Historical Allegories and Scenes

This collection features allegorical prints depicting historical events and figures, showcasing battles, farewells, and emotional scenes from various narratives.

Amsterdam, Visscher, Claes Jansz. (II), Saen, Aegidius van, Berckenrode, Floris Balthasarsz. van, The farmer captain is prevented from fighting, ca. 1600, verso - stamped, The farmer captain is prevented from fighting. View of a village being attacked and plundered by soldiers. A ragged man, the captain of the village, wants to fight but is stopped by two women and a child. With 4-line caption in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 227 mm, width 319 mm, 1562 - 1616-12-10, print maker, printmaker, 1572 - 1616, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Northern Netherlands, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Tangena, Johannes (17th century), Vianen, Jan van, Noordelijke Nederlanden, Hooghe, Romeyn de, Allegory of the events in 1689 with William III and Mary on the throne (right half), Northern Netherlands, Allegory of the events in 1689 with the stadtholder-king William III and queen Mary on the throne. Right half of two sheets that together form one representation. In the foreground army commanders and on the right Dutch sailors. Behind them defeated Turks kneel before Emperor Leopold I, standing between princes. Above the coronation of Joseph I as King of Hungary and King of the Romans (24 January 1690). On the left half of a pyramid with the events of the second six months. At the top the Prince of Orange draws his sword. Some elements in the representation are indicated by numbers., print, propagandistic print, prints, Frederik Muller Historieplaten, height 565 mm, width 484 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1690 - 1690, fourth quarter 17th century, paper, etching,

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum biblicum, Geschiedenis van Tobias, Tobias, Sara and the angel say goodbye to Raguel and Edna, verso - stamped, Raguel embraces Tobias, who is already sitting on a camel. Edna embraces her daughter Sara. In the background the angel sits on a camel. On the right the procession departs. Below the representation a reference in Latin to the Bible text in Tobit 10:11., print, prent, prints, prenten, height 205 mm, width 295 mm, Work conception, Zuid-Nederlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), print maker, prentmaker, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Amsterdam, Visscher, Claes Jansz. (II), Saen, Aegidius van, Berckenrode, Floris Balthasarsz. van, The farmer captain is prevented from fighting, ca. 1600, verso - stamped, The farmer captain is prevented from fighting. View of a village being attacked and plundered by soldiers. A ragged man, the captain of the village, wants to fight but is stopped by two women and a child. With 4-line caption in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 227 mm, width 319 mm, 1562 - 1616-12-10, print maker, printmaker, 1572 - 1616, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Northern Netherlands, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Etienne Delaune, Diana Mourning the Death of Orion Diana Mourning the Death of Orion

Paris, Picart, Bernard, Title page for: A. de Zárate, Histoire de la decouverte et de la conquete du Perou, 1700, Attack on a procession in Peru, verso lower right - stamped, A procession of Peruvians with their king on a sedan chair is attacked. A man with a sword and a priest with a cross in his hand run towards him. In the mountains in the background Peruvians are working in a quarry., print, engraving, title page, prints, height 141 mm, width 89 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1700 - 1700, paper, papier, etching, engraving (printing process)

J. Muller (1700-1700), Illustration Til Adam Olearius, "Persian Rosenthal of a meaningful poet Schich Saadi ...", Schleswig 1660, 1660

Antwerp, Kiliaan, Cornelis, Galle, Philips, Florence, Straet, Jan van der, Collaert, Jan (II), Venationes Ferarum, auium, piscium pvgnae Bestiariorum, Hunting scenes, Women chasing away a satyr, verso bottom center - stamped, A sleeping satyr is found in a cave by villagers. The women chase away the forest creature with weapons. The print has a Latin caption and is part of a series on hunting scenes., print, prints, height 200 mm, width 273 mm, South Netherlands (before 1775), 1566 - 1628-05-26, print maker, printmaker, 1596 - 1628, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher, uitgever, 1530 - 1607-04-15, schrijver

Miguel de Sorellò after Francisco Preciado de la Vega (designer), Aeneas and the Cumean Sybil, for the Chinea Festival, 1744 Aeneas and the Cumean Sybil, for the Chinea Festival

Two representations on one slide. Above: Europeans being tortured and killed by Chinese. Below: a killing field. A number of Europeans are crucified by Chinese, Europeans are tortured and murdered by Chinese, print maker: Johannes van Baden, (mentioned on object), Johannes van Baden, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1675, paper, etching, h 190 mm × w 150 mm

In the foreground Spanish soldiers are being skinned and quartered by Indians. One of the Indians removes the organs of his victim. In the background, Indians and Spaniards are fighting a battle. The print has a Latin caption and is part of a twelve-part series on the victories of Charles V., Civilization is brought to the Indians, 1530 Victories of Charles V (series title) Divi Caroli. V. imp. opt. max. victoriae, ex multis praecipuae (series title), print maker: Dirck Volckertsz. Coornhert, (mentioned on object), Maarten van Heemskerck, (mentioned on object), publisher: weduwe Hieronymus Cock, (possibly), print maker: Haarlem, Haarlem, publisher: Antwerp, Brussels, 1555 - 1556 and/or 1570 - 1640, paper, etching, engraving, letterpress printing, h 156 mm × w 233 mm

Amsterdam, Schoonebeek, Adriaen, Scherm, Laurens, Pickaert, Pieter, England's theatre depicting the main events in Yrland from the year 1690 to the campaign of King James II of Great Britain in 1691, Death of the Duke of Schombergh and Doctor Walker, The Duke of Schomberg is killed in the Battle of the Boyne, 1690, The Duke of Schomberg is killed in the Battle of the Boyne on 11 July 1690. Plate no. 6 in the series 'Engelands schouwtoneel' about the war between William III and James II in the years 1690-1691 after the Glorious Revolution, (part three). With captions in Dutch and French., print, prent, prints, Frederik Muller Historical plates, height 154 mm, width 200 mm, Northern Netherlands, 1669 - 1737, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, papier, etching, etchings, 1671 - 1702-11-13, Publication (Event), Publication, 1661 - 1705, publisher

Odysseus and his men are engaged in a fierce battle. Above them are flying several birds. On the ground are some corpses., Fighting Odysseus, print maker: anonymous, print maker: Cornelis Bloemaert (II), (possibly), Abraham van Diepenbeeck, print maker: Low Countries, Southern Netherlands, 1622 - 1725, paper, engraving, h 271 mm × w 201 mm

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Hooghe, Romeyn de, Netherlands, Allegory of the East and West Indian Company, print, prints, Frederik Muller Historical Plates, height 172 mm, width 294 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1705 - 1707, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

Lighthouse of Alexandria, Magdalena van de Passe, After Maerten de Vos, 1610 - 1638 print The lighthouse of the city of Alexandria, on the island of Pharos in the Mediterranean, just outside the port of the Egyptian Alexandria. Left in the foreground King Ptolemy II and the architect of the lighthouse, Sostratus from Knidos. In the margin a caption in Latin. Print from a series with the seven wonders of the world. Utrecht paper engraving Pharos of Alexandria (Wonder of the World). non-aggressive activities of Ptolemy Philadelphus

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - handwriting in pencil, print, picture, book illustration, prints, pictures, Crucifixion of Christ, verso - stamped, 1, height 119 mm, width 150 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Noord-Nederlands, - 1693-06-26

Illustration for 'All de Werken' by Lucianus, Romeyn de Hooghe, 1679 print A man with a staff chases a group of angry people away from a place where all kinds of treasures (including coins from a horn of abundance) are displayed. Left in the background Jupiter with his eagle and Mercury, who watch from the clouds. Amsterdam paper etching (story of) Jupiter (Zeus). (story of) Mercury (Hermes). 'Cornucopia', Horn of Plenty

Madinking Van Adonibeken, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Adoni-bezek is caught; his thumbs and his great toes are cut off

Callot, Jacques, Nancy, The Little Passion, Capture, verso lower left - stamped, Christ is betrayed by Judas with a kiss. Soldiers stand around them ready to take Christ away. This print is part of the print series 'The Little Passion', consisting of 12 scenes from the Passion., print, prints, height 77 mm, width 59 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1624 - 1625, first quarter 17th century, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Amsterdam, Luyken, Caspar, Gideon bestellent zijn menschappen water te drinken, verso - manuscript in brown ink, print, prent, prints, verso - stamped, 84, height 111 mm, width 147 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Judit in Holofernes camp. Landscape with Holofernes camp with in the middle holofernes, sitting under a shelter. Judit and her are maid for him. Soldier in the foreground. In the margin a caption in Latin. Print from a series of four with scenes from the story about Judit and Holofernes.

The meeting of Isaac and Rebekka, Crispijn van de Passe (I), 1700 - 1750 print Eliezer takes Rebekka back to Canaan on his camels. Isaac is sitting on his field and sees the company coming. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Rebekah returns home. Isaac, walking in the fields, meets Rebekah

Paul bitten by an adder in his hand, 1580 - 1584 print Paul is bitten by a snake while he wants to throw a bunch of wood on a fire. He was surrounded by a large group of people - prisoners who had suffered shipwreck with him along the way with Malta (in the background the ship can be seen on the coast). Under the performance four lines of Latin. This print is part of a 36-part series of prints of the history of the apostles. paper engraving Paul bitten by a viper (when throwing wood on the fire)

Allegorical triumphal parade of a prince or general, François van Bleyswijck, 1671 - 1746 drawing paper. ink. pencil pen / brush symbolic triumphs of individual persons. apotheosis of a ruler

The Triumph of Time, plate four from The Triumphs of Petrarch Made 1534-1544 Germany. Barely upright, swaying on crutches as he is paraded forward, Penczís figure of Time clearly suffers from the ill effects of aging the hourglass is running out, and the wheels of his chariot are clock dials counting down to Death. While adults have reason to be particularly concerned by Timeís relentless march, even children push younger infants in rolling walkers in an attempt to avoid the inevitable.. Engraving in black on ivory laid paper . Georg Pencz

Hercules kills Geryon and his dog, Cornelis Cort, after Frans Floris (I), in or after 1563 - Before 1595 print Hercules beats the three -headed giant Geryon and his two -headed dog. In the background you can see how Hercules catches the boar of Eymanthus and brings to the city. Antwerp paper engraving Hercules kills Geryon, the monster with three heads and three bodies, after having slain the herdsman Eurytion, and Orthrus, the two-headed watch-dog. (4) the Erymanthian boar is captured by Hercules

Europeans are tortured and murdered by the Chinese, Under a battlefield with dead, Some whites are crucified by the Chinese, print maker: Johannes van Baden (mentioned on object), Dating 1675.

The Diligent Worker Aspiring to the Rightousness of the Lord. Dated: 1572. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Maerten van Heemskerck.

Rebekka and Eliezer at the Bron, 1582 - 1586 print Hilly landscape with a river and a city. A castle on the right on a hill. In the foreground rebekka that gives Eliezer water to drink from a jug. On the left a fountain. On the right a caravan camels. In ornament's edge with flowers and fish in the middle and under. Birds in the corners. The print has an ornament list with flowers and animals. He is part of a four -legged -part series of landscapes with Biblical, mythological scenes and hunting scenes. Antwerp paper engraving Rebekah draws water for the camels. well. hoofed animals: camel. landscape with bridge, viaduct or aqueduct. fishes (+ ornamental variants of animals). ornamental birds

Beginning of the flood, Jan Luyken, 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17)

Alexander the Great hunts wild animals in Bazaira, Antonio Tempesta, 1596 - 1652 print Alexander the Great and his soldiers hunt wild animals in Bazaira. Four -line verse in Latin in two columns in the lower margin. print maker: Italypublisher: Amsterdam paper etching Alexander on a lion-hunt

Symbolic scene unknown

Amsterdam, Baptist, Jacobus, The army of William III defeats the enemies, William III, on horseback, leads his army. On the right in the foreground the fleeing enemies can be seen. William's troops are being lauded from heaven., print, picture, history print, book illustration, prints, Frederik Muller History plates, height 176 mm, width 130 mm, Noord-Nederlands - 1704-05-20, print maker, printmaker, 1698 - 1700, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Netherlands, Bry, Theodor de, Comparison between Orange and Alva, with the Spanish Fury in the background, ca. 1577, Allegorical comparison between Orange and Alva, with the Spanish Fury in the background. On the left William of Orange accompanied by the personifications Eer (Honor), Wealth (Divitiae) and Wise Counsel (Prud. Cons.). On the right Alva between Falsehood (Fallacia) and Envy (Invidia). He leads the Dutch Virgin (Belgica) naked and bound by the arm. At his feet the People (Plebs) like a poor beggar. In the background the Spanish Fury in Antwerp. In the air Fame (Fama) with trumpets. Without the verses below the representation., print, engraving, propaganda print, prints, Frederik Muller Historieplaten, height 206 mm, width 328 mm, South Netherlands, 1528 - 1598-03-27, print maker, printmaker, 1576 - 1577, fourth quarter 16th century, paper, papier, engraving (printing process)

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Begants on their way to the fair, Cornelis van Kittensteyn (Possible), after Jan van de Velde (II), 1630 print A procession of land runners on their way to the market or fair. The front of them wears a large scaffold on the back and shoulders on which all kinds of true. The middle one wears a large jug on the back and the rear two bunches of straw and a basket. paper engraving (annual) fair, trade fair. carrying something in basket, bag, rucksack, etc.. carrying something on the head or on the shoulders. 'fahrende Leute', vagrants

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Four representations from the Old Testament, verso center bottom - stamped, Four representations on one sheet. Top left the stoning of Achan and his family. Top right the battle of Gibeon. Bottom left the memorial stone of Joshua. Bottom right Gideon and the wet sheepskin., print, prints, height 217 mm, width 316 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etsen, Publication (Event), Publicatie, Frans, 1661 - 1711, publisher

Plate 11: Alexander's Lion Hunt, from The Deeds of Alexander the Great 1608 Antonio Tempesta Italian. Plate 11: Alexander's Lion Hunt, from The Deeds of Alexander the Great. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1608. Etching, first state of two (Bartsch). Johannes Baptista Vrints (Netherlandish, active Antwerp, ca. 15751610). Prints

Title sheet for the pamphlet: De Horlende Kollendans, Op Tilburn, 1702, Romeyn de Hooghe, 1702 print Three witches by a magical circle. The witches praise the goodness of the French but complain the Eendracht in England against them. In the background, a gallows look like Tilburn. Title is on a separate text sheet. Netherlands paper etching / engraving groups of witches

On the left two horsemen on horseback with swords drawn. Right an equestrian fight and on the horizon a city, Siege of a city Military representations from the life of Louis XIV, King of France (series title), print maker: Jan van Huchtenburg, (mentioned on object), Adam Frans van der Meulen, unknown, 1674 - 1733, paper, etching, h 100 mm × w 138 mm

Prinsen of Oranje Willem I, Maurits, Frederik Hendrik, Willem II and Willem III on horseback, Jan Luyken, 1690 print Amsterdam paper etching riding a horse, ass, or mule; rider, horseman. battle

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXXIII. Calandrin laden with stones., print, book illustration, prints, height 72 mm, width 79 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

The Egyptians chase the Israelites through the Schelf Sea, Antonio Tempesta, 1613 print The army of the Pharaoh chases Moses and the Israelites through the Schelf Sea. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching Pharaoh and his army set off in pursuit of the Israelites

Money rule the world by Greuter, Mathias (1564-1638)/ Private Collection/ 1589/ Germany/ Etching/ Baroque/ 23x27,8/ Mythology, Allegory and Literature

Port with conversing merchants; Italian ports; Aliqui Pandus. Port with links a group of foreign merchants cargo loading. On the right a sailing ship with merchants. A second sailing ship with merchants on the quay. In the background sea view. Tenth print from a series of twelve with Italian ports.

Infanticide in Bethlehem, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703 - 1762, paper, etching, letterpress printing, h 110 mm × w 155 mm

. Minerva and Apollo try to persuade Hector to enter into the fight with the Greeks. In the margin a four-line caption, in two columns, in Latin.

Allegorische voorstelling met soldaten en Batavia; Batavische Oudheeden; Titelpagina voor: Philipp Clüver, Batavische Out-heeden (...), s.a..A group of soldiers with a man with laurel wreath in the middle, beard, cloak and long lance. Behind him is a woman, possibly Batavia, with a card on a pedestal. In the foreground is a river god as a personification of the Rhine.

Landscape with figures suffering from the plague, Jan Luyken, 1691 print Print at the top right numbered: 298. Amsterdam paper etching plague. dying. burial

Reported King Porus for Alexander the Great, A. Bormans, After Charles Le Brun, 1746 - 1753 print The reported King Porus is brought to Alexander. The defeated army with elephants can be seen in the background. Paris paper engraving historical persons. (story of) Alexander the Great. the defeated King Porus, covered with wounds, comes before Alexander, who restores his dominions, i.e. the clemency of Alexander. the army of Porus and its elephants are conquered by Alexander

Farm chance.

Bonica exercises revenge with a stone; Mirror of the spelled, Eerlicke, Cloucke, deuchsame and the wisge women. BERONICA catches her murdered son by striking his murderers with a stone. Bonica is in a carriage that is controlled by Caeneus, one of the murderers. The driver loses the reigns and run the horses about a man with devil ears, the second killer of her son.

Allegory over the victory over Spain during the Battle of Nieuwpoort, 1600, 1600 print Allegory over the victory over Spain during the Battle of Nieuwpoort, 2 July 1600. Triumphal wagon with the Dutch Lion with lance with freedom hats and sword, the personifications of caution (Prudentia) and victory (Victoria), with a lance with the weapons of the overcome cities , on the goat. In the back of the car the sprouting Oranjeboom with the weapon of Prince Maurits. The car is drawn by the personification of Eendracht (Concordia), vigilance (Vigilantia) runs next to it. At the front of the chain a group of prisoners including Francisco de Mendoza and the captured banners. In the air the fame (fama) with two trumpets. Behind the car musicians, the members of the States General and the people. Centrally at the bottom of a cartouche with the assignment to Maurits. In the caption a verse of 6 columns in Latin. Northern Netherlands paper engraving Chariot, Triumphal Car. Military Glory. 'Victoria

This etching by Pietro Aquila depicts the triumph of David, showing figures, celebration, gestures, and ceremonial actions in 1675.

Allegory on the recovery of Utrecht, 1673; Uytrecht recovers. Allegory on the recovery, on the recipient of the province of Utrecht in the Union, after the departure of the French on November 23, 1673. The relocated province of Utrecht is welcomed by personifications of the unity and the generalism. Behind them the chariot and army of Stadholder Willem III with Hercules for the cart and caution to the reins. Left citizenship, poverty and religion sitting on the ruins of the Roman church. The recovery of the city. At the bottom of the representation the interpretation of the scene.

Psyche in Charon's ferry, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print Psyche is in the boat of the Veerman Charon who brings her to the other side of the Styx River. On the other side of the river is the underworld, where Psyche encounters a man with a donkey. Italian text in two cartouches in STUDMARGE. Twice numbered bottom left: 25. paper engraving Charon, the ferryman. Psyche encounters the ass-driver (Ocnus) and the weavers in the underworld

Victories with the arrival of Willem III. Victories with the arrival of Willem III. The Unity of the Union is restored, the people flows into the temple. On the right, Willem III preceded personifications from his duties and Stadholder and Captain General. On the left the heroes who fought Dutch victories on the enemy: De Ruyter, Tromp and Van Nes. The victory is depicted allegorically. Allegory on the political situation in the Republic in the year 1674. Numbered at the top right: 5.

Confused promoters and the tower of Babel, 1720; The confused promoters tower building to Babel; The great scene of foolishness. Cartoon on the promotionists and the tower of Babel. John Law has left stocks from writing while wind dealers are doing well by the English baked jaws. The traders get through these cakes to diarrhea, the worthless shares use them to wipe their backs. In the show many other details with Fortuna, the Dutch virgin, hope etc. in the caption a verse in 4 columns in which the figures from the show are explained. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Picart, Bernard, Amsterdam, Title page for: AG Luïscius, Het algemeen historische, geographisch en genealogisch woordenboek, 1724-1737, Allegory with History writing history, verso stamped under, Allegorical representation, revealed by Father Time, with History surrounded by a crowd of characters symbolizing the different continents. She is accompanied by Geneology, who shows her a family tree, Chronology, with tablet in her hand, Geography, who draws the world map with her compass and Mnemosyne, the goddess of memory, who points to Diogenes. In the foreground the personifications of the arts with their attributes. On the left in the background Adam and Eve, Mohammed, Moses and Aaron. On the right in the background monuments including the Colossus of Rhodes, the Tower of Babel, Golgotha, pyramids and the Temple of Solomon. In the clouds a meeting of the Olympian gods. In the margin a seven-line caption in Dutch., print, engraving, title page, prints, Frederik Muller Historieplaten, hei

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Two girls in Bamberg led to the stake, 1550, verso - stamped, 61, height 115 mm, width 145 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Northern Netherlands, - 1693-06-26

Neptunus presents Alexander the Great a crown. Neptunus comes to the coast in his chariot and axander presents the big horse a crown. Printed on the back with text in Dutch ..

Unfaithful schoolmaster; Der Üngetreue Schulmeister / Praeceptor infidelis; Faithful and unfaithful. A small group of children leads an unfaithful teacher towards the fortress in the background. The teacher is fascinated and is driven by the children with rods. Around the show a Rocaille frame with the god Mars in harness and a female personification of caution with hose, mirror and torch in her hands. In the undermaster twice a four-line German and Latin text.

Bataven break the bridge over the IJssel, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Bataven get scared and break the bridge over the IJssel to be able to negotiate with Cerialis. Print number 35 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general IJssel

Genoa harbor with a few people around a statue of Neptune. On the right a drawing artist.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Simon Zelotes stripped of his clothes before the crucifixion, verso - stamped, 15, height 120 mm, width 148 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, Northern Netherlands, - 1693-06-26

David Dijoofdt Goliath.

France, Lafage, Raymond de, Paris, Ertinger, Franz, Dance around the golden calf, verso - stamped, The Israelites worshipping, dancing and celebrating around the golden calf. In the background Moses comes down the mountain Sinai with the stone tablets. Ex. 32., print, prent, prints, prenten, height 306 mm, width 436 mm, 1640, print maker, prentmaker, 1652 - 1707, paper, papier, etching, etchings, Frans, 1656-10-01 - 1690-11-04, intermediary draughtsman

Goliath lies on the ground. David stands with one foot on his chest and raises Goliath's sword above his head, ready to behead him. On the left, the Philistines flee, while Saul's soldiers give chase on the right. Below the depiction four four-line verses in Dutch and a reference to the Bible text in 1 Sam. 17:51., David beheads Goliath Royal Bible (series title), print maker: anonymous, anonymous, Maarten van Heemskerck, (mentioned on object), Amsterdam, 1630 - 1652 and/or 1630 - 1702, paper, engraving, h 403 mm × w 516 mm

Mercury half lying on a stone against which two warps confirm a inscription; Title page for: Europisch Mercury, Vyfde Piece, first part: Calling the ses first Maenden of the Jaer 1694. Mercury half lying on a stone against which two warriors confirm a inscription. Behind Mercury stands the freedom sink on the left, on the right two warriors. Above this representation two scenes in which a city is besieged. Down two representations of a bombing on a port city by warships.

Parable of the bad winegrowers; Similarities from the New Testament; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Winegrowers kill the servants of the vineyard owners in a fenced vineyard. The servants came to collect the part of the harvest where the owner was entitled to. If his servants do not return, the owner decides to send his son. His son is thrown out and murdered the vineyard in the foreground through the tenants. Under the show a reference in Latin to the Bible text in Luc. 20: 9. This print is part of an album.

Confused actionists and the tower of Babel, 1720, 1720 Cartoon on the Actionists and the Tower of Babel. John Law is on the left of shares, while wind traders are doing well by the English baked jaws. Through these cakes, the traders get to the diarrhea, the worthless shares use them to wipe their rear. In the show many other details with Fortuna, the Dutch Virgin, De Hoop etc. In the caption a verse in 4 columns in which the figures from the performance are explained. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Cartoon on the Actionists and the Tower of Babel. John Law is on the left of shares, while wind traders are doing well by the English baked jaws. Through these cakes, the traders get to the diarrhea, the worthless shares use them to wipe their rear. In the show many other details with Fortuna, the Dutch Virgin, De Hoop etc. In the caption a verse in 4 co

Storming the Noordpoort in Middelburg by rebellious farmers, 1672 The History of Plunderinge (title on object), city gate, street fights, riots, Middelburg, Philip van den Brande, Caspar Luyken (mentioned on object), 1692 and/or 1748, paper, etching, h 164 mm × w 98 mm

The Bohemians: The Stopping Place: The Feast of the Bohemians, c.1621-1625. Jacques Callot (French, 1592-1635). Etching and engraving; sheet: 13.1 x 24.4 cm (5 3/16 x 9 5/8 in.); platemark: 12.5 x 23.8 cm (4 15/16 x 9 3/8 in.).

Title Print for 'Atlas Nouveau, Contenant Toutes Les Parties Du Monde' by Guillaume Delisle; Atlas Novus ad USUM Serenissimi Burgundiae Ducis; Atlas François. à l'Usage de Monsignor Le Duc de Bourgogne Contenant Les Cartes, et des Empires, Monarchies, Royaumes, Etats du Monde .. At an increase, exotic-looking figures for a crowned woman on a throne with a scepter, a mapbook and a cornucopia. Behind them a soldier (Mars), A female allegorical figure and Mercury at a mapbook. In the foreground some electricity gods. In the background Apollo on his solar car and atlas that teat the sky stuff on the mountains mentioned at him.

Triumph of scipio Africanus; arrival of Ferdinand in Ghent in 1635 (No 31); O Formosum Spectaculum / Scipionis Cum Carolo Similitudo; IV. Tabula. Scipionis Africani Triumphus. Triumphop trip from Scipio Africanus in Rome in a triumphander after his victory over the Carth Day army in the second Punic War in 202 BC. Charles V victory in Africa are compared to that of scipio. Presentation at the bottom right of the rear of the triumph port Arcus Caroli on the Friday market. Leaf No. 31 In a set of 42 plates that illustrate the publication of the dental of the Cardinal Infant Ferdinand in Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Engraver: Petrus Aquila Miarcela, Italian, active 1640-1700, After: Raphael, Italian, 1483-1520, Crossing the RiverJordan, Engraving, image: 24.6 × 29.2 cm (9 11/16 × 11 1/2 in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Philip Galle after Pieter Bruegel the Elder, The Triumph of Time The Triumph of Time

Princess Maria says goodbye to her departure to England, 1689, 1689 print The princess of Oranje Maria II Stuart says goodbye to government representatives on her departure from Brielle on February 20, 1689 to England. Numbered at the top right: 186. Plate H In the 'Engelants Schouwtoneel' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French. Amsterdam paper etching arrival and return ~ travelling Brielle

Hunger Nood in Germany, 1637, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing starvation, famine Germany

Friedrich Wilhelm, Elector of Brandenburg (1620-1688) Publisher: Verscher, Claes Jansz. (1586) Stecher: Dalen, Cornelis van (1) Designer: Martsen, Jacob

The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini. Artist: After Jan van der Straet, called Stradanus (Netherlandish, Bruges 1523-1605 Florence); Adriaen Collaert (Netherlandish, Antwerp ca. 1560-1618 Antwerp). Dimensions: Sheet: 9 13/16 × 10 11/16 in. (24.9 × 27.1 cm). Date: 1589. Museum: Metropolitan Museum of Art, New York, USA.

Charivari ca. 1633 Abraham Bosse French. Charivari 387753

Zondvloed, print maker: Jan Luyken, publisher: Jan Rieuwertsz. (II), publisher: Barent Visscher, Amsterdam, 1706, paper, etching, letterpress printing, h 91 mm × w 81 mm

Léonard Gaultier, The Entry into Jerusalem, probably c 1576 1580 The Entry into Jerusalem

After Lucas van Leyden, Golgotha, engraving.

Title page for the Europische Mercury of 1717, 1717 print Title page for the Europische Mercurius, dl. XXVIII of 1717. Mercury and Europe with a few other allegorical figures, one with a map of Gothenburg. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Gothenburg

ESCENAS COMICAS DE LA LENGUA 1662-GRABADO FLAMENCO. Author: BOUTTATS PETER-BALTHAZAR. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Etching by Nicolas Chaperon depicting one of Noah's victims during the flood, created in 1649, illustrating the biblical narrative.

Neptunus presents to Coronis; Metamorphoses from Ovid. Neptunus reaches to Coronis, the daughter of Coroneus, who was desired by him. To escape, she cried the help of the gods, on which Minerva turned her into a crow. In the margin a four-line caption, in two columns, in Latin.

Babylonian confusion of speech, Hans Collaert (I) (attributed to), after Jan Snellinck (i), 1643 print God the Father, in the form of the Tetragram surrounded by Stralenkrans and Cherubin, appears in the sky near the tower of Babel. He triggers a confusion, so that people can no longer understand each other. The people around the tower flee in all directions. A number of them flee on an elephant and camels. Nimrod and other men look in the foreground frightened. Under the performance a reference in Latin to the Bible text in Gen. 11: 7. print maker: Antwerppublisher: Amsterdam paper engraving the confusion of languages and the scattering of people over the earth ~ story of the Tower of Babel. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Etching by Augustin Hirschvogel, 1549, showing a geometric and architectural composition, including lines, forms, and perspective.

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Amsterdam, Luyken, Caspar, Gathering the manna in the desert, verso - manuscript in brown ink, print, prints, verso - stamped, 63, height 112 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Lingelbach, Johannes, Amsterdam, Gronsveld, Aliqui Portus, Italian harbours, Harbour with merchants at cart, verso lower left - stamped, Harbour with three merchants on the left, to the right of which three merchants are loading a cart behind a horse. On the right two merchants, one of whom is carrying a barrel and in the background sailing ships. Eighth print from a series of twelve with Italian harbours., print, prent, prints, prenten, height 153 mm, width 237 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1622 - 1674

February, Pieter van der Borcht (I), 1545 - 1608

The Troops of Bourse expel the German soldiers of Treslong and Merville from the Citadel, 1577; Medallions with the conquest of the Citadel of Antwerp in 1577. Bourse's troops expel the German soldiers of Treslong and Merville from the Citadel, August 1, 1577. In the Clouds Justice. Presentation in a round medallion with ornamental allegorical frame with the sitting female personifications of providence (Providentia) and Steadfastness (Constantia) at the top. At the bottom of a cartouche with 2 verses of 6 rules each in French and Dutch.

Joab kills Amasa, Jan Luyken, 1704 print Amsterdam paper etching Joab kills Amasa: Joab takes Amasa by the beard with the right hand as if to kiss him, and stabs him with a dagger

Simson beats the Philistines with a donkey jaw, Caspar Luyken, 1712 print Amsterdam paper etching with an ass's jaw-bone Samson slays a thousand Philistines

Jakob meets Rachel at the Bron, Jan Luyken (Possibly), 1703 - 1762 print Print Maker: Haarlem Publisher: Amsterdam paper etching / letterpress printing Jacob moves the stone which covers the opening of the well and waters Rachel's sheep

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