Historical and Allegorical Etchings

A series of etchings illustrating historical scenes, landscapes, and allegorical figures, showcasing diverse artistic styles and themes from various periods.

Copper engraving by Jan Wierix depicting virtues, created between 1570 and 1620, showing allegorical figures representing moral qualities and virtues.

Etching by Christian Wilhelm Ernst Dietrich depicting a lady in a veil and a half-length portrait of a girl, showing facial features, attire, and composition.

Copper engraving by Aegidius Sadeler the Younger around 1599 depicting an angel holding the instruments of the Passion. The artwork shows the angel, tools, gestures, and symbolic religious elements in late 16th-century European style.

Copper engraving by Pieter de Jode II depicting Johann Ludwig of Nassau-Hadamar and Johann Maximilian von Lamberg, produced between 1648 and 1660, showing European historical figures in portrait format.

Etching by Jan van de Velde II depicting the parable of the merciful Samaritan, created between 1613 and 1641.

A woodcut by Sebald Beham from the first half of the 16th century depicting male heads, horses, and a naked winged woman, showing figures and symbolic elements.

Three photor productions from a publication by the Arundel Society with paintings and a miniature. .

Judyta from G Ow Holofernes, rest while escaping to Egypt, idolatry of Salomon, Christ, which brings the transparencies, crucifixion of Mari and Jan (so -called crucifixion), Samson carrying gates city Gaza, Christ's dying and the Mother of God, the beautiful Madonna of the ratzbon (on the sight, surrounded by the Angy), children Jesus as Salvator Mundi, Maria with children and Ann, Maria from children and two skills; Altdorfer, Albrecht (CA 1480-1538); around 1520-1528 (1520-00-00-1528-00-00), approx. 1515-1519 (1515-00-00-1519-00-00), approx. 1519 (1514-00-00-1524-- 00-00), 1500-1538 (1500-00-00-1538-00-00), 1520-1525 (1520-00-00-1525-00-00), 1519 (1519-00-00-1519-00 -00), 16th century (1500-00-00-1600-00-00), 1507 (1507-00-00-1507-00-00);

Etching by Cornelis Danckerts I (1620-1656) depicting children representing the four elements: fire, water, earth, and air, showing figures, gestures, symbols, and 17th-century European artistic interpretation.

A 1778 etching by Daniel Nikolaus Chodowiecki depicting leaves illustrating Shakespeare's 'Hamlet' and 'Lady Macbeth', showing figures and narrative scenes from the plays.

Etching by Christian Wilhelm Ernst Dietrich from 1760-1811 depicting ancient heads, showing facial features, expressions, and human study.

Copper engraving by Pieter de Jode II, created between 1648 and 1660, showing portraits of Adriaan Clant Tot Stedum and Jobst Christoph Kress von Kressenstein with detailed likeness and attire.

Invitation to the opening of a Polish painting exhibition at the art salon of Abe Gutnajer, address Mazowiecka 16, Saturday, November 1st (1924), with a reproduction of the painting by Henryk Siemiradzki (1843-1902) `Sinner`. unknown, photographer, Salon Sztuki Abe Gutnajera (Warszawa ; ok. 1915-1939), publisher

Wood engravings by Oscar Pletsch from 1874-1877 depicting children in various activities, showing figures interacting in playful and domestic settings.

Gessners etchings from 1750-1788 include vignettes combining figures, animals, landscapes, and architectural details in precise line work.

An etching by Wenzel Hollar depicting an angel, created between 1627 and 1677. The work emphasizes religious figure, posture, and symbolic presence.

Etching by Jacques Callot from 1617 depicting 'The Temptation of St. Antonius', showing the saint with figures representing temptation and detailed composition.

Lithograph from the early 19th century reproducing Albrecht Dürer's Christian and mythological hand drawings with decorative elements removed, showing detailed figures and poses.

Copper engraving and etching depicting Christ in spring, created by Jean Massard between 1760 and 1822, showing Christ in a natural or allegorical setting.

Etching by Wenzel Hollar depicting human figures with coats of arms, produced between 1627 and 1677, highlighting heraldic and baroque artistic details.

Etching by Wenzel Hollar illustrating Vergil's work, created between 1652 and 1654, depicting characters, story scenes, and classical landscapes from the text.

Woodcut by Virgil Solis the Elder from 1563 illustrating scenes from Ovid's Metamorphoses with human and mythological figures, transformations, and narrative episodes.

Copper engraving by an unidentified artist depicting Bavarian princes in niches with elaborate accessories, created in the late 17th century, showing detailed portrait and ornamental work.

Etching by Rembrandt depicting various figures, created between 1626 and 1669 using pinnate etching technique.

Albrecht Dürer's early 19th-century lithography presents Christian and mythological hand drawings with attention to form and detail.

Lithograph from the early 19th century reproducing Albrecht Dürer's Christian and mythological hand drawings with decorations removed, showing figure details and composition.

Copper engraving and etching by Virgil Solis the Elder from 1529-1562 depicting the first twelve Roman rulers, showing individual portraits, regalia, and historical attributes.

Etching by Antoine Cardon depicting Hebe and Harmonia, created in 1798 using a punctuation manner technique.

Seven drawings,including four decorative motifs and two scenes of interiors 1830-97 Jules-Edmond-Charles Lachaise French. Seven drawings,including four decorative motifs and two scenes of interiors 385129

Five knives from the Ngbandi; Couteaux des Mogwandi. .

Aquatint and etching by Frederick Christian Lewis the Older depicting a landscape in the style of Claude Lorrain, showing natural scenery, trees, water, sky, and classical composition elements.

Etching by Matthäus Loder from the 19th century depicting figures in various costumes with detailed gestures and expressions.

Etching and copper engraving by Johann Adam von Bartsch showing Mary in half-figure en face, supported by children of Jesus on her left arm and assisted with her right, created between 1800 and 1803.

Gypsum Models for Sculptures at the Louvre Palace: Links "Peace" by Joseph Brian and Right "Peace" by Cavasse. Share of meeting of the Tuileries at the Louvre 1852-1857, album 2.

View of Large Plant with Sign Requesting Viewers Not to Touch; Telescope Gallery. Artist: Attributed to Philip Henry Delamotte (British, 1821-1889). Dimensions: 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each. Date: ca. 1859. Museum: Metropolitan Museum of Art, New York, USA.

Touch, from the series: five senses, hearing - auditus, from the series: five senses, sight - Linx visue, from the series: five senses; Pencz, Georg (CA 1500-1550); 16th century (1500-00-00-1600-00-00);

Illustrationen aus "Breslau" (pięć ilustracji). Müller-Bernburg, Ernst (1874-1941), graphic artist

Wenzel Hollar's etching from 1627-1677 depicts a decorative frieze with allegorical and mythological figures, showing symbolic representations in art.

GIPS models for sculptures on the Palais du Louvre: left "l'Autmne" by François Trupème and on the right "La chasse" Alexandre Schoenewerk, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Scenes from the Lives of Jacob and Joseph: Mourning for Jacob in Egypt 17th century Italian, Venice (Murano) or Naples. Scenes from the Lives of Jacob and Joseph: Mourning for Jacob in Egypt 187152

Three title prints for J.F. Oltmans' The Loevestein Slot in 1570, Dirk Jurriaan Sluyter, in Or Before 1853 print Print of a record with three images of fictional events at Slot Loevestein, made for a novel by J.F. Oltmans. Two of the prints were used on the title pages of the 1853 edition. Amsterdam paper etching / engraving

Etchings by Johann Christoph Busch depicting various heads, produced between 1723 and 1772, showing portrait studies and facial expressions.

Etching and copper engraving by Noël Le Mire from 1782 depicting inhabitants of the Caries region, showing people, buildings, daily activities, and rural surroundings.

Reproduction of (presumably) a print to the painting by Charles de Coubertin Le Départ des MissionNawires (the departure of the missionaries); Le Départ des MissionNawires. Part of Memorial Album of Roman Catholic clergymen cases during the Commune of Paris.

Etching by Heinrich Friedrich Füger from 1776-1818 depicting four young people, a youth with a mirror, a man approaching, and head studies showing facial features and expressions.

A colored woodcut from 1473 illustrating 'The Woman Claris' by Giovanni Boccaccio, depicting characters, gestures, attire, and setting.

Print made by Samuel Ireland, active 1760-died 1800, British, A Third Modern Military Punishment, 1794. Etching and aquatint on medium, slightly textured, cream wove paper.

Prince "Soudetah Chou-fa Chulaloukrou", Heir to the Crown Attributed to John Thomson British, Scottish 1865 View more. Prince "Soudetah Chou-fa Chulaloukrou", Heir to the Crown. Attributed to John Thomson (British, Edinburgh, Scotland 1837-1921 London). 1865. Albumen silver print from glass negative. Photographs

Etching by Rembrandt depicting a portrait of Abraham France, created around 1657 using a pinnate technique.

Etching in dotted manner by Nicolas Schenker, 1780-1863, showing a bride and a young wife in domestic or ceremonial settings.

Study for a plate from The Task 1795-1805 England. Ink wash on paper . Thomas Stothard

Umbria Terni Collescipoli S. Nicolo04. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sketchbook 2: Ornament studies

Etching by Friedrich Brentel showing the funeral ceremony of Charles III of Lorraine, including ceremonial procession, attendants, and casket, 1608-1611.

A copper engraving and etching from 1598 depicting multiple portraits, showing figures, clothing, and compositional elements.

Sculptures of Cain, a Hunter Defending his Family, the Massacre of the Innocents, and Allegorical Figures of the First Whisper of Love ca. 1859 Attributed to Philip Henry Delamotte British. Sculptures of Cain, a Hunter Defending his Family, the Massacre of the Innocents, and Allegorical Figures of the First Whisper of Love 285799

Photo production of nine paintings and a sculpture, Johannes Jaeger, after Adolph Tidemand, c. 1872 - c. 1882 photomechanical print Stockholm paper collotype picture, painting. sculpture

Hesse Otto, fragments and details of modern ornamentation (without date): views, details. Lithograph on paper, 44.6 x 30.7 cm (including scan edges)

Friedrich Brentel's etching illustrates the burial ceremony of Charles III of Lorraine (1608-1611), including ceremonial procession, attendees, and catafalque in early 17th-century European engraving.

Sixteen tokens with decorated frames, one of which is blank, Simon de la Boissière, 1647 - 1682 print Upstairs numbered: 11. France paper etching medal (considered as a piece of sculpture, regardless of its specific function)

Twelve episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with twelve performances from national history. The images are numbered in the middle of CXXXIII to CXLIV and provided with explanatory captions. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Frise occidentale du Parthénon. Frédéric Boissonnas (Swiss, 1858 - 1946)

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (04.04.1887): Rome: Gesù (views details). Tusche watercolor on paper, 42.6 x 31.1 cm (including scan edges)

Balzac in sphinx, advertising for the centenary monument Marquet de Vasselot. "Balzac in Sphinx, advertising for the centenary monument". Balzac, honored by (1799-1850). photo-mechanical reproduction. Paris, House of Balzac.

Copper engraving and etching by Richard Saint-Non from 1781 showing topographical views, towns, and natural scenery in Naples and Sicily.

Copper engraving by Claude Mellan from 1620 featuring fifty-two heads representing humans and astronomical figures.

Callot. Two prints Jacques Callot (1592-1635). Two prints. Black and white projection plate. 1900-1930. Photograph of Jacques-Ernest Bulloz (1858-1942).

The Madame B Album Made 1870-1879 France. Albumen print with watercolor (in album) . Marie-Blanche Hennelle Fournier

Views of Greek Sculpture Court including Bust of Minerva ca. 1859 Attributed to Philip Henry Delamotte British. Views of Greek Sculpture Court including Bust of Minerva 285799

Information panel over the elephant carpet; Willem van Oranje exhibition - To freedom of conscience ..

Les Jambes de l'opera; André Adolphe-Eugène Disdéri (French, 1819 - 1889); about 1862; Albumen silver print

Dancing couple, Heinrich Aldegrever, 1538 print paper engraving dancing at wedding feast. one pair dancing; man and woman dancing as a couple

Valentines and Birthday cards depicting children in mythological scenes.. Proofs, Greeting cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Children, Mythology, Play (Recreation)

1865, Mexique, 1865, Mexique, 1865, Falconnet, Louis, 1864-ca. 1867, by Louis Falconnet, an officer in the French army, from documentation he created or gathered while on his tour of duty in Mexico (1864-1866) at the time of the French intervention.

Smoking, drinking and eating men, Ernst Ludwig Riepenhausen, After William Hogarth, 1775 - 1840 print paper etching adult man. pipe ~ tobacco. drinking. eating

Photo production of a painting, representing a face on fishermen along a more too třeboň; Lov Ryb na Rybniku Rozmberském u Trebone. .

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