Historical Allegories and Emblems

Illustrations of allegorical themes and historical events, featuring dramatic scenes and symbolic representations.

Dwarf with sword, a row of knots on the back, Jacques Callot, 1621 - 1625 print Dwarf, more or less seen on the left, with a bought back over which a row of knots runs, a hat with feathers on the head, a sword on his right side. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. hacking and thrusting weapons: sword

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with two sword -fighting men behind which they drop those keys. Inscription: Nulla Salus Bello / Parta Tueri ô Quam Difficile Est. On the back of a children's drawing of a church, among others. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). hand-to-hand fighting (~ battle). key

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Apollo and Daphné. Twentieth issue of a series of 52 pieces. (A. de Vesme 501; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Dwerg met twee dolken; Varie figure gobbi di Jacopo Callot; Diverse groteske figuren; Dwergen en gebochelden.Dwarf, more or less on the left, with a humpback back, a hat with two springs on the head, in the right hand and a dagger in the left. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Dwarf with bagpipe; Varie Figure Gobbi Di Jacopo Callot; Various grotesque figures; Dwarfs and iced. Dwarf, seen on the left, with a humpback back, a bagpipe decided. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the dwarf mounted on a donkey. First piece (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Un Leçon de Botanique, from Croquis Parisiens, published in Le Charivari, August 19, 1852. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Sheet: 14 3/8 in. × 10 in. (36.5 × 25.4 cm). Printer: Aaron Martinet (French, 1762-1841). Publisher: Charles Trinocq (Paris). Series/Portfolio: Croquis Parisiens. Date: December 2, 1851. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot, Duellist with Two Sabers, c 1622 Duellist with Two Sabers

Dwarf with sword, a row of knots on the back, Jacques Callot, 1621 - 1625 print Dwarf, more or less seen on the left, with a bought back over which a row of knots runs, a hat with feathers on the head, a sword on his right side. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. hacking and thrusting weapons: sword

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. The Yucatan. Thirty-fourth number of a series of 52 pieces. (A. de Vesme 588; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Anonymous copper engraving titled 'Wily-is', created around 1440-1450, depicting figures and detailed ornamental design.

Callot, Jacques, Nancy, Dwarfs and hunchbacks, Various grotesque figures, Varie figure gobbi di Jacopo Callot, Dwarf with sword, in attacking position, verso - stamped, Dwarf, seen on the right side, a floppy hat with a fur rim on his head, his right hand on the scabbard of his sword, his left hand on the hilt. This print is part of a series of 21 prints with grotesque figures; almost all of the figures are dwarfs, many are hunchbacks., print, prent, prints, prenten, height 64 mm, width 88 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1621 - 1625, first quarter 17th century, second quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Dwarf with bagpipe, Jacques Callot, 1621 - 1625 print Dwarf, seen on the left, with a bought back, playing a bagpipe. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. one person playing wind instrument. bagpipe, musette

Rat catcher, Jan Gillisz. van Vliet, 1632 print A rat catcher, or rat poison seller, to the left. Leiden paper etching rat exterminator. beggar

Man with huge hat on his back, Cornelis Saftleven, 1645 - 1706 print The feeling. A man walks to the left bent under the weight of the huge hat that he wears on his back. The head and neck of a bird stick out of the hat. The neck of the bird is pierced with a knife. The print is part of a series with the five senses. paper etching head-gear: hat (+ men's clothes). tools, aids, implements ~ crafts and industries: knife. birds. carrying something

Jacques Callot (1592-1635). "The whims, the duel at the sword. Twenty-seventh number of the suite of 50 pieces engraved in Florence" (Lieure 240, Meaume 818). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99606-23 Etching, engraving

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 7 5/16 x 10 3/8 in. (18.5 x 26.3 cm)Plate: 2 1/4 x 3 3/8 in. (5.7 x 8.5 cm). Series/Portfolio: Les Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques. Date: 1616-22. Museum: Metropolitan Museum of Art, New York, USA.

The Luiwammes at the Bedbelstaf; L'Onorata Vita del Polrone. The Luiwammes has hit the charm. Part of a series of six representations from the life of a sloth.

Soldier who bears his skewer on his right shoulder, the point diagonally to the ground (no. 32), ca. 1600. a soldier, full, to the right, which wears a skewer (lance) on his right shoulder, the point oblique to the ground. His right hand to the skewer (no. 32), approx. 1600. Plate 32 in the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of all the T'Ghene a soldaet int handling of the Soldaet company is Noodich . Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Brush and graphite drawing by Adriaen Pietersz. van de Venne showing beggars killed by death, executed in gray wash and graphite, depicting human figures and dramatic scene.

Soldier placing his skewer against his right foot with his left hand and pulling his right hand with his right hand (no. 25), approx. 1600. a soldier, for the right, to the right, which with his left hand his skewers (lance) against his right foot If his right hand draws his sword (no. 25), approx. 1600. Plate 25 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from all t'Ghene a soldaet Int acting vandie is emergency. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Kloksen, The Hague, 1607. Marriens around 1600.

Optocht van bacchanten.Procession of bacchants, as a relief.

Three characters from the commedia dell'arte. Left Pulcinella trying to chase away flying insects. In the middle Scaramouche with a sword. On the right, Taglia Cantoni is sitting on a dog, Pulcinella, Scaramouche and Taglia Cantoni Pulliciniello Scaramucia Taglia Cantoni Characters from the commedia dell'arte (series title), print maker: Anthonie de Winter, Jacques Callot, publisher: Cornelis Danckerts (II), print maker: Noord-Nederland, publisher: Amsterdam, 1668 - 1707, paper, etching, h 123 mm × w 194 mm

Man with Sword. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Le Duelliste a L'Épée et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 1616-22 Jacques Callot French. Le Duelliste a L'Épée et au Poignard (The Duelist with a Sword and Daggar), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 398577

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Man with gender pig, 1660 print A man walking to the right with a slender pig on his back. Italian fresh in the lower margin. The print is part of an album. paper etching / pen street-trader. 'cris de Paris', cries of London, etc.. butcher, slaughterman. slaughtered ox or pig

Landscape with a cow between two fantastic beings on horseback; Das Neuw Grottesken Buch Nürnberg 1610; Leaf of the "Neu Grotesken Buch" 1610. The cow bears a large tree between the horns. Two children suck on her udders. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three pastry sheets, two text sheets with the assignment and the preface and 60 sheets, divided into three books

Soldier with a helm that his powder horn opens (no. 22), ca. 1600. a soldier, full of, to the right, holding a stir (a certain type of firearm) with his left hand at his left bone (a certain type of firearm), pointing up the course diagonally (No 22), ca. 1600. He opens a Kruithoorn with his right hand. Plate 21 in the instructions for handling the helm. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Gheyn, Jacob de (II), Netherlands, Baudous, Robert de, Wapenhandelinghe van Roers Musquetten ende Spiessen, Soldier blowing his fuse clean, while he covers the pan of his musket with two fingers to protect it from sparks, A soldier, full-length, holding a musket (a type of firearm) with his left hand. The burning fuse lies on the cock (part of the ignition mechanism) of his musket. He blows over it, while covering the pan (the powder reservoir) of his musket with the index and middle fingers of his right hand, to protect the powder from sparks from the fuse. This print is part of a series of 43 numbered prints of musketeers from the Armistice., print, prints, height 272 mm, width 194 mm, 1565 - 1629-03-29, print maker, printmaker, 1597 - 1607, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), 1574 - 1659, Work conception

Duitse soldatenvrouw of marketentster ; The Germans, the wife of the soldier ' ; The habit of almost all the nations of our time , has never until now this aediti. Duitse soldatenvrouw that met het leger meetrekt . Onderdeel van kostuumboek titled , " almost all the people of our age habit never had this aedis' , Venice, 1569, 1569 Heruitgave shipped van de Eerste editie shipped 1563.

Notice to connoisseurs.... in case there are any left in France!, from 'News of the day,' published in Le Charivari, May 25, 1872 May 25, 1872 Honoré Daumier. Notice to connoisseurs.... in case there are any left in France!, from 'News of the day,' published in Le Charivari, May 25, 1872. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). May 25, 1872. Lithograph on newsprint; second state of two (Delteil). Prints

A Lady Greeted by a Dwarf. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Jacques Callot (1592-1635). "Varied figures, the Turkish seen from the back. Fourteenth number of a series of 16 pieces" (Lieure 211, Meaume 739). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-26 Etching, engraving

Edouard Eckman after Jacques Callot (Flemish, born c. 1600), The Dance, 1621, woodcut

L'homme s'apprêtant a tirer son sabre Man Preparing to Draw his Sword. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Waving fool, Pieter Jansz Quast (Possible), after Pieter Jansz Quast, 1639 - 1706 print A fool, with a big belly and a sword on his pants, waves in the direction of the viewer. He wears a hat with two long springs. The print is part of a series of twelve prints with fools. print maker: Netherlandsafter design by: Netherlandspublisher: Amsterdam paper etching / engraving fool, simpleton, numskull. head-gear (+ feathers used for clothes)

Two Putschoonmakers, 1660 print Man with reel with rope on his back, walking to the left behind another man with a bucket on his back, half depicted. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. 'cris de Paris', cries of London, etc.

Two men with baskets and a woman with a child, c. 1652 drawing Study magazine with two men wearing baskets and a woman with a child. Zwolle paper. ink. chalk brush

French early 16th Century, Do Not Put Food in a Chamber Pot (fol 24 recto), c 1512 1515 Do Not Put Food in a Chamber Pot fol. 24 recto

Sitting beggar, Jan Gillisz. van Vliet, 1632 print A sitting beggar with a high back and a walking stick, left. Leiden paper etching beggar. walking-stick, staff. hunchback

Commedia dell'Arte figure with guitar, sword and mask; Varie Figure Gobbi Di Jacopo Callot; Various grotesque figures; Dwarfs and iced. Commedia dell'Arte figure, seen from the front, a guitar, a hat with two feathers on the head, a mask for the face, a sword on his right. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Hippolyte lardé par Cupidon. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Manke man, Pieter Jansz. Quast, Frederik de Wit, 1639 - 1706

This woodcut by Cranach Workshop, 1545, depicts a man holding a saber in his left hand removing a reversed papal crown from a table, showing figure, posture, gesture, and composition.

Waving foolish; Twelve fools. A fool, with a large belly and a sword to his pants, waving in the direction of the spectator. He wears a cap with two long feathers. The print is part of a series of twelve prints with fools.

A gray brush and graphite drawing by Adriaen Pietersz. van de Venne showing a bedding scene with a beggar cleaning her child's buttocks, executed with gray lavated brushwork.

Taming a horse, draughtsman: Jean Bernard, 1775 - 1833, paper, h 171 mm × w 225 mm

The Death of Lucretia 1624-63 attributed to Francesco Allegrini Italian. The Death of Lucretia 338040

8. Flageolet player. Man scraping a grill as a violin. (Title Title) | Gobbi. (Title of the whole)

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: seventh board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Unknown (1850-1900); Johan Thomas Lundbye (1818-1848), the Roever with the Work, (1840)

Jacques Callot, The Hooded Cripple, c 1622 The Hooded Cripple

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. New France. Twenty-seventh number of a series of 52 pieces. (A. de Vesme 585; Dutuit 117) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Peasant Removing His Shoe. Dated: c. 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Jacques Callot, The Dance, c 1617 The Dance

Rope-jumping boy, Harmen ter Borch, 1648, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 21-May-1648, paper, brush, h 116 mm × w 91 mm

Le Bossu a La Canne (The Hunchback with a Cane), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 1616-22 Jacques Callot French. Le Bossu a La Canne (The Hunchback with a Cane), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 398570

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Soldier who puts the tip of his skewers forward with his right hand and grabs the shaft with his left hand (no. 22), ca. 1600, 1597 - 1608 A soldier, to the right, who with his right hand puts the tip of his skewer (lance) forward and grasps the shaft with his left hand (no. 22), ca. 1600. Plate 22 in the instructions for handling van de Spies: Enseigement letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, who with his right hand puts the tip of his skewer (lance) forward and grasps the shaft with his left hand (no. 22)

Elderly beggars, Pieter Jansz Quast, 1634 - 1638 print An old beggar couple runs over a plain. The man has a walking stick with him. In the background a tower and a tramp with a child. The print is part of a series of twenty -six prints with beggars and farmers. The Hague paper etching / engraving beggar. tower, clock tower ~ monumental adornment. old woman. old man. walking-stick, staff

Three walking figures, a man from behind, Harmen ter Borch, 1651, Study sheet with three walking figures, the man on the left carries a heavy plank, the man in the middle a kind of stick and the woman on the right two loaves of bread., draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 25-May-1651, paper, brush, h 27 mm × w 85 mm

French early 16th Century, Turn aside the Sharp Sword (fol 44 recto), c 1512 1515 Turn aside the Sharp Sword fol. 44 recto

November, anonymous, 1600 - 1699 drawing paper brush woodcutting, woodcutter ~ forestry. sausage. November and its 'labours'

Gertruida van Saxen and Robrecht I de Fries; The graves and gravingen of Holland. Poster of wood block that was used as a left half of a leaf. Gertruida van Saxen and Robrecht I de Fries on horseback. Weapons and caption are missing.

Soldier who holds his skewers upright in front of him high above the ground (no. 3), ca. 1600, 1597 - 1608 A soldier, who holds a skewer (lance) with both hands upright in front of him high above the ground (no. 3), ca. 1600. This is the second action for the rise of the skewers. Plate 3 In the instructions for handling the skewers: letter instruction Upon the counteractinges, Concerning the Right use, or all what a souldier needeth to know in handling of the pike. Part of the illustrations in an English edition of J. de Gheyns Weapons Handelhe: J. de Gheyn, The Exercise of Armes for Calivres, Muskettes and Pikes After The Ordre of Maurits Prince of Orange, The Hague 1608. Water a needy. Northern Netherlands paper engraving A soldier, who holds a skewer (lance) with both hands upright in front of him high above the ground (no. 3), ca. 1600. This is the second action for the rise of the skewers. Plate 3 In the instructions for handling the skewers: letter instruction Upon the counteract

Edouard Eckman after Jacques Callot, Man Moving Abruptly, 1621 Man Moving Abruptly

Two grotesks with sword and shield, 1600 - 1625 print Two grotesque figures, half human, half animal, against each other with Zward and Shield. From series of 12 paper engraving ornament ~ grotesque

A man washes a pearl, Jacques Callot, 1646 print Presentation of a man, standing in a landscape, who drives a pearl on a scale with water from a jug. This magazine is part of the emblem series 'Life of Maria in Emblemen'. In addition to a title page and 26 emblems, the first state of this series also includes three blades with hymns on Maria in book print without image. print maker: Nancypublisher: Paris paper etching animals (+ pearl ~ product of animal)

Justitia. Woman with scales, standing next to a palm tree.

Boy carrying a basket and a pole, to the right. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 20-Oct-1651. Place: Zwolle. Measurements: h 95 mm × w 114 mm. Museum: Rijksmuseum, Amsterdam.

Children playing in front of the side of a building in Zwolle. Draughtsman: Moses ter Borch (attributed to). Dating: c. 1656. Place: Zwolle. Measurements: h 68 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Mars a Cupido, Hendrik Van Der Borcht (II), After Parmigianino, 1638 print On the left, the God Mars is in full armor. With his left hand he points to Cupido. On the right is Cupido, with arrow and arch. Print from a series to various drawings by Parmigianino from the Arundel collection. paper etching (story of) Mars (Ares). (story of) Cupid, Amor (Eros)

fatti nella Turchia, di Nicolo de'Nicolai del Delfinato, signor d'Arfeuilla, cameriere, and geografo ordinario del Re di Francia, con diuerse singolarità uiste, and osseruate in quelle parti dall'autore, Nicolay, Nicolas de, 1517-1583, 1580

An Old Man with a Cape and a Rustic with a Backpack. Dated: 1750s. Dimensions: overall: 8.5 x 9.3 cm (3 3/8 x 3 11/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Northern African man, Léon Davent, after Luca Penni, after Nicolas de Nicolay, 1555 - 1568 print Print is part of an album. Lyon paper etching Africans. slavery; serfs and the enslaved

Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with the Large Mantle, Seen from Behind), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Le Gentilhomme au Grand Manteau, Vu de Dos (The Gentleman with the Large Mantle, Seen from Behind), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

bekend, Teniers, David (II), Brussels, Boel, Quirin, Peasants in full length, Two farmers, each with a stick, unknown, verso - stamped, print, prent, prints, prenten, height 120 mm, width 91 mm, 1620-01-25 - 1688, print maker, printmaker, 1630 - 1668, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1610 - 1690-04-25, after a design by, Publication (Event), Publication, publisher, granter of privilege

Seventh pair, Anonymous, After Christoph Murer, 1590 print paper letterpress printing bagpipe, musette

Jacob struggling with the angel.

Two women in traditional costume. Artist: Gillis van Scheyndel (I). Draughtsman: Jan Dircksz. Soutman. Intermediary draughtsman: Willem Pietersz. Buytewech. Dating: 1631. Measurements: h 169 mm × w 228 mm. Museum: Rijksmuseum, Amsterdam.

Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Les Deux Pantalons se Tournant le Dos (Two Men in Pantsuits Turned Away from Each Other), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Jacques Callot (1592-1635). "The whims, the peasant shocking. Thirtieth number of the suite of 50 pieces engraved in Nancy" (Lieure 457, Meaume 829). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-3 Etching, engraving

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Cards of the Kings of France. Neither good nor bad: François II, Charles the Chauve Emperor, Louis the Bègue Emperor. (A. de Vesme 685; Dutuit 119) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Drunk soldier accompanied by a woman, Karel van Mander, 1588 drawing paper. ink pen / brush drunkard

Standard Bearer. Dated: 1621. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Edouard Eckman after Jacques Callot.

Luyken, Jan, Haarlem, Numan, Hendrik, Crippled beggar with a stick, print, engraving, prints, height 114 mm, width 85 mm, 1736-03-21 - 1788, print maker, printmaker, 1746 - 1788, paper, papier, houtsnede, Work conception, Noord-Nederlands, 1649-04-16 - 1712-04-05

"Do Not Wear a Tight-Fitting Ring" fol. 23 recto. Dated: c. 1512/1515. Dimensions: overall: 16.3 x 10.7 cm (6 7/16 x 4 3/16 in.). Medium: pen and brown ink with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: French early 16th century.

Three samples, Anonymous, After Arent van Bolten, c. 1604 - c. 1616 print The left monster is wearing a lance and has a sword overgord. No. 6 from series of 7 magazines. Paris (possibly) paper engraving ornament ~ grotesque

Boy wears another boy on the back, 1651 drawing Zwolle paper. ink. chalk brush

MARINEROS JALANDO UN CABLE EN EL PUERTO DE BARCELONA- 1529- GRABADO PERTENECIENTE AL CODICE DE LOS TRAJES-TRACHTENBUCH-RENACIMIENTO ALE. Author: CHRISTOPHE WEIDITZ (1500-1559). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

"Etching by Augustin Hirschvogel from 1547 depicting the biblical figures Elisa and Naman, showing gestures, figures, and landscape elements."

LIBRO PASANTIAS, S.XVII SOLDADO CON BANDERA DE STA EULALIA. MUSEO DE HISTORIA DE LA CIUDAD DE BARCELONA.

Running man, leaning on a stick, to the right, 1651 drawing Zwolle paper. ink. chalk

Master of the E Series Tarocchi, Chavalier (Knight), c 1465 Chavalier (Knight)

Sketch for a Cotton printing: Robinson Crusoe, Graphite on paper, Friday kneels before Robinson Cruso, and gestures toward a scimitar on the ground, and holds Crusoe's right foot in his left hand. Crusoe balances himself on his gun., France, probably after 1810, Drawing, Drawing

The cries of Paris: the oyster merchant (dummy title)

Weapon of Willem V, Prince of Oranje-Nassau. Weapon of Willem v with a crown, decorated with the garter and the desoons of the garter of the garter. Around it around a number of allegorical objects, the Dutch lion and an allegoric figure.

Venus, plate five from Der VII Planeten Artist's working dates 1643-1689 Switzerland. Etching in black on ivory laid paper . Conrad Meyer

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