Historical Architectural Designs

Detailed engravings of historical architectural elements like tombs, fountains, and intricate chimney designs in various styles and periods.

Elzevier, Doetechum, Johannes or Lucas van, Antwerp, Maes, Joseph, Fontaine, XVIIe Siècle, Reproduction of a print of a fountain in the form of a Roman temple by Johannes or Lucas van Doetechum, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, FONTAINE tirée d'un, recto - printed, LITT. F. - PL. 9, JJvY, height 363 mm, width 230 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, after print by

Graftombe van Willem I, prins van Oranje, 1623.Graftombe or Palatergraf of Willem I in the new church in Delft, completed in 1623. Seen from the front with the image of the sitting prince.

Design for a chimney with a representation of a sacrifice, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a representation of a few figures with a sacrificial column. Perhaps the sacrifice of iPhigenia. The mantelpiece is decorated with rocaille pavees and a women's mask. after design by: Middelburgpublisher: Augsburg paper engraving chimney. the sacrifice of Iphigenia. rocaille ornament. mask, mascaron ~ ornament

Elzevier, Doetechum, Johannes or Lucas van, Antwerp, Maes, Joseph, Fontaine, XVIIe Siècle, Reproduction of a print of a fountain in the form of a Roman temple by Johannes or Lucas van Doetechum, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, FONTAINE tirée d'un, recto - printed, LITT. F. - PL. 9, JJvY, height 363 mm, width 230 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, after print by

. Chimney coat with a partially curved tablet above an oval mirror. There are two Chinese vases on the tablet, on either side of a Chinese image. There are two mirrors on top. Three consoles with Chinese porcelain hang on the sides.

Design for a chimney with Mercury, Argus and IO, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a performance by Mercury who with his shepherd whistle Argus asleep. Behind Argus is in the form of a cow. The mantelpiece is decorated with rocaille and shell ornaments. Publishing number 19. after design by: Middelburgpublisher: Augsburg paper engraving chimney. Mercury lulls Argus into sleep by making music. rocaille ornament

Project for an Alter, Pen and black ink, brush and wash on white laid paper, Elevation of an alter shown within an arch. At top, a broken pediment with angels holding festoons. Below, within a tablet is a radiant crown within a wreath. On either side, sculptures sit on an entablature. An undecorated tablet at center, flanked by engaged columns and pilasters., Rome, Italy, Italy, 1750-80, architecture, Drawing, Drawing

Schouw with Cartouche with Animals, Claude René Gabriel Poulleau, 1759 - 1775 print Design for a fireplace with rocaille ornaments and at the top a cartouche with animals such as a bear, a monkey and a donkey. paper etching open hearth, fire-place. ornament ~ cartouche. animals

Print, Cheminée, Plate 14 from Set; etching on paper; Plate: 16.4 × 11.7 cm (6 7/16 × 4 5/8 in.) Paper: 19.6 × 14.4 cm (7 11/16 × 5 11/16 in.)

Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for an altar in frontal elevation. The base of the altar is left undecorated, safe for a small rocaille ornament in the right variant. The top of the altar is heavily decorated with rocaille ornaments and candelabras and characterized by a bust on a pedestal depicted in the central opening or niche. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for an Altar, Plate 1 from an Untitled Series of Designs for Altars. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg)

Spiegel met jachttrofee, anonymous, Johann Thomas Hauer, 1758 - 1820 print Design for a wall mirror with a table, decorated with garlands and a hunting trophy .. a wall with panels on the left and right. Publishing number XXIV. Ravensburg paper etching / engraving mirror. hunting trophies

In the middle below is a niche between stairs on which people run up; Iacobus Androuetius du Cerceau Inventor Ante Annos Non Paucos Conscripsit (...). Copy to the print of Jacques Androuet Ducerceau, derived from a flat decoration from Enea Vico. Leaf from series with architectural fantasies and grotesken with fabber designs, garlands, candelabers and mascarons.

Chimney mantle with pastoral performance, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a pastoral representation of a young man with a young woman with hat. The mantelpiece is decorated with rocaille, shell ornaments and masks. after design by: Middelburgpublisher: Augsburg paper engraving chimney. pastorals, Arcadian scenes. rocaille ornament

De Voorst Palace, Staircase, Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and black ink on white laid paper, Design for an ornate mantlepiece. On the mantlepiece is a bust of a woman's head turned left and ornamental garlands. The panel next to the mantlepiece also has decorative moulding., Netherlands, Netherlands, 1700, architecture, Print, Print

Erepoort on Reguliersplein, 1816, Antoni Zürcher, 1816 - 1817 print Erpoort with the temple of love. Boog crowned with the weapons of the prince and princess, including between Garlandes two burning hearts. Founded on Reguliersplein (Thorbeckeplein). Illustrations of the decorations prepared during the visit of the Prince and Princess of Orange to Amsterdam on September 19, 1816. Netherlands paper etching / engraving triumphal arch. public festivities on the occasion of royal events (+ decorated staff, portable structure ~ festive activities). heart symbolism. Love: 'Frau Minne' and other allegories Amsterdam. Reguliersplein

Submary between two Tuscan pilasters, Cornelis Danckerts (I) (Possible), After Jean Lepautre, c. 1675 - c. 1686 print In the middle there is an oval painting with a sacrificial scene, at the bottom a fireplace plate in the shape of a cartouche is crowned with a mask. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching chimney-piece, mantelpiece

In the middle is a niche between stairs on which people walk up, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Copy to print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Corinthian porch with variant for right half, anonymous, after Giovanni Battista Montano, 1636 print From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Design for Tabernacle, from 'Tabernacles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Altars, Altar with Holy Spirit, verso - stamped, Altar with rocaille ornaments, two angels and a dove in a halo as a symbol of the Holy Spirit. Publisher number 300., print, ornament print, prints, ornament prints, height 314 mm, width 198 mm, print maker, printmaker, 1745 - 1745, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for a Fireplace; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 26.6 x 18.1 cm (10 1,2 x 7 1,8 in.)

Tomb with Obelisk; Livre De Tombeaux. A tomb with two women on either side of an obelisk, in the background a semicircular niche.

Pulpit with pigeon of the Holy Spirit and Putti. Pulpit with the pigeon of the Holy Spirit at the top. Putti adorn the pulpit. Putti of different continents bear the globe completely upstairs. A putto carries a turban and holds a sword in hand, another putto with pension and spear.

Imperial Court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two male figures, Two male figures with a book in their hands stand on the left and right on an altar with rocaille ornaments. Two angels with palm branches above the pillars of the altar. The altar is closed off with a cross in a quatrefoil., print, ornament print, prints, ornament prints, height 395 mm, width 227 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, etching, engraving, engraving (printing process), Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, granter of privilege

OrnamentalDesign. Artist: Richard de Lalonde, French, 1735-1808

The Monument of Catherine Hart from Fulham Church, Simon Watts, active 1812, after G. Lynn, early 19th century, undated, architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Catafalque 18th century Jeremias Gottlob Rugendas. Catafalque 698819

Fireplace for a wall; Novae Cheminae. The mantelpiece is decorated with a bust. Left is a half door visible with a top door panel. Copy to print from the Serie Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces.

Subsema, shaft decorated with Neptune and Amphitrite, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 Page 14 from the second edition of series. The numbering of the prints only partially corresponds to that of the first edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Design for Elevation of a Window Case, Filippo Marchionni, Italian, 1732-1805, Black chalk, brush and brown watercolor on laid paper, Pilasters are projecting laterally consisting of slopes, wolf heads carrying rings with tassels in their mouths and of top parts of regular pilasters. A half semi-circular pediment is on top of the central part of the entablature showing a cherub in the field. Two wings of curtains and half figures of a man and a woman conversing are showing in the window. Scale at the bottom., Italy, ca. 1750, architecture, Drawing, Drawing

Tomb monument from Anthony Pieterson ..

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, "Hyms", Plate 4; Designed by Abraham Drentwet (1647 - 1727); Printed by Georg Heinrich Schifflen (German, 1666 - 1745); Published by Jeremias Wolff (German, 1663-1750); Germany; engraving

Pendant (pendeloque) with fortitudo; Hangers. Niches, decorated with volutes of roller and fitting work, mascarons, animals and grotesken .. One of 9 sheets, from a series of 12. On six sheets, a figure is in the niche. Three pearls hang on each pendant.

Panseron, Pierre, Desprez, Louis Jean, Ouvrage d'Architecture des Sieurs Deprez et Panseron, Projet D'Un Reposoir, Developpement de l'Autel, Altar with an all-seeing eye, verso - stamped, An ornamented altar with three caryatids in the middle around a radiated monstrance. Above it the all-seeing eye on the book with the seven seals flanked by two three-armed candlesticks. Next to the caryatids are two ten-armed candlesticks. At the bottom, a pelican feeds three young., print, engraving, ornamental print, prints, engravings, ornamental prints, height 477 mm, width 338 mm, print maker, printmaker, 1781 - 1781, paper, papier, etching, etchings, Work conception, French, 1743-05-28 - 1804-03-19, after a design by, Publication (Event), Publication, 1742 - 1803, publisher

Design for a Cabinet in Moorish Style. Artist: Anonymous, French, 19th century. Designer: Designed by J. S. (French, 1850-1900). Dimensions: 10 5/8 x 6 7/16 in. (27 x 16.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Fence with variant for right half, anonymous, after Jean Lepautre, 1750 - 1765 print From series of 6 magazines with Dutch opposite copies to the Liure de Serurerie series, designed by Jean Lepautre, and magazines from another series. Third print. print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching

Frisian with breast kuras and putti; Frisians with grotesken, putti and leaf raft. Breast kuras between two putti and leaf refines. The putto on the left is seen on the back. Shaded background. 1 sheet of 4 sheets.

Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand). Theodoor van Thulden; Flemish, c. 1606-1669. Date: 1642. Dimensions: 415 × 287 mm (plate); 557 × 388 mm (sheet). Engraving, with etching and plate tone, in black on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Panel with Genie Blinds on Trumpet, Jean Lepautre, 1657 print Left panel of page 6. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721) ca. 1721 Workshop of Giuseppe Galli Bibiena Italian. Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721) 344368

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 42e Cahier, Consoles, Console avec son profil, Console with mask, verso - stamped, Side and front view of a console with leaf motifs and a face. Below an architectural fragment with tablet and lion's head. Print number 251., print, ornamental print, prints, ornamental prints, height 332 mm, width 205 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Ornamental drawing (probably project of decoration for the Academy of Moral Sciences)

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 13/16 × 8 9/16 in. (30 × 21.8 cm)Plate: 11 1/8 × 7 15/16 in. (28.3 × 20.2 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20-3/4 x 14-13/16 in. (52.7 x 37.6 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Anderboezem Met Jupiter en callisto, François de Poilly (I) (Possibly), After François de Poilly (I), After Antonio Tempesta, 1632 - 1693 print On the left, various details are depicted. From series of title page and 5 magazines, second edition. Paris (possibly) paper etching homosexual love - CC - homosexual love between women: lesbianism

Artist: David van Velthem, French, ac. Lyon 1623-1628, Design for an Arch withFountains, ca.1625, Engraving, image: 25.7 × 17.5 cm (10 1/8 × 6 7/8in.), French, 17thcentury, Works on Paper -Prints

Schouw with candlesticks, Jean Dominique Etienne Canu, 1778 - 1782 print An ornamented fireplace with two two -armed candlesticks, garlands and a panel with figures. There are two fire vessels in the fireplace. Paris paper etching open hearth, fire-place. chandelier, candelabrum

Allegorical show with Saters at portrait medallion and altar. Two saters wear a cloth above their heads and flank a medallion with double portrait. Before that, a woman with a flower wreath is at a burning altar. Putti with goat paws with masks, garlands and floral basket surround her. In the foreground a round arch with medallions, among other things, sin.

HANGER (PENDELOQUE) MET MARS, HIS COLLAERT (I), AFTER MONOGRAMMIST EVG, 1555 - 1576 print One of 9 sheets, from a series of 12. On six sheets is a figure in the niche. Three pearls hang on each pendant. print maker: Antwerp (possibly)after drawing by: Netherlands (possibly)publisher: Netherlands (possibly) paper engraving (story of) Mars (Ares). pendant, trinket, 'breloque'

Paris, Mariette, Pierre (II), Pierretz, Antoine (le jeune), Divers Desseins de cheminées à la royale, Underbosom with woman in niche, The woman holds a laurel wreath and a caduceus., print, ornament print, prints, ornament prints, height 205 mm, width 135 mm, print maker, 1655 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Jean Le Pautres etching from 1625-1682 showing a retable with columns and figures, highlighting architectural and religious details.

Triumphal arch from Ferdinand (back); entry from Ferdinand in Antwerp in 1635 (no. 28); Arcus Ferdinandini Pars Posterior. Back of the triumphal arch of Ferdinand prepared in the Lange Nieuwstraat. Centrally a representation of the triumph of Ferdinand. On top of the gate on horseback the morning star (Lucifer). Signature at the top right: Pag. 108A. Leaf No. 28 in a set of 43 plates that illustrate the publication of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Eroeboat with putti and garlands. Possible design for a print.

Fireplace with cartouche; Schouwen; Camines Italienes / Italian Camine. Rocaille fireplace with cartouche. Publisher number 58.

Rectangular Table, Augustin Foin, After Richard de Lalonde, 1784 - 1785 print Front and top view of a rectangular table with garlands, volutes and a vase. On top of the table are vases, a mirror and a vase with flowers. Paris paper etching / engraving table

Arthur-Joseph Guéniot (1866-1951). Monument project in memory of the first ascent of free balloon of Rozier and Arlands (on the front and back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Table with large mirror, Daniël Marot (I), 1712 print To the left of the table is a candlestick, on the right you can see a part of a table with two candlesticks above it and a smaller mirror list. Leaf from series of 6 blades. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

France and.

Hall Chimney-Piece, Houghton Hall, Norfolk. Artist and architect: Isaac Ware (British, before 1704-1766 Hampstead). Dimensions: sheet: 14 9/16 x 9 13/16 in. (37 x 25 cm). Date: 1735. Museum: Metropolitan Museum of Art, New York, USA.

Subscribe, Cornelis Danckerts (I), After Pieter Jansz. Post, c. 1675 - c. 1686 print Side uprising and the front. The tablet is supported by Ionian Pilatsers. print maker: Netherlands (possibly)after design by: Netherlands (possibly)publisher: Amsterdam paper etching chimney-piece, mantelpiece

Designs for Bedroom Alcove Walls, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The alcove has the shape of a broad niche with a spherical ceiling above the entablature. A main entrance and two lateral secondary ones are suggested. The lateral walls have the same height as the entablature above the central entrance. Above: in the center is a panel with an arch and a curtain framed laterally by piers decorated with candelabra. Above the entablature, laterally, are vases, in the center SATURNUS, sitting, and holding a sphere in his right hand. The lateral doors are framed by panels of a dado and an undecorated panel. Below the central part is a variation of -1606 below. The entablature has a frieze with triglyphs. On top is a pedestal with a sphere between two sitting figures. The sides are a variation of above. Usual background., Rome, Italy, ca. 1790, interiors, Drawing, Drawing

Franse kroon, Parijs, Chéreau, Jacques-François, Lalonde, Richard de, Saint-Morien, de, C Troisiéme Cahier de Meubles et d'Ebenisteries Par la Londe, Elévation d'une petite Commode with Sécrétaire, renfermé derriére la Glace qui est dessus, Chest of drawers with secretary, Paris, verso - stamped, A chest of drawers with a secretary behind glass. Decorated with garlands and vases., print, ornamental print, prints, ornamental prints, height 300 mm, width 189 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

Architectural grave monument for a nobleman, 1563 Architectural grave monument for a nobleman, intended to be placed against a wall. In the Aedicula (temple), a harnessed man kneels in a niche with shell decoration. In addition, Christ is in his hand with a misconduct. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching Architectural grave monument for a nobleman, intended to be placed against a wall. In the Aedicula (temple), a harnessed man kneels in a niche with shell decoration. In addition, Christ is in his hand with a misconduct. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching

Design for Tabernacle, from 'Tabernacles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Above the door hangs an empty medallion. With upstand and plan at bottom. Second Edition. Door with panel with mascaron Nouveau Livre d' Porte d'La Chambre , Jean Lepautre, print maker: anonymous, publisher: Reinier Ottens (I), print maker: Netherlands, (possibly), publisher: Amsterdam, publisher: Amsterdam, publisher: Amsterdam, 1726 - 1750 and/or 1750 - 1765, paper, etching, h 213 mm × w 147 mm

Garden vase and fountain, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print In a garden, an ornamented garden vase, decorated with a fighting eagle and snakes, functions like a fountain. There is a semicircular sofa in the background. In the lower margin a three -line German text. Augsburg paper etching / engraving garden vase. garden fountain. predatory birds: eagle. snakes

Print, Design for Altars, from "Autels et Retables"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 19.3 × 13.5 cm (7 5/8 × 5 5/16 in.)

Wall sconce; E Cahier de Six Bras de Cheminée; Oeuvres The Sculptures and Bronze, Contenant Girandoles, Flambeaux, Feux (...). An ornamented four-armed wall sconce with a laurel wreath, a helmet, a torch, an arrow sleeve, a shield, och branches with leaves and a lion's head.

Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin ca. 1758-59 Sir William Chambers British, born Sweden. Designs for Two Chimney-pieces in Lord Viscount Charlemont's Casino at Marino, Dublin 362946

Design for a Fireplace for a Salon or the End of a Gallery, Pierre Lepautre, French, ca. 1660 - 1774, Engraving on paper, France, ca. 1660-1744, Print, Print

Dresden. Marble tarz in the antique office; Lesser, Aleksander (1814-1884); 1833 (1833-00-00-1834-00-00);Dresden (Germany), Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection , Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, antique, gift (provenance), details, architectural details, griffins, marbles, ornaments, plant ornaments, altars, reliefs, sculptures

Collection of planks of furniture: Cabinet. Thirteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: cabinet. Thirteenth cabinet of a sequence of 21. Etching. 1575.

XVIe. siècle: noyer sculpté, meuble à deux corps, figures et arabesques, Les arts au Moyen Age: en ce qui concerne principalement le palais romain de Paris l'Hôtel de Cluny, issu de ses ruines et les objets d'art de la collection classée dans cet hôtel, Du Sommerard, Alexandre, 1779-1842, Engraving, 1838-1846, In Atlas, v.6, chpt. 12, plate 13.

Furniture Design 1530-85 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1530-85. Etching. Prints

France, Blassel, Nicolas, Lenfant, Jean, Les Epitaphes, Epitaph with woman, Rectangular field with the letters DOM above which a woman sits with a scepter, crowned with a fleur-de-lys. From a series of 7 sheets., print, ornamental print, prints, ornamental prints, height 224 mm, width 143 mm, 1615 - 1674-03-08, print maker, printmaker, 1625 - 1641, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1600 - 1659-03-02, after a design by, Publication (Event), Publication, publisher

Girandole puts putti; A notebook of six girandoles for the use of goldsmiths and founders; Artworks with bronze sculptures, containing girandoles, torches, fire (...). Een Geornamenteerde Driearmige Girandole puts Ranken in Twee Gevleugelde Putti op Bokkenpoten.

Copper engraving by an unidentified engraver around 1628 depicting multiple Sibyls and prophets from the Sistine Chapel, showing seated and standing figures with drapery and gestures.

Mantelpiece with vases and oriental scenes; Chimney jackets ..

Wall decoration with Hercules and Minerva, André-Charles Boulle, c. 1710 - c. 1720 print A wall decoration with panels with Hercules and Minerva with putti lying on two benches. Left and right pilasters with vases. In the middle of a cartouche with animal heads with horns and the serial title. Paris paper etching wall-covering. (story of) Hercules (Heracles). (story of) Minerva (Pallas, Athena)

Design for a Catafalque for King Philip IV of Spain. Artist: Anonymous, Italian, 17th century. Dimensions: sheet: 18 13/16 x 14 5/16 in. (47.8 x 36.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Grafzerk for Frans van Aylva and his wife Rixt van Unia, Anonymous, After Albert Martin, 1875 print The zerk arouses the suggestion of an architectural space with a cassette ceiling, columns and a floor. Helmet marks with a dragon and a deer and four empty coats of arms are in the room. At the top are putti who depict the time and death. In the middle the names of the deceased with Adam and Eva next to it. In the edge more helmet marks with empty coats of arms. At the bottom of a cartouche with a five -line Biblical caption. after design by: Frieslandprinter: Haarlem paper gravestone, tombstone Bornwird

Halved Design for an Altar in a Chapel. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: sheet: 22 15/16 x 10 7/16 in. (58.2 x 26.5 cm)= 58.2 x (26.5+3.2) cm. (3.2cm folded right border). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Netherlands, Meer, Noach van der (II), The Gate for the Magazin, Gate, decoration for the Naval Magazine, 1795, verso - stamped, Gate with coat of arms trophy, allegorical decoration erected for the National Naval Magazine in Amsterdam. From the booklet with images of the decorations erected in the city at the celebration of the installation of the representatives and the alliance concluded between the French and the Batavian Republic, 19 June 1795. The print belongs to a loose sheet with explanation., print, picture, prints, pictures, Frederik Muller Historieplaten, height 219 mm, width 144 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring

Ornamental drawing

School Met Putti, Emanel Eyel, After Frank Xaver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two winged putti. Publishing number 164. paper etching / engraving Open Hearth, Fire-Place. Cupids: 'Amores', 'Amoretti', 'Putti'

Three poasters whose middle with a fruit garden land; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Three poasters whose middle with a fruitsGuirland. On the basements the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Plate in Nouvelles Cheminée faittes en plusieur en droits (New Designs for Fireplaces), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, The fireplace is decorated with a curved escutcheon, and its entablature depicts a scene of putti in relief. Two female robed figures flanking an urn, with garlands, sit on a mantelpiece. Above, garlands hang from a mask. Scale below., Netherlands, ca. 1700, architecture, Print, Print

Print (France)

Design of the catafalque for the exequies of the Marchesa di Villena in San Giacomo degli Spagnoli, Rome; from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'. Artist: Anonymous. Dimensions: Sheet: 16 3/16 × 10 7/8 in. (41.1 × 27.7 cm)Plate: 14 1/16 × 8 1/2 in. (35.7 × 21.6 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1604.Disbound print from 'Libro De Catafalchi, Tabernacoli, con varij designi di Porte fenestre et altri ornamenti di Architettura'. Museum: Metropolitan Museum of Art, New York, USA.

Six composite capitals; Fountains, water wells, chimney jackets, capitals, windows and retabels; Leaf 179 from his "architectura", 6 capitals. On the top right, decorated with a kind of harpies, is a crowning. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets, spread over five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Paris, Daumont, Jean-François, Delafosse, Jean Charles, unknown, T Lutrins dans le gout Antique de Marbre revetu de Bronze, Lecterns, Lectern with winged putto head, verso - stamped, A lectern with garlands, a winged putto head and a vase with an oval medallion., print, ornament print, prints, ornament prints, height 327 mm, width 217 mm, print maker, printmaker, 1745 - 1755, paper, papier, etching, etchingen, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, French - 1775, publisher

Composition with Eastern figure on a throne, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print A decorative composition with braid and a round arch. In the middle is a Chinese figure on a throne with birds. Left and right are winged figures with lion legs and two figures with flower vases. Under the train garlands and two chain lions in the middle. Augsburg paper etching frequently used ornamental compositions. Asiatic races and peoples. throne

Ziegler Erwin, draft romance to a Romanesque chapter. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (07.02.1902): View. Print on paper, 33.4 x 24.5 cm (including scan edges)

Ceramic door of the Palais des Beaux Arts, Paris / Ceramic Portal of the Palace of Fine Arts in Paris, Architect Paul Sedille (from the Paris Exhibition 1878). Michelet (18 .. 19 ..)

Fireplace with candlesticks; Schouwen. Fireplace with rocaille ornaments and two ther-armed candlesticks. Publisher number 164.

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340689

Statiekeeper of the Duke of Ossuna, 1713, 1714 print Back of the golden carriage with a panel on which an allegorical figure of the abundance that brings peace. Part of a series of 7 plates with the Statiekaste of the Spanish envoy De Duke of Ossuna, used at his public entry in Utrecht for the peace negotiations in 1713. Numbered below: 3. Amsterdam paper etching / engraving four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach Utrecht

Ornament of Met Putti, Hyrid Figures A VIIn Monograms, Gerbiting Vices, AFTER GICHEN INTO BEGIN (LE VIEX), 16,910 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 - 1710 print Amsterdam paper etching / engraving letter combinations such as letterword, anagram, letter square, monogram, etc.. ornaments ~ art. ornament ~ hybrid beings; human and animal forms mixed

Subsemary, shaft decorated with landscape, 1642 print print maker: Netherlands (possibly)after design by: France (possibly)publisher: Amsterdampublisher: Amsterdam paper etching

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