Historical Allegories and Scenes

This collection features allegorical prints depicting historical events and figures, showcasing battles, farewells, and emotional scenes from various narratives.

Amsterdam, Visscher, Claes Jansz. (II), Saen, Aegidius van, Berckenrode, Floris Balthasarsz. van, The farmer captain is prevented from fighting, ca. 1600, verso - stamped, The farmer captain is prevented from fighting. View of a village being attacked and plundered by soldiers. A ragged man, the captain of the village, wants to fight but is stopped by two women and a child. With 4-line caption in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 227 mm, width 319 mm, 1562 - 1616-12-10, print maker, printmaker, 1572 - 1616, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Northern Netherlands, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Noah and his wife, left foreground, walk with their three sons and daughters-in-law to the ark. The animals enter the ark two by two. To the right in the sky is the tetragram as a symbol of God the Father. Below the scene is a text in Dutch and a line in Latin, Booting Noah's ark Afbeeldinghe vande Arcke met Noe en het vee daerbij Royaalbijbel (series title), print maker: Jan van Londerseel, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), publisher: Nicolaes Visscher (I), Amsterdam, 1585 - 1625 and/or 1601 - 1702, paper, engraving, etching, h 377 mm × w 524 mm

Meleager and Atalanta; Metamorphoses from Ovid. Meleager gives the head of the Calydonian wild boar to Atalanta. In the background the hunt for the wild boar, which destroyed the father's father's fields. In the margin a four-line caption, in two columns, in Latin.

Jacques Callot, French (1592-1635), Restoration of the Aquaduct at Pisa, c. 1614, engraving on laid paper restrike

Dike breach at Coevorden, 1673; Image, captive Den Dyck (...) to make the Stercke Stadt Coevorden, by stopping that water, the first October, Ao. 1673, has been bloken. Dike breach at Coevorden, October 1, 1673. Enemy riders and guns are washed away by the water, in the distance the city of Coevorden. At the top of the plate the title on a hanging cloth, left a legend 1-11, on the right a verse of 6 lines 'on cozodens miraculous redemption'. The whole in a frame with windkopes and skulls.

Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet (Trimmed): 8 7/8 × 11 3/16 in. (22.5 × 28.4 cm). Date: 1608. Museum: Metropolitan Museum of Art, New York, USA.

Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3) February 1725-26 William Hogarth British. Hudibras' First Adventure (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 3) 396574

Daughters of Reüel at De Put, Jan Luyken, 1704 print Amsterdam paper etching / letterpress printing Moses drives away the shepherds who wanted to prevent Jethro's daughters from watering their father's flock

Conversion of Paul, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 158 mm

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Standard bearers, plate 6, plate 6. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, picture, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Kleobis and Biton pull Argia on her chariot to the temple of Juno, Nicolas Pierre Loir, 1634 - 1657 print Paris paper etching Cleos and Biton draw their mother's chariot to the Temple of Juno

Mercury surprising the daughters of Aglauros' is an engraving created between 1501 and 1600. The plate mark measures 10 7/16 x 14 3/8 inches (26.5 x 36.5 cm), and the paper sheet also measures 10 7/16 x 14 3/8 inches (26.5 x 36.5 cm). The paper is cream laid

Anonymous feather drawing depicting Florentines led by Pietro and Ranuccio Farnese defeating the Pisans, on blue paper with gold accents and cross knick.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, engraving, book illustration, prints, engravings, Jacob Dirksz. with his two sons led to the stake in Antwerp, 1568, verso - stamped, 80, Jacob Dirksz Ao 1568, height 115 mm, width 142 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Publication, Northern Netherlands, - 1693-06-26

Power of Austria compared to Rome, Jacob Neefs, 1636 print The power of Austria compared to Rome. Mars on horseback with the Romulus and Remus with the Wolfin. Presentation on the front of the triumph gate Arcus Caroli on the Vrijdagmarkt. Print is part of a series that illustrates the edition of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Antwerp paper engraving Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. specific aspects, allegorical aspects of Mars; Mars as patron. triumphal arch

Urbain Grandier at Loudun burned alive for witchcraft, 1634, print maker: Caspar Luyken, (attributed to), publisher: Johann David Zunnern, Frankfurt am Main, 1701, paper, etching, letterpress printing, h 123 mm × w 179 mm

Italy, Fontana, Giovanni Battista, Life of Romulus and Remus, Romulus delectis disciplinam instaurat, Romulus appoints centurions, Romulus, seen from behind, appoints centurions (Roman army commanders) and looks out over his army. The print is part of an album. Number 23 has been changed with pen to 21., print, prent, albumblad, prints, prenten, height 136 mm, width 180 mm, Italian, 1524 - 1587-09-25, print maker, printmaker, 1572 - 1573, paper, papier, etching, etchings, Work conception, after own design by

Aesculapius brings Hippolytus to life, Crispijn van de Passe (I), 1602 - 1607 print Aesculapius brings Hippolytus back to life, with the help of his herbs. Diana ensures that he can safely display himself in public again. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Hippolytus is restored to life by Aesculapius; Diana standing nearby. Phaedra's unsuccessful love-affair with her stepson Hippolytus

Lure of luxury, 1570 print A boy is sitting on a wild horse, on the right is the personification of deception - a woman with a mask - lurking. Behind the horse, a bearded man with a crown is burned in a pit. The boy chooses the right path and drives towards a meadow where figures play and on the right is the fountain of youth. Under the show is a text in Latin, numbered on the left in the margin: 3. The print is part of a series of allegorical prints on human life. Antwerp paper engraving Youth, Adolescence, 'Iuventus'; 'Adolescenza', 'Gioventí¹' (Ripa). taming of wild horses. Cheat, Deceit; 'Fraude', 'Inganno' (Ripa) (+ personification). fountain of youth, 'Fontaine de Jouvence'. Luxury, Luxuriousness

Pietro CiacConne conquers a boat from the Leiden residents, 1574, Jan Luyken, 1699 print The Spanish soldier Pietro CiacConne attacks the sailors of a Leiden boat with an ax, some of the people of Leiden jump into the water. In the background some other boats and the city of Leiden. Amsterdam paper etching ships (in general). fighting Leiden

The Entry into Jerusalem. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Hay truck driven by father's time and death; Title page for: C. Udemans, Af-image of the wrong worlds, 1660 .. a hay wagon, of which bystanders pick hay, is controlled by father's time and death. An allegorical performance on the lengthy and vanity. Four cherubs in the four corners.

Victory at the Assyrians, 1579 print The Israelites attack the fleeing Assyrian army. On the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Under the show a reference in Latin to the Bible text in Judit 14: 8. Print is part of an album. paper engraving victory of the Israelites ~ Judith and Holofernes

Title Page for "Views of the Ports of the Sea". Dated: 1647. Dimensions: sheet (trimmed to plate mark): 9.2 x 13.9 cm (3 5/8 x 5 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Georg Petersson, favor of King Erick, is broken, 1517, Jan Luyken, 1698 print Print at the top right marked: Second Division fol. 225. Amsterdam paper etching violent death by breaking on the wheel

Water (Aqua), Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1641 print Beach face with a fish auction, representing the element of water: many figures with baskets between the fishermen and their caught fish. Fourth print from a series of four with landscapes as imaginations of the four elements. Northern Netherlands paper etching / engraving water (one of the four elements). commercial fishery. beach. fishes. buying and selling

Deputy van Vienna, 1529, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556 print Emperor Charles V on horseback with his brother Ferdinant of Hungary behind him. His army chases the Turkish siege troops to the flight that had tried to conquer Vienna (1529). In the background on the right Sultan Süleyman I who blows the retreat. In the background on the left the city of Vienna. The print has a Latin, Spanish and French caption and is part of a twelve -part series about the victories of Karel V. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper etching / engraving / letterpress printing Vienna

attacking the House of Orange, Cartoon on Goejanverwellesluis, 1787, London, verso - stamped, Cartoon on the arrest of Princess Wilhelmina of Prussia at Goejanverwellesluis by patriots, 28 June 1787. A group of frogs dressed as patriot soldiers, encouraged by a French drummer, attack a hut with a sign with the Prince of Orange and a banner with the double-headed eagle of Prussia., print, cartoon, prints, Frederik Muller Historieplaten, height 318 mm, width 400 mm, English, 1748 - 1823, print maker, printmaker, 1787-08-04 - 1787-08-04, paper, etching, etchings, Publication (Event), Publication, publisher

. Print at the top right numbered: 67.

Amsterdam, Luyken, Jan, Jonah predicts the downfall of Nineveh, verso - stamped, print, prints, height 128 mm, width 74 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

The reverse cart / the surrounding wheelbarrow, 1761 - 1804 print Leaf with 2 shows. Upstairs: a trekk cart falls around so that the children who sat in it fall to the ground. Below: a porter throws a wheelbarrow so that the children who sat in it fall on the floor. Under each image, an eight -line verse in two columns. Numbered at the top right: No. 112. Amsterdam paper letterpress printing children's games and plays (+ accident (in sports, games, etc.))

De Power of Vrede, 1648, Wierix, After Marten van Cleve (I), 1648 print Zintrent on the peace of Munster, 1648. The caution (Prudentia), reason (ratio) and time (tempus) forge the weapons of the war to play plants and other tools. Violence (Violentia) operates the bladder bellows of the oven. In heaven peace (pax) and justice (Justitia). In and under the performance inscriptions and verses in Dutch, Latin and French. The print was originally manufactured on the occasion of the Eternal Edict in 1577. Here adapted to serve as an allegory at the Peace of Munster in 1648. print maker: Southern Netherlandspublisher: Antwerp paper engraving smith, blacksmith. Isaiah's prophecy of the swords beaten into plough-shares. symbols, allegories of peace, 'Pax'; 'Pace' (Ripa)

Water, Antonie Wierix (II), After Marten van Cleve (I), 1565 - Before 1604 print The female personification of the Element Water sails on a triumphal wagon, pulled by sea horses. Under her arm a tilted urn where water flows out. On the cart symbols of the zodiac, Capricorn, Waterman and fish that match the months of December, January and February. In the background on the beach, a woman is talking to a crowned nereite. In the context of the margin a two -way caption in Latin. Antwerp paper engraving water (one of the four elements). sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster). Nereids, daughters of Nereus; sea-nymphs. zodiacal signs of the winter season

Drawing of how the Queen of Patana rides out, her entertainment, Procession of the Queen of Pattani, 1602, June 24, 1602. Procession of the Queen of Patane (Pattani) with her entourage of ladies-in-waiting riding on elephants, with armed escort on foot. Part of the illustrations in the report of the second journey of Jacob van Neck to the East Indies in 1600-1604. No. 2., print, prent, nieuwsprent, prints, Frederik Muller Historieplaten, height 133 mm, width 168 mm, print maker, printmaker, 1644 - 1646, second quarter 17th century, paper, papier, engraving, engraving (printing process)

Wonderful fishing, Jan van Orley, c. 1685 - Before 1700 print Christ is in Simon's fishing boat, which is located on the banks of Lake Gennesaret. The fishermen pull a net full of fishing on the beach. Simon talks to Christ, he is surprised about the good catch. Under the image a Latin verse from Luc. 5. Brussels paper etching / engraving the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

Apollo entrusts Aesculapius to Chiron, Crispijn van de Passe (I), 1602 - 1607 print Apollo hands over his son Aesculapius, the child of Apollo and Coronis, to the Centaur Chiron who will raise the child. The child grew up to the God of Medicine. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Apollo hands Aesculapius over to Chiron

Jacques Callot, Two Zanni, c 1616 Two Zanni

The Marching Gypsies (Les bohémiens en marche), also called The Advance Guard (L'avant-garde) 1621-31 Jacques Callot French. The Marching Gypsies (Les bohémiens en marche), also called The Advance Guard (L'avant-garde) 397641

David returns in Triumph to Jerusalem, Orazio Borianni, After Rafaël, 1615 print King David and his soldiers return to Jerusalem in Triumph. David stands on a triumphal wagon that is drawn by two horses. Print Maker: ItalyaFter Painting by: Vatican City paper etching David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

Passage through the Red Sea (left part), Gérard Audran, After François Verdier, 1676 print print maker: Francepublisher: Paris paper etching / engraving with his people safe on the shore, Moses raises his hands and causes the water to return; Pharaoh's army perishes in the water (Red Sea)

Weigel, Christoph, Amsterdam, Luyken, Jan, Elisa's bones bring a deceased man to life, verso - stamped, print, prints, height 251 mm, width 200 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Theater van de Violence, 1577, Jacques de Gheyn (I), 1577 print Theater with the rule of violence and dual -way represented allegorically as a struggle between good and evil, watched by the population of the country. In the clouds personifications of justice (Justitia), time (tempus) and bad fame (Infama). In the performance cartouches with the name of Don Juan and a reference to the metamorphoses of Ovidius. Under the show, three verses of 6 lines each in Dutch, Latin and French. Antwerp paper etching / letterpress printing the arts of the stage: ballet, theatre, musical drama, motion picture

Numa Pompilius is designated as king of Rome; Metamorphoses from Ovid. The crown is handed over to Numa Pompilius after the disappearance of Romulus, the founder of Rome. Latin and salads on either side.

Wisdom together with Justitia and a king on a triumphal wagon, Servatius Raeven, After Maerten de Vos, 1542 - 1549 print On a triumphal wagon a king and the personification of wisdom (with mirror and snake), accompanied by Justitia (with sword and scales), are driven around. In front of the car two horses, one of which has on the back and the other laurel wreaths, a crown and a ruler of staff. In the background a landscape with soldiers and a stage where a figure is made a knight. Netherlands (possibly) paper engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. 'Sapientia', Wisdom; 'Sapienza divina' (Ripa) ~ one of the seven gifts of the Holy Ghost. ruler, sovereign - BB - female ruler. triumphs (allegorical and symbolic)

Aeneas descends in the underworld, Crispijn van de Passe (I), 1612 print Aeneas visits the Sibille of Cumea, together they descend into the underworld. In the background Aeneas, protected by a mistletoe, and the Sibille, in Charons Boot. Aeneas Dido finds under the dead. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Charon conveys Aeneas and the Sibyl in his boat; they alight at the gates of Pluto's kingdom. Aeneas and the Sibyl pass by Tartarus. Aeneas and the Sibyl meet various groups of the dead, among them is Dido, who turns aside. Aeneas, guided by the Sibyl, enters the underworld through the cave of Avernus

The tower of Babel is being built. In the foreground men cutting and carrying stones in baskets. To the right, a man, possibly Nimrod, makes a pointing gesture. On the left, construction work: stones are being cut and transported with donkeys, furnaces are being fired. Below the scene is a Latin reference to the Bible text in Gen. 11:4, Construction of the Tower of Babel History of the Tower of Babel Theatrum biblicum , print maker: Hans Collaert (I), (attributed to), intermediary draughtsman: Jan Snellinck (I), publisher: Claes Jansz. Visscher (II), (mentioned on object), print maker: Antwerp, publisher: Amsterdam, 1579 and/or 1643, paper, engraving, h 229 mm × w 310 mm

Etching with brush and scraped technique by Francesco la Marra depicting the finding of the True Cross in 1792.

The Meeting of David and Abigail; about 1656-73; Engraving Adrian Lommelin; 1636-73 After a painting by Peter Paul Rubens; Flemish; 1577-1640

Gerrit van Schagen after Jacques Callot, The Peasants Avenge Themselves The Peasants Avenge Themselves

Two representations of a plate. Numbered top right: 53 and 54., Jacob wrestles with the angel / Jacob's reconciliation with Esau, print maker: Jan Luyken, (mentioned on object), publisher: Barent Visscher, publisher: Andries van Damme, Amsterdam, 1698, paper, etching, h 156 mm × w 90 mm

Print left and at the top right labeled: 2 part - p. 88.

Infanticide in Bethlehem, print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Willem Broedelet, Amsterdam, 1700, paper, etching, h 272 mm × w 185 mm

Port with merchants and packzel Italian ports (series title) Aliqui Portus (series title), Port with merchants, some of whom move a load. Behind them a donkey stripped of its load. In the background a fort and sailing ships. Fourth print from a series of twelve with Italian ports., Harbor (four persons or more, traffic and transport), ass, donkey, Johannes Gronsveld, Amsterdam, 1679 - 1728, paper, engraving, h 154 mm × w 239 mm

The merciless servant lets his debtor imprison, 1585 print The servant, whose debts have just been abandoned by the king, meets another servant who is guilty of a hundred denarie and claims this amount from him. The man kneels and begs for postponing. But the merciless servant instructs soldiers to take the man to prison. Under the performance a reference in Latin to the Bible text. This print is part of an album. paper engraving the unmerciful servant attacks his fellow-servant who owes him money, and casts him into prison ~ parable of the unmerciful servant

Musician with group Dancing Figures, Anonymous, After Adriaen Pietersz van de Venne, 1623 - 1673 print A group of figures makes a round dance, a musician with a drum and flute on the left. Mercury flies in the air. paper engraving folk dancing (men and women together). making music; musician with instrument - CC - out of doors. (story of) Mercury (Hermes)

Map of the Solms region between Marburg and Frankfurt am Main in Germany (leaf top right), Cornelis Huyberts, 1689 - 1712 print The personification of the war with sword and torch. A man, wife and two children hide in front of him for an architectural plaque with title. On the right a man with a banner. On the left a performance of a burning and exhibiting castle, a rider army for that. Above the title a weapon with a two -headed eagle with two swords, flanked by two putti and crowned with a crown. Left and under the map of the Solms region between Marburg and Frankfurt am Main. Amsterdam paper etching / engraving maps of separate countries or regions

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The encounter with the crew of two Russian lodias, 1597. The meeting with the crew of two Russian lodias, July 28, 1597. The Dutch gets on the shore food from the Russian sailors. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 27.

Design for a vignette with the coat of arms of Brabant. Links a flow god. On the right a woman with a cornucopia. Test pressure of a map with the design drawing for a vignette in the engraving. Design for a print.

Judit presented to Holofernes; History of Judit and Holofernes; Historia Holofernes (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Judit and her maid are presented to Holofernes. The Assyrian army looks. Under the show a reference in Latin to the Bible text in Judit 10:10. Print is part of an album. Print is part of an album.

Amsterdam, Luyken, Caspar, Noah, his family and the animals leave the ark, verso - manuscript in brown ink, print, prent, prints, verso - stamped, 14, height 112 mm, width 147 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching, etchings

Amber fisherman, Caspar Luyken, 1711 print Print at the top right numbered: 1. Heady marked: A. paper etching amber (fossil resin). fisherman

On the island of Formosa, a man is buried as a punishment for theft alive, Caspar Luyken, 1698 print print maker: Amsterdampublisher: The Hague paper etching buried alive (violent death) Formosa

Antwerp, Galle, Joannes, Haarlem, Junius, Hadrianus, Heemskerck, Maarten van, Philips, The different tasks of the three estates estates, Labour is the task of the third estate, verso middle bottom - stamped, In the foreground farmers are working in the fields and in the fields. They are sowing, mowing, ploughing and digging. In the background there is building and harvesting. These farmers represent the majority of the population, the third estate. They have to work in order to feed the rest of the population. The print has a Latin caption and is part of a series on the various tasks of the three estates., print, prints, height 204 mm, width 246 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1568, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, South Netherlands, 1600 - 1676-09-20, publisher

Giovanni Domenico Tiepolo (Italian, 1727 - 1804). Arms of Carl Philipp von Greiffenflau, Prince-Bishop of Wurzburg, 1750-1753. From Picturesque Ideas on the Flight Into Egypt. Etching on laid paper. Plate: 189 mm x 238 mm (7.44 in. x 9.37 in.).

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, verso - stamped, print, book illustration, prints, Hendrik Sumer drowned in Baden, 1582, 100, recto - manuscript in pencil, height 119 mm, width 142 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, - 1693-06-26

Aeneas accepts the hospitality of Evander in Italy; HIC Tibi Certa Domus, Certi, Ne Absiste, Penates; Entry from Ferdinand in Ghent in 1635. Aeneas accepts the hospitality of Evander in Italy. Presentation at the bottom left of the rear of the triumph port Arcus Fernandi on the Friday market. Leaf No. 17 in a set of 42 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Amsterdam, Luyken, Jan, Reformation in England, Three scenes placed one above the other. Above: A king in conversation with an Anglican clergyman. Middle: Heretics on the stake. Below: A king kneels before an altar (left) and a clergyman offers a princess a book (right)., print, engraving, prints, engravings, height 143 mm, width 86 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1689 - 1689, paper, papier, etching, etchings

Copper engraving by Hendrick Goltzius depicting the allegorical concept 'Greed is the root of all evil', created between 1597 and 1604, showing symbolic representation of vice.

Scylla and Minos, Crispijn van de Passe (I), 1602 - 1607 print Minos, King of Crete, besieges the city of Megara, from King Nisus. Scylla, the daughter of King Nisus, looks at Minos from the city wall and falls in love with him. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Scylla, daughter of Nisus, from the walls of Megara sees Minos who is besieging the city, and falls in love with him

Woman beholds a sowing farmer Who Godt vertrout, Has well bolted, print maker: Jan Luyken, publisher: Pieter Arentsz (II), Amsterdam, 1687, paper, etching, h 91 mm × w 75 mm

Neptunus reaches to Coronis, Crispijn van de Passe (I), 1602 - 1607 print Neptunus reaches for Coronis, the daughter of Coroneus, who was coveted by him. To escape, she called in the help of the gods, on which Minerva turned her into a crow. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Coronis changed into a crow: to escape the love of Neptune, Coronis, daughter of Coroneus, is changed into a crow by Minerva (Ovid, Metamorphoses II 569)

Intake of Buda, 1685-1686, Jan Luyken, 1689 print Print at the top right marked: fol. 458. Print Maker: Amsterdamprinter: Utrecht paper etching capture of city (after the siege)

Amsterdam, Picart, Bernard, Herod the Great and the Massacre of the Innocents in Bethlehem, verso - stamped, King Herod with a scepter in his hand. The ground is strewn with the corpses of the children he has had murdered. In the lower corners of the ornamental frame harpies., print, ornamental print, prints, height 56 mm, width 111 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1715 - 1715, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process)

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, verso - stamped, print, picture, book illustration, prints, pictures, Louwerens Jansz. in Antwerp led to death, 1577, 99, recto - manuscript in brown ink, Lourentz Jansz Ao 1577, height 119 mm, width 142 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, Publication, - 1693-06-26

Jona predicts the downfall of Nineve, Jan Luyken, 1708 print Amsterdam paper etching when Jonah arrives in the city of Nineveh he foretells its destruction in forty days

. Needs leaves with four prints.

Landscape with Group of Trees Surrounded by Water, Cottage at Left, Woman Seated Right Foreground 1802-6 Richard Cooper II British, Scottish "Specimens of Polyautography" contains the first lithographs published in Britain. The process was invented by Alois Senefelder, a Munich dramatist turned printer seeking an inexpensive means to reproduce texts and music. In 1796 he experimented with relief printing from stone blocks, then discovered in 1798 that marks made on limestone with greasy inks or crayons could be printed by purely chemical means. After the surface is treated with gum arabic and nitric acid, dusted with resin and talc, and finally moistened with water, oily printing ink will adhere to the applied marks but not the stone. Senefelder visited London in 1800 to obtain British patents for his revolutionary process, selling the latter rights on in 1801 to Johann Anton André, a printer of musical scores from Offenbach am Main. Johann's brother Philipp, who lived on in London, wa

Emperor Joseph I opposite Pope Clemens XI and King Louis XIV, 1708, 1708 print Cartoon in which Emperor Joseph I from an angel is given the sword of revenge. Opposite him, King Louis XIV blows from France with a bladder ball in the ear of Pope Clemens XI. In the background Rome. Verses in the plate in Dutch. Part of a series entitled Palmhof of the allies with 9 cartoons on the French and allies from the year 1708. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving / letterpress printing political caricatures and satires

Bavarian War, plate 18 from Historical Scenes from the Life of Emperor Maximilian I from the Triumphal Arch Made 1515-1517 Germany. Woodcut in black ink on cream laid paper . Wolf Traut

In the tide line on a beach, a man is restrained by three fishermen. In the background on the beach are two boats and some walkers. Behind the line of dunes a lighthouse and a church, Fight by the sea Love's fire devours the mind, print maker: Albert Poel, Adriaen Pietersz. van de Venne, publisher: Jan Evertsz Cloppenburgh (II), print maker: Northern Netherlands, Middelburg, publisher: Amsterdam, printer: Middelburg, 1624, paper, engraving, letterpress printing, h 73 mm × w 109 mm

Schip met Mercury en amphion, anonymous, after Giulio Paris, c. 1635 print Numbered in the bottom left: 2. Paris paper etching ships (in general). (story of) Mercury (Hermes). (story of) Amphion and Zethus

Parable of the bad winemakers, Hans Collaert (I), after Ambrosius Francken (I), 1643 print In a fenced vineyard, viticultures kill the servants of the owner of the vineyard. The servants came to pick up the part of the harvest to which the owner was entitled. If his servants do not return, the owner decides to send his son. His son is thrown out and killed in the foreground by the tenants. Under the show a reference in Latin to the Bible text in Luc. 20: 9. Amsterdam paper engraving the wicked husbandmen kill the servants of the lord, who are sent to gather the fruits. at last the lord sends his son, '... they cast him out of the vineyard, and killed him'

Fable of the panther and the shepherds; Illustrations for fabber stories from Phaedrus. Shepherds stony and hit a panther in a pit. This illustration is made at the aesopic fables of the Latin poet phaedrus.

Northern Netherlands, Hooghe, Romeyn de, Jan and Cornelis de wit were thrown from the prison gate by the Citizens in The Hague, killed, and by the common people in an unheard-of way terrible manner abused, Death and mutilation of the De Witt brothers, 1672, The death and mutilation of the De Witt brothers, August 20, 1672. Fragment of the large print about the De Witt brothers: Witten Wonder Spiegel (1675)., print, picture, history print, prints, Frederik Muller History plates, height 107 mm, width 106 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1675 - 1675, fourth quarter 17th century, paper, etching, etchings

Hendrik Sumer drowned in Baden, 1582, Jan Luyken, 1685 print Amsterdam paper etching persecution of heretics. violent death ~ water Baden (Switzerland)

Title print for the pamphlet, Ghy Patriotten thans kijck uut, kijck uut, Siet wat een vreemden Dans om de Hollandtsche Bruut, Anonymous, 1615

Print marked upper right: Fol. 165., The earthquake, print maker: Jan Luyken, (mentioned on object), publisher: Barent Bos, print maker: Amsterdam, publisher: Rotterdam, 1694, paper, etching, h 132 mm × w 77 mm

Wonderful saving of Stanisław Potocki in 1678 (Stanisław Potocki (1659 1683), Halicki and Kołomian staroste, captain and driving colonel, carrying the relics of St. Wincenty received from Pope Innocent XI in Rome, on a ship flowing on the Willelebroeck River near Brussels, 27 July 1678; explosion an explosion of gunpowder aboard the ship and the wonderful saving of Stanisław Potocki and his companions (attributed to the presence of the relics of St. Wincent). Hooghe, Romeyn de (1645-1708)

Procession, with men riding horses; three men playing trumpets at front, a knight at center, and a gentleman at the rear. Artist: Anonymous, German, 16th century. Dimensions: Sheet: 13 1/16 in. × 17 in. (33.2 × 43.2 cm)Plate: 12 9/16 × 16 in. (31.9 × 40.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Festival, after 1520, Daniel Hopfer, German, c. 1470-1536, 9 11/16 x 9 9/16 in. (24.61 x 24.29 cm) (plate), Etching on iron, Germany, 16th century, Early printmakers never tired of depicting peasant shenanigans. In the sixteenth century peasants were seen by some as emblems of native German culture, while others, like Martin Luther, worried they would disrupt the social order. Across the two halves of The Festival, separated down the middle by a tree, peasants engage in the excesses that so fascinated the staid middle class-imbibing, arguing, fondling, dancing, and vomiting. Even so, the print's orderly composition suggests a more balanced view of the subject. The pride of Augsburg, Daniel Hopfer is credited with making the first etchings in the history of printmaking.

Charles Parrocel drawing depicting an equestrian battle at the gates of a fortress, executed in pen in brown, brush, and gray wash, about 1740-1745.

Masons for Dinant, 1696, 1696 print Masons for Dinant. A large devil calls on other devils to help rebuild the reinforcements of the French city of Dinant as bricklayers. In hand a document sealed by the devil with (according to the caption) date 14 February 1696. In the caption a verse in Dutch. Despite the reference to the year 1696 by Muller assigned to the group of individual cartoons on Louis XIV during the Spanish Succession War, ca. 1701-1713. Northern Netherlands paper etching / engraving political caricatures and satires. devil(s) and demons. brick-layer at work Dinner

The accident of count Stanislaw Potocki, 1678. Monument with four scenes of the accident that the count stanislaw Potocki finds on July 27, 1678. At the top left the ship sails with its passengers from Mechelen, the ship explodes near Willebroek, in the lower left of everyone trying to save themselves , on the right the intact count standing in the midst of wounded and killing. Behind the monument Allegorical figures, at the top of the weapon of Potocki. Below the scenes inscriptions in Latin.

Amsterdam, Blaeu, Willem Janszoon, Vinckboons, David (I), Matham, Jacob, Bacchus with wine at farmers, Bacchus presents wine to farmers. On the left, Icarus, after being beaten to death by drunken farmers, is turned into a constellation. Book illustration for: Lof-sanck van Bacchus, 1616., print, book illustration, prints, height 77 mm, width 128 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1616 - 1616, paper, papier, engraving, engraving (printing process), letterpress printing, Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publication, 1571 - 1638-10-21, publisher

Antwerp, Vrints, Johannes Baptista (I), Vos, Maerten de, Goltzius, Julius, The four seasons, Avtvmnvs, Autumn, verso lower left - stamped, Central the slaughtering of pigs and the smoking and pickling of the meat. In the background the grape harvest and the making and barreling of wine. Men, women and children pick grapes and press them. Then the wine is poured into barrels and taken away. The print has a Latin caption and is part of a series on the subject of the four seasons., print, prent, prints, width 282 mm, height, 220 mm, - 1595, print maker, printmaker, 1575 - 1595, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1555 - 1610, publisher

Amsterdam, Danckerts, Justus, Northern Netherlands, Savery, Salomon, Den triomfeerenden sea hero Michiel Adr: de Ruyter. L. admirael generael van Hollandt. etc., Victory chariot of Michiel de Ruyter, 1667, 1667. The admiral sitting in an open triumphal chariot on the water drawn by sea horses and surrounded by tritons and sea nymphs. Above and on either side two larger and six smaller scenes 1-6 of the events during the Raid on the Medway and the conquest of the Isle of Sheppey with the fort and magazine at Sheerness, 20-23 June 1667., print, propaganda print, prints, Frederik Muller Historieplaten, height 491 mm, width 738 mm, Noord-Nederlands, 1594 - 1683-10-16, print maker, printmaker, 1639 - 1639, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), etching, etchings, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

Charles VI, King of France, VLAM grabbed a masked party / Ablabius by order of Constantine the Great, Jan Luyken, 1687 print Print at the top right marked: fol: 30. Cartouche Manteland marked: fol: 60. Amsterdam paper etching on fire, ablaze. attempt, political murder

Peace of Amiens

States of Holland and West Friesland, Amsterdam, Tirion, Isaak, Philips, Jan Caspar, Title page for: Thomas Salmon, Hedendaagsche historie of Tegenwoordige staat van Switzerland en Italie, 1760, Allegorical title page with Freedom and Good Governance, verso under - stamped, Mountainous landscape with the personifications of Freedom and Good Governance. On a ruin behind them the title in Dutch. On the left the winged lion of St. Mark, the symbol of Venice. In the foreground two putti with the riches of the area., print, title page, prints, height 182 mm, width 110 mm, Noord-Nederlands, 1700 - 1775-04-24, print maker, printmaker, 1760 - 1760, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1705 - 1765, publisher, uitgever, verlener, verlener van privilege

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