Historical Architecture and Frescoes

A collection showcasing ancient architectural structures, frescoes, and historical monuments across Italy, capturing intricate details and rich artistic heritage.

Nuremberg, Dürer, Albrecht, Brussels, Simonau & Toovey, Ecce Homo, Reproduction of Christ shown to the people (Ecce Homo) by Albrecht Dürer, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, 8, height 108 mm, width 70 mm, Belgian, maker, manufacturer, 1866 - 1871, paper, Woodburytype, Work conception, German, 1471-05-24 - 1528-04-05

Lazio Roma Santa Severa Castello9. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes. This site, including 3 sets of walls which encircle the castle and the surrounding town, was inhabited as early as the 7th century B.C. This site was first recorded as being used as a fortress in 1068, and through successive rebuildings has retained the form of the castle. Antiquities: Roman sculpture and inscriptions; excavation in progress of ancient site adjacent to the castle. Object Notes: One print has extra negative. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organi

Lazio Roma Rome Palazzo Venezia, Museo1. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Montefalco S. Illuminata. Hutzel, Max 1960-1990 Exterior views of the 15th century architecture of the church; interior views of the 16th century fresco decoration. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lithograph by Vinzenz Katzler depicting Maria Theresa at the Pressburg Reichstag in 1741, illustrating a historical political event.

Lazio Roma Rome S. Croce in Gerusalemme16. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Tarquinia S. Margherita, Cathedral. Hutzel, Max 1960-1990 Old church destroyed in a fire in 1643. It was rebuilt in 1646, restored in the late 19th century, with the facade and campanile restored in 1933. Exterior views include the facade and portal. Interior photos, aside from a few of the nave and altar, focus on the set of frescoes by Pastura with their painted friezes. Prints (no negs.) of the Tree of Jesse and ecclesiastical portraits in the Sala Consigliare. Pastura's paintings include scenes from the Life of the Virgin as well as paintings of saints and sibyls. Object Notes: Hutzel photo campaign date: December 13, 1982. No negs for the "Sala Consigliare." Prints include a Tree of Jesse and portraits of ecclesiastics. General Notes: Hutzel notes nos. 1-29 can in part be found under "General Views" of Tarquinia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred

Lazio Viterbo Tuscania S. Maria del Riposo5. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante59. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nuremberg, Dürer, Albrecht, Brussels, Simonau & Toovey, Ecce Homo, Reproduction of Christ shown to the people (Ecce Homo) by Albrecht Dürer, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, 8, height 108 mm, width 70 mm, Belgian, maker, manufacturer, 1866 - 1871, paper, Woodburytype, Work conception, German, 1471-05-24 - 1528-04-05

Marches Macerata San Severino Marche Pinacoteca Civica4. Hutzel, Max 1960-1990 The collections include: a silver reliquary (1326), a relic of Pope Peter Celestini V, a silver plate, a 13th-century clothes chest illustrating a medieval legend, a globe with constellations/signs of the zodiac, fresco fragments by the Salimbeni brothers, a fresco of St. Francis receiving the Stigmata from the church of S. Francesco in Castello (now destroyed), a fresco of St. Anthony Abbot, elaborate polyptychs by Veneziano and Salimbeni, an ivory chest with secular imagery, and various altarpieces and paintings. Of exceptional quality are paintings by Bernardino Mariotto of the Annunciation and the Pieta, and an altarpiece of the Madonna and Child Enthroned with Saints by Vittore Crivelli. Object Notes: Hutzel photo campaign date: April 11, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile67. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Christ BeforeCaiphas. Artist: Hendrick Goltzius, Dutch, 1558-1617

Hans Burgkmair the Elder's woodcut from *Der Weisskunig* depicts the Blue King granting peace to the Hermelin king. Created between 1514 and 1516, it symbolizes diplomatic efforts during Emperor Maximilian I's reign.

The Madonna and Child Enthroned with Saints; Study after Panetti or Costa, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper, Madonna with Child standing on knee, on ornate throne within niche. Throne richly decorated in Renaissance style. Below, at left and right, St. George and unidentified St., Italy, Italy, 1821-22, figures, Sketchbook folio, Sketchbook folio

Lazio Viterbo Caprarola Palazzo Farnese256. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo, Aquila, Rocca di Botte, S. Maria del Pianto, Italy, 20th century, photo, photography, Europe

Lazio Roma Bracciano Ospedale Vecchio0. Hutzel, Max 1960-1990 Post-medieval: Fresco painting. Once a hospital, today renovated into a rest-home for pensioned residents. Coverage is of the frescoes only. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Salerno-S. Matteo, Cathedral95. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ among doctors and marriage-feast at Cana. unknown c. 1480-1500 Tapestry Dimensions: H 4'4" x W 11'4" (before cut down) Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: Bayeux Cathedral. SS 10323. G. Hoentschel coll. SS 10323. J. Pierpont Morgan coll. SS 10323. French & Co. purchased from J. P. Morgan coll., n.d. c.1918. SS 10323. Clarence Hungerford Mackay coll. (before 1925) SS 10323. GCPA 0239533: bequest of Preston Pope Satterwhite 1949. GCPA 0239543: French & Co. purchased from P. P. Satterwhite; possibly sold to Countess Mathilde M. de Brinska 3/16/1968. United States, Kentucky, Louisville, J.B. Speed Art Museum, accno. 49.30.84 & 49.30.85. Christ's dispute with the doctors in temple, he counts his arguments on his fingers before group of elderly scribes (Luke 2:41-52); Virgin Mary, bride groom & several disciples sitting around table, as Christ orders 6 jars to be filled with water (John 2:1-11) This tapestry was cut down in 3 pan

Lazio Roma Rome S. Clemente6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Woodcut depicting the legation visiting the king with his daughter in the Weißkunig series of Emperor Maximilian I. by Leonhard Beck, wooden stick, 1514-1516.

Lazio Roma Rome S. Maria in Aquiro3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mother of God with the Child and Saint. Józef; Weber, M. (Munich; Xylographisches Atelier von M. Weber; fl. Ca 1870-1900), Defrereger, Franz von (1835-1921); 1872-1890 (1872-00-00-1890-00-00);

Marches Pesaro e Urbino Sant'Angelo in Vado S. Maria dei Servi3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Viva La Madonna 1817 Thomas Joseph Clérian French. Viva La Madonna. Thomas Joseph Clérian (French, Aix 1796-1842 Avignon). 1817. Lithograph. Prints

Umbria Perugia Arrone S. Maria9. Hutzel, Max 1960-1990 Views of the exterior, interior naves, and extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fox, Heinrich.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile65. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

The Golden Stairs, Print made by Felix Jasinski, 1862 - 1901, after Edward Burne-Jones, 1833-1898, British, Published by Arthur Tooth & Sons Ltd., active 1868-1901, British, 1894, Etching on vellum, Sheet: 28 1/8 × 13 inches (71.4 × 33 cm), Plate: 27 3/4 × 12 1/2 inches (70.5 × 31.8 cm), and Image: 24 3/4 × 10 1/4 inches (62.9 × 26 cm), genre subject

Umbria Perugia Bevagna Pinacoteca F. Torti8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Priam seeking body of Hector. Orley, Jan van (Flemish, 1665-1735) (cartoon creator) draughtsman Borcht, Gaspard van der (Flemish, 1700-d.1742) (workshop) weaver Borcht, Pierre van der (Flemish, act.1712-d.1763) (workshop) weaver Borght, Franz van der (Flemish, act.1720-1765) (workshop) weaver c. 1740-1742 Tapestry Dimensions: H 10'10" x W 4'7" Tapestry Materials/Techniques: wool & silk Culture: Flemish Weaving Center: Brussels Ownership History: Lord Lucas & Dingwall coll., Wrest Park, England; sold at Christie's (London) 6/18/1913, lot 142; purchased by Bacri frères. French & Co. purchased from Mrs. B. C. Foy 6/11/1941 also lists: 5/29/1943; sold to North Carolina Museum of Art via Jack Linsky 1/30/1956. Mr. & Mrs. Jack Linsky, New York; gift to North Carolina Museum of Art. North Carolina Museum of Art coll.; sold, Sotheby's (New York), 5/26/1992. United States, New York, New York, Sotheby's, May 26, 1992, lot 243. Priam kneels before Achilles who wears armor (center, foreground); 3

Brown lead handle, spring, and brush drawing by Bernhard Rode depicting young Hannibal swearing against the Romans, from Schröckh's general world history, showing figures and oath scene composition.

Umbria Perugia Foligno Palazzo Trinci5. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Sacro Speco9. Hutzel, Max 1960-1990 Exterior views (Medieval core collection). Interior views of monument, with extensive coverage of 14th c. frescoes of the Sienese school in the upper church and many views of the rock cut chapels of the lower church, including Sacro Speco, where young S. Benedetto lived for three years in solitude; Cappella di S. Gregorio Magno, adorned with 13th c. Byzantine frescoes; Scala Santa and Cappella della Madonna, both decorated with Sienese school frescoes, and Grotta dei Pastori, with 8th c. Byzantine fresco. _ German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organize

Lazio Roma Rome S. Chiara4. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, sculptural relief, painting, fresco Object Notes: Erected for S. Carlo Borromeo in 1565. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Bartolomeo de Insula0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments. Post-medieval: Painting, stucco, architectural sculpture, architecture, fresco painting, sculpture General Notes: Originally built in the 10th century by German Kaiser Ottone II, on the island of the Tiber River, over the ruins of the Roman temple Esculapio. Enlarged in the 12th century, this renovation was destroyed in a flood in the mid 16th century. Current facade dates from 1624 by Torriani. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Umbria Perugia Foligno S. Maria Infraportas6. Hutzel, Max 1960-1990 Medieval: frescoes paintings on panel, wooden sculptures. Post-medieval: frescoes, paintings on panel, paintings on canvas, stucco, baptismal font, architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Maria in Aquiro0. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Raphael, Michelangelo, Italy, Veneziano, Agostino, Holy women on their way to the tomb, verso - stamped, The three holy women, all veiled, walk to the right. Only the face of the middle woman is visible., print, prints, height 252 mm, width 186 mm, print maker, printmaker, 1500 - 1536, paper, engraving, engraving (printing process), Work conception, Italian, 1490 - 1536, after print by, 1475-03-06 - 1564-02-18, after design by, 1483-04-07 - 1520-04-07

Karl V., Roman-German Emperor.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo78. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spello S. Girolamo8. Hutzel, Max 1960-1990 Exterior views of this church (1474) focus on its cloister and a Renaissance portico of the Ionic order. In the portico are frescoes of S. Girolamo and also of the Stigmatization of St. Francis. The baroque interior (17th century) is overflowing with statues and paintings. The ceiling is frescoed with illusional architecture, wreaths, and a central oval with putti and S. Girolamo. Views focus on Pinturicchio's Marriage of the Virgin and a fresco by Mezzastris of the Madonna and Child with St. Sebastian and St. Roch. Object Notes: Hutzel photo campaign date: September 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Roman

The Dauphin, the future Charles VII, learns of the death of his father, Charles VI le Fou. Date: 1422

St Nicholas and St Stephen, 1865. SIR Edward Burne-Jones

FLORENCE The National Museum Women playing music reIIef by Luca della Robia Summer, Giorgio (Georg) (1834 1914)

Abruzzo Teramo Atri S. Maria Assunta, Cathedral6. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (11-15th century); sculpture; wall paintings (15th century), terracotta Roman grave relief Post-medieval: Frescos, architecture, sculpture, metalwork (reliquary and tabernacle) Exterior and interior views; extensive, detailed coverage of choir frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Cecilia in Trastevere34. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, architectural fragments, sculptural fragments, sculpture, mosaics, floor tiling. Post-medieval: Painting, frescoes, architectural sculpture, sculpture, architecture, stucco, marble, gilding Antiquities: Mosaics, architectural fragments Object Notes: Built over an already existing church of the 5th century by Pope S. Pasquale I in the 9th century. Suffered damaged and plundering; rebuilt in 1110. Completely redone in 15th century, 17th century and 18th century. Styles from 10th-present century are existent here. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Rena

Wooden stick by Leonhard Beck (1514-1516) showing the White King being covered by four unknown men, part of the 'Weißkunig' series of Emperor Maximilian I.

'Celtes Presenting His Book to the Elector of Saxony', 1501 (1906). Artist: Albrecht Durer.

The Tower of Brass. From the portfolio: The Work of E. Burne-Jones., 1888, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Image reproduction: Aleksander Lesser (1818-1884), Jadwiga B Avi on expedition Son of Henry; Z: "K Osy" 1884, vol. XXXIX, No. 1007, p. 256; Lesser, Aleksander (1814-1884), Goradowski, Edward (1843-1901); 1884 (1884-00-00-1884-00-00);Henry II Pious (Silesian Prince - Inter1196 ET1207-1241), Henry II Pious (Silesian Prince - Inter1196 ET1207-1241) - iconography, Jadwiga Śląska (Saint - 1174-1243), Jadwiga Śląska (Saint - 1174-1243) - iconography, Kłosy (Warsaw - Journal - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, blessing, painting, Polish painting, personalities, Polish personalities, reproduction, reproduction works of art

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche66. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo41. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Bas-relief from the south portal of Notre-Dame de Paris depicting bourgeois giving alms to poor school children, work of Jean de Chelles 1257, France. The Arts of the Middle Ages and at the Period of the Renaissance by Paul Lacroix, 1874

Taddeo Zuccaro at the Entrance to Rome, Greeted by Servitude, Hardship, and Toil. After Federico Zuccaro (Italian, 1540/41-1609); or Baldassare Peruzzi (Italian, 1481-1536); or Federico Zuccaro (Italian, c. 15442-1609). Date: 1590-1600. Dimensions: 405 x 192 mm (max.). Pen and brown ink with brush and brown wash, on tan laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Lazio Sermoneta S. Francesco1. Hutzel, Max 1960-1990 Medieval: Architecture (13-16th century); fresco (13th century). Post-medieval: Altar, wood (late Baroque), wall painting (15th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This woodcut by Leonhard Beck from *Der Weisskunig* illustrates the capture and death of the King of Wurm, with his two children handed over to the White King. Produced between 1514 and 1516, it portrays the consequences of imperial conquest.

Umbria Perugia Foligno Palazzo Trinci9. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Der Orden, die Ehe und die Letzte Ölung, nach einem Triptychon von Rogier van der Weyden, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4903346

The adoration of the magi. Etching by J. Swaine after R. Shipster after medieval bas-relief.

Vatican City, Raphael, Perino del Vaga, Italy, Bartoli, Pietro Sante, Lost paintings in the Vatican Loggia, Esto Dominus fratrum niorum, et incuruentur ante te filii matris tuae, Jacob is blessed by Isaac, verso - stamped, Isaac lies in bed and blesses Jacob, who stands at the foot of the bed. Rebekka is on the right. On the left are four men in gowns. Title and reference to Bible text in bottom margin., print, prints, height 85 mm, width 233 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), 1501 - 1547-10-19, after painting by, Work conception, 1483-04-07 - 1520-04-07

Umbria Perugia Foligno Palazzo Trinci6. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emperor's Audience. Boucher, François (French, 1703-1770) (designed after) painter Dumons, Jean-Joseph (French, 1687-1779) (author of design, after Boucher) painter c. 1750-1780 Tapestry Dimensions: H 9'3" x W 4'10" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. 2 chinese men, one kneeling on ground & the other standing over the latter, both near a large smoking incense burner on pedestal, in landscape with buildings, canopy perched on twisted columns rolled up with drapery in background (BRD) picture-frame border with floral wreaths interspersed with scrolled acanthus leaves & C-scrolled scallops; formal arrangement of decorative motifs enclosing bouquet of flowers in corners This composition is a simplified & condensed version of the left half of The Emperor's Audience, & is probably based on a sketch by François Boucher now held at the Musée des Beaux Arts et d'Archéologie, Besançon, France (Cavallo). Jean-Joseph Dumon

Umbria Perugia Trevi Palazzo Communale, Pinacoteca8. Hutzel, Max 1960-1990 Views of the 15th century facade of the Palazzo Communale and the Piazza Mazzini. Views of the fine collection of Umbrian painting, sculpture, metal work and Deruta Maiolica in the Pinacoteca. Of special note is a sculptural group which is an excellent example of the great 19th century sculptor Cesare Aureli. The photos also show the encycolpedic collection of Umbrian paintings (14th-16th centuries) highlighted by works of Giovanni Spagna, Giusto di Grand and Pinturricchio. Object Notes: Hutzel shot this campaign in 1984. General Notes: Prints H-35, 37, 46 and 48 were erroneously attributted to Benozzo Gozzoli by Hutzel. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including object

Antwerp, Cock, widow Hieronymus, Vos, Maerten de, Collaert, Hans (I), Virtues, Iustitia, Prudentia, Justice and Prudence, On the left in a niche stands the female personification of Justice (Justitia). She holds a sword in one hand and the tablets of the law in the other. In a niche on the right stands the female personification of Prudence (Prudentia). In one hand she holds a mirror, in the other a snake. This print is part of an album., print, album sheet, prints, height 268 mm, width 216 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1577 - 1580, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Marches Ancona Fabriano Pinacoteca Comunale. Hutzel, Max 1960-1990 Medieval: Painted crucifix. Post-medieval: Paintings on panel and canvas, including cassone; sculpture in wood (14th century German). General Notes: Two prints, nos. 29 and 39, are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Pesaro Fossombrone Cathedral7. Hutzel, Max 1960-1990 Medieval: Details of original parts of the church. Post-medieval: Neoclassical architecture (18th century): almost complete reconstruction of the much older Bededictine church; badly damaged frescos from c. 1600; paintings on canvas; elaborate marble altars and pavement; fresco, 14th century; wooden sculpture (17th century); carved wooden altar; organ, 18th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo52. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lazio Viterbo Viterbo Palazzo Comunale9. Hutzel, Max 1960-1990 Exterior views of Renaissance palazzo portico, portal fresco, courtyard with fountain and view of SS. Trinita. Interior views of Sala Regia o Erculea, decorated with frescoes by Croce and Sala del Consiglia. Antiquities: Sarcophagi in courtyard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Designs for stained glass by Simeon Solomon. Design 140a Abraham & Moses. Middleton Cheney. Showroom Volume - Morris & Co.

Image of a woman without poor, Jan de Bisschop, after Anonymous, c. 1663 - In or after 1668 print Image of a woman without arms, known as "Cesi Juno". Northern Netherlands paper etching (story of) Juno (Hera)

Umbria Perugia Perugia Convent S. Pietro8. Hutzel, Max 1960-1990 Interior views with emphasis on paintings and sculpture; extensive views of illuminated manuscripts (negatives not printed). General Notes: There are no prints assigned H-#s 43-57. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Ostia Antica Episcopal Palace3. Hutzel, Max 1960-1990 There are exterior views of the facade, with detailed views of the sarcophagi imbedded in it and the coat of arms over the main portal. There are interior views of the library and the main hall, with extensive coverage of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine13. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Gaeta SS. Annunziata3. Hutzel, Max 1960-1990 Views of baroque facade, an addition to 14th c. church. Interior views of nave and altar, choir, and Grotta d'Oro. Detailed coverage of polittico in choir and painting series in Grotta. View of cloister in adjoining ex-convent and the byzantinesque polittico in Cappella del Conservatorio, inside the ex-convent. Object Notes: No negatives. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata19. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata08. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bajazet. Coypel, Charles-Antoine (French, 1694-1752) (designed after) painter Belle, Clément-Louis-Marie-Anne (French, 1722-1806) (designed after, attr author of design, coat of arms in alentour) painter Audran, Jean-Joseph (French, act. 1771-1794) (workshop) weaver 1772-1773 Tapestry Dimensions: H 13'5" x W 6'10" Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Paris Ownership History: Magasin des Gobelins. Given to King Gustav III by Louis XVI (1784). Royal coll., Stockholm (ca.1900). Hôtel du Ministre de Suède, Paris (ca.1902). French & Co. Sweden, Stockholm, Stockholm, Kungliga Husgerådskammaren, accno. H.G.K. 178. Inscriptions: Woven signature in lower guard, right: AUDRAN.G 1773. (not visible in photo) Inscriptions: On pedestal, lower center: ROXANE, ATALIDE / ACTE IV SCENE III / DE J RACINE In palace interior, Atalide holds letter sent by Roxane & faints into arms of her servant, Zatime; on R, Roxane awaits Atalide's response; scene enclosed by fluted oval

St. Veronica with her veil with image of Christ ('Sudarium') healing emperor Vespasian (Tiberius). unknown c. 1510 Tapestry Dimensions: H 3.34 x W 3.39 m Tapestry Materials/Techniques: wool & silk; metallic thread (gold); metallic thread (silver) Culture: Southern Netherlands Ownership History: Sackville de Knole, Sevenoaks, Kent, England. Jacques Seligmann & fils, Paris. J. Pierpont Mogran coll., New York. French & Co. purchased from J. P. Morgan 8/15/1916; sold to Philip Lehman 4/11/1916. United States, New York, New York, The Metropolitan Museum of Art, accno. 1975.1.1914. Inscriptions: Inscription in central field, at bottom of veil visible in GCPA: 0239492 & 0239493: IHESVS NAZARENA Inscriptions: Inscription in central field, below figure of Vespasian seen only in GCPA: 0239490, 0239491, 0239494, 0239495: VEZZPEIANVS In bedchamber, Vespasian kneels before St. Veronica, holding up veil, curing him from leprosy; several figures look on, including men holding large tapers (BRD) vines

Parsifal, Kundry and Gurnemanz, scene from an opera by German composer Richard Wagner, 1890, historical illustration, Germany, Europe

Abandoned child

Abruzzo L'Aquila Castelvecchio Subequo S. Francesco3. Hutzel, Max 1960-1990 Interior and exterior views of the church architecture. Large fresco cycle (late 14th-early 15th centuries) of the life of S. Francis. Other photos depict the interior church decoration: the 17th century wood altar and nave sculptures as well as numerous 15th-16th century paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ravenna Bagnacavallo Museo Civico4. Hutzel, Max 1960-1990 Post-medieval: Paintings on canvas; manuscripts Antiquities: cippi (Gracchi), cippi fragments, bipedal bricks, terracotta amphorae German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin and Child Appearing to Saint Francis Xavier. Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586-1659); after Gerard Seghers (Flemish, 1591-1651). Date: 1610-1659. Dimensions: 388 x 278 mm (image); 423 x 285 mm (plate); 442 x 301 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Save the pieces - I've got Le Page's Liquid Glue. Save the pieces - I've got Le Page's Liquid Glue

Abruzzo Teramo Atri Cattedrale, Museo Capitolare3. Hutzel, Max 1960-1990 Medieval: Metalwork, woodwork Salone 2 Post-medieval: Woodwork, metalwork (processional cross, reliquary, enamel) predella, architectural elements, sculpture; ceramics (6 plates, one vase, all attributed to Francesco Grue General views of galleries. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Andrea della Valle2. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Albrecht Altdorfer, Joachim Embracing Anna, c 1513 Joachim Embracing Anna

Cver of the work 'Dialogo di Galileo Galilei Linceo Al Sermo. Ferd. II. Grand. Duca di Toscana'. Copy of an engraving by Stefano della Bella (1632). Engraving.

Eliezer and Rebekah 1865-81 After Frederic, Lord Leighton British. Eliezer and Rebekah 642837

Geleerde in studeervertrek.A scholar is behind a writing table in his study room and receives three men. There is a globe on the floor next to the table and there is a violin. There is a bookcase against the wall. There is a second globe on the cupboard.

Bliżej Kultury Unknown, Litographic Plant: Benziger und Co, X Barth

'Women of the Campagne in Rome', c1890. Artist: Unknown

Study for Anthonys Oration over the body of Caesar. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Campania Napoli Naples S. Lorenzo Maggiore84. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Studies of men's heads, women and children.

Print made by Jan van Somer, ca. 1645-after 1699, Dutch, Scene at an Inn, 1676. Mezzotint on medium, slightly textured, cream laid paper.

Collage of cut out prints stuck on an album blade of blue paper, various manufacturers, c. 1680 - c. 1720 print. collage Blue album magazine covered with cut out prints from different print makers and designers. paper engraving / etching / snipping fashion plates. pastorals, Arcadian scenes

Madonna My Pins (Maelbeke-Madonna) by an anonymous artist, executed with silver pencil on primed paper with partial delicate yellow around 1450, showing figure and drapery.

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