paper etching landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage). river. cupids: 'amores', 'amoretti', 'putti'. musical instruments; group of musical instruments

The first verse of a poem entitled, "Rheinweinlied", surrounded by an ornamental design with a large wine glass. Etching, 1842.

Nicolas Boileau at his desk with his muse. Nicolas Boileau at his desk. His muse points him to the works of Peletier and Pradon. The performance is caught in an ornamental frame.

Impresa van Isabella da Correggio.An Impresa by Isabella da Correggio, widow of Giberto da Sassuolo, with image of two anchors and the motto His Suffulta. Around rollerwork and medallions with a landscape, Lady Justice, a two-vases personification and a coat of arms flanked by two fantasy figures with horns and wings.

Rolling work frame with a Herme, Anonymous, After Cornelis Bos, after 1554 print The Herme at the bottom is flanked by two women with a palm branch in hand. Shaded background. One of 3 sheets from a series of 5. after design by: Netherlands (possibly)publisher: Paris (possibly) paper engraving scrollwork, strapwork ~ ornament. ornament ~ cartouche. Herm: pillar with the head of Mercury, patron of travellers

Love couple in garden. A couple is sitting together in a garden. A palace in the background. The performance is caught in an ornamental list with mid above the face of a gardener and garden tools.

Oval cartouche with a landscape; Cartouches in a frame of rolling with grotesken, mascarons and garlands.Links and on the right two mascarons hang in the form of animal heads. From series of 17 sheets.

... stamped, A couple sits together in a garden. In the background a palace. The scene is set in an ornamental frame with the face of a gardener and garden tools in the center above., print, engraving, book illustration, prints, verso - stamped, height 93 mm, width 132 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1718 - 1718, paper, papier, etching, etchings, engraving (printing process), letterpress printing, intermediary draughtsman

Titelprent van de Actiekraam of het Voorhof van Quinquenpoix, 1720; Tytel-Print der Actie-Kraam of Voor-hof van Quinquenpoix; Het Groote Tafereel der Dwaasheid.Title print of the action stall or the court of Quinquenpoix. In the central representation, a man kneel with a declaration of love for a woman who rejects him (according to the text: John Law and Cleanchine), in the frame cupids and arrows of arrows. With two lines in the caption. This plate is printed in the middle of a larger plate with a wreath made up of all kinds of objects that have to do with the wind trade. Mercurius and Neptune are at the bottom. A caption with two verses in the plate. Print 49 in the series The large scene of foolishness with cartring prints at the wind trade or action trading of 1720.

Amsterdam, Visscher, widow Nicolaes (II), Leth, Andries de, Lairesse, Abraham de, Laan, Adolf van der, Evangelical jubilant print on the second centenary of the reformation, 1717, verso - stamped, Evangelical jubilant print at the celebration of the second centenary of the Reformation, October 31, 1717. Central scene with Luther and Melanchthon at an altar on which the Divine Fire burns the False Doctrine, in a frame decorated with portraits of Hus and Luther, three scenes from the life of Luther, biblical leaders and the personifications of Truth, Faith, Hope, Love and Steadfastness. Left and right of the representation the explanation in printed text., print, prints, height 367 mm, width 294 mm, height 380 mm, width 564 mm, 1690 - 1742-05-09, print maker, printmaker, 1717 - 1717, paper, papier, etching, etchings, engraving, engraving (printing process), letterpress printing, Work conception, 1663 - 1731-05-24, after a design by, Dutch, 1666 - 1727, after, after a painting by, writer,

Closer to his library. A poet in his library, for him on the floor are musical instruments. Through the view view of a landscape with swans and the winged horse Pegasus. The performance is caught in an elegant list and surrounded by ten connected medals. PRENT Left and at the top right labeled: III. Part. - Pag: 149.

Two gift jugs to the left; Gloves in ornamental lists. The jugs are on a table with a tapestry in the background. From third edition.

The olive of peace believes on the laurel of victory. (IT)

Cartouche: Atlas changed by Perseus in a mountain; Atlas. Perseus at Atlas that changes into a mountain. The cartouche is caught in an ornament list with grotesken against a shaded background. Left and bottom right a triton and a nereïde with guided front legs.

. An architectural garden with a monument in the middle in honor of the marriage commitment between Abraham Lestevenon and Geertrui de Vroede. At the top of the monument, two putti 21 hearts set fire to the letters of the names of the celebrated couple. Putti and angels spread flowers on top of the sky. On either side of the monument a column with the coat of arms of the Lestevenon families and the flow. A Dutch inscription on the monument.

Title print for the series of records of the Duke of Ossuna, 1713, Bernard Picart, 1714 print Title in a richly decorated ornamental frame with two female figures, angels, sphinxes and leaf work. Title print for the series of records of the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Amsterdam paper etching / engraving ornaments ~ art Utrecht

A New Book ofOrnaments. Artist: Antonio Visentini, Italian, 1688-1782

Complimento al pubblico, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

Title print of the action window or the court of Quinquenpoix, 1720; Tytel print of action stall or before-court of Quinquenpoix; The great scene of foolishness. Title print of the action stall or the court of Quinquenpoix. In the central representation, a man kneel with a declaration of love for a woman who rejects him (according to the text: John Law and Cleanchine), in the frame cupids and arrows of arrows. With two lines in the caption. This plate is printed in the middle of a larger plate with a wreath made up of all kinds of objects that have to do with the wind trade. Mercurius and Neptune are at the bottom. A caption with two verses in the plate. Print 49 in the series The large scene of foolishness with cartring prints at the wind trade or action trading of 1720.

Primo frontespizio, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

Allegory of death. Two framounts with a mantle around the shoulders hold a coat of arms with the image of an altar with a crucifix and candles. Between them in a skull crowned with a sundial causing hoses. On the ground there are signs of worldly wealth, including a crown, miter and bag of money. Under and above the print Sension in Latin concerning mortality. To the show a border with nuts, fruits, flowers and insects to Joris Hoefnagel, printed from a separate plate.

Two hangers with Apollo and Venus on sea samples; Bullarum Inaurium (...). Two hangers with Apollo and Venus on sea monsters. Below a cartouche with inscription, awarded by Neptune. One of 7 partially numbered blades from a series of 10 sheets with hangers. Three pearls hang on each pendant.

Entertain your eyes, youth! in seven planetes. / Every running in his circle / one finds them met / Saturn, Jupiter, Mars, Sol and Venus, with / mark hour and Luna, here on stairs Neèr. Leaf with a large representation of a staircase with planets' personifications. A staircase with seven stairs with Mercury, Mars, Luna, Sol, Jupiter, Venus and Saturn. Under the show a verse in two columns. Numbered at the top right: No. 100.

Slaves and Asian figures on either side of a cartouche; Havent scenes. The cartouche in the middle contains an assignment in Latin and is decorated with a coat of arms and two winged women's houses. There is a slave on either side of the cartouche. There is an Asian man with a musical instrument behind each of them. The left man plays a trumpet and the judge a drum. Different flags in the background.

Cartouche and emblemata with crowns; Send new and seer-absorbed compartment and sinrijcke emblemataas or sinne images Seer Dien Stigh for Silversmeeden (...) First part. A cartouche and four emblemata with Dutch text and Latin motto on a leaf. Upstairs: Cartouche with serial title surrounded by weapons, flags and shields. A crowned coat of arms on the top. Flanked by two figures in harness. Below: emblemata with a crown above a thorns crown, a stork on a shield surrounded by weapons and two seated figures, a crown on a pillow and a crown above a mountain.

Warning against a dissolute life, Bernard Picart, 1721 print A young man lets his hands bind on his back by putti. A putto imposes a yoke and another offers him a glass of wine. At his feet are the attributes of a loose life: sheet music, playing cards, dice and chessboard. A putto comes flying in with the snake of caution around the arm. Another putto controls the sword of justice. Amsterdam paper etching / engraving ornaments ~ art. playing-cards. yoke

Netherlands, Medallion with Envy, verso - stamped, On a medallion the personification of Vice or Envy. With burning torches in her hands she walks over the Tablets of the Law with the Ten Commandments. Around the medallion weapons, a chained man and panthers. Below the medallion three skulls., print, ornament print, prints, height 107 mm, width 141 mm, print maker, printmaker, 1700 - 1800, paper, papier, etching, etchings

Considerations, children! The Zinlyke features, / or sentences, all Vyf depicted by rank and stairs, and caresses your phrases Zelv 'by' t pleasant piece of jewelry, that in this print tangreel finds herself. Stairs with a pair on every stair that depicts one of the five senses. From left to right: feeling, taste, smell, hearing and face. On the stairs also three medallions with portraits. Under the image a fresh in two columns. Numbered at the top right: No. 99.

Illustration at Canto II of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a representation at Canto II of TASSO's 'Gerusalemme Liberata'. Clorinda in conversation with King Aladin. She recommends him to free Sophronia and Olindo, which is about to die on the stake.

A 1552 etching by Hans Lautensack showing the coat of arms of Oswald Eckh and his wife, including heraldic symbols and detailed design elements.

An alcove with carians, drapers and an eagle on the top. Middle under a balustrade with cartouche with the serene title. There are various figures in the alcove, pointing to the middle. Legal under 1 numbered.

Frontispiece to 'The Battles of the Old Testament' with the arms of the Medici Crowned by Two Putti 1660 Antonio Tempesta Italian. Frontispiece to 'The Battles of the Old Testament' with the arms of the Medici Crowned by Two Putti. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1660. Etching; second state of two (Bartsch). Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Print (France)

New Year's Square of the Haarlem rederijkerskamer De Wijngaertrancken, 1600, Jacob Matham, after Karel van Mander (I), 1600 print New Year's Sart from the Haarlem rederijkerskamer De Wijngaertrancken, 1600. Central a diamond -shaped representation of the resurrection of Christ, with the motto: Love above all. Upstairs under a canopy of vineyards the sitting female personifications of faith (Fides), Love (Charitas) and Hope (spes). Left and right the weapons of Holland and Haarlem. On the pedestal the date December 31, 1600 and a verse of 2 times 8 lines in Dutch with the assignment underneath in 5 lines in Latin and a Rebus. Haarlem paper engraving chamber of rhetoric (Dutch: 'rederijkerskamer'). Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers. the Three Theological Virtues Haarlem

Coat of arms of Matheus van Beeck, c. 1619 - c. 1623 print paper engraving

Design for Coat of Arms, from 'Livre de Cartouches', Nicolas Guérard, French, 1648-1719, Etching on paper, Plate 1. Four eschutcheons, four native men, title., France, ca. 1680, Print, Print

Islamic Galace slaves on either side of a Cartouche, M. Schaep, After Cornelis de Wael, 1649 print The cartouche in the middle contains an assignment in Latin and is decorated with the coat of arms of Joannes d'Easso and two winged women's busts. On either side of the cartouche is a chained Islamic Galace slave with rowing pans under his feet. Behind each of them is an Islamic Galace slave with a musical instrument. The left man plays a trumpet and the right a drum. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. In the background cannons and different flags. Print Maker: Northern Netherlands Figter Design by: Genuapublisher: Northern Netherlands paper etching armorial bearing, heraldry. slavery; serfs and the enslaved. musician. (military) flags and standards

Three personifications with Wapen van Philip II, Anonymous, 1625 print A woman in armor, possibly Minerva, is standing above the title in Cartouche with the crowned weapon of Philip II. Two personifications with scale (possibly justice) and flags flank the cartouche. A crowned coat of arms at the bottom. paper engraving armorial bearing, heraldry. standing figure - AA - female human figure

Triumphpoort founded by the Jesuits on the Meir, Gaspar Bouttats, in Or Before 1685 print Triumphpoort founded by the Jesuits on the Meir in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. paper etching triumphal arch Antwerp. Meir

Stair of the old age. At ten steps from the stairs of the old age, in the form of a bridge, ten men between the ages of 0 and 100 are. Below the bridge three arches with allegorical representations: in the middle of the last judgment. At the bottom of the text: the man and Nedergghan falls d'a soet and Danider Bangh. At the top of in cartouches two 4-arranged verses in Dutch.

Portrait of Marco Barbarigo and the Personifications of Measuring Art, splendor; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Marco Barbarigo with Dogehoed on the front. On the back the façade of a palace with the text: Ducarium Extructure. The pedestal is surrounded by three female personifications placed for a palace. On the left the personification of measurement art with a Paslood and Passer. In addition, it is beautiful: a woman with crown and in her hand an oval on which a design of a beautiful palace is depicted. The right is the right. On the hem of her rug is: PAR & IMPAR (even and odd). She points to a table full of numbers. The print is part of an album.

Allegorical figures with coats of arms on a fountain, Joseph Mulder, 1680 - 1702 print Fontein with a statue of the fame with palm branch and a French coat of arms in the hands. Next to her are a caduceus, globe, passer and a horn of abundance. The woman on the left shows the coat of arms of Magdalena Poulle, the owner of Gunterstein Castle in Breukelen. On the right a power god. On the left in the background Gunterstein Castle, in the foreground a dog. paper etching / engraving 'Cornucopia', Horn of Plenty. armorial bearing, heraldry. caduceus (staff with two snakes, attribute of Mercury). ornamental fountain. dog. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) Gunterstein Castle

Berglandschap met omlijsting.A representation of a mountain landscape in an ornamental picture frame with male and female saters, bare figures, putti and garlands with fruits.

Hemelaart with the southern constellations, Anonymous, 1708 print Hemelaart with the southern constellations, according to the traditional layout of Ptolemyus and his followers. The classic constellation Argo Navis is displayed as the East Indies. Left and top right the title cartouches. Numbered in the bottom right: 27. paper engraving zodiac; the twelve zodiacal signs together. star-chart, star map

Dedication card for the British Consul Joseph Smith, in: Urbis Venetiarum Prosper Celebriores ex Antonii Canal Tabulis XL Aere Expressi ab Antonio Visentini; Visentini, Antonio (1688-1782), Canaletto (1697-1768), Viero, Teodoro (Venice; Publisher; Ca 1750-1819), Baroni, Angela (Flow. 1735); 1735-1800 (1742-00-00-1742-00-00);Venice (Italy), Italy (state), album, dedications, Italian graphics, ornaments, urban landscapes, personifications (iconogr.), Reproductive graphics, WUDUTY, Italian (culture)

Titlepage, 'The Farmhouse and Landscape Series', Abraham Bloemaert, 1564 - 1651, Boetius Adams Bolswert, Flemish, 1580 - 1633, Etching on paper, Titlepage with cartouche flanked by dolphins at center, with a farmer and peasant woman seated above. Farm implements and a horse and cow surround. A poem attributed to G. Rykius, the artists' names and the date appear on the cartouche., Netherlands, 1614, Print, Print

Artist:? Noble, British, Artist, copy after (?): Hugh Douglas Hamilton, British, 1739-1808, The Manner in which the American Colonies Declared themselves Independent of the King of England, throughout the different Provinces, on July 4,1776, Engraving, 32.7 × 21.7 cm (12 7/8 × 8 9/16in.), Made in United Kingdom, British, 18thcentury, Works on Paper -Prints

Cartouche in which poverty sitting next to a dead tree is surrounded by shards; Sera bonos nvnqvam ad mores via, Iam Resipisce 1601; Oval cartouches with female personifications in role frame; Set of allegorical woman digits in ornament lists. There are two children on the cartouche, each with a snake in hand. Leaf from series of 8 sheets with cartouches in a frame of rolling with grotesken, garlands and mascarons.

Antwerp, Plantin, Christoffel, Netherlands, Vredeman de Vries, Hans, Hooghe, Cornelis de, Doetechum, Johannes or Lucas van, Exercitatio alphabetica nova et utillisima, Cartouche with calligraphy, above it sit two dogs, Sheet VIII. Cartouche with the text Faire iustice et iugement.... From a series of 21 numbered cartouches with calligraphy in a frame of scrolls and fittings with grotesques, garlands and mascarons., print, ornament print, prints, ornament prints, height 215 mm, width 283 mm, print maker, 1569 - 1569, third quarter 16th century, paper, engraving, engraving (printing process), Northern Dutch, 1541 - 1583-03-29, printmaker, Work conception, Southern Dutch, 1527 - 1607, after a design by, Publication (Event), Publication, 1514 - 1589-07-01, publisher

The Virgin, Saint John, Saint Lawrence, and Saint Roch with the Arms of the SacredHeart. Artist: Lucas Cranach the Elder, German, 1472-1553

Square cartouche with a quote from seneca; Vararum Protractionum (...). Quote: Non ExigvvM Temporis Habemvs, Sed Mvltvm Perdimvs ... in cartouche. Left and top right is a child whose buttocks are stuck through the roller. There are four mascarons on the cartouche. Shaded background. From series of title page and 12 sheets with cartouches with quotes of classic writers in a picture frame with grotesken, mascarons and garlands.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), three dancers and three dancers in a fan (A. de Vesme 210. Dutuit 46) (main title ). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Cartouche with calligraphy, left and top right a child with bird; Exercitatio Alphabetics Nova et utillisima .... Leaf XIII. Cartouche with text Lyke As The Claernesse of the Eyes .... On both sides of the cartouche, a canopy hangs with a fish at the bottom. From series of 21 numbered cartouches with calligraphy in a picture frame of roller and fitting work with grotesken, garlands and mascarons.

Part of a triumphal procession with soldiers, cattle and horses; Stucco in the Sala Degli Stucchi in Palazzo del in Mantua; Triumphal of Emperor Sigismund I in 1432; Sigismundi Augusti Mantuam Adeuntis Profectio AC Triumphus. Caption in Latin. Print is part of an album.

print, Etching, ink on paper, Cartouche with landscape showing a lake or seashore. Framing line., France, 1632, ornament, print

Oval cartouche with two birds and a vase of Rolwerk, 1595 Oval cartouche with two birds and in the middle of a vase of rolling work. With the text: Natalibus Ingenio et Doctrina Illustri Reverendoque ... The Cartouche is a fragment of a map of the British Isles. The print is part of an album. Antwerp paper engraving Oval cartouche with two birds and in the middle of a vase of rolling work. With the text: Natalibus Ingenio et Doctrina Illustri Reverendoque ... The Cartouche is a fragment of a map of the British Isles. The print is part of an album. Antwerp paper engraving

William Blake, 1757-1827, British, Illustrations of the Book of Job in twenty-one plates. Folio of engravings with covers.

Offer van Iphigenia, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Iphigenia is saved by Diana, who puts a stag (hind) in her place

Cartouche with the coat of arms of Namur, 1579 Rolwerkkartouche in three parts. In the middle round the coat of arms of the county of Namur, flanked by two putti. The Cartouche is a fragment of a map of names. The print is part of an album. Antwerp paper engraving Rolwerkkartouche in three parts. In the middle round the coat of arms of the county of Namur, flanked by two putti. The Cartouche is a fragment of a map of names. The print is part of an album. Antwerp paper engraving

Portrait of Antonio Barbarigo and the Personifications Justice, Charity and Board, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with the portrait of Antonio Barbarigo, procurator of the Basilica of San Marco in Venice. On the back a king on his throne. Behind the pedestal is charity. With one hand he shows that he wants to help get a poor man off the earth. He gives money with the other hand. In addition, a pelican who feeds his young with her own blood. Mercy is flanked by two female personifications. The woman on the left has a phases in her hands, the recognition sign of higher Roman magistrates that indicated their authority to let someone scour and decorate. The woman on the right holds a scale, book and scroll. It may be about the personifications of justice and governance (politician). The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). Charity, 'Caritas';

Grave monument to the Via Ostienze. Roman grave monument for M. Antonius Antius Lupus on Via Ostienze in Rome. Monument with epitaaf with Latin text on large marble blocks that are slightly overgrown with weeds.

Consider early, ô Youth! The States of Life, / From Stairs to Stairs: You will be given in this print -tafreel (...), 1806 - 1830 print A staircase of the old age: a men's staircase. On the steps of the stairs, in the form of a bridge, there are men between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. Left front a putto and front right. Under the image one fresh in two columns. Numbered at the top right: no 151. Print Maker: Netherlands Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing the ages of man represented by a staircase. Last Judgement

Glass window with scene from the history of Miltiades, with bust of Rombout Hogerbeets, 1627, 1791 print Glasruit with scene from the history of Miltiades, awarded a bust of Rombout Hogerbeets, 1627. Miltiades is imprisoned after years of loyal service. On either side Pallas and Mercury, further decorated with tifles, weapons and putti. Under the central scene a verse of 6 lines. Part of a series of three allegorical glass windows in memory of the imprisonment, flight and exile of Hugo de Groot, 1619-1622. Made in 1627 for the house of Abraham Daatselaar, the merchant in Gorcum who helped Hugo de Groot flee. Netherlands paper etching window. art (+ making stained glass)

Schenkkan turned to the left; Vases à la modern. The can have a foot in the shape of two tied slaves, the handle is formed by a lion that stands on a console.

Portrait of Leopold William, Archduke of Austria and Governor of the Southern Netherlands. His portrait is framed in a medallion placed on a monument decorated with caryatids. Putti decorate the portrait with banding. At top, the coat of arms of Austria in a cartouche flanked by angels and eagles. Top left a putto holding a shield, and top right a putto holding a feather. At the bottom a cartouche containing an inscription in Latin. In the foreground left Bellona, in armor and holding globe, and on the right Liberty with broken chains. In the margin a four-line caption in Latin, Allegorical portrait of Leopold William, Governor of the Southern Netherlands., print maker: Frans van den Wijngaerde, (mentioned on object), Antwerp, 1636 - 1679, paper, etching, engraving, h 236 mm × w 337 mm

Louis XIV (King of France), Paris, Poilly, François de (I), France, Lepautre, Jean, Jugs in ornamental frames, Two jugs facing left, The jugs are on a table with a tapestry in the background. From the third edition., print, ornamental print, prints, ornamental prints, height 154 mm, width 223 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1669 - 1693, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1623 - 1693-04-01, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

Bijedorf, Jacob Van the Skley, 1746 print In a landscape there is a Bijenkorf on a Pieth stable. Countless bees fly around the basket. Two spider webs in the corners of the frame. Two Latin words (competence and perseverance) on the banderollen. paper etching / engraving insects: bee. bee-hive. spiders (+ animals nesting; making nests, lodges, webs, etc.)

Crowned initials JFB, Robert van Audenaerd, 1673 - 1743 print A console with a palm branch and laurel branch and the initials JFB (Joh. Francesco Barbarigo). A crown above that. The print is part of an album paper engraving initial

The image of the scholar is framed in an ornamental frame with floral motifs and objects relating to science, Scholar with globe and geometric instruments, print maker: Caspar Luyken, publisher: Jacob Lindenberg, Amsterdam, 1705, paper, etching, h 108 mm × w 151 mm

Title Plate with Two Pendant Designs Above and Neptune Standing on a Cartouche Below 1582 Adriaen Collaert Netherlandish Vertical panel with two pendant designs above a strapwork cartouche with the title. Each pendant is suspended from a small jewelled motif tied with a ribbon and is composed of a sea-monster ridden by a nude figure on a shell. Below, Neptune, with his trident in his right hand, stands on the cartouche. Plate 1 from a series of ten plates with pendant designs in the shape of sea monsters. The series, known as Designs for Pendants II, was engraved by Adriaen Collaert, after designs by his father, Jan Collaert I, who died in 1580. Jan Collaert I produced several series of pendant designs, including the prequel to this series, Designs for Pendants I. This print belongs to the first edition, published in Antwerp by Philips Galle in 1582.. Title Plate with Two Pendant Designs Above and Neptune Standing on a Cartouche Below 426133

Etching by Romeyn de Hooghe created as a memory sheet commemorating Christoph von Kannenberg, dated 1673-1674.

Allegorical portrait of Abraham Duquesne, Nicolas Ponce, After Clément Pierre Marillier, 1790 - 1816 print publisher: ParisFrance paper etching / engraving historical persons. commander-in-chief, admiral

Events from the year 1651; Title page for the Hollantse Mercury, part 2 for the year 1651. Title print for the Hollantsche Mercury of 1651. Four strips with the most important events from the year in minland. Central to the seated Mercury with coat of arms of Holland. Under an image of the first major meeting in The Hague about city harvesting.

Membership certificate of neighborhood meeting, 1795, Anonymous, 1795 print Pre -printed membership certificate of the Meeting of the Schutterij van Wijk 34, in Amsterdam () 1795. Stone pedestal filled in with the name of the Burger J.C. Pruysenaar. On both sides the freedom and equality, on top of weapons. Netherlands paper etching / engraving / pen Freedom, Liberty; 'Libertè (Ripa) (+ abstract concept reprified by female figures). Equality, Equity, Faiorss, Righteousness; 'Equality', 'Equity', 'Giuditio Giusto', 'Drit and just order', 'Equality' (Ripa) (+ abstract concept reprusted by female figures)

Marot, Daniël (I), Tombstones, Representation du Tombeaux de Minos Bar. d'Coehorn, Tombstone of Baron van Coehorn in a niche, The tombstone consists of a pyramid with the coat of arms of the deceased and a trophy of flags. Below it lies an image of the deceased on a trophy of arms., print, ornament print, prints, ornament prints, height 280 mm, width 185 mm, Work conception, 1663 - 1752-06-04, after a design by, 1707 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publicatie, publisher

View of Utrecht and the four cardinal virtues. View of Utrecht with the Dom tower in the middle. Down sitting in front of a wall the four cardinal virtues, power, justice and caution. Behind them is the bust of Emperor Justinianus I. The whole is caught in an ornamental picture frame, awarded by the weapon and the motto of Utrecht University.

Title page for a compilation album with a weapon flanked by two angels, Anonymous, 1600 - 1625 drawing paper. chalk. ink pen / brush the nine choirs of angels, hierarchy of angels. armorial bearing, heraldry. the journey to Ecbatana (Tobit 4-6)

Poverty produces humility, Crispijn van de Passe (I), 1601 print The female personification of poverty, with a torn robe. There is some household goods distributed around her. The performance has a frame with a border script in Latin that is caught in a richly decorated cartouche. Sixth print from a series of eight with the cycle of human action. Cologne paper engraving Poverty; 'Povertè', 'Poor of Doni', 'Poor in one who had good ingenuity' (Ripa)

Print, Eschutcheon of An Astronomer in His Studio; Print Maker: François Morellon La Cave (French, d. after 1737); engraving and etching; Plate: 7.1 × 7.2 cm (2 13/16 × 2 13/16 in.) Paper: 8.3 × 8.3 cm (3 1/4 × 3 1/4 in.)

Jacques Callot (1592-1635). "The great miseries of war, frontispiece. First issue of a series of 18 pieces" (Lieure 1339, Meaume 564). Etching. 1633. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-25 Etching, engraving

Weapon with Lions and Korenaren, Hendrick Goltzius, 1579 print Family crest (twice a cross with a lion, twice three corners of the corn) in Ovaal. Around the oval an inscription in Dutch in mirror image. In TIB identified as the weapon of Gillis van Breen, probably mainly based on the portrait on the downside of the medallion. However, the identification of the portrayed person with Van Breen cannot be sustained. Haarlem paper engraving armorial bearing, heraldry

TITELPRENT VOOR DE PREMENTERIE 'Military Exercises', Jacques Callot, 1635 print French text in cartouche in the form of a pedestal. Above it a coat of arms, around it trumpeters, banners, a drum butcher and a flautist. This is the title print for a series of 12 prints with performances of military (weapon) exercises. On most of those prints there are three soldiers in different postures with a certain weapon or instrument. print maker: Nancypublisher: Paris paper etching ornament ~ cartouche. insignia of companies, etc.. drum (musical instrument). horn, trumpet, cornet, trombone, tuba. transverse flute. musician

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Ticket for the Benefit of Mr. Giardini. Line engraving.

Monument of Weapons with portrait medallion by Frederik Willem I, King of Prussia, Georg Paul Busch, 1736 print Onder Het Monument Het motto "Everything in the steel is safety. Berlin paper etching / engraving historical persons. weapons. banner, standard (as symbol of the state, etc.). crown (symbol of sovereignty)

Order; Paintings of Giovanni Lanfranco intended for the Loggia del Benedizione in the Vatican; History of Petrus and Paul; Disegno della Loggia di San Pietro in Vaticano Dove Si da La Benedizione. Print is part of an album.

Medallion with the personification of truth, 1768 print In a medallion, the personification of the truth with a burning torch in the hand on the clouds with the rising sun in the background. A laurel wreath around the medallion. To the left of the medallion The attributes of the cardinal virtues justice (scale and sword) and caution (mirror and snake). Book to the right of the medallion, a mask and a snake. The last two symbol of the unmasked deception. At the bottom right marked: J. paper etching Truth; 'Verití' (Ripa). Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Myrrh Tracht Zich Verhangen, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Myrrha is prevented by her nurse from hanging herself. scrollwork, strapwork ~ ornament

Whole board, approx. 1815-1850, Anonymous, 1814 - 1848 print Goose board game with boxes 1-63. At the bottom of the rules. In the four corners of scenes from country life. Part of a group of children's and board games printed in the period ca. 1750-1850. print maker: Netherlandsprinter: Amsterdam paper etching goose-game

Copper engraving and etching by François Chauveau from 1630-1676 depicting Pierre Pierre Camus with detailed portrait and composition.

Amsterdam, Vorster, Fredrik, Krellius, Johannes, Luyken, Jan, Mulder, Joseph, Memorial for Jakob Böhme, recto, bottom of cover sheet - handwritten, In a walled cemetery the grave of Jakob Böhme. The sign has the shape of a cross and consists of several cartouches with the motto: 'veni vidi vici'. Jakob Böhme became known as a mystic and theosophist., print, book illustration, prints, verso - stamped, 4. Jacob Böhme, on 17 November 1624. having died ... yes completely taken away., height 181 mm, width 140 mm, Northern Netherlands, 1658-01-11 - 1718, print maker, printmaker, 1686 - 1686, paper, engraving, engraving (printing process), etching, Work conception, 1649-04-16 - 1712-04-05, after a design by, Publication (Event), Publication, 1684 - 1718, publisher

Fireworks at the celebration of the Peace of Utrecht, 1713, 1713 print Scaffolding with fireworks commissioned by the States of Holland and West-Friesland on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, June 14, 1713. Centrally the temple of Janus awarded by the Dutch virgin with freedom in the Dutch garden. The temple surrounded by sitting figures of faith, freedom, commerce, science and the arts. At the bottom of the title and explanation of the figures 1-18 in Dutch and French. print maker: Northern Netherlandspublisher: Amsterdam paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

Bouquet of ranks with flowers and leaves, Balthazar Moncornet, After Francois Lefebure, After Jacques Callot, 1610 - 1668 print With a number of figures to Jacques Callot and at the bottom two dogs. Leaf 3 from series with 6 bouquets for gold and silversmiths. Second edition. print maker: France (possibly)after design by: Parispublisher: Paris paper engraving

Title vignette with a man planting washed, Christoffel van Sichem (II) (Possible), 1615 print Amsterdam paper letterpress printing vignette. agriculture

Bloemaert, Abraham Stecher: Lockley, David

The Seven Planets

Allegory of June 15, 1792. German. / Duel to Outrage you he took place on the Kéel Bridge. (IT)

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