Historical Architectural Plans

Prints featuring floorplans and measurements of altars and other structures, blending artistic design with technical drawing in historical contexts.

Various columns, 1610 print On the left two examples of columns placed on top of each other, an elevated Corinthian column and various details and parts, numbered: A-i, K-L. Leaf 24 from series of title page and 28 magazines. paper etching

Plate II, from Theatrum instrumentorum et machinarum, Bartholomeo Vincent, Julio Paschale, Woodcut on paper, The base and top of a colum, right, and a linear measuring instrument of two markedd rods joined near the center. Description in Latin on verso of 1949-152-199., Europe, 1582, Print, Print

Floorplan and Side View of an Altar, Plate g (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with the floorplan and side elevation of the altar design presented in the previous print (altar in a late Baroque style, with a large architectural reliquary crowned by the statue of the Virgin and Child and flanked by two spiral columns). This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Floorplan and Side View of an Altar, Plate g (2) from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Bound Print, Plan du Lit de Justice (Plan of the Bed of Justice); Designed by François Nicolas Martinet (French, 1739 - after 1796); Published by Menus-Plaisirs du Roi; France; etching and engraving on paper

Print (Germany)

Various columns, 1610 print On the left two examples of columns placed on top of each other, an elevated Corinthian column and various details and parts, numbered: A-i, K-L. Leaf 24 from series of title page and 28 magazines. paper etching

Drawing, Stucco Decoration; Italy; pen and ink, brush and sepia on paper

Etching by Stefano della Bella from 1641 depicting Act 2 of the tragicomedy Mirame by Jean Desmaret, performed at the Salle du Palais-Royal, showing stage layout and theatrical scenery.

Print (France)

Ornamented lists, Anonymous, After Johann Thomas Hauer, 1758 - 1820 print Designs for ornamented lists, in the middle a list of garland. Publishing number 27. Ravensburg paper etching / engraving ornaments ~ art (+ framing decorations)

Virck Friedrich Wilhelm (1883-1926), design of Wittenbergplatz. Monthly competition December 1912 (12.1912): site plan (isometry). Tusche watercolor on the box, supplemented with colored pencil, 54.5 x 83.9 cm (including scan edges) Virck Friedrich Wilhelm (1883-1926): Ausgestaltung des Wittenbergplatzes. Monatskonkurrenz Dezember 1912

Copper engraving and etching by Jacques Callot from 1620 showing scenes from a journey to the Holy Land, depicting landscapes, buildings, and human figures.

Clerks-Well, Bartholomew Howlett, 1767-1827, British, after unknown artist, ( H. Gardner ), 1822, Engraving, Sheet: 13 x 10 3/8in. (33 x 26.4cm)

Iron Hardware. Dated: c. 1936. Dimensions: overall: 35 x 26.1 cm (13 3/4 x 10 1/4 in.). Medium: pen and ink and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

The household. Print from album with twelve early lithographs produced by Dewasm-Pletinckx in Brussels to J.C. Dish, E.J. Verbokhoven, B.J. Van Hove and other contemporary masters in original band.

One from A Volume of Drawings and Prints, Rev. James Bulwer, 1794-1879, British, undated, Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper, Sheet: 17 × 13 7/16 inches (43.2 × 34.1 cm) and Image: 10 × 6 3/4 inches (25.4 × 17.1 cm), architectural subject

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, II Cahier des Desseins, Window frames, verso - stamped, Design for a window frame with garlands, floral motifs and an oval shield., print, ornamental print, prints, ornamental prints, height 204 mm, width 148 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Fundriß of the old Kaiserl, Favorite, called the Augarten Augarten, from, True and accurate illustration , Part , Fig, Johann Gottfried Theloth -, Copper Engraver, after, Salomon Kleiner , Drawer, Johann Andreas d, Pfeffel -, publisher

Net en Dierenval, Bernard Picart (workshop of), 1730 - 1731 print Two performances on a leaf. Above: a net. Below: a box -shaped animal trap with open and closed door. Amsterdam paper etching catching animals

LA COLUMNA DE HERCULES - 1984. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Trophy with Instruments of Gardening, Plate 2 from 'Suite de différentes Attributs, Trophées, et Groupes de fleurs,' Suite II, Pierre Ranson, French, 1736-1786, Etienne Claude Voysard, French, 1746 - 1812, Engraving on paper, A potted orange tree and instruments of gardening about a double ladder intertwined with garlands to form a trophy. Below, engraver's and designer's names. From: 'Suite de différences Attributs, Trophées, et Groupes de fleurs,' suite II, planche II., France, 1778, Print, Print

Textiles: tapestry weaving, parts of a loom for apprentice weavers. Engraving by R. Benard after Radel.

Projections of Columns. Artist: Anonymous, British, 18th century. Dimensions: sheet: 11 1/2 x 16 3/4 in. (29.2 x 42.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Ornament with flower. Draughtsman: Samuel Jessurun de Mesquita. Dating: 1878 - 1944. Measurements: h 193 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Print, Plate IV, vol. II of "Le Antichita Romane"; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching; 35.2 x 23.4 cm (plate mark), 52.8 x 38.4 (paper)

Design for a Centerpiece, Joseph Anton Seethaler II, German, 1799-1868, Pen and black, brown ink, brush and gray wash, graphite on cream wove paper, Three large and three small shell-shaped bowls and a branch with a socket are fastened to a central post which is topped by a ring. Two boys support lower ones of the large bowls. The branch and the small bowls are outlined., Germany, 1827-1835, drawing, drawing

Perspectival Drawing with Three Cubes. Artist: Peter Flötner (German, Thurgau 1485-1546 Nuremberg). Dimensions: sheet: 2 9/16 x 4 in. (6.5 x 10.2 cm). Date: 1528.For Renaissance artists, the representation of geometry was often a means of testing and perfecting their ability to work convincingly in perspective. Some drawings, such as this perspectival study by Flötner, depict physical models set into landscapes in order to emphasize their graphic three-dimensionality and as a means of displaying the maker's skill at visualizing an object from multiple angles within a single image. Museum: Metropolitan Museum of Art, New York, USA.

Sideboard, a fragment of one of the olkuski polyptych quarters from the basilica Andrzej in Olkusz; Sztolcman, W Adys Aw Roman (1873-1950); 1914 (not after 15.05.1914) (1914-00-00-1914-00-00);

Iron Brackets. Dated: 1935/1942. Dimensions: overall: 30.6 x 22.9 cm (12 1/16 x 9 in.). Medium: pen and ink and watercolor on paper. Museum: National Gallery of Art, Washington DC. Author: Al Curry.

Jacques Callot (1592-1635). "Voyage to the Holy Land, twenty-fourth board. Lieure 337. Eau-tie and chisel. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99609-18 Chisel, etching, engraving

Giovanni Battista Borra, 1713-1770, Italian, Plan of the Ruins at Sardis with Vestiges of Ancient Buildings Still Existing in 1750, ca. 1750. Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper.

Detached burial monument with canopy for a man, 1563 Detached burial monument with the image of a lying man (a gisant). At his head a winged figure with plaque. The sarcophagus with fittings and decorated with mascarons, is placed under a canopy, resting on columns of the composite order. The Frisian with moresken and coats of arms. On the right a gate through which two people step in. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching Detached burial monument with the image of a lying man (a gisant). At his head a winged figure with plaque. The sarcophagus with fittings and decorated with mascarons, is placed under a canopy, resting on columns of the composite order. The Frisian with moresken and coats of arms. On the right a gate through which two people step in. In the lower margin four lines of text, in two columns, in Latin. The print is part of an album. Antwerp paper etching

Forging; IV Cahier des Serruriers; Dessoints de la fashion Neuve au Gout Antique (...). Three designs for wrought work with leaf and floral motifs, garlands and vases.

Amsterdam, Philips, Jan Caspar, Sheet with sacrificial materials, verso bottom center - stamped, Sheet with a temple, various altars and objects used for sacrificing. Each image is accompanied by a letter that corresponds to a legend., print, book illustration, prints, height 320 mm, width 420 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1736 - 1775, paper, papier, engraving, engraving (printing process)

Profil de la tête colossale du Sphinx.. Norden, Frederik Ludvig, 1708-1742. Illustrations, Prints. 1780. General Research Division. Egypt , Description and travel, Egypt , Antiquities, Great Sphinx (Egypt)

Surtout de Table (Centerpiece) with the Temple of Isis in Pompeii, Pen and ink, brush and watercolor on paper, Drawing of a surtout de table or deser (table centerpiece) whose theme is the ruins of Pompeii. The tables legs are straight with fluting and a gilded lion mask. The sides of the tables are decorated with rows of moldings, the top being egg-and-dart. At each corner is a high oil lamp in the antique style. The center of the table is stepped. The sides are decorated with figural tablets and swags. Each tablet is topped by a miniature urn, bust, or sculpture. The center of the table features architectural ruins and gilded sculptures on inscribed plinths. This drawing is very similar to another anonymous image produced in the workshop of Giuseppe Valadier. That drawing, in the Museo e Real Bosco di Capodimonte, Naples, which shows the same centerpiece, but without the table upon which it sits. The actual small model of the Temple of Isis belonging to this centerpiece is also at C

Quilt. Dated: c. 1936. Dimensions: overall: 35.6 x 26.1 cm (14 x 10 1/4 in.) Original IAD Object: each block 9" square. Medium: watercolor, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Grace Halpin.

Pompeiian Design for Paneling second half 19th century Jules-Edmond-Charles Lachaise French. Pompeiian Design for Paneling 345666

CDK Wyspiały, Stanis Aw (1869 1907)

Elevation of a Side Board with Display of Ceramics. Artist: Guglielmo Ulrich (Italian, 1904-1977). Dimensions: Sheet: 10 13/16 × 7 1/2 in. (27.5 × 19 cm). Date: 1932.Guglielmo Ulrich graduated from the Istituto Superiore Politechnico in 1927. Three years later, he co-founded the furniture company ARCA, short for Arredamento Casa (Home Furnishings) of which he was the designer. Ulrich's early designs are in an elegant and highly finished Art Deco style, which was very popular among the high society of Milan. Ulrich was praised for his ability to combine the functional with original and beautiful form, while also experimenting with rare and exotic materials. A group of these early designs - some presentation drawings for his patrons, others more likely meant for reproduction in sales catalogues or brochures - was donated to the Metropolitan Museum of Art in the 1980s. The drawings show different qualities of Ulrich as a designer. While the design for a side board shows how he plays with

Giovanni Battista Borra, 1713-1770, Italian, Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale), ca. 1750. Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper.

"Dresser," table center piece for the Altieri family. Date: 1790-1795. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Wilkinson Tracing, Design for a door for a set of 'Grecian Rooms', 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Poort in Bosbooms Atelier, 1881 drawing The Hague paper. India ink (ink). deck paint brush workshop, studio ~ painter

Drawing, Design for Massive Library Table with Carved Floral Roundel Center Front and Pulled-Out Shelf; Designed by A.N. Davenport Co.; graphite on thin cream paper

Copper engraving by Hans Collaert depicting a frieze with pagan cult scenes and the sculpture courtyard of the Palazzo della Valle in Rome, created between 1540 and 1580.

Rebus: at the top, a bird; At the bottom, a key Charles Meron (1821-1868). Rebus: at the top, a bird; down, a key. 1863. Water-strong.

Wood carving from a shut-off wall in the Grote Kerk in Dordrecht and ornamental sculpture from the palace on the Dam. Leaf 26 Recto from a sketchbook with 49 sheets.

Sacristy Door. Dated: c. 1936. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.) Original IAD Object: 3'8 1/2" x 6'10 1/2". Medium: watercolor, colored pencil, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

Two tombs with bust and draperies, 1777 print On the left a tomb with obelisk, an acclaimed bust and book on a column and a globe and measuring instruments. On the right a tomb with obelisk, draperies, wings, a scythe, a globe, and two sitting figures with torches on either side of a medallion with portrait and profil. Paris paper etching grave, tomb. chest, bust. hangings and drapery

Passementerie, Façon de passer le Patron par devant, J.R. Lucotte, French, 1750-84, Robert Bénard, French, 1734-1772, Engraving on paper, Picture from Diderot's Encyclopedia showing a man at a loom; scale. Beneath, textile patterns that the loom can create. All pictures are labelled with figure numbers., France, ca. 1763, textile designs, Print, Print

Fountain at the Apostolic Palace in Vatican City; Fontana della Panettaria del Pallazzo di S. Pietro in Vaticano; Fountains in Rome; Raccolta delle Principali Fontane Dell'Inclitta Città di Roma. Print is part of an album.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Dupin, Nicolas, 4e Cahier, Seating furniture, Banquette de Croisée à la Royale, Low sofa with bolsters, verso - stamped, A low ornamented sofa with striped upholstery and bolsters. Print number 23., print, ornamental print, prints, ornamental prints, height 201 mm, width 328 mm, French, 1753, print maker, printmaker, 1772 - 1779, paper, etching, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Choir stall from Ratzeburg Cathedral, Ratzeburg, Schleswig-Holstein, Germany, historical, digitally enhanced reproduction from an original from around 1860.

Cast-Iron Fountain.

Design for Cast-iron Grate with Eagles Grasping Snakes ca. 1814 Benjamin Dean Wyatt British. Design for Cast-iron Grate with Eagles Grasping Snakes 386382

Print, Corniche architravée; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.2 x 30.6 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Design for a Monument Commemorating Systematization of Weights and Measures in France, Pen and black ink, brush and gray, red and blue wash on paper, joined at center, A series of monuments lined side by side. At the center, Liberty and a tricolor with the inscription 'LIBERTE' are on top of a pedestal in the shape of a prison tower; laterally are statues representing weights and measurements and columns with attributes referring to science. A snake, topped by an 'X' is wound around the left column under a lozenge, representing Night: the top of the column is surrounded by a railing and carries a burning-glass; a thermometer and a weather-cock, 'S' and 'N' are at the right; the sculptures are shown against the parapet bordering a terrace; behind it rise two cranes, and parts of structures with loggias in Romanesque style., France, 1795-1800, architecture, Drawing, Drawing

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Two rows of five pedestals, Explanation at the top. From first edition., print, ornamental print, prints, ornamental prints, height 278 mm, width 180 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Roman funeral stones and urns. Handcoloured copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Chez Collignon, Metz, 1810.

Gropius Martin (1824-1880), sketch album 3: Supraporten (1871-1871): Details. Pencil on paper, 33.1 x 20.4 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 3: Supraporten

Ceiling with flower motifs, Johann Thomas Hauer, 1758 - 1820 print Design for a ceiling with ornaments and flower motifs in the middle and in the corners. Publishing number 33. Ravensburg paper etching / engraving (decorated) ceiling

Different seats. Engraving after 14th- and 15th-century miniatures. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

GRABADO-TRILLADORA DE PRINCIPIOS DEL S XIX.

Fountain with three foothills; I Cahier des Fontaines; Dessoints de la fashion Neuve au Gout Antique (...). Design pedestal with three water flows on top of an antique vase with two masks.

Study for Opera House, from Microcosm of London 1807-1808 England. Pen and brown ink over graphite, on cream wove paper . Augustus Charles Pugin

E Boyd, Pulpit, 1935 1942 Pulpit

N ° 72 / The small builder. / The invasion in Alsace. (IT)

Print (France)

Man and woman at hekelrad; Scavez vous que me nomme fr. Xavier Burter Conseiller The CE Fameux Conseil Royal (...); Brabant Review, 1787-1790. Cartoon with a man and woman standing at a hekelrad. With four-line French caption in which the name of François-Xavier Burtin is mentioned. Hereby the date January 10, 1790 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Design for a calendar sheet for the year 1892. Draughtsman: Johan Braakensiek. Dating: 1868 - 1940. Measurements: h 316 mm × w 426 mm. Museum: Rijksmuseum, Amsterdam.

Figure 50.: Seconda Piana del Palazzo, from the album Palazzi di Genova; Ryckemans, Nicolaes (Ca 1595-Fl. Ca 1616-1626), Rubens, Peter Paul (1577-1640); 1622 (1622-00-00-1622-00-00);

Karol Tichy, Warsaw. Wardrobe for the sleeping room, from the Municipal Technical and Technical Museum competition in Krakow. Was made in the studio of Andrzej Sydor in Krakow; Sharpening with: "Applied art. Publishing House of the Polish Art Society used in Krakow", 1909, vol. 13, p. 65; Unknown, Polish Society applied art (Kraków; 1901-1914), apple, T. and Spóża (Kraków; reproductive inn; 1890-1926); 1909 (1909-00-00-1909-00-00);

Fresco on a facade of the former house of Hans Jakob Fugger in Augsburg. Part of photo album from a journey through Switzerland, Austria and Germany by the Dutch Derkinderen family.

TURKISH BATH, JERMYN STREET. London, UK, 19th century engraving

De begrafenisstoet van Frederik Hendrik (plaat nr. 30), 1647; De begrafenisstoet van stadhouder Frederik Hendrik te 's-Gravenhage in 1647.The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage on 10 May 1647. Plate No. 30 with the last part of the procession with some pastors, a grave monument and a construction drawing of the corpse. Part of a series of 30 plates and 20 text sheets, intended to be stuck together.

A woodcut from 1522 depicting a large triumphal car, showing figures, composition, and early 16th-century German printmaking techniques.

Fashionable furniture for a boudoir or ladys dressing room. Sofa and footstool in satin-wood with silk upholstery, candlelabrum for flowers or fishbowl, table in Java wood. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, Literature, Fashions, Manufactures, etc., Strand, London, 1824.

Plaque F, Kammer Rosetti in: Views of the salt works in Wieliczka Vienna, approx. 1850 Engel, H., Hero, Johann Nepomuk

Service de fumeur. Smoking service.. Prints, Design drawings. 1900 - 1909. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Jewelry, Goldwork, Smoking

. Engraving, with etching, on cream laid paper . A. J. Defehrt

Ameublement offered to the bridal couple by the Zutphense ladies, 1878; Ameublement offered by the Zutphense ladies; Souvenir to the HH's commission. KK. HH. Prince Hendrik der Nederlanden and Princess Marie van Pruissen. Ameublement offered to the bridal couple by the Zutphen ladies. Part of the marriage souvenir on August 24, 1878 consisting of a series of eight prints plus an accompanying booklet.

Mision San Jose. Dated: 1935/1942. Dimensions: overall: 31.9 x 25.2 cm (12 9/16 x 9 15/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: James Jones.

The Egyptian catacombs in Alexandria 1, and room with wall paintings under the pyramid of Giza 2. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Portrait of Joachim Lange

Rohscan

Fodina argentea Sahlensis - A Silver Mine at Sala - I (from Aubry de La Mottraye's "Travels throughout Europe, Asia and into Part of Africa...," London, 1724, vol. II, pl. 33, no. 1). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Aubry de La Mottraye (French, 1674-1743). Dimensions: sheet: 9 11/16 x 6 11/16 in. (24.6 x 17 cm). Date: 1723-24. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, A Royal French Galley Seen from the Stern; Pierre Puget; France; pen and brush and black ink, wash on vellum; 38.1 × 34.3 cm (15 in. × 13 1/2 in.)

Floor plan of a wall fountain with two figures at Schönbrunn Castle, Vienna, by an unidentified contributor, drawn in pen and pencil on medium-strong paper with black, brown, red, pink, and blue in 1821.

Gangaram Chintaman Tambat, active 1790s, Anglo-Indian, Illumination of Columns, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

Sketch sheet with studies of a ship and of a man. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 163 mm × w 212 mm. Museum: Rijksmuseum, Amsterdam.

An easel, a canvas on a stretcher and details of an easel. Engraving by R. Bénard after Bourgeois.

The Malle Ship of Rotterdam, 1653. The Malle of Wonderful Ship of Rotterdam, designed by Nicolas Desson (listed here as MONSR. Duson), 1653. Closed diamond-shaped wooden ship with a scream wheel or screw in the middle (covered by an attached leaf ). Links The portrait of the Frenchman Nicolas Desson (Aetatis 49), bust in oval to the right. On top of the ship the Pro Patria flag, on the right the legend 1-9.

Original Outside Door to Sacristy. Dated: c. 1936. Dimensions: overall: 27.9 x 22.7 cm (11 x 8 15/16 in.) Original IAD Object: 42 1/2" x 6'5"exact.. Medium: watercolor, colored pencil, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

Tomb of Armenonville Fourrion and his son by Bouchardon in Saint Eustache Anonymous. Tomb of Joseph Jean-Baptiste Fleuriau d'Armenonville and his son Charles Jean-Baptiste by Bouchardon in the Saint-Eustache church. Paris (IER ARR.). Eighteenth century. Feather, bistor ink and gray wash.

Print (Germany)

test111

Ferdinand Cartier, Piano Forte, c 1936 Piano Forte

Drawing, Design for a sedan chair; England; brush and gray and various watercolors,pen and black ink, black chalk on paper; 24.8 x 40 cm (9 3/4 x 15 3/4 in.)

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