Historical Battle Scenes

Dramatic depictions of historical battles and military figures, showcasing intense action and vivid color contrasts.

Nobleman's grave with Gothic iron spurs. Cetina Sv. Spas, Croatia. Museum of Croatian Archaeological Monuments, Split, Croatia.

Chodkiewicz at Chocim. Brandt, Józef (1841-1915), painter

'Comedians at Rest'. Flanders, Early 18th century. Dimensions: 49x73,5 cm. Museum: State Hermitage, St. Petersburg. Author: Pieter van Bloemen (Standaart).

Nobleman's grave with Gothic iron spurs. Cetina Sv. Spas, Croatia. Museum of Croatian Archaeological Monuments, Split, Croatia.

Carga de caballería - Serie Usos y Costumbres de Buenos Aires. Date/Period: Ca. 1839. Painting. Oil on canvas. Height: 445 mm (17.51 in); Width: 540 mm (21.25 in). Author: Carlos Morel.

Pizzaro sizing the Inca of Peru (1846), painting by John Everett Millais.

Joseph-Bernard Flaugier / Popular scene of the war of independence, Painting.

'Triumph of Manius Curius Dentatus'. Italy, Circa 1730. Dimensions: 550x322 cm. Museum: State Hermitage, St. Petersburg. Author: GIOVANNI BATTISTA TIEPOLO.

Painting from the U.S. Capitol Collection in Washington D.C.. Photographed by Carol M. Highsmith (1946-). Dated 1980

The Triumph of Marius 1729 Giovanni Battista Tiepolo Italian This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca Dolfin, a palace in Venice. The subject of this triumphal procession is identified by the Latin inscription at the top of the painting, from the Roman historian Lucius Annaeus Florus: “The people of Rome behold Jugurtha laden with chains.” The African king Jugurtha is shown before his captor, the Roman general Gaius Marius. The procession, in which looted treasures were carried through the streets, was held on January 1, 104 B.C. Tiepolos brilliance was to take historical events and transform them into visually engaging theater. Proud of his achievement, Tiepolo included his self?portrait along the left side of the canvas. Listen to experts illuminate this artwork's story Listen Play or pause #5092. The Triumph of Marius Play or pause #124. The Director's Tour, Second Floor: The Triumph of Marius, Part 1 Play or pause #124. Th

'Prince Maurits of Orange-Nassau and his Suite (copy)'. Holland. Dimensions: 19x27,5 cm. Museum: State Hermitage, St. Petersburg. Author: Adriaen Pietersz. van de Venne (after).

Fair in Seville, 1882, Andre Cortes y Aguilar, Spain 19th Century. Detail.

'Dawn at the Alamo', by Henry Arthur McArdle, hangs in the Senate Chamber of the Texas State Capitol, Austin, Texas (BSLOC_2019_8_2)

Survivors by French master, oil on copper, 17th century, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 52x62

Trial of the Inquisition, ca.1819. Copy of Eugenio Lucas (1817-1870) after a painting by Francisco de Goya. History Museum. Madrid. Spain.

Ivan Mrkvicka (1856-1938). Czech painter. Round Dance (Shopsko horo), 1892. Participation of the Art Section of the Plovdiv Exposition, 1892. National Art Gallery. Sofia. Bulgaria.

Ramon Tusquets/ Carlistas. Museu del castell. Vilanova i la Geltrú. Siglo XIX. Museum: MUSEO CASTELL DE VILANOVA LA GELTRÚ.

HISTORIA PENINSULA IBERICA. EPOCA RECONQUISTA. EDAD MEDIA. "DEFENSA DE LAS MURALLAS DE LA CIUDAD DE ZAMORA. LUCHA ENTRE TROPAS CRISTIANAS Y SARRACENOS. AÑO 1062". Traslación de Nuestra Señora de San Antolín a Zamora por los palentinos. (Siglos XVII-XVIII). Oleo sobre lienzo. 190 x 270 cm. Detalle. Parroquia de San Vicente (Zamora). Castilla-León. España.

Pharamond, raised on a shield by the Franks by Genod, Michel Philibert (1795-1862) / Musee de l'Histoire de France, Chateau de Versailles / 1845 / France / Oil on canvas / History / 145x188 / Neoclassicism

Chalk and brush drawing by Francesco Casanova depicting an equestrian battle, executed with brown washes and white highlights on yellow-brown paper.

The Last Race, Mandan O-kee-pa Ceremony. oil on canvas. Date: 1832. Museum: Smithsonian American Art Museum.

CORTES Y AGUILAR, AndrŽs (1815-1880). La Feria de Sevilla. 1852. View of the Prado de San Sebastin (St. Sebastian's Meadow) in Sevilla. Costumbrism. Oil on canvas. SPAIN. BASQUE COUNTRY. VIZCAYA. Bilbao. Bilbao Fine Arts Museum.

Braun, Adolphe, Photo reproduction of a painting by Rembrandt, 'Quintus Fabius Maximus' (Bredius 477), photograph, foto, foto's, height 465 mm, width 507 mm, French, German, 1812 - 1877, photographer, 1880 - 1900, fourth quarter 19th century, paper, photographic paper, photo paper, cardboard, carbon print

According to Horace Vernet (1789-1863). "The Apotheosis of Napoleon". Paris, Carnavalet museum. Allegory, French emperor, exile, soldier, sea

MANUEL CRUZ Y CANO PINTOR ESPAÑOL 1750-1792 "FERIA DE MADRID EN LA PLAZA DE LA CEBADA (DETALLE) MUSEO MUNICIPAL . MADRID MADRID PINTADO.

Michel-Ange Houasse/ Une partie d'nes, Óleo sobre lienzo, 70,5 x 88,1 cm. Toulouse, Fondation Bemberg.

Spanish Eclecticism. Mariano Fortuny (1838-1874). Catalan painter. The Almogavars I, 1855. Training of almogavars warriors with their crossbows at the gate of the castle. A spear from which a fox hangs serves as a bullseye. Next to, a gentleman with a servant, possibly Roger de Flor. Oil on canvas.

anonymous, 18th century, allegory of the dense of the Philippines by Don Simon de Anda y Salazar , oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain.

Luca Signorelli, The Crucifixion, c 1504 1505 The Crucifixion

Hunting Scene: The Meet. Date/Period: Ca. 1840. Painting. Oil on canvas. Height: 457 mm (17.99 in); Width: 616 mm (24.25 in). Author: Henry Thomas Alken.

Caraffe, Armand Charles (1762-1822) State Hermitage, St. Petersburg Painting 53,5x80 Mythology, Allegory and Literature,History Metellus Raising the Siege

Czarniecki at Kolding. Brandt, Józef (1841-1915), painter

Bliżej Kultury Verlag of A.E. Seemann in Leipzig, Rocholl, Theodor (1854 1933)

Louis XIV's carriage, detail from The royal procession, painting by Adam Frans Van der Meulen (1632-1690). France, 17th century.

Murals in Albrechtsburg, Interior views of Albrechtsburg, 1921, Meißen, Gemälde im Schloß Albrechtsburg, Germany

The peddlers, Andrea di Leone, attributed to, c. 1635 - 1650

Museo del Louvre,museo nacional de Francia, Paris, France,Western Europe.

BATALLA DE ISOS (333 AC) - PINTURA HISTORICISTA - S XIX. Location: PRIVATE COLLECTION. MADRID. SPAIN. DARIO III.

Fox-hunting one of a set of six: The Dinner, Thomas Rowlandson, 1756-1827, British, after Thomas Rowlandson, 1756-1827, British, 1787, Aquatint, Sheet: 15 1/2 x 20 3/8in. (39.4 x 51.8cm)

Napoleon in burning Moscow - Adam Albrecht (1841)

Visit of Charles V to Palma, work of Joan Bauzà., Parlament de les Illes Balears, former Círculo Mallorquín, 1852-1918. Mallorca, Spain.

'After a Storm'. France, 1869. Dimensions: 36,5x60 cm. Museum: State Hermitage, St. Petersburg. Author: Louis Gabriel Eugène Isabey.

Kacper Karliński in defence of Olsztyn. Alchimowicz, Kazimierz (1840-1916), painter

'Entrance of Charles VIII into Naples, 12th May 1495' (19th century). Artist: Anon

The Passage of the Red Sea (Passaggio del Mar Rosso), by Jacopo Negretti known as Palma il Giovane, 1580 - 1581, 16th Century, canvas, 140 x 490 cm

Ecce homo . Ecce Homo. Dating: c. 1525 - c. 1535. Place: Southern Netherlands. Measurements: support: h 55 cm × w 89.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Brunswijkse Monogrammist.

Retour de l'Ile d'Elbe, Fevrier 1815. Charles Auguste Steuben (1788-1856). Oil on canvas. Signed and dated 1818. 98 x 130cm

September Eleven 1714. Oil on canvas (1909). Museum: Fundación Caixa de Sabadell. Author: ANTONI ESTRUCH I BROS.

Tsar Ivan the Terrible capturing the Livonian fortress Koknese by Sokolov-Skalya, Pavel Petrovich (1899-1961) State Russian Museum, St. Petersburg 1938-1943 Oil on canvas 297x445 Russia Soviet Art History Painting

Somosierra. Bagieński, Stanisław (1876-1948), painter

Louis XIV Crossing into the Netherlands at Lobith, Adam Frans van der Meulen, oil on canvas, 1672, Amsterdam, Netherlands.

SOCORRO DE PARIS (1590) - PINTADO A PRINCIPIOS DEL SIGLO XVII - OLEO/LIENZO - 135X83 CM. Author: ANONIMO ESPAÑOL. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Isidore Pils (1813-1875). "The distribution of the eagles and the blessing of the flags, on May 10, 1852, at the Champ-de-Mars". Paris, Carnavalet museum. 38647-2 Aigle, armed, blessing, benir, official ceremony, champ-de-mars, horse, distribution, flag, sketch, francaise, second empire, vieme VII 7th 7 arrondissement

Madrid El Escorial Hall of Battles mural in the Monasterio de El Escorial Madrid Spain Espana Europe San Lorenzo de El Escorial Madrid Province Spain

The death of Count Josselin de Montmorency, 1825, by Massimo Taparelli d'Azeglio (1788-1866), oil on canvas. Detail.

Czarniecki at Koldyg; Brandt, Józef (1841-1915); 1870 (1870-00-00-1870-00-00);Czarniecki, Stefan (1599-1665), Kolding (Denmark), State Art Collections (Warsaw - 1922-1939) - collections, historical painting, ships, message (provenance), panoramic views, castles, castles (archite.), Winter, Łódz

The Night Watch detail , Fine Art

Napol.I at Cherbourg 1811,Detail ,Crepin

Sketch for "Reception of Emperor Napoleon III and Empress Eugénie by the Kabyle Leaders at Algiers on September 18, 1860" ca. 1862-67 Isidore Pils A foremost painter of military subjects, Pils executed this compositional sketch in connection with a painting, nearly fifty feet in length, commemorating an 1860 visit by Napoleon III to Algeria, which had been conquered by France in 1830. The large canvas was commissioned for Versailles but its fate is unknown; it may have been destroyed in 1871, during the insurrection known as the Paris Commune.. Sketch for "Reception of Emperor Napoleon III and Empress Eugénie by the Kabyle Leaders at Algiers on September 18, 1860". Isidore Pils (French, Paris 1813/15-1875 Douarnenez). ca. 1862-67. Oil on canvas. Paintings

Roos, Johann Heinrich, Sheep at the ruin gate, (1000 - 2003), line etching, graphics, leaf width 18.7 cm, leaf height 15.2 cm

The Red Army capturing Krasnoyarsk in 1920 by Nikonov, Nikolai Mitrofanovich (1889-1975)/ State Tretyakov Gallery, Moscow/ 1923/ Russia/ Oil on canvas/ Soviet Art/ History

Order No. 11. Date/Period: 1865/1868. Painting. Oil on canvas. Height: 141 cm (55.5 in); Width: 199.4 cm (78.5 in). Author: George Caleb Bingham.

'Tournament in Magdeburg in 928'. Album "The Magic of the White Rose". Germany, 1854. Dimensions: 44,5x56,9 cm. Museum: State Hermitage, St. Petersburg. Author: Adolph von Menzel.

Fernando VII (1784-1833). King of Spain (1808-1833). Landing of Fernando VII in Puerto de Santa Maria, 1823-1828. By Jose Aparicio Inglada (1773-1838). Museum of Romanticism, Madrid, Spain.

The Countess of Derby's Departure from Martindale Castle. Vide Peveril of the Peak. John Frederick Herring, Sr. (1795-1865). Oil on canvas. Signed and dated 1842. 101.6 x 132cm.

The Peddlers. Dating: 1635 - 1650. Measurements: h 98 cm × w 132 cm; d 12.3 cm. Museum: Rijksmuseum, Amsterdam. Author: Andrea di Leone. Sébastien Bourdon (rejected attribution).

Print made by Richard Purcell, active 1746-1766, Irish, The Departure, undated. Mezzotint on medium, moderately textured, blued white, laid paper.

The village dance, by Pieter Brueghel the Younger (1564-1638).

Street Scene Placed among Roman Ruins. Dating: 1640 - 1652. Measurements: h 67 cm × w 83.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Jan Both.

Prisión de Guatimocín por las tropas de Hernán Cortés. Museum: MUSEO DE ZARAGOZA, MADRID, SPAIN. Author: ANTONIO MARIA ESQUIVEL.

January Suchodolski (1797-1875). Polish painter. Retreat from the Environs of Moscow, an Episode from the Year 1812, 1854. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow, Poland.

Otto van Veen, Flemish painter (1556 to 1629).The Relief of Leiden (1574). Painted to depict events in Leiden, Holland, after the Dutch had broken their dykes in the Eighty Years War.

FERNANDO III " EL SANTO " REY DE CASTILLA Y LEON. 1201-1252 " CONQUISTA DE JAEN " ANONIMO ALCAZAR DE SEVILLA.

Ramon Casas/ The Carga, 1899. Oil on canvas. 298 cm × 470,5 cm. Museum: Museo de la Garrotxa, Olot.

Jan Moniuszko (1853-1908), Jankiel Cymbalist / Jankkel Le Cymbalier; Poznański, Józef (Warsaw; Publisher; Fl. Ca 1910-Ca 1914); around 1910 (1905-00-00-1915-00-00);

Decemberists by Vasily Timm, also known as George Wilhelm, Oil on canvas, 19th century, 1820-1895, Russia, St. Petersburg, State Hermitage,

Henry Thomas Alken, 1785-1851, British, Steeplechasing: The Field taking a Low Rail and a Brook, undated. Graphite and watercolor on moderately thick, moderately textured, blued white, wove paper.

Camp of Henry IV in the Siege of a City. beg. 17th c. Anonymous. Oil on wood. FRANCE. LE-DE-FRANCE. YVELINES. Versailles. National Museum of Versailles.

Louvre Museum, Paris, France

The Ambassadorial Procession. Date/Period: First half of the 18th century. Painting. Oil on canvas. Height: 885 mm (34.84 in); Width: 1,200 mm (47.24 in). Author: Jean Baptiste Vanmour.

TINTORETTO, Jacopo Robusti, called Il (1518-1594). The Capture of Constantinople in 1204. ITALY. Venice. Ducal Palace. Episode of the Fourth Crusade. Detail. Renaissance art. Cinquecento. Venetian school. Painting.

Battle Between the Turks and the Christians by Jacopo Robusti Tintoretto, 1588-1589, Spain, Madrid, Museo Nacional del Prado

Frédéric-Henri Schopin (1804-1880). "The last days of Pompeii", around 1850. Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 24956-15 Allegorie, beef, natural disaster, Roman quote, tank, horse, volcanic eruption, woman, geology, man, Italy, sea, vesuve, volcano, volcano, volcano, volcano, volcano

La Salle's Party Feasted in the Illinois Village. January 2, 1680. Dated: 1847/1848. Dimensions: overall: 42 x 60.5 cm (16 9/16 x 23 13/16 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

Horses at a Fountain. William Rimmer; American, 1816-1879. Date: 1856-1857. Dimensions: 21 × 27 cm (8 1/4 × 10 5/8 in.). Oil on canvas. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ramón Bayeu y Subías / 'Boys Playing at Bullfighting'. XVIII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

*GARIBALDI ENTRA TRIUNFAL EN NAPOLES 7/SEP/1860. Author: LICATA. Location: MUSEO SAN MARTINO. GARIBALDI JOSE.

LA COGIDA DEL TORERO. Author: EUGENIO LUCAS VELAZQUEZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

'The Second of May 1808 in Madrid: the charge of the Mamelukes' (detail), 1814, Oil on canvas, P00748. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. SPAIN.

Apotheosis of the Rabble', 1884. Artist: Louis Maurice Boutet de Monvel. Louis-Maurice Boutet de Monvel (1850-1913) was a French painter and illustrator best known for his watercolours for children's books.

'The Second of May 1808 in Madrid: the charge of the Mamelukes' (detail), 1814, Oil on canvas, P00748. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

'The Pottery Vendor', 1778, Spanish School, Oil on canvas, 259 cm x 220 cm, P00780. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Entry of Queen Victoria. Queen of the United Kingdom of Great Britain and Ireland. and Prince Albert of Saxe-Coburg and Gotha. 19 August 1845. Coburg. Upper Franconia. Bavaria. Germany. Historical. digitally restored reproduction from an original from the 19th century

Joaquín Sorolla y Bastida / 'The Second of May'. 1884. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Fishing for Souls. De zielenvisserij: allegorie op de ijverzucht van de verschillende religies tijdens het Twaalfjarig Bestand tussen de Nederlandse Republiek en Spanje. Dating: 1614. Measurements: support: h 98.5 cm × w 187.8 cm; sight size: h 97 cm × w 186.7 cm; frame: h 121.1 cm × w 211 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen Pietersz. van de Venne.

America. Date/Period: Second half of 17th century. Painting. Oil on canvas. Height: 153.3 cm (60.3 in); Width: 250 cm (98.4 in). Author: Attributed to Stephan Kessler.

Henry Casimir II Henry Casimir II, Prince of Nassau-Dietz, in a Battle, Jan van Huchtemburg, oil on canvas, 1692, Amsterdam, Netherlands Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21697260

Death of Duke Leopold of Brunswick by Pierre Alexandre Wille, oil on canvas, 1785, 1748-1821, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 135x113

Allegory of Fortune by Nebot, Balthazar (active 1730-after 1765) Yale University Art Gallery ca 1730 Oil on canvas 71,9x89,2 Great Britain Rococo Mythology, Allegory and Literature Painting

Juan de la Corte / 'The Rape of Helen', First half 17th century, Spanish School, Oil on canvas, 150 cm x 222 cm, P03102. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

anonymous, 18th century, allegory of the dense of the Philippines by Don Simon de Anda y Salazar , oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain

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