Historical Battle Scenes

Etchings depicting battles, soldiers, and historical events, showcasing intense moments and dramatic compositions.

Greeting from Romulus Representations from Roman history (series title), Romulus, the founder of Rome, is greeted in a tent camp by figures kneeling before him. In the margin below the performance is a text in Latin, numbered at the bottom right: 4. The print is part of a series of prints that depict events from Roman history., (Story of) Romulus and Remus, Pieter Jalhea Furnius, 1573, paper, engraving, h 217 mm × w 299 mm

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian Wars against the Romans, Julius Civilis separates the German and Dutch troops, Julius Civilis sits on horseback and separates the German and Dutch troops from each other. In the background, soldiers are standing on a bridge. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Hooghe, Romeyn de, Netherlands, Allegory of the acquisitions in Brabant, print, prints, Frederik Muller Historical plates, height 170 mm, width 295 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1705 - 1707, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The Romans burn the Dutch countryside, The Roman troops burn Dutch settlements in the countryside. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

David returns triumphantly with the head of Goliath, Antonio Tempesta, 1613 print David returns after the victory over the giant Goliat. David sits on horseback with the sword of the giant in his hands. Next to the horse, a soldier runs with the chopped head of Goliat. A crowd welcomes David with music and dance. Title and caption in Latin in the lower margin. print maker: Italypublisher: RomeRomeItalyItaly paper etching David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

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Jacob Dirksz. with both sons in Antwerp taken to the stake, 1568, 1683 - 1685 print Jacob Dirksz. Turned to the stake with both sons in Antwerp, 1568. A younger child embraces his father. Northern Netherlands paper etching persecution of heretics. violent death by burning at the stake; pyre Antwerp

Antiochus Epiphanes falls from his chariot.

Aeneas visits King Latinus; Speculum Aeneidis Virgilianae. Aeneas visits King Latinus, who offers him to marry his daughter Lavinia. On the right in the background Ascanius, which leans down a deer through Alecto. On the left in the background the battle between the men of Turnus and Aeneas. In the margin a four-line caption, in two columns, in Latin.

Volwassenheid, Hieronymus Wierix, After Ambrosius Francken (I), 1563 - 1584 print Allegory of adulthood, corresponding to the four times of the day and the four seasons. On the triumphal wagon of the evening (Vesper) there are dial (Discordia), stinginess (Avaritia) and disease (Aegritudo), accompanied by two old men. The car is pulled by two horses, driven by fraud (fraus) and indifference (Cura). The procession is preceded by a man with a bandage around his head. He misses a foot and leans on a knee stool and an armpit stool. He wears a banner on which the signs of the zodiac are depicted, scales, scorpion and archer, and mourning (Luctus) on horseback. In the margin a four -line caption, in two columns, in Latin. Antwerp paper engraving human life divided into stages. personification of the evening, 'Vesper'. Disagreement, Discord; 'Discordia' (Ripa). Greed, Covetousness, Cupidity; 'Cupidití' (Ripa). Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa). chariot, triumphal car.

Greeting from Romulus Representations from Roman history (series title), Romulus, the founder of Rome, is greeted in a tent camp by figures kneeling before him. In the margin below the performance is a text in Latin, numbered at the bottom right: 4. The print is part of a series of prints that depict events from Roman history., (Story of) Romulus and Remus, Pieter Jalhea Furnius, 1573, paper, engraving, h 217 mm × w 299 mm

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, taken from the city of Bone. Fourteenth number of a series of 16 pieces finished and 2 supernumerary pieces" (Lieure 160, Meaume 547). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-10 Burin, Gravure

The Exodus from Egypt. Dated: c.1585. Dimensions: plate: 19.9 × 28.4 cm (7 13/16 × 11 3/16 in.) sheet: 20.5 × 29.2 cm (8 1/16 × 11 1/2 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Maarten van Cleef Jan Sadeler I.

Assault on the Outer Forts of Bone. Dated: c. 1614. Medium: engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Civilis negotiates with a Roman commander, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print Claudius Civilis negotiates with a Roman commander. Print number 15 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

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Amsterdam, Luyken, Caspar, Meeting of Jacob and Joseph, verso - stamped, print, prints, height 78 mm, width 89 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching

February: A tournament (fishing), Antonio Tempesta, 1599 print Imagination of human activity in the month of February. View of a square where festivities and a tournament take place. In the middle of the symbol for the constellation fishing. Italian fresh and title in the lower margin. print maker: Italypublisher: RomeItaly paper etching the twelve months represented by scenes showing human activities, usually in a landscape; so-called 'labours of the months'. tournament. joust, tilt, with barrier. festivities. Pisces (zodiacal sign of February)

Jacques Callot (1592-1635). "The life of Ferdinand I of Medici, assault of two fortresses. Fifteenth number of a series of 16 finished pieces and 2 supernumerary pieces" (Lieure 161, Meaume 548). Chisel. 1619-1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99598-11 Burin, Gravure

Galley at the storming of a castle, Abraham Dircksz Santvoort, Gerrit van Goedesberg, 1667.

Southern Netherlands, unknown, Antwerp, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Civilis uses movable wooden bridges to attack a fort, Julius Civilis and the Batavian army use movable wooden bridges to attack a fort. Caption in Dutch and Latin., print, prints, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, letterpress printing, Work conception, Zuid-Nederlands, 1556 - 1629-05-06, after a design by, Publication (Event), Publication, publisher, uitgever van privilege

Amsterdam, Hooghe, Romeyn de, French invasion and breaking of the unity of the Union, French invasion and breaking of the unity of the Union in 1672. The provinces of Utrecht, Gelderland and Overijssel throw themselves at the feet of Louis XIV. Others flee or are chained as prisoners. In the middle behind, the Dutch Virgin sits on a plateau on four columns, behind this the names of the remaining provinces of Groningen, Friesland, Zeeland and Holland. In the background devils and a beheading., print, propaganda print, prints, height 233 mm, width 348 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1674 - 1674, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

City distorming; Siege of Jerusalem. Storming a city. The performance is used, among other things, as an image of the Egyptian king Sisak that besiegens Jerusalem (2. Chronicles 12). The print is part of an album.

. Achilles hears the news about the death of his friend's patrocus. In the background the Greeks are fighting to the lifeless body of the Patrocus. In the margin a four-line caption, in two columns, in Latin.

Nuño Salido belongs to the betrayal of Ruy Velazquez and warns the sons of Lara; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Illustration at Canto III of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print A struggle for the strad walls of Jerusalem. Italian verses by Tasso in two columns in the upper margin. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. battle Jerusalem

French invasion and break from Union's unity. French invasion and breakdown of the Unity of the Union in 1672. The Provinces Utrecht, Gelderland and Overijssel shed at the feet of Louis XIV. Others flights or become fascinated as prisoners. In the middle behind is the Dutch virgin on a plateau on four columns, behind this the names of the remaining provinces of Groningen, Friesland, Zeeland and Holland. In the background devils and a decapitation.

. Print at the top left of marked: FOLI 180.

Mutilation of the bodies of the De Witt brothers, 1672, Bernard Picart, After Romeyn de Hooghe, 1728 print The mutilation of the bodies of the brothers Johan and Cornelis de Witt, August 20, 1672. In the foreground parts of the body are torn and sold. Northern Netherlands paper engraving / etching attempt, political murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). lynching. mutilation of the corpse The Hague

Etching by Nicolas Chaperon from 1649 depicting the biblical scene where Joshua commands the sun to stand still, showing figures, gestures, and a landscape.

Dulcinus and Margaretha killed in Novara, Jan Luyken, 1685 print Amsterdam paper etching murder Novara

Roma Kamp, Jacques Callot, 1621 - 1631 print A group of Roma has stored its camp between a number of trees. A few of them prepare a meal to the left and in the middle. On the right in the foreground, a number of men play a card game. In the background, a woman gives birth to a child. At the top of the show two lines of French text. This print is part of a series of four prints with performances of the life of the Roma. Nancy paper etching / engraving wandering communities: Romani or Roma. cooking food - CC - in the open air. woman giving birth (lying-in)

Hernán Cortés meets Montezuma in Tenochtitlan, 1519, Philip van Gunst, After J. Melder, 1685 - 1732 print Cortés greets Montezuma outside the city Tenochtitlan. He offers him gifts. Aztecs kneel behind Montezuma for their king. Amsterdam paper etching / engraving

Wright, Ferdinand von, work, Uiveloita, holder: Kansallisgalleria / Ateneum Art Museum, 1867 (), oil on paper, glued on cardboard, painting, keywords: animal, bird, swimsuit, 24.5 cm x 37.5 cm

King with his entourage in a rowing boat, Jan Luyken, 1691 print Amsterdam paper etching / letterpress printing rowing-boat, canoe, etc.. king

Boerenkermis; Der boúren kermis.Farm chance. Festive farmers for an inn. Also fight, make love, dancing, making music, play, drink and surrender. With caption of six lines in Latin and a rule in Dutch.

Copper engraving by Matthäus Merian the Elder from 1638 depicting Emperor Ferdinand III assisting his son Ferdinand Franz, Archduke of Austria, to ascend a symbolic throne car.

February: A Tournament. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, published 1599. Prints; etchings. Etching

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian Oft Old Dutch War against the Romans, The Batavian Revolt, Women and children watch how Civilis fights the Romans at Xanten, 69-70, Women and children watch how Claudius Civilis fights the Romans near Xanten. Print number 8 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Battle of Pergamon; The Trojan War. Soldiers come up with ships on the land where soldiers are already fighting on horseback and on foot. In the background lies the city of Pergamon, the city where there is fought here. Under the show is a line of text in Latin, numbered at the right: 3. The print is part of a series of prints about the Trojan War.

Mars,the God of war passes over as soldiers steal cattle burn homes and attempt to kidnap woman. Her husband defends her and children with spade. Date: 17th Century

Nebukadnessar accuses Sadrach, Mesach and Abednego, Philips Galle, After Maarten van Heemskerck, 1627 - 1678 print King Nebuchadnessar accuses the Jews Sadrach, Mesach and Abednego not to honor the pagan gods. On the left a golden statue of a deity and a crowd that worship the image. A burning oven in the background. Everyone who refuses to worship the image is thrown into the oven. print maker: Haarlempublisher: Antwerp paper engraving / brush the dedication of the golden statue: in the presence of King Nebuchadnezzar, trumpets are blown and all the people surrounding the image fall on their knees

Illustration at Canto XII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print On the left, the kneeling Clorinda is baptized by a man standing next to his horse. On the right the dead body of Clorinda, surrounded by soldiers. The Christian fighters attack Jerusalem in the background. Italian verses by Tasso in two columns in Submarge. print maker: Italyafter own design by: ItalyVaticaanstadItaly paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. baptism, christening ceremony ~ the first of the seven sacraments - QQ - baptism in the open air. battle Jerusalem

Georg Pencz, The Triumph of Time The Triumph of Time

Amsterdam, Picart, Bernard, Menelaus carries the body of Patroclus from the battlefield, verso lower left - stamped, Menelaus, king of Sparta, carries the body of the fallen Patroclus from the battlefield. He was killed by Hector. In the margin a caption in French., print, book illustration, prints, height 190 mm, width 123 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, etching, engraving, engraving (printing process), intermediary draughtsman

King of Ormus robberies and killed in a tent camp; The can of Ormus robbed and killed. Print at the top right labeled: i part fol. 474.

This copper engraving print by Pieter Bruegel the Elder depicts a lively rural wedding celebration, showcasing peasants dancing and playing music. The scene is filled with dynamic movement and joyful expressions, characteristic of Bruegel's focus on peasant life.

The Arrest of Christ, from Speculum passionis domini nostri Ihesu Christi. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Ulrich Pinder (German, active 1493-before 1519). Dimensions: Sheet: 9 7/16 × 6 5/16 in. (24 × 16 cm). Publisher: Published for Ulrich Pinder, by Friedrich Peypus (Geman). Date: 1507. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

French invasion and break from Union's unity. French invasion and breakdown of the Unity of the Union in 1672. The Provinces Utrecht, Gelderland and Overijssel shed at the feet of Louis XIV. Others flights or become fascinated as prisoners. In the middle behind is the Dutch virgin on a plateau on four columns, behind this the names of the remaining provinces of Groningen, Friesland, Zeeland and Holland. In the background devils and a decapitation. Allegory on the political situation in the Republic in the year 1674. Numbered at the top right: 3.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Den Grooten Figuer-Bibel, History of David and Saul, Of Saul, David, and Goliath, Confrontation between David and Goliath, lower right - handwritten in brown ink, David stands in simple clothing before the Philistine Goliath. In his right hand he holds his shepherd's staff and the sling. They are talking to each other, while both armies look on. Below the representation a reference in Latin to the Bible text in 1 Sam. 17. This print is part of an album., print, album sheet, prints, 140, height 202 mm, width 251 mm, print maker, printmaker, 1554 - 1558, paper, papier, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1586 - 1652-06-19, publisher, uitgever, Publicatie, 1592 - 1656-04

The king of the ammonites demanded land; History of Jefta; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The envoys of Jefta ask the king of the ammonites why he attacks them on their own ground. The king replies that the area belongs to him from the Arnon to the Jabbok and Jordaan and therefore to be returned to Him without Battle. Under the show a reference in Latin to the Bible text in RI. 11:12. This print is part of an album.

The army of Judas Maccabees storms the walls of the fortress. They set fire to the towers. Timothy and his brothers Chereas and Apollofanes are killed. Below the depiction a reference in Latin to the Bible text in 2 Macc. 10. Death of Timothy, Chereas and Apollofanes History of the Maccabees Thesaurus sacrarum historiarum veteris testamenti , print maker: Johannes Wierix, (mentioned on object), Gerard van Groeningen, publisher: Gerard de Jode, Antwerp, 1579, paper, engraving, h 204 mm × w 290 mm

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Princes of Orange William I, Maurits, Frederik Hendrik, William II and William III on horseback, riding a horse, ass, or mule, rider, horseman, battle, William I (Prince of Orange), Maurits (Prince of Orange), Frederick Henry (Prince of Orange), William II (Prince of Orange), William III (Prince of Orange and King of England, Scotland and Ireland), Jan Luyken, Amsterdam, 1690, paper, etching, h 149 mm × w 86 mm

The Meeting of Jacob and Rachel at the well, Cornelis Cort, Julius Goltzius, after 1563 - before c. 1601.

Triumph of love; Six triumphs of Petrarca. On a fiery triumphy pulled by four horses, the blindfolded amor is entrained. He shoots his arrows to the love couples walking in the landscape. For the car from walking mythological love saving. Latin inscription in two libertvs Qvomiam nvlli ... Siovis Amare Volet

Burning the rumps at Temple Bar. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Brussels, Francq, Benoît le, Florian, Jean Pierre Claris de, Liège, Godin, Henri-Joseph, Meeting between Hersilia and Numa, verso bottom center - stamped, During the siege of Rome, King Numa meets Hersilia, the daughter of Romulus, together with her generals. Numa offers them the branch of peace. In the foreground Leo. With a French caption., print, engraving, book illustration, prints, engravings, width 136 mm, height, 75 mm, 1747 - 1834, print maker, printmaker, 1790 - 1790, paper, papier, engraving (printing process), letterpress printing, French, 1755 - 1794, writer, Publication (Event), Publication, Belgian, 1750 - 1850, publisher

Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) depicting the suicide of the Greek hero Ajax, using three plates, circa 1525-1527.

Pharaoh's Army Drowns in the Red Sea. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Illustration at Canto XI from Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Gofreddo is sitting with a wounded leg in front of a tent. An angel gives herbs to the healer Erenimo. In the background, the Christians storm the city walls of Jerusalem. Italian verses by Tasso in two columns in Submarge. print maker: Italyafter own design by: ItalyVaticaanstadItaly paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. infections and wounds. battle Jerusalem

Beautiful entrance in Paris January 1742 from Zaide Effendi ambassador extraordinary ... (IT)

The Triumph of Love, from "The Triumphs of Petrarch" Georg Pencz German. The Triumph of Love, from "The Triumphs of Petrarch". The Triumphs of Petrarch. Georg Pencz (German, Wroclaw ca. 1500-1550 Leipzig). Engraving. Prints

Gideon recommends his man's water to drink.

Hudibras and the Skimmington (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 7). Artist: William Hogarth (British, London 1697-1764 London). Author: Illustrates Samuel Butler (British, baptized Strensham, Worcestershire 1613-1680 Covent Garden). Dimensions: plate: 10 13/16 x 20 1/4 in. (27.5 x 51.5 cm)sheet: 11 7/16 x 21 1/16 in. (29.1 x 53.5 cm). Date: 1725-68. Museum: Metropolitan Museum of Art, New York, USA.

Mehemet Riza Beg Ambassador of Persia gave rise to Paris on 7 (e) Feb. and had audience / du Roy, on Versailles ... (IT)

Hunger Nood in Haarlem, 1573, 1696 - 1698 print Hunger Nood in Haarlem During the siege by the Spaniards, 1573. In the foreground right people search a garbage heap, on the left people fall on the street of the weakness. Northern Netherlands paper etching starvation, famine Haarlem

King Frederik van Bohemen has the images removed from the Slotkerk in Prague, 1619, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing interior of church. sculpture Prague

Mudarra challenges Ruy Velazquez and a three-day file is closed; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Dido in conversation with her sister Anna, Crispijn van de Passe (I), 1612 print Dido in conversation with her sister Anna, who advises her to marry Aeneas. The Aeneas ship leaves in the background; Dido was unable to prevent him from leaving Carthage. In the margin a four -line caption, in two columns, in Latin. Utrecht paper engraving Dido arguing with Anna, her sister. the Trojans' departure from Carthage

. God destroyed the tower of Babel. To punish people for their pride, he confuses the language of the people so that they can no longer understand each other. In the margin a two-person caption in Dutch.

Allegory around the role of Nassau in the unity of the Republic. Allegorical performance around the role of Nassau in the unity of the Republic. With caption of two lines in one line.

Man is cut off both hands; Left hands cut off by the Tiran Simon. A man lies with his left arm on a chopping block. Next to the block is his right hand. At the rear left there are a number of men who have been sentenced to the same destiny. The performance has been used as an image of the atrocities of the Tiran Simon. The print is part of an album.

Aeneas and the Cumean Sybil, for the "Chinea" Festival. Dated: 1744. Dimensions: plate: 39.2 x 45.3 cm (15 7/16 x 17 13/16 in.) sheet: 43.7 x 56.9 cm (17 3/16 x 22 3/8 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Miguel de Sorellò after Francisco Preciado de la Vega (designer).

Decapitation of the Graven Egmond and Horne, 1567, Jan Luyken, 1701 print Together with other nobles on the Grote Markt in Brussels, the Counts Egmond and Horne are beheaded with the sword by order of the Duke of Alva. A crowd has gathered around the scaffold. print maker: Amsterdambookseller: The Haguebookseller: The Hague paper etching Large market

Spring, Assuerus van Londerseel, Nicolaes de Bruyn, 1581 - 1656

Amsterdam, Luyken, Jan, Persecution of Protestants in Ireland, 1641, Countess of Aubigny escapes from her prison in London by jumping out of the window, 1643, Men from the retinue of the Portuguese ambassador in London shoot up Harcourt Greenway at the stock exchange, 1653, Church in Innsbruck where Christina of Sweden reads out her declaration of her conversion to the Catholic Church, 1655, verso - stamped, Uncut sheet with four prints., print, prints, height 255 mm, width 313 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

Rome, Aelst, Nicolaus van, Tempesta, Antonio, Battle scenes (series 3), An army attacking over a bridge, verso - stamped, A wide landscape with an army attacking over a bridge. In the foreground a soldier with a spear on horseback looking back., print, prints, height 238 mm, width 327 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1601 - 1601, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Augustin Hirschvogel, Joseph Recounts His Dreams, 1547 Joseph Recounts His Dreams

Famous and notorious Rijkaards, 1563 print A parade of famous examples of ancient rich people. At the front in the Pythius procession, with a vine made of gold and precious wine in his hand. Then Lucullus, the rich Roman magistrate and glutton. He wears a banner with a chicken pie. Behind him Crassus, who drinks from a cup. This is an allusion at its thirst for money and his death (stitched in melted gold). After Crassus, the dictator Sulla with a sword and a lance, Croesus as richly clad king and Midas with midasors come under his crown. The print has a Latin caption and is part of a series on the subject of the misery that wealth brings. PRINT MAKER: loudlers' loudlers designs by: lovlpubllisher: Averterphalimms paper engraving (story of) Croesus king of Lydia. (story of) Midas. (story of) M. Licinius Crassus. contemplating one's own riches. male persons from classical history (PYTHIUS). male persons from classical history (LUCULLUS). male persons from classical history (SULLA)

Jona predicts the downfall of Nineve ..

Two Zanni. Dated: c. 1616. Dimensions: plate: 9.5 x 14.2 cm (3 3/4 x 5 9/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Clair-obscur woodcut of four plates by Andrea Andreani from 1599 depicting the triumph of Julius Caesar, showing chariots, soldiers, figures, crowd, and celebratory procession.

Nebuchadnezzar sees that Sadrach, Mesach and Abednego are unharmed; History of Sadrach, Mesach and Abednego. Nebuchadnezzar comes to look at the oven and sees a surprise that Sadrach, Mesach and Abednego remain unharmed. He also sees a fourth man between them with an earlife. The burned guards lie on the ground before the oven.

Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III' ca. 1590-1630 Antonio Tempesta Italian. Plate 17: Illustration to Canto XVII, from Torquato Tasso's 'Gerusalemme liberata III'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-1630. Etching. Prints

Allegory on the recovery of Utrecht, 1673, 1674 print Allegorie on the recovery, on the resurrection of the province of Utrecht in the Union, after the departure of the French on November 23, 1673. The berested provincial agent Utrecht is welcomed by personifications of De Eendracht and the Generality. Behind them the chariot and army of Stadholder William III with Hercules for the cart and the caution on the reins. On the left the bourgeoisie, poverty and religion sitting on the ruins of the Roman Church. The recovery of the city. At the bottom of the show the interpretation of the scene. Amsterdam paper etching Prudence, prudence '; 'Prudenza' (Ripa) ~ One of the four cardinal virtues. Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). Specific aspects, allegorical aspects of Hercules; Hercules as Patron Eemland

Amsterdam, Luyken, Caspar, Meeting of Jacob and Joseph, verso - manuscript in brown ink, print, prints, verso - stamped, 41, height 113 mm, width 145 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Ruy Velazquez gives the sons of Lara their assignment; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Celebration of the Peace of Rijswijk, 1697, 1779 - 1781 print Celebration of the Peace of Rijswijk closed on September 20, 1697 between France and the Allies. Outstretched flags and festivities on the street. With verse of 8 lines. Northern Netherlands paper etching festivities on events of national importance

The complicated marriage (print), Anonymous, After Romeyn de Hooghe, 1698 - 1750 print In a garden for a classic portal, a man sits next to his young woman in the midst of their six sons. Under the performance four lines of Dutch text that mentions the relationship between the woman and the boys/gentlemen in the performance in the form of a mystery. From the corresponding text printed on a separate sheet, it becomes clear how the relationships in this Nijmegen family Brakel are. print maker: Netherlandspublisher: Haarlem paper etching parents with their children. parents (first degree family relationships). family group, especially parents with their child(ren). garden. historical persons Nijmegen

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Dulcinus and Margaretha murdered in Novara, verso - stamped, 48, height 113 mm, width 142 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, - 1693-06-26

Carnival parade, approx. 1625. An elegant couple sees at a carnival parade with silly figures dressed up with a broom under a cloak and in tons and barrels, left a flute player standing the shoulders of another. With caption of 3 verses of 4 lines in Dutch.

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Execution of Spell, 1570, Execution by hanging on the orders of Alva of the provost Hans de Greef, alias Spell or Spelleken in Brussels, February 11, 1570. On the right, Spell kisses one of his associates. In the middle, Spell hangs from the gallows with his sentence on his chest. On the left, another of his associates is being flogged. With a 12-line caption in German. Numbered: 18., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1570 - 1570, third quarter 16th century, paper, papier, etching, etchings

Antonio Tempesta, Spanish Duke before Margaret of Austria, 1612 Spanish Duke before Margaret of Austria

Netherlands, Hooghe, Romeyn de, The soldiers of Pharaoh are swallowed by the Red Sea, The soldiers of Pharaoh are swallowed by the Red Sea. On the right on the bank stands Moses with a staff., print, prints, height 129 mm, width 170 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1655 - 1708, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, Work conception, after own design by

Antwerp, Jode, Gerard de, Bol, Hans, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Jeptes, History of Jephthah, Jephthah defeats the Ammonites, Jephthah, the leader and leader of Israel, sits in armor on horseback and advances against the Ammonites. He is followed by his army. In the landscape Jephthah's men fight the Ammonites and defeat them. Below the representation a reference in Latin to the Bible text in Judg. 11. Print is part of an album., print, album page, prints, height 198 mm, width 277 mm, Work conception, 1534 - 1593-11-20, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, Publication (Event), Publication, Northern Dutch, 1509 - 1591-02-05, publisher

Bullfight, Philips Galle, After Jan van der Straet, 1578 print In a fenced space, a fight takes place between different bulls, riders and bullfighters on foot. One of them is taken on the horns. With two lines of caption in Latin. No. 3 of a series of 43 prints about yachts. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Bullfight

The Timucua tribe with the assistance of the French defeats the Potano tribe. Both tribes were Floridian. After a late 16th century work by Theodor de Bry.

. Release of the Stadholder Willem V by the Burgerij van den Haag, September 20, 1787. Fantasy landscape in which the Burgerij van Den Haag draws the coach from the prince. The carriage with the prince leaves the palace house ten Bosch to Palace Soestdijk, left. In the distance the carriage with the princess and the children also. With five-line German engraved caption.

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