Historical Art Drafts and Caricatures

Compositions and caricatures reflecting historical events and artistic concepts, featuring diverse styles from drafts to detailed illustrations.

SOLOMON JOSEPH SOLOMON artist, depicted watching one of his massive paintings being hung at the Royal Academy exhibition. Date: 1860 - 1927

Niels Larsen Stevns (1864-1941), composition draft for the painting "The blind at the road cries after Christ", 1910, 1909-1910

SOLOMON JOSEPH SOLOMON artist, depicted watching one of his massive paintings being hung at the Royal Academy exhibition. Date: 1860 - 1927

Lazio Roma Riofreddo Oratorio dell'Annunziata. Hutzel, Max 1960-1990 Two exterior views of romanesque church, and three interior views of nave and altar. Remaining views of frescoes. General Notes: There are three color prints and matching negatives assigned H-numbers 34, 35, 36. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Caricatures of the French National Assembly

Emilia-Romagna Forli Rimini S. Agostino9. Hutzel, Max 1960-1990 Medieval: Early Northern Italian frescos (Trecento) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Teramo Pinacoteca. Hutzel, Max 1960-1990 Collections include a panel painting of Pope Clement by Giovanni da Sulmona, a polyptych by Giacomo da Campli, painted Castelli ceramics, paintings of St. Sebastian and other saints, and a Last Supper, perhaps by Bernardo Rantvic or the Fiammingo School. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nakch-i-Roustam. Bas-relief. Etching by Eugène Flandin (1809-1876), issued between 1851 and 1854 in Paris by Gide et J. Baudry. The work depicts a bas-relief from Iran, focusing on antiquities

Seven scenes illustrated by Polish folk customs, an illustration project; Konopacki, Jan Zdzis AW (1856-1894); around 1880 (1875-00-00-1891-00-00);Christmas (iconogr.), Witke-Jeżewski, Dominik (1862-1944)-collection, peasants, peasant, ceremony, harvest festival, ethnography, highlanders, illustration projects, generic scenes, wreaths, peasants, ceremony, purchase (provenance), wedding , events

Basilicata Matera Matera Duomo95. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

For rendering useless the sentry's arme blanche. Please note: Credit must appear as Courtesy of the Estate of Mrs J.C.Robinson/Pollinger Ltd/ILN/Mary Evans 1915

Umbria Terni Narni Palazzo Scotti6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Anarchists. Illustration for Novy Satirikon (The New Satiricon) magazine, no. 17, Lebedev, Vladimir Vasilyevich (1891-1967)

Charivari: The Window. Anthony Gross; English, 1905-1984. Date: 1963. Dimensions: 284 × 388 mm (plate); 507 × 645 mm (sheet). Etching on white laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Hommage to Albrecht Durer, A Soldier. Oldrich Kulhanek; Czech, born 1940. Date: 1970. Dimensions: 352 × 272 mm (plate); 570 × 422 mm (sheet). Intaglio on white wove paper. Origin: Czech Republic. Museum: The Chicago Art Institute, Chicago, USA.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia79. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

graphic illustration for Lunacharsky's 'Faust and the city' 1923. by Sergey Vasilievich Tchehonine (Chekhonin) (1878 - 1936); Russian graphic artist. Anatoly Vasilyevich Lunacharsky, (1875 - 1933) was a Russian Marxist revolutionary and the first Bolshevik Soviet People's Commissar ("Narkompros"), responsible for Ministry and Education

A BATTLE, FROM THE RAMESSEUM. Egypt, engraving 1879

Umbria Perugia Foligno Monastery of S. Anna50. Hutzel, Max 1960-1990 Post-medieval: 15th and 16th century frescos Object Notes: Contains two sets of duplicate photographs General Notes: also known as monstero delle Contesse German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le Fer rouge. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Frame of a revered small painting, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite, Four flying angels hold a wreath which surrounds the frame of the painting. It forms the center of a glory of rays beneath which is a paper scroll. Beneath, a woman in classical attire is shown putting upon or talking from a pedestal a pitcher. A crowd implores, or thanks her. Architectural setting, the upper part of which is not shown. Colored background., Rome, Italy, ca. 1773-1774, architecture, Drawing, Drawing

Wright, Magnus von, work, Munksnäs, Finland uttrayadt i techningning, booklets XIII and XIV, 1847, lithography, graphics, leaf width 32 cm, leaf height 24 cm, image width 20 cm, image height 12.5 cm

Giovanni Battista Piranesi (Italian, 1720 - 1778). The Giant Wheel, 1761. From Carceri d'Invenzione di G. Battista Piranesi, Architetto Veneziano. Etching on laid paper. Plate: 555 mm x 408 mm (21.85 in. x 16.06 in.). Second of three states.

Alexandre Jean-Baptiste Le Blond drawing from 1699 showing a side view of the boundary wall of the cascade, executed with brush in brown and brown wash.

Pierrot with whip (sketch); Without title. Pierrot with closed eyes and whip in the middle.

Preparatory Drawing for Illustrations of Melodramas and Parody. Attributed to Tsukioka Yoshitoshi (Japan, 1839-1892). Japan, late 19th century. Drawings. Ink on paper

Pig slaughtering. Teniers, David II (Flemish, 1610-1690) (designed after) painter c. 1710-1730 Tapestry Dimensions: H 4' x W 3'9" Tapestry Materials/Techniques: unknown Culture: English Weaving Center: unknown Ownership History: French & Co., purchased from Lorenz Kleiser, 3/21/1935; sold to V. & C. Vigo & Charles Sternberg 3/26/1962. Man sharpening knife next to pig & boy; woman holds out a stick with receptacle to catch blood; figures stand nearby; man on horse-drawn cart passes by in background (BRD) line with stripped circles Borders possibly fragments from a later date (); lower section of central field pieced in. Scene is possibly borrowed from a Teniers design by English weavers to represent "Winter" for "Months" series. French & Co. stock sheet in archive, 39892-d also lists: 18370-d Marillier, English Tapestries (1930), 101-110 Marillier, Teniers Tapestries (1932), 103-110

Spanish Civil War (1936-1939). 'The Siege of Madrid. The Vaticanists', engraving by Francisco Mateos edited by the Section of Plastic Arts of 'El Altavoz del Frente' (The Loudspeaker of the Front). Litography. SPAIN. CASTILE AND LEON. Salamanca. Archivo Histrico Nacional.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Delafosse, Jean Charles, Voysard, Etienne Claude, 2e Cahier, Trophies, Les Perses et leur Religions, Persia, verso - stamped, Two trophies with shields. Left with a dagger, a snake, a book, a smoking vessel and a shield with an angel and a snake. Right with coats of arms, ears of corn, grapes, keys, a mask and a shield with an animal and a mermaid., print, engraving, ornamental print, prints, ornamental prints, height 353 mm, width 199 mm, 1746 - 1812, print maker, printmaker, 1772 - 1779, paper, papier, etching, engraving (printing process), French, 1734 - 1791-10-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

A man running towards a train that has burst into flames. Artist: Alberto Beltrán (Mexican, Mexico City 1923-2002 Mexico City). Dimensions: Sheet: 5 5/16 × 8 1/4 in. (13.5 × 21 cm)Image: 8 1/4 × 11 5/16 in. (21 × 28.7 cm). Date: ca.1940. Museum: Metropolitan Museum of Art, New York, USA.

Trophy of weapons. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Political Cartoon, 1883 - Monopoly in Hades How the place will be run, two years after Jay Gould's arrival

A reconstruction drawing by Alan Sorrell designed to give an impression of the ceremonies associated with the holiest part of a Megalithic burial mound - the right-hand recess of the cruciform chamber. It is assumed that the dead chieftain was cremated outside the mound and that his ashes were then gathered together and deposited on the stone basin. Drawing done to illustrate an article about the excavation of the Knowth burial mound by Dr George Eogan. Date: Prehistory

Albrecht Dürer, The Great Triumphal Chariot: Velocitas and Firmitudo, 1522; this set printed 1559, woodcut on paper.

A Saint Preaching, and the Head of an Oriental. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 7 1/2 x 10 1/4 in. (19 x 26 cm). Date: ca. 1759. Museum: Metropolitan Museum of Art, New York, USA.

Page from a Dutch newspaper Hollandsche Mercurius, showing Oliver Cromwell as Lord Protector. Oliver Cromwell (1599-1658) an English military and political leader and later Lord Protector of the Commonwealth of England, Scotland, and Ireland. Dated 17th century

Tuscany Grosseto Massa Marittima S. Cerbono (Duomo)54. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (13th-early 14th century); Fresco (14th century); Panels/Crucifix (14th century); pascal candle; sculpture including the Arca di S. Cerbone; architectural relief (c. 1267); Tabernacle (mid-14th century). Post-medieval: Paintings, fresco (14th century), sculpture Antiquities: Relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Five Heads. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1940. Dimensions: 9 5/8 x 25 9/16 in. (24.5 x 63.8 cm). Oil on glass. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

SOJORN ITALIA JOSEP ARAGAY. C.P.

Calendar magazine before September to December 1924, Leo Visser, 1923 print A flying bird with a landscape with roofs, church towers and smoking chimneys underneath. Amsterdam paper birds. landscape with tower or castle. church (exterior). roof (of house or building)

Triumph of Alexander. possibly François Chauveau (French, 1613-1676); possibly Charles Le Brun French (1619-1690); possibly Sébastien Bourdon French (1616-1671); possibly Style of François Perrier. Date: 1633-1676. Dimensions: 110 × 178 mm. Pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper, laid down on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Copy of painting in Ajanta Caves, India

March 1924. The carnival in the provinces and abroad. 1.- A car with cute little masks, in Seville. 2 and 3, children dressed up, in Barcelona. 4.- Carnaval king's float, in Nice.

Umbria Perugia Vallo di Nera S. Maria50. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A summer smoke-cloud / J. Keppler by Joseph Ferdinand Keppler, 1838-1894, artist . 1882 chromolithograph Illustration shows Puck reclining before a table covered with alcoholic beverages, some labelled V.H. Dusenburys P.P. Brandy and Puck Punch No London Punch, smoking and blowing smoke rings. Among the figures appearing in Pucks smoke cloud are Chester A. Arthur labelled For a Good Veto and fishing for Popularity, George M. Robeson at the helm of a boat carrying a large money bag labelled Appropriation, Jay Gould, Russell Sage, and William H. Vanderbilt sailing on a boat labelled Monopoly; Susan B. Anthony and another woman, G.W. Curtis labelled Civil Service Reform, Roscoe Conkling, Jay Hubbell labelled Deform, Ulysses S. Grant labelled No Third Term, David Davis, Robert Ingersoll boxing with Thomas De Witt Tallmadge, James G. Bennett, Old Rosa with Dynamite, Cyrus W. Field trying to net a Coronet, John Kelly and Samuel J. Tilden on a seesaw, William R. Gr

Pages from Strange Tales of the Crescent Moon’. Katsushika Hokusai (Japan, 1760-1849). 1807-1811. Books. Double-page book illustration; black and white woodblock print

Chushingura scenes. Acht gezichten op het Chushingura (series title). Chushingura hakkei (series title on object). Draughtsman: anonymous. Dating: 1875 - 1900. Place: Japan. Measurements: h 275 mm × w 401 mm. Museum: Rijksmuseum, Amsterdam.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata7. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Doré, Gustave (n.1832-01-06-D.1883-01-23), L'Assault (title awarded), 1855. Bois. Balzac house.

Photo production of Risqué subject, drawing of an orgy, anonymous, c. 1900 photograph United States of America paper cyanotype carousal, drinking-bout, orgy - CC - out of doors. group-sex. promiscuity, fantasies of a world of free love. scabrous scenes, pornography

Cartoon - A Story Without Words Arthur George Racey (1870-1941)

Anefo photo collection. Wall carpet from the hand of 'Harry on the Laak' in the aula of the maritime school, presumably in Amsterdam. Detail of the tapestry. September 12, 1966. Amsterdam, Noord-Holland

Cupid Blindfolded in the Clouds, with Five Attendant Putti. Artist: Giovanni Domenico Tiepolo (Italian, Venice 1727-1804 Venice). Dimensions: 6 7/16 x 9 7/16 in. (16.3 x 24 cm). Date: ca. 1770-90. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Uppland, Örbyhus hd., Vessland's sn., Karlholm Nordic

Tamara's Dance. Illustration to the poem 'The Demon' by Mikhail Lermontov by Vrubel, Mikhail Alexandrovich (1856-1910)/ State Tretyakov Gallery, Moscow/ 1890-1891/ Russia/ Watercolour and white colour on paper/ Symbolism/ Mythology, Allegory and Literatu

MATTA ECHAURREN , ROBERTO. PINTOR CHILENO. 1912 -. ILUSTRACION PARA EL QUIJOTE.

Digitally restored, Bathing establishment, the common sanatorium for the poor and sick in Plombiere, France, woodcut from the year 1553, publication from the year 1882, Digitally improved:, Bathing establishment, the common sanatorium for the poor and sick in Plombiere, France, woodcut from the year 1553, publication from the year 1882, Europe

Photo with risqué Subject: Reproduction of drawing of an orgy ('anual sic outing of the temperance league or america'). .

Edelfelt, Albert, work, 'Möttönen noi rastasti', final vignette of the Otto von Fieandt poem, 1897 - 1900, drawing, 5 cm x 19 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Engraving depicting a horse being used to raise water from a well by means of a chain of pots or Noria. Dated 18th century

AUSTRALIAN AND NEW ZEALAND EXHIBITS AT THE COLONIAL AND INDIAN EXHIBITION, 1886: WOOL TROPHY, MINERAL COURT, NEW SOUTH WALES

The youth secures the dragon which has swallowed the iron horse. (German story).

The Symbol Shop, c1898, (1924). Artist: Edmund Joseph Sullivan

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 21. - Fig. 1. The Music Corps of the Boys of the Diaconie Weeshuis; fig. 2, the Association of Practitioners of the Tobacco and Cigar Trade, Eendracht, Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King William III in 1874 (plate 21), Plate no. 21 with the part of the procession with the music corps of the boys of the Diaconie Weeshuis and the members of the Association of Practitioners of the Tobacco and Cigar Trade. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Even

View of the Box in which the President was assassinated. Taken from the Dress Circle. Morgan collection of Civil War drawings, Exhibited: "With Malice Toward None : The Abraham Lincoln Bicentennial Exhibition" at the Library of Congress, Washington, D.C, 2009. Lincoln, Abraham, 1809-1865, Assassination, Booth, John Wilkes, 1838-1865, Homes & haunts, Ford's Theater (Washington, D.C.), 1860-1870, Theaters, 1860-1870, Interiors, 1860-1870, United States, History, Civil War, 1861-1865, United States, District of Columbia, Washington (D.C.)

Shinobazu Pond at Ueno (Ueno Shinobazu no ike), from the series Famous Places in Edo (Edo meisho) 1852 Japan. Color woodblock print; chu-tanzaku . Utagawa Hiroshige

George Agricola (1494-1555) . Book De Re Metallica, 1556. Book VIII. Extract the metals. Engraving by Basilius Weffring. A.Basket. B.Its handles. C.Dish. D.Its back part. E.Its front part. F.Handles of same.

The Temptation of Saint Anthony: Entourage and Parade of the Queen of Sheba (continued) (page 53), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Painting of a carnival scene on a facade of a house in the small town of Gairo, which is known for its graffiti and murals. Gairo Sardinia Italy FB_2024_1324

A battle scene from the Rammeseum at Thebes, Cassell's Universal History, published 1888

Boer plays De Luit, Anonymous, After David Teniers (II), 1626 - 1740 print A farmer plays the lute. On the left is an old woman listening. Netherlands paper etching one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo. old woman

Assyrian ship, Assyria, transport, wood, tree trunks, slaves, rowing, horse head at the bow, fish, ornaments, antiquity, historical illustration 1886

Stage design for the ballet The Little Humpbacked Horse by C. Pugni, Korovin, Konstantin Alexeyevich (1861-1939)

Yoshiwara in New Year Kitagawa Utamaro (Japanese, 1753-1806). Yoshiwara in New Year, ca. 1798. Woodblock print, a: 14 3/4 x 9 3/4 in. (37.2 x 24.2 cm). Asian Art ca. 1798

The first illustration by William Heath Robinson (1872-1944) to appear in The Sketch on March 21st 1906. Part of a humorous series called, 'The Gentle Art of Catching Things', the illustration shows a mousetrap-like contraption being used to catch whelks. Please note: Credit must appear as Courtesy of the estate of Mrs J.C.Robinson/Pollinger Ltd/ILN/Mary Evans Date: 21st March 1906

Cartoon - The Retreat Rostap (1866-1949)

Cartoon - The Big Blow in the Windy City. John Collins (1917-2007)

Jan Toorop in invalid trolley sees his past in three Zeeland girls and himself in a window. Draughtsman: Jan Toorop. Dating: 1921. Measurements: h 150 mm × w 178 mm. Museum: Rijksmuseum, Amsterdam.

The artist and Die Brucke (The Bridge) group in Dresden, 1925-1926, by Ernst Ludwig Kirchner (1880-1938).

Cartoon depicting the Hot Line between the President of the United States and the Premier of the USSR was designed to allow direct communication at a moment's notice. At its inauguration on 31 August 1963, it was hailed as a major telecommunications achievement. President John F. Kennedy is asking Nikita Khrushchev to halt the Soviet advance because the US cannot get their forces across the Atlantic because of fog. Nikita Khrushchev is saying certainly, but in the meantime we'll bomb your airfie

Pyrotechnist, Artificer or Firework-maker. After a print representing Fire from a series of four representing the elements by the French engraver Abraham Bosse (1602-1676).

Lazio Rieti Orvinio Madonna dei Raccomandati0. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting. Structure dates to the 16th century. Within the church are numerous frescoes by Vincenzo Manenti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The deity of Green Earth; beginning of the 20th century (1901-00-00-1932-00-00);Jabłońska, Antonina (1901-1994), Jabłoński, Witold (1901-1957), Jabłoński, Witold (1901-1957)-collection, Chinese (culture), gift (provenance), Chinese art

España. Plano de Mahón en tiempo de la reconquista a Inglaterra en 1805. Grabado de 1854.

Horse Kicking, Biting, Currier, Nathaniel & Ives, Jam.

Painting depicting the rebellion of the townspeople during the Spanish Civil War. Circa 1936-1939. Painted from memory by an unknown Morrocan.

Illustration dated 1906, in French Magazine, depicting a woman singing at her window as another woman passes below.

Sculpture in the Tuileries Garden by the Louvre, Paris, France

Woodcut showing Italian races with murnets in the triumphal procession of Emperor Maximilian I. by Hans Burgkmair the Elder, wooden stick, 1517.

The Rising of the Usurpers, And the sinking of the Liberties of the People. Nast, Thomas (1840-1902). 1899. Political cartoons, Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Caricatures and cartoons , United States

Figures looking at a crowd on a terrace, 1890 - 1946 The figures are under a roof carried by three columns. They may look at a performance. Page 16 Recto from a sketchbook with 41 sheets. paper. chalk pavement, terrace in front of inn or restaurant

To avoid going to Trojan War, Odysseus feigned madness but swerved his plow when his son was put in the way.

Children at sea, draughtsman: Jan Zoetelief Tromp, 1882 - 1947, paper, pen, h 118 mm × w 170 mm

Pablo Picasso / 'The feat of Don Tancredo', 1957, Sugar lift aquatint on copper plate, printed on paperl, 19,9 x 29,5 cm, MPB 112.771. Museum: Museo Picasso, Barcelona.

The artists' dream. Cabinet of American illustration . David, (King of Israel) , Goliath, (Biblical giant) , Moses, (Biblical leader) , Artists, Fantasy, Military officers, Public speaking, United States, History, Civil War, 1861-1865.

industry salt salt garden at the sea woodcut ""De re metallica libri XII"" by Georgius Agricola Basel 1556,

Drawing by Ferdinand Boberg. Dalarna, Gagnefs sn., Carving Nordic

Oude sarcofaag als fontein in Messina. Sarcophage antique servant de fontaine à Messine (title on object). St Augustino (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 338 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Campania Benevento Sant'Agata de' Goti Chiesa dell'Annunziata04. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th centuries). Post-medieval: Marble portal (1563), with bas-relief in lunette; paintings on panel and canvas; frescos (14-15th centuries) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

An obelisk stands upon a pedestal, male figures leaning against its corners. Below is a base consisting of three steps. At the front of the central one is a circular medallion with a mask, supported by two seated female figures. Below, a festoon. Date: ca. 1780. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

A skeleton picking crops in a field while carrying a baby skeleton on her back ca. 1880-1910 José Guadalupe Posada. A skeleton picking crops in a field while carrying a baby skeleton on her back. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

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