Historical Allegories and Figures

A collection of intricate engravings featuring allegorical figures, Roman themes, and historical depictions tied to justice, virtue, and religious motifs.

Antwerp, Galle, Cornelis (II), Lepautre, Jean, Ertinger, Franz, Tabernacles decorated and decorated with altarpieces of Altari, Tabernacle with a painting of Mary and Child, Tabernacle with a painting of Mary and Child. Print is part of an album., print, ornamental print, album sheet, prints, height 227 mm, width 146 mm, 1640, print maker, printmaker, 1658 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

. In the middle a base with the title of the book work. All kinds of figures from Roman antiquity around the pedestal. Links religious objects such as a sacrifice block and offering a temple in the background. Right military objecen, with a triumphal arch in the background. Two putti keep a medallion up with the portrait of Romelus. The print has an ornamental frame.

. The murderous slave is brought to prison by two soldiers. The performance is caught in a list of rollerwork and ornaments.

Allegory of Princess Anna, ca. 1759, 1759 - 1760 print Allegory with centrally the Dutch virgin and justice. At the top of portrait medallions of the spouses Prince William IV and Anna van Hannover between their two children Prince Willem V and Princess Carolina. Left and right scenes from their lives. Northern Netherlands satin etching / engraving personifications of countries, nations, states, districts, etc.. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Netherlands

Antwerp, Galle, Cornelis (II), Lepautre, Jean, Ertinger, Franz, Tabernacles decorated and decorated with altarpieces of Altari, Tabernacle with a painting of Mary and Child, Tabernacle with a painting of Mary and Child. Print is part of an album., print, ornamental print, album sheet, prints, height 227 mm, width 146 mm, 1640, print maker, printmaker, 1658 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

Amsterdam, Halma, François, Goeree, Jan, Chatelain, Zacharias (II), Luyken, Basilius, Bishop of Caesarea in Cappadocia. His conduct towards the Poor, St. Basilius of Caesarea, church father, verso - stamped, The holy church father Basilius of Caesarea, standing on a pedestal. On the obverse the scene in which Basil distributes food to the poor. Print marked at the top center: III. Part Pag. 311 (mostly cut off)., print, book illustration, prints, height 266 mm, width 162 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings, engraving, engraving (printing process), 1690 - 1754, 1670-10-20 - 1731-01-04, intermediary draughtsman, after a drawing by, 1653-01-03 - 1722-01-13, writer, Publication (Event), Publication, publisher

Engraver: Domenico Maria Bonaveri, Italian, 1653-1731, After: Annibale Carracci, Italian, 1560-1609, The Founding ofRome, Engraving, sheet: 45 × 32.1 cm (17 11/16 × 12 5/8in.), Italian, 18thcentury, Works on Paper -Prints

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Ornemens de Paneaux, Title page: Ornemens de Paneaux, Panel in architectural moulding with an oval medallion with the Virgin Mary, Joseph and Christ in the centre; at the top God the Father and at the bottom a cartouche with the title., print, ornament print, prints, ornament prints, height 223 mm, width 145 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1655 - 1657, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, granter of privilege

The symbol for the suffering Christ, the pelican feeding her young with her own blood, is surrounded by a wreath and flanked by personifications of love (left) and science (right). Above the pelican, within a cartouche, is the image of Christ making himself known to his disciples during the meal. One of the disciples drinks the blood that spurts from Christ's side. Below the wreath is a four-line verse in Dutch, Pelican feeding its young with its own blood Title page for: D. van Baardt, Tapytje der geestelijcke en wereldtlijcke rulership, 1661, print maker: P. Langweer, (mentioned on object), publisher: Hendrick Stuyfzandt, (mentioned on object), Steenwijk, 1661, paper, etching, engraving, h 130 mm × w 84 mm

Minerva and Apollo accompany Ovidius to a temple, Jan van Vianen, after Jan Goeree, 1697 print Minerva removes Ovidius from his winged shoes. Her shield lies on the floor. At a temple is Apollo that keeps the door of the temple open. On both sides are Hermen of the Kronos and Rheia gods. On top of the Temple Apollo, Pegasus and the Muses on Mount Helicon. Amsterdam paper etching / engraving (story of) Ovid. Aegis: shield with Gorgon's head (attribute of Minerva). (story of) Minerva (Pallas, Athena). (story of) Apollo (Phoebus). Helicon, sacred to the Muses

Title print with text, allegorical figures, coat of arms, garlands, ornament heads and putti; Title print of part 3 of Austriacae Gentis Imaginum; Portraits of members of the Austrian home; Austriacae Gentis Imaginum. .

Abbess. Dated: 1651. Medium: etching with border "Time and Eternity" (Pennington 233C). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

This woodcut by Lucas Cranach the Elder depicts the martyrdom of St. Judas Thaddaeus. The image shows the saint being clubbed to death, a traditional representation of his death. The composition emphasizes the brutality of the act and the saint's unwavering faith. The work is part of a series illustrating the deaths of Christian saints.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Woman in labor cries out for the help of Juno Lucina, verso attachment sheet - stamped, A woman in labor on a bed. She is being held by a woman. Another woman sits between her legs, holding a baby. The woman in labor cries out for the help of Juno Lucina (goddess of childbirth). Below a four-line verse in Italian. The representation is set in a decorative frame with putti and skulls., print, prints, height 135 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Charles 2

Beck, Kirstine.

Title print of the action window or the front court of Quinquenpoix, 1720, Pieter van den Berge, 1720 print Title print of the action window or the Voorhof of Quinquenpoix. In the central performance, a man with a love declaration for a woman who rejects him (according to the text: John Law and SCHOOD), in the Cupidos and Arrow Thokers frame. With two lines in the caption. This plate is printed in the middle of a larger plate with a wreath made up of all kinds of objects that have to do with the wind trade. At the bottom are Mercury and Neptune. In the plate a caption with two verses. Prent 49 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. paper etching / engraving being refused, the proposal rejected

Family crest of the doctors in decorated list accompanied by the personifications of justice and faith, Dietrich Krüger, after Andrea del Sarto, 1618 print maker: Florenceafter design by: FlorenceVaticaanstadVeniceFlorence paper engraving armorial bearing, heraldry. Fides (faith) as Roman personification. Justitia (justice) as Roman personification

Negotiations with the German commanders about the departure of the garrison, 1577, 1578 print Negotiations between Liedekercke, Roeck and Bourse and the German commanders about a lump sum payment for the departure of the German garrison, 2 August 1577. Group men standing in consultation, in the background the Citadel. In the clouds the personification of God's punishment. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of generosity (liberalitas) and undeniability (ingratitudo). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Southern Netherlands paper engraving Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa). Ingratitude; 'Ingratitudine' (Ripa). Punishment; 'Castigo', 'Pena', 'Punitione' (Ripa). negotiations for truce Citadel of Antwerp (16th century)

Blazoen van de Lelie (Diest), 1561, 1561 - 1562 Blazoen van de Lelie, Rederijkerskamer van Diest. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Blazoen van de Lelie, Rederijkerskamer van Diest. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Turenne, Henri of the Tower of Auvergne, Viscount.

Gregor XIII., papa .

Portrait of Charles-Bonaventure de Longueval, Count of Bucquoy. Allegorian portrait on the death of Charles-Bonaventure de Longueval, Count of Bucquoye. The warrior is surrounded by Hercules and Allegorical figures in the ornamental frame.

Blazoen of the Antwerp St. Lukas -Gilde, Anonymous, 1500 - 1549 print Symbolic representation of the Antwerp St. Lukas-Guilde and the Rederijkerskamer de Violieren. In architectural accompanying representation of Holy Lucas who paints Virgin with the Chrsitus child. On top of frame two sitting women, personifications of Memoria and Eloquentia, in addition to the performance in Nissen Musica and Retoric. Among them arms of Antwerp. One shield held by winged ox. Entirely below text in two columns. paper coat of arms of Guild of St. Luke. St.Luke painting or drawing the Madonna (i.e. Mary and the Christ-child), sometimes Joseph present. Memory; 'Memoria' (Ripa). Eloquence; 'Eloquenza', 'Fermezza & Gravità dell'Oratione' (Ripa). 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa). 'Rhetorica', 'Eloquentia' (~ trivium); 'Rettorica' (Ripa) Antwerp

Remus voor Koning Amulius, Louis de Châtillon (Rejected Attribution), after François folded, after Annibale Carracci, 1659 print paper etching / engraving Remus is captured during the festival of the Lupercalia and brought before Amulius

Design for the tomb of Hugo de Groot, died 1645, Jan Caspar Philips, after Rombout Verhulst, 1711 - 1713 print Design from 1663 for the tomb of Hugo de Groot, died August 28, 1645, for the Nieuwe Kerk in Delft. The assignment for the design granted to Rombout Verhulst in 1663; The design was ultimately not executed. Netherlands paper etching grave-building, monumental tomb new church

Frontispiece to Les Entretiens de Monsieur de Voiture et de Monsieur Costar ca. 1654 Nicolas Regnesson. Frontispiece to Les Entretiens de Monsieur de Voiture et de Monsieur Costar. Nicolas Regnesson (French, 1625-1670). ca. 1654. Etching and engraving. Prints

In an oval frame decorated with ornaments a depiction of a mother breastfeeding her child Next to her two other children One of them has her reading something from a book, while the other beats a drum In the background, children are playing games The print has a Latin and French caption, Man at Ten Years of Age Ten Ages of Man , print maker: Gerard van Groeningen, (mentioned on object), Gerard van Groeningen, (mentioned on object), Hugo Favolius, (possibly), Antwerp, 1569 - 1575, paper, etching, engraving, w 242 mm × h 202 mm

Arms of the Pfinzing von, Matthias Zündt, German, 1498 - 1572, Etching Support: white laid paper tipped into beige paper, Germany, Germany, 1569, ephemera, Print, Print

. The marriarized servant is brought by soldiers for the king's throne. His debts had lost him by the king, but then he had put another slave in prison, because it in turn was guilty of him. The king is evil because the slave has not shown as he has shown pity. The show has been caught in a table with rollerwork and ornaments, in which birds and fruits are processed.

Top left a medallion with Cain killing Abel. Top right a medallion with Abraham and Lot dividing the land. In the center, a depiction of Joseph, king of Egypt, with his entourage. Bottom left Moses, lying in the basket, is found and given to Pharaoh's daughter. In the lower right, David is showing a piece of his cloak to Saul. This print is an illustration from 'Uitgezogte bijbelsche storyen, tot een leesboek voor de jeugd', Five biblical scenes on one sheet, print maker: Theodoor Koning, Jacobus van Meurs, publisher: Kuijper & van Vliet, Amsterdam, 1794, paper, etching, h 153 mm × w 91 mm

Allegory of nature and painting, Cornelis Schut (I), 1618 - 1655 print On the right, a painting woman symbolizes painting. She is working on a painting with Fortuna and De Tijd. On the left, a child squeezes his eyes close to the gap of Natura. Putti stops a banner with a recruiting text in Latin for the prints of Cornelis Schut. Intended as a title page paper etching / engraving 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). breasts giving milk - AA - female human figure

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno frightened by the Furies, verso attachment sheet - stamped, On the left the three Furies before a cave. On the right Juno running away frightened and her peacock. Below a four-line verse in Italian. The representation is set in a decorative frame with putti, masks and herms., print, prints, height 132 mm, width 107 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, engraving, engraving (printing process), Work conception, after own design by

SaintRoch. Artist: Daniel Hopfer the Elder, German, 1470-1536

Boer and farmer between agricultural equipment and cattle as a frame of Cartouche, Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1664 print Boer and farmer's wife sitting on an elevation between agricultural equipment and cattle as a frame of cartouche with a ten -line fresh in Latin. Two fish on either side of the cartouche. paper engraving / etching agricultural implements. cattle. spinning (manufacture of yarn). dairy products and eggs. farmers

A drawing by Abraham van Diepenbeeck showing an insert by Count Monteray with a women's portrait below and a princess enthroned above, executed with brown pen, gray wash, and white highlights.

Islamic Galace slaves on either side of a Cartouche, M. Schaep, After Cornelis de Wael, 1649 print The cartouche in the middle contains an assignment in Latin and is decorated with the coat of arms of Joannes d'Easso and two winged women's busts. On either side of the cartouche is a chained Islamic Galace slave with rowing pans under his feet. Behind each of them is an Islamic Galace slave with a musical instrument. The left man plays a trumpet and the right a drum. These men made as a slave can be recognized as Muslims by the typical haircut (head except for a bare shaved) that they were obliged to have. In the background cannons and different flags. Print Maker: Northern Netherlands Figter Design by: Genuapublisher: Northern Netherlands paper etching armorial bearing, heraldry. slavery; serfs and the enslaved. musician. (military) flags and standards

Evangelist Matthew with halberd in frame with architectural ornaments S. Matthaevs SS. Apostolorum et Evangelistorum Icones , print maker: Jan-Baptist Barbé, (mentioned on object), intermediary draughtsman: Theodoor van Loon, publisher: Jan-Baptist Barbé, (mentioned on object), 1588 - 1648, paper, engraving, h 129 mm × w 94 mm

Etching by Romeyn de Hooghe representing an allegory of the wedding of Wilhelm III and Maria Stuart, created in 1677, showing symbolic figures and decorative elements.

Title sheet for the pamphlet: Grafschrift by Marforio about one of the fathers of Jaquet Bandyt, 1701, 1701 print Cartoon on the death of Jacobus II. Marforio gestured against the son of Jacobus II (the Molenaarskind), between and in a monument with a look at the Hôtel des Invalides in Paris. Title is on a separate text sheet. Netherlands paper etching / letterpress printing Hotel invalid

Hendrik Frans Diamaer, The Steps of Age (Trap des Ouderdoms) The Steps of Age (Trap des Ouderdoms)

New Year Postcard from the Haarlem Chamber of Rhetoric The Wijngaertrancken, 1600, The Netherlands, Jacob Matham, 1600

Hippokrates .

Relief supported by two sphinxes, 1661 print At the top a woman is depicted in an octagonal frame. From series of 12 sheets with ornamental panels made up of medallions, tablets, Frisians, sarcophagi, vases, shields, garlands, climbing plants and putti, placed along a vertical axis. From the first edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

Portrait of Girolamo Barbarigo with the personnifications of wisdom and martial art; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top of this a medallion with the portrait of Girolamo (Hieronymus) Barbarigo, procurator of the Basilica of San Marco in Venice. A knight on horseback on the back. The pedestal is flanked by a Roman man in gown with caduceus or snake bench and a hearted woman with sword. They hold a wreath of bay leaves and a wreath of oak leaves above a stack of books and a weapon equipment. It is possible to make the personnifications of wisdom and martial art. The print is part of an album.

Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik, 1629; Dutch Triomff Tonneel. Allegory on the conquest of 's-Hertogenbosch by Frederik Hendrik on September 17, 1629. On a stage, the Stadholder Frederik Hendrik is married by the Bishop Ophovius with the city mawn from Den Bosch. Behind the city mawn is governor of Grobbendonck, like the bride's father. The columns on either side of the stage decorated with weaponian and medallions with previous military conquests under the policy of the Stadholder. At the top a canvas with a map of the siege of Den Bosch hangs. Left Portraits of Palatensgraaf Frederik van Bohemia, Frederik Hendrik and Ernst Casimir, on the right the portraits of their spouses. Printed entirely of three plates.

Nuremberg, Bussemacher, Johann, Amman, Jost, Title page for: Michael Eizinger, Könige in Frankreich, 1598, Coat of arms flanked by two angels with a laurel wreath, verso - handwritten in brown ink, print, engraving, title page, prints, engravings, verso - stamped, 158, height 103 mm, width 78 mm, Swiss, 1539 - 1591-03-15, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, plaattoon, Publication (Event), Publication, German - 1627, publisher

Title page of a 1654 edition of 'The Satyricon', or Satyricon liber ("The Book of Satyr like Adventures"), This Latin work of fiction was written by Gaius Petronius Arbiter c. 27 - 66 AD; Roman courtier during the reign of Nero. the Satyricon is believed to have been written during the Neronian era (54-68 AD).. The Satyricon is an example of Menippean satire,

Plate 18: Illustration to Canto XVIII, from Torquato Tasso's 'Gerusalemme liberata III' ca. 1590-1630 Antonio Tempesta Italian. Plate 18: Illustration to Canto XVIII, from Torquato Tasso's 'Gerusalemme liberata III'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-1630. Etching. Prints

Title Print: Hollands Aeloude Vryheid, buyten the city center. Title Print for: Dutch Aeloude Vryheid, buyten the city center. The Republic as Minerva with freedom hat on the Lans, monument with title, Neptune, Eendracht and Mars. At the top right blows the fame on a trumpet.

Modern Grotesque with Strapwork 1557 Johannes van Doetecum I Netherlandish. Modern Grotesque with Strapwork 408536

Tidemann, Philip, Lairesse, Gerard de, Amsterdam, Baptist, Jacobus, Coronation of William III and Mary Stuart, 1689, Allegory of the coronation of King William III and Queen Mary II Stuart, 21 April 1689. William III and Mary Stuart kneel on either side of Justice. Two putti place crowns on their heads. An angel blows a trumpet. Justice hands the couple scepters. The people are present in large numbers., print, picture, history print, book illustration, prints, pictures, Frederik Muller Historieplaten, height 175 mm, width 152 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1696 - 1700, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1641 - 1711, after a design by, 1657-09-22 - 1705-06-09, intermediary draughtsman

Illustration at Canto VI of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Ornamental decorative frame with a surface with eight Italian verses at the top. At the bottom of a performance at Canto VI of Tasso's 'Gerusalemme Liberata'. Soldiers on horseback, seen from behind, look at a battle between two fighters on horseback. In the background the hostile army for the city walls of Jerusalem. Italy paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. ornaments ~ art. ornament ~ cartouche. battle. warfare; military affairs (+ cavalry, horsemen) Jerusalem

Ex libris Gerard Thibault, Michiel le Blon, 1597 - 1630 print Tablet with motto and coat of arms of the Thibault family, flanked by unicorns and adorned with a swan. To the left and right of the tablet are Minerva and Mercury, above and under shears of a rider and the hunt. The four corners of the performance are decorated with measurement and musical instruments, weapons and attributes of the trade. paper etching ex-libris. armorial bearing, heraldry. (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes)

Antwerp, Moretus, Balthasar (I), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: S. Simonini, Silvae Urbanianae, 1637, Apollo and Erato at the source of Hippocrene, verso - stamped, Apollo the god of the arts and the muse Erato next to the source of poetic inspiration, the Hippocrene. Erato points to the coat of arms of Pope Urban VIII with three bees. In the cradle before her lies the ancient poet Pindar as a child. Bees feed him with honey., print, title page, prints, height 190 mm, width 132 mm, 1576 - 1650-03-29, print maker, printmaker, 1637 - 1637, paper, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, Flemish, 1574-07-23 - 1641-07-08, publisher

Title page for algebra or new set-rule. Title page for the book 'Algebra or new set-rule', with an armillarium under the title. The title is flanked by two men, of which a notes, and the other has focused his eyes to heaven. The title is held by two putti with trumpets. Under the title, Father lies with hourglass and Zeis. In addition to him two sheets with geometric models.

Two portraits of Johan and Christian Friss, Chancellors of Denmark, are placed on a pedestal by three putti; Johan Friis Chancelier Christian Friis Chanselier.

The title plate is held up by a man with the letter Y on his hat. Mars and Minerva Hold a laurel wreath above title, while the kneeling Mercury points to it., Allegory of good government Ferdinandi I. II. III. IV. (series title), print maker: Johann Caspar Dooms, (mentioned on object), Franciscus de Bruyn, (mentioned on object), Praag, 1650, paper, engraving, h 156 mm - w 124 mm

Plate 11: Illustration to Canto XI, from Torquato Tasso's 'Gerusalemme liberata III'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet (Trimmed): 11 5/16 × 19 7/8 in. (28.7 × 50.5 cm). Date: ca. 1590-1630. Museum: Metropolitan Museum of Art, New York, USA.

Illustration at Canto VI of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a show at Canto Vi of TASSO's 'Gerusalemme Liberata'. Soldiers on horseback, viewed from behind, watching a battle between two fighters on horseback. In the background the enemy army for the city walls of Jerusalem.

Architectural object, resembling a funerary monument In the center two medallions: on the left the portrait of Odoardo Farnese and on the right the Three Graces Above the medallions attributes of battle including banners, trumpets and shields, Architectural object with portrait of Odoardo Farnese, Duke of Parma and Piacenza, print maker: Giuseppe Pini, (mentioned on object), Giuseppe Pini, (mentioned on object), Italy, 1706 - 1796, paper, engraving, etching, h 186 mm - w 143 mm

True and accurate illustration , part , title page, Archbishop Kolonis, After, Belau, Drawer, Johann Andreas d, Pfeffel -, publisher, Georg Daniel Heumann -, Copper Engraver

Camus, Jean Pierre.

Praalgraf van Maarten Tromp, 1653, 1665 - 1667 print Admiral Maarten Tromp, killed in the naval battle at Terheide on 10 August 1653. The pompal grave in the Oude Kerk in Delft completed in 1656. Northern Netherlands paper etching grave-building, monumental tomb. Battle of Scheveningen Old church

The keys of the Citadel are transferred to Liedekercke, 1577, 1578 print The keys to the Citadel are transferred by Bourse to Liedekercke, August 23, 1577. Liedekercke, Bourse and Roeck surrounded by soldiers, in the background the Citadel. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of reason (ratio) and Trouw (Fiducia). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Southern Netherlands paper engraving Reason; 'Reason' (Ripa). Fidelity; 'Faithful (Ripa) Citadel of Antwerp (16th century)

Title print with assignment to and weapon of Cosimo II De'Medics and representations of justice, caution, fame and generosity, Antonio Tempesta, 1613 print print maker: Italypublisher: RomeRomeItalyItaly paper etching cupids: 'amores', 'amoretti', 'putti'. coat of arms (symbol of sovereignty). Prudentia (Prudence) as Roman personification. Fama as Roman personification. Justitia (justice) as Roman personification. Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa)

. New Year's Sprent of the Haarlem Rederijkerskamer de Wijngaerracken, 1600. Centrally a diamond-shaped representation of the resurrection of Christ, with the motto: Lovely above all. Up under a balance of vines The sitting female personifications of faith (Fides), Love (Charitas) and Hope (SPES). Left and right the weapons from Holland and Haarlem. On the pedestal The date 31 December 1600 and a verse of 2 times 8 lines in Dutch with the assignment in 5 lines in Latin and a rebus.

Triomf gate founded by the Jesuits on the Meir; On the dish through the honorable P.P. Jesuwits on the lake. Triomf gate founded by the Jesuits at the Meir in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Jacques Callot, Frontispiece for the Sacred Cosmologia (Title with Astrologers) Frontispiece for the Sacred Cosmologia (Title with Astrologers)

Jacques Callot after Andrea Boscoli, The Possessed, probably c 1620 The Possessed

Fouquet, Charles Louis Auguste Duc de Belle-Isle.

Italy, Bonasone, Giulio, Amori sdegni et gielosie di Giunone, Love, anger and jealousy of Juno, Juno orders Sleep to descend on Jupiter, verso attachment sheet - stamped, Juno and the god of sleep stand before a wall with an arch. Juno asks him to descend on Jupiter. Below a four-line verse in Italian. The representation is set in a decorative frame with putti and sphinxes., print, prints, height 134 mm, width 102 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Cartouche flanked by slaves; Ports with slaves and sailors. Cartouche on which an assignment in Latin, awarded a coat of arms. The cartouche is flanked by two slaves. Behind them two Asian musicians. Diverse flags in the background.

Savary, Jacob, Man with a spade, verso - stamped, Bookmark of publisher Jacob Savary. A digging man in a frame of branches and above it a wreath held by a hand coming from heaven. On the left is a Roman-clad soldier and on the right a woman with a broken column. At the bottom ornaments with fruit, birds and garlands., print, prints, height 119 mm, width 114 mm, print maker, printmaker, 1627 - 1665, paper, papier, houtcut, Publication (Event), Publication, 1617 - 1665, publisher

Cadmus kills the dragon. Cadmus kills the dragon that his companions devoured. The mythological representation is faced in a medallide-shaped list. Left of this shows a woman with a flute on sheet music above the list. On the right play three putti different instruments. At the bottom of the print is a three-legged caption in French.

Jacques Callot (1592-1635). "Cosme II founded the" Madonna Charity Company "or dedication piece to Cosme II" (Lieure 145, Meaume 882). Chisel. 1615. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-26 Burin, Gravure

Portrait of Maurits, Prince of Orange. Portrait of Maurits. He stands in a cartouche that is ceased to the right by Mars and left by Minerva. In the middle above its weapon with a crown, above that fame with two trumpets. Left and right Attributes of the war. In the middle of six lines of Latin text.

The weapons of Suriname. Draughtsman: Bernard Picart. Dating: 1720. Measurements: h 101 mm × w 128 mm. Museum: Rijksmuseum, Amsterdam.

Téllez-Girón, 3. Duke of Osuna, Pedro.

Judgment of Count William III about the bailiff of South Holland, 1336, Bartholomeus Willemsz. Dolendo, After Jacques de Gheyn (II), 1675 - 1725 print Judgment of Count William III about the bailiff of South Holland. Central show: Count William III hands over his sword to the executioner from his sickbed. In the foreground, the Dordrecht schout kneels, on the right the bailiff is prepared for his execution by a priest de confessional. Central performance with six small scenes of the successive episodes of the story of the case law of Count William III in the year 1336. With each performance a caption consisting of a spell and a verse of two columns of eight lines. Numbered 1-5 and 7. The central performance numbered 6. Hereby a caption of 4 columns and a description in 6 columns. 1: The bailiff tries to buy the farmer's cow. On the right the bailiff of South Holland with a bag of money, left the farmer and his family. In the background the cow is milked by the farmer's wife. 2: The bai

Noordelijke Nederlanden, Perfecte Illustratiee van de Justitie over negen Geestelijcke ende Wereldlijcke personen, tot Maestricht gheschiedt in dit hedenh Year 1638, Execution of the nine persons who conspired to betray Maastricht to the Spaniards, 1638, Northern Netherlands, Executions in Maastricht of the nine persons who conspired to betray Maastricht to the Spaniards, 1638. On a scaffold Claude de la Court is quartered and his wife Angenes van Bovry beheaded on 30 April 1638. In the corners portraits of the four Roman Catholic clergymen who were involved in the plot and who were beheaded in July. At the top the nine conspirators take an oath on the Bible. Below the print a text of 3 columns is printed with a legend of the condemned AI. Print without address., print, news print, prints, Frederik Muller Historieplaten, height 337 mm, width 280 mm, print maker, printmaker, 1638 - 1638, second quarter 17th century, paper, etching, etchings, letterpress printing, letterpress

Germany, Jamnitzer, Christoph, page of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Neüw Grottessken Buch, First title page, Cartouche with inscription for a temple on which a dome rests. Page from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 pages, divided over three books., print, ornament print, prints, ornament prints, height 145 mm, width 185 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

The ABT and Death, Wenceslaus Hollar, After Abraham van Diepenbeeck, After Hans Holbein (II), 1651 print Death pulls an abbot by clinging to his habit. Thirteenth print from a series of 30 death prints; With a frame with Minerva and Hercules. paper etching dance of Death; Death together with one or more human beings. (story of) Hercules (Heracles). (story of) Minerva (Pallas, Athena)

Moses and Aaron with the Tablets of the Law (leaf left), Simon Frisius, Gerard Valck, 1670 - 1726

Chapel of the Cross (Cappella della Croce) plate L, 1612, Volume Title, Descrizione del Sacro Monte della Vernia, engraving, book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.), Illus. Bartsch 1983. nos. 130-136, Jacopo Ligozzi (designer) Italian, 1547 - 1627, Italian 16th/17th Century (engraver), Domenico Falcini (engraver) Italian, born c. 1570, Lino Moroni (author) Italian

Decoration arranged in the house of Captain Pieter Clockener on the Warmoesstraat in Amsterdam. Representation of the stadholder sitting on a throne in the temple of wisdom. On the stairs are roses and citizens offer him their hearts. On the occasion of the majority of Prince Willem v on March 8, 1766. Numbered at the top: XI.

Illustration depicting Mercury leading Venus from a Warrior Mars to a waiting Chariot, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Edward Francis Burney, 1760-1848, British, 1794, Engraving

Portret van ludovico ariosto met Kariatiden en Putti, Anonymous, 1565 print Venice paper caryatids ~ architecture. angels. Aesculapian sign. cupids: 'amores', 'amoretti', 'putti'. portrait of a writer

Leaf with two sibyles and two scenes from the pass story, Jacob Cornelisz van Oostsanen, after Lucas van Leyden, 1528 - 1532 print From series of seven magazines. Print, printed from multiple blocks, forms one whole through ornamental frame. At the top left the mockery of Christ, at the top right the scam of Christ. Bottom left the Sibylle from Tibur with hand and accompanying text, below the Sibylle Agrippa with whip and accompanying text. In frame personification of justice (Iusticia) and anger (IRA) paper mockings of Christ, who may be blindfolded. flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1). Agrippine sibyl. sibyls (with NAME). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins

Jean Duvet, La Majeste Royale, probably 1548 La Majeste Royale

Demetrius I Soter is offered the crown of Judea. Below this representation the representation of eight tokens. Print numbered top right: 341., Demetrius I Soter is offered the crown of Judea Pennies of Demetrius Soter , print maker: Jan Luyken, publisher: Wilhelmus Goeree (I), Amsterdam, 1690, paper, etching

Design by Jean le Pautre; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 29.2 x 21 cm (11 1,2 x 8 1,4 in.)

Rich man and Lazarus Title page for: H. Hillers, The gelkeny of the ryke man and Lazarus, 1698, The history of Lazarus and the rich man in one major and five minor representations. The rich man's meal is shown as a central representation, the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16: 19-31), Jan Luyken (mentioned on object), Amsterdam, paper, etching, h 183 mm × w 132 mm

Johann Friedrich, Duke of Württemberg.

Ferdinand, Archduke of Austria.

Portrait of Bartolomaeus Spranger with an Allegory of the Death of His Wife, Christina Müller. Aegidius Sadeler; Flemish, c. 1570-1629. Date: 1600. Dimensions: 293 x 416 mm (image/sheet, trimmed within plate mark). Engraving with etching in black on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Aegidius Sadeler, II.

Allegory at the birth of the Prince of Orange, 1748, 1748 print Allegory at the birth of Willem V, De Graaf van Buren, Prince of Orange, 8 March 1748. Interior with on the left the freedom and wisdom, right love on the throne, centrally two putti with an emblem with the Oranjeboom. In the caption in the plate the statement of the figures 1-9. Northern Netherlands paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Ronsard, stone of.

. Minerva (Pallas Athens) is sitting at a seat, in her one hand a lance, in the other a pedal staff, next to her a piastal stable with the weapon of Gelderland, on which a doctor's hat and a bul. In the background Harderwijk. Four weapons are included in the frame of the performance; On the left above Zutphen, in the middle the arms of Nijmegen, right above the arms of Arnhem, on the column the weapon of Harderwijk. Title page from Sedert 1756 at the University of Harderwijk (De Gelderse Universiteit) published dissertations.

This woodcut by Hans Springinklee, first published 1526, shows the triumphal procession of Emperor Maximilian I, including Duke Karl, Archduke Sigmund, Margrave Leopold, and Philipp of Castile, with figures, heraldry, and ceremonial arrangement.

Sforza, Lodovico.

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