Historical Battle Scenes

Dramatic depictions of biblical and mythological battles, featuring figures in various historical contexts with dark tones and intense emotions.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, picture, book illustration, prints, pictures, Anthonie IJsbaarts at Tielt on the stake, 1573, verso - stamped, 96, Anthon IJsbaarts Ao 1573, height 117 mm, width 142 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Publicatie, - 1693-06-26

Jan Sadeler I, Maarten van Cleef, The Taskmaster of the Pharaoh Beating the Israelites, c1585 The Taskmaster of the Pharaoh Beating the Israelites

Etienne Delaune, Apollo Killing Python Apollo Killing Python

Jacques Callot, The Small Carrying of the Cross The Small Carrying of the Cross

Plate 5: Bruno Appointed Leader of the Caninefates, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 5: Bruno Appointed Leader of the Caninefates, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Victory over the Assyrians; History of Judit and Holofernes; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. The Israelites attack the fleeing Assyrian army. At the city wall of Betulia, in the background, the head of Holofernes hangs on a stake. Under the show a reference in Latin to the Bible text in Judit 14: 8. This print is part of an album.

Hoofdman Smith bij de Virginianen; Koninklijk feest in Pegu; Virginiaense Ceremonien / Ceremonies de Virginie // Konings Feesten tot Pegu; Les Indes Orientales et Occidentales et autres lieux.Presentation in two parts. On the left the English Chief Smith at the Virginians. Smith is tied up on a mat on the floor. A man bends over him. Other people dance in a circle around him. In the background the king. On the right show a party to the king of Pegu. The king and the queen spray each other with water. On the right an elephant with triumphar. With a legend in Dutch and French. The print is part of an album.

Capricci di varie battaglie. Dated: 1635. Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Wilhelm Baur.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in brown ink, print, picture, book illustration, prints, pictures, Anthonie IJsbaarts at Tielt on the stake, 1573, verso - stamped, 96, Anthon IJsbaarts Ao 1573, height 117 mm, width 142 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Publicatie, - 1693-06-26

Plate 10: Civilis using Movable Wooden Bridges to Attack the Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 10: Civilis using Movable Wooden Bridges to Attack the Fortress, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Battle of Marciano; Family history of the genus de 'medici; Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. The battle at Marciano in 1554. The army of De'Medici led by Gian Giacomo de'Medici opposite the French army of Pietro Strozzi. In the background the city of Marciano. In the foreground a river god with a cornucopia. The print has a Latin caption and is part of a series about the family history of the genus De 'Medici.

Jabal and his family rest with the cattle, Johann Sadeler (I), After Maerten de Vos, 1583 print Jabal, his wife and his children are sitting under a tent sail, in the midst of a resting herd. The print has a Latin caption. Antwerp paper engraving story of Jabal, the first to raise cattle and live in tents. shepherd's crook

The Grand Duke Fortifies the Port of Livorno, from Life of Ferdinando I de' Medici. Jacques Callot (French, 1592-1635); after Matteo Rosselli (Italian, 1578-1650). Date: 1616-1620. Dimensions: 223 × 303 mm (sheet, trimmed to plate). Engraving in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ice entertainment on the Amstel; Amstel's Winter jreid / Divertissement de l'Hiver sur l'Amstel. View of the frozen River Amstel, Amsterdam, seen in a northern direction to the high school. Links Inn De Pauwentuin, on the right the lokhorst and the icebreaker. On ice skaters and sledges. Chaten and walkers on the quays. In the front floor on the left a Arrenslee, right binds a duck hunter his skates under, sitting next to a stall.

Plate 21: Envoys from Cologne Bring Presents to Civilis, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 5/16 × 8 1/8 in. (16.1 × 20.6 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Fishing with trawl network; Hunting scenes; In Quibus Omnen Genus Venationis, Aucupij, Piscatusque. Fish is caught in a river through a trawl. The print has a Latin caption and is part of a 43-part series about hunting.

Plate 34: The Romans Burning the Dutch Countryside, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 34: The Romans Burning the Dutch Countryside, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Allegory of War. Dated: 1578. Dimensions: sheet: 19.9 × 36.4 cm (7 13/16 × 14 5/16 in.) (trimmed). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Odysseus fights with the Kikonen; Les Travaux d'Ulysse; Odysseus works. Arriving on the island Ismarus of the Kikonen Slachten Odysseus and his men off and raise the city. The Kikonen were allies of the Trojans during the war. The print is part of an album.

Plate 32: Dutch and Germans Atttack the Roman Camp and Capture Cerialis' Boat, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome); After Otto van Veen (Netherlandish, Leiden 1556-1629 Brussels). Dimensions: Sheet: 6 3/8 × 8 1/8 in. (16.2 × 20.6 cm). Date: 1611. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on victory over Spain during the Battle of Nieuwpoort, 1600; Elchus Rerum, Deo Auspice, A Confoethis Belgis Praeclare Starum. Allegory on victory over Spain during the Battle of Nieuwpoort, July 2, 1600. Triumphag with the Dutch lion with lance with freedom hat and sword, Personifies Caution (Prudentia) and victory (Victoria), with a lance with the weapons of the cities overcome , On the goat. At the back of the carriage the sprouting orange tree with the weapon of Prince Maurits. The car is drawn by the Personification of Eendracht (Concordia), vigilance (Vigilantia) runs next door. At the front of the chain a group of prisoners including Francisco de Mendoza and the breaded banners. In the air the fame (Fama) with two trumpets. Behind the car Musicians, the members of the States General and the people. Central at the bottom of a cartouche with the assignment to Maurits. In the caption a verse of 6 columns in Latin.

The Grand Duke fortifies the Port of Livourne early 17th century Jacques Callot French. The Grand Duke fortifies the Port of Livourne. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Engraving. Prints

Second pretext: the new herd; Similarity of a wedding party. The King's messenger comes to the second guest and invites him to the wedding party. The guest apologizes itself with the pretext that he bought a new herd cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

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Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian Oft Old Dutch War against the Romans, The Batavian Revolt, Civilus uses movable wooden bridges in the attack on a fortress, 69-70, Civilus uses movable wooden bridges in the attack on a fortress. Print number 10 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Vytslag wind negotie(TI)

The Capture of Belgrade on October 8, 1789 by Will, Johann Martin (1727Ð1807) / Private Collection / 1789 / Germany / Etching / History / 32x44,4

Tobias Arrives at the House of Raguel. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Gerard de Jode after Hans Bol.

Saul commits suicide History of David and Saul (series title) Historia Davidis and Saulis (...) (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissimoru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), fleeing in the background Saul and his armor bearer away from the Philistine army. In the foreground both have committed suicide by throwing themselves into their swords. Below the performance a reference in Latin to the Bible text in 1 Sam. 31. Print is part of an album, Saul kills himself with a sword, Saul's armor-bearer kills himself, Hans Collaert (I) (attributed to), Antwerp, 1579, paper, engraving, h 209 mm × w 294 mm

Galle, Philips, Vos, Maerten de, Antwerpen, Passe, Crispijn van de (I), Decalogus cum acerbissimis, Ten Commandments, Vineyard of Naboth: the tenth Commandment, Antwerp, King Ahab of Samaria asks Naboth the price for his vineyard. However, Naboth does not want to sell his property, whereupon Ahab has him stoned (1 Kings 21:1-29). In the background, the prophet Elijah tells Ahab that he will be punished by God because he is in violation of the tenth Commandment: 'You shall not covet anything that is your neighbor's'. Ahab's descendants will die where Naboth died and will be eaten by dogs. In the margin, a two-line caption in Latin. The print series depicts the Ten Commandments through scenes from the Old Testament., print, prent, prints, height 194 mm, width 245 mm, 1564 - 1637, print maker, printmaker, 1574 - 1637, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1537 - 16

Zomer, Julius Goltzius, After Maerten de Vos, 1575 - 1595 print In the foreground, farmers are harvesting grain. Harvest cars bring the grain to the shed. A few farmers on the left are ready for their break and drink and food. Mowing the grass in the background. Hay cars bring the mowed grass to the shed. The print has a Latin caption and is part of a series with the four seasons the subject. Antwerp paper engraving summer, 'Aestas'; 'Estate' (Ripa) (+ with scenes showing human occupations ~ seasons and months). summer ~ human activities (the four seasons of the year)

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the pope at Bologna after his coronation as emperor, 1530, Throwing bread among the public, plate 38, plate 38. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, photo, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving (printing process)

Stoning of St. Stephen, print maker: Cornelis Cort, Marcello Venusti, Gaspar Albertus, 1576

Chief Smith with the Virginians; Royal Feast in Pegu, 1682 - 1733 Presentation in two parts. On the left the English chief Smith with the Virginians. Smith is tied up on a mat on the floor. A man bends over him. Other people dance in a circle around him. In the background the king. On the right show a party with the king of Pegu. The king and the queen spray each other with water. On the right an elephant with triumph wagon. With a legend in Dutch and French. The print is part of an album. Leiden paper etching West India. East-India Presentation in two parts. On the left the English chief Smith with the Virginians. Smith is tied up on a mat on the floor. A man bends over him. Other people dance in a circle around him. In the background the king. On the right show a party with the king of Pegu. The king and the queen spray each other with water. On the right an elephant with triumph wagon. With a legend in Dutch and French. The print is part of an album. Leiden paper etching West Indi

Germany, The throne of the Duke of Alva, 1569 (copy), Allegory of the tyranny of the Duke of Alva in the Netherlands, 1569. On the right Alva on his throne with Granvelle (with bellows) and the devil, to the left of his throne are members of the Blood Council. Before Alva kneel in chains the 17 personifications of the provinces of the Netherlands, on the right the mute members of the States-General. Above this a cardinal looking for riches in a pool of blood, behind it the beheading of Egmond and Horne and others in Brussels in 1568. In the background scenes of torture and executions. Inscriptions in German in the representation. With a 3-line superscription in German., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 237 mm, width 290 mm, print maker, prentmaker, 1569 - 1574, third quarter 16th century, paper, papier, etching, etsen

Print at the top right labeled: 2 part. PAG. 397.

Diana Mourning the Death of Orion. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Delaune.

De Blauwe Huyck (The Blue Hood). Artist: Anonymous, Netherlandish, 16th century. Dimensions: sheet: 14 5/8 x 20 5/8 in. (37.1 x 52.4 cm). Publisher: Published by Theodoor Galle (Netherlandish, Antwerp 1571-1633 Antwerp). Date: 1571-1633. Museum: Metropolitan Museum of Art, New York, USA.

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 print print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper triumph of Caesar. horn, trumpet, cornet, trombone, tuba. torch

Luyken, Jan, Northern Netherlands, Iacob Dirksz brulé aves ses deux fils à Anvers Ao. 1568, Jacob Dietrichzon samt seinen 2 sohnen zu Antorff verbrent, Ao. 1568, Jacob Dirksz. burned at the stake with both his sons in Antwerp, 1568, Jacob Dirksz. with his two sons led to the stake in Antwerp, 1568. A younger child embraces his father., print, engraving, history print, prints, Frederik Muller History plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, etching, etchings, Work conception

Parable of the bad winemakers, 1585 print In a fenced vineyard, viticultures kill the servants of the owner of the vineyard. The servants came to pick up the part of the harvest to which the owner was entitled. If his servants do not return, the owner decides to send his son. His son is thrown out and killed in the foreground by the tenants. Under the show a reference in Latin to the Bible text in Luc. 20: 9. This print is part of an album. paper engraving the wicked husbandmen kill the servants of the lord, who are sent to gather the fruits. at last the lord sends his son, '... they cast him out of the vineyard, and killed him'

. Needs leaves with four prints.

H Martinus on board a Narrenschip, Anonymous, Hieronymus Cock, 1548 - 1570

Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas) 1611 Antonio Tempesta Italian. Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians (Romanorvm et Batavorvm societas). Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Germany, Passion scenes in frames with animals, Passion scene in frame with rabbits and squirrels, print, prent, ornamentprent, prints, prenten, ornamentprenten, height 63 mm, width 83 mm, print maker, prentmaker, 1600 - 1699, 17th century, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Amsterdam, Doornick, Marcus Willemsz., Hooghe, Romeyn de, De Stercke Stadt Grave, verovert door syn Koninckl. Hoocgheyt de Hr. Prince van Oranje den 28 Octob. Ao. 1674, Conquest of Grave by Willem III, 1674, Siege and conquest of Grave by Willem III, 25 July to October 29, 1674. Above a view of the besieged city with medallions with portraits of William III and Rabenhaupt on either side. Below the French leave the conquered city and representatives of the city kneel before the prince. On the left scenes from life in an army camp. At the bottom a cartouche with the legend az. In the representation several inscriptions, some of which are unfinished or polished away. With the print also a loose text sheet with text in 5 columns., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 415 mm, width 534 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, prentmaker, 1674 - 1674, paper, papier, etching, engraving, engraving (printing process), letterpress

Pieter van der Heyden after Pieter Bruegel the Elder, Spring, published 1570 Spring

Johannes van Doetechum, the Elder, and Lucas van Doetechum, after Hieronymus Bosch, Saint Martin with His Horse in a Ship Saint Martin with His Horse in a Ship

De wereld verdeeld in enerzijds de vreedzame Republiek en anderzijds chaos en geweld aangericht door de kerk van Rome; Kragteloose Donder van den Helschen hond tegens de Naakte Waarheid en het Eendragtig Verbond, 1617.The world divided on the one hand to the Pacific Republic and on the other hand Chaos and violence caused by the church of Rome, 1614. The left half of the performance shows the sailing car / sailing ship of the Republic and its allies, drawn by lions and accompanied by personifications of virtues. In the foreground truth among the ten commandments and peacefully grazing sheep. In the middle the globe has been shared in two, on top of it is a devil. On the right a world of violence where the devil and the pope of Rome rule. In the foreground the whore of Babylon takes money and other worldly valuables to Roman pigs. A branch with severed heads on the globe. The magazine consists of two stuck halves and falls into a pamphlet with the title: Powerless thunder of the Helsche

France, Perrissin, Jean, The city of Chartres besieged and shelled by the fursten von Conde at the end of 1568. Jars, Siege and comparison of Chartres, 1568, March 1568. Bombardment of the walled city. In the caption the legend AH in German. Unnumbered., print, picture, history print, prints, pictures, Frederik Muller History plates, height 376 mm, width 505 mm, French, 1538 - 1611, print maker, printmaker, 1570 - 1570, third quarter 16th century, paper, etching, etchings, letterpress printing

Telemachus Verlaat Egypt, Jacques-Philippe le Bas, 1755 print Telemachus and Narbal say goodbye to the waterfront with a boat for them. Paris paper etching (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus

Boerenbruiloft, Cornelis van Dalen (I), After Adriaen Pietersz van de Venne, 1622 - 1665 print Farmer's wedding with guests sitting at the table with a festive meal and dancing farmers. Different obscene details are incorporated in the scene, a dog eats the vomit of a man and another dog licks the dirty buttocks of a child. In the margin under a mocking fresh in three couplets by C. Tiel. paper engraving bagpipe, musette. wedding feast, wedding meal. more than one couple dancing. farmers

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Landscape with rider fight, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print unknown paper etching / engraving war and peace (+ cavalry, horsemen). landscapes (+ landscape with figures, staffage)

Cloudbreuk and flood in Bretzhofen in Frankenland, 1627 / Hunger Nood in Germany, 1637 / earthquake in SEVERO on Sicily, 1627 / Plein in Cork where the residents look at the thousands of starlings in the air, 1621, Jan Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching flood. rain. starvation, famine. earthquake. village square, place (+ city(-scape) with figures, staffage). song-birds: starling. groups of birds Frankenland. Germany. San Severo. Cork

The Battle Near Teramundt (Teremonde), from Der Weisskunig. Artist: Hans Burgkmair (German, Augsburg 1473-1531 Augsburg). Author: Marx Treitz-Sauerwein von Ehrentreitz (died 1527). Dimensions: Sheet: 9 1/2 × 8 7/16 in. (24.2 × 21.5 cm). Engraver: Jost de Negker (1480-1546). Series/Portfolio: Der Weisskunig. Date: printed 18th century.Der Weisskunig (the white king) is a loosely biographical account of the life of Emperor Maximilian I. The text, composed by Maximilian's secretary Marx Treitz-Sauerwein, is accompanied by illustrations by Burgkmair, Leonhard Beck, Hans Schäufelein, and Hans Springinklee, with the proofs completed between 1514 and 1516. However, they remained unpublished until the blocks were rediscovered in 1775, at which point they were published as a book by Hoffstätter in Vienna. The first edition was published again in 1799 by S. Edward in London with the French title, "Tableaux des principaux evénemens de la vie et du regne de l'empereur Maximilien I." It includes 2

Roman Captives Before the Fortress. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian or Old Dutch War against the Romans, The Batavian Revolt, Exhausted Roman soldiers beg Civilis for mercy, 69-70, Exhausted Roman soldiers beg Civilis for mercy. Civilis seated on a couple grants them mercy provided they swear loyalty to the Netherlands in an oath. Print number 19 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. No text on the back., print, image, history print, prints, Frederik Muller History plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 155

Allegory on the ratification of the peace of Nijmegen, 1678; Scene of peace, between the king of Spangien and d'etc. High Lord States Generael der Vereened Provintien, with the Koningh van Vranckrijck. Closed to Nimwegen September 20, 1678. Allegory on ratification of the Peace of Nijmegen on September 20, 1678. Central a column with peace, the weapons of Spain, France and the Republic, and the portraits in medallions of eight princes. On the right in the foreground Dispaned the Dutch virgin, justice and caution war and envy and mood. Links dispensed strength stresses, in the foreground lies the painting. Mercury leaves the book credit under the arm in the direction of two female personifications from the VOC and WIC. In the background left Neptune and on the right a procession of invalid war victims.

The Triumph of Time 1574 Philips Galle Netherlandish. The Triumph of Time 410916

Hooghe, Romeyn de, Northern Netherlands, Picart, Bernard, Les deux freres Jean and Corneïlle de Wit, masacrez, and ensuite attached to a gibet in Haye on the 20th of August 1672, Mutilation of the bodies of the de Witt brothers, 1672, The mutilation of the bodies of the brothers Johan and Cornelis de Witt, 20 August 1672. In the foreground, parts of the body are being torn apart and sold., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 270 mm, width 356 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, supervision, 1728 - 1728, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), print maker, printmaker, Work conception, 1645-09-10 - 1708-06-15

Amsterdam, Mortier, Pieter (I), Haarlem, Luyken, Jan, Gideon bebiert zijn menschappen water te drinken, verso middle bottom - stamped, print, prints, height 114 mm, width 159 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Publication (Event), Publication, French, 1661 - 1711, publisher

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Caspar, Storming of the North Gate in Middelburg by rebellious peasants, 1672, recto - manuscript in brown ink, Print marked top right: Fol: 63. In the margin a two-line verse., print, book illustration, prints, 1672. The O. struggle, height 153 mm, width 96 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1692 - 1692, paper, papier, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher

Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, à Corn. Tacito, The Batavian or Old Dutch War against the Romans, The Batavian Revolt, Batavians break down the bridge over the IJssel, 69-70, Batavians get scared and break down the bridge over the IJssel in order to negotiate with Cerialis. Print number 35 in the series of prints about the Batavian Revolt: Batavorum cum Romanis bellum, à Corn. Tacito lib. IV & V. : Hist. olim descriptum, figuris nunc aeneis expressum, author Othone Vaenio Lugdunobatava = The Batavian or old Dutch war against the Romans. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and Latin. Without text on the back., print, picture, history print, prints, pictures, Frederik Muller History Plates, height 167 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1612 - 1612, first quarter 17th century, paper, etching, etchings, Work conception, South Netherlands, 1556 - 1629-05-06

Picart, Bernard, Amsterdam, Allegory with History writing history, verso lower left - stamped, Allegorical representation, revealed by Father Time, with History surrounded by a crowd of characters symbolizing the different continents. She is accompanied by Geneology, who shows her a family tree, Chronology, with tablet in her hand, Geography, who draws the world map with her compass and Mnemosyne, the goddess of memory, who points to Diogenes. In the foreground the personifications of the arts with their attributes. On the left in the background Adam and Eve, Mohammed, Moses and Aaron. On the right in the background monuments including the Colossus of Rhodes, the Tower of Babel, Golgotha, pyramids and the Temple of Solomon. In the clouds a meeting of the Olympian gods. With an empty margin., print, title page, prints, height 378 mm, width 223 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, paper, etching, etchings, e

. A young man is diligently in the weather with a passer and a book about architecture. Around him tools of intellectual and physical work. His gaze is located at the Goddess Minerva, who stands next to him and will assist him with knowledge and experience in all his toil. In the background, all kinds of possible needles are depicted, such as agriculture, weaving, trade and construction. With Latin caption.

Jacob Wrestling with the Angel. Dated: 1548. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Augustin Hirschvogel.

Saint Martin with his Horse in a Ship. Johannes and Lucas van Doetecum (Flemish, active in Antwerp, 1554-1575); after Hieronymus Bosch (Netherlandish, c. 1450-1516). Date: 1556-1566. Dimensions: . Etching and engraving on paper. Origin: Flanders. Museum: The Chicago Art Institute, USA.

unknown, Meulen, Adam Frans van der, Huchtenburg, Jan van, Landscapes, Landscape with cavalry battle, verso - stamped, print, prints, height 120 mm, width 167 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Southern Netherlands, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, granter of privilege

Augustin Hirschvogel, Jacob Wrestling with the Angel, 1548 Jacob Wrestling with the Angel

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Amsterdam, Beusekom, Francoys van, Vos, Maerten de, Nederlanden, Bruyn, Nicolaes de, De vier Seizoenen, Ver, Lente, Het seizoen Lente. At a country house, work is done in the garden under the supervision of an elegant lady. Right a vegetable garden and sheep shearing on the farm. Caption of 4 lines in Latin. Unnumbered., print, prent, prints, prenten, Frederik Muller Historieplaten, height 220 mm, width 278 mm, Zuid-Nederlands, 1571 - 1656-10, print maker, prentmaker, 1581 - 1599, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, graferen (drukprocedé), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publicatie, Noord-Nederlands, publisher

Stefano Della Bella, Loading a Ship, probably c 1654 1655 Loading a Ship

The troops of Bourse expel the German soldiers of Treslong and Merville from the Citadel, 1577, Wierix, After Maerten de Vos, 1578 print The troops of Bourse expel the German soldiers of Treslong and Merville from the Citadel, August 1, 1577. In the clouds justice. Presentation in a round medallion with ornamental allegorical frame with at the top of the sitting female personifications of Providence (Providentia) and steadfastness (Constantia). At the bottom of a cartouche with 2 verses of 6 lines each in French and Dutch. Antwerp paper engraving Forethought, Deliberation; 'Previdenza', 'Providenza' (Ripa). Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. capture of city (after the siege) Citadel of Antwerp (16th century)

Oproer in The Hague, 1672, Gaspar Bouttats, 1672 print Fifth print in a series of eight performances about the life of Johan and Cornelis de Witt. All prints are by Gaspar Bouttats and have a verse of four or two lines. The performance shows the outbreak of skirmishes between soldiers and the bourgeoisie in The Hague, 1672. Antwerp paper etching

Netherlands, Cartoon on the statue of Alva, ca. 1572, Satirical Print about Alva's Statue, c. 1572, Cartoon from ca. 1572 on the statue of the Duke of Alva, erected by himself in the courtyard of the citadel of Antwerp in 1571. Next to Alva in the sky Time and the devil, under his feet he tramples Widow and Orphan, Justice and Truth. On the left a group of beggars who retrieve their stolen hearts from the pedestal of the statue. On the right the personification Tenth Penny with William of Orange with his troops. In the background a landscape ravaged by war. In the representation cartouches with inscriptions in Dutch., print, prent, propaganda print, prints, Frederik Muller Historieplaten, height 348 mm, width 480 mm, print maker, printmaker, 1571 - 1573, third quarter 16th century, paper, papier, etching, etsen

Count Willem Lodewijk van Nassau conquers home-wedwedde, 1593, 1613-1615 print Count Willem Lodewijk van Nassau conquers Huis-Te-wedde, 30 August 1593. Face from a high position over the Groningerland with the places Wedde, Groningen, Winschoten, Slochteren and Delfzijl. With caption of 4 lines in Latin. Numbered 213. Printed on the back with text in Latin. Northern Netherlands paper etching Victory, position was Home-wedde. Groningen. Winschoten. Sludge

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Aeneas attracts its new armor; Speculum Aeneidis Virgilianae. Aeneas attracts his armor, who manufactured Vulcanus for him at the request of his mother Venus. He concludes an agreement with Evander. In the background Aeneas that besence the city of Laurentum in Latium and Venus that watches heaven. In the margin a four-line caption, in two columns, in Latin.

Allegorical show with king and wife at stake, Oliviero Gatti, 1625 print An allegorical representation with a king and two men in the foreground on the left. On the right two men who lift the body of a woman to a stake. In the background a landscape with a tower and a palace. In the middle of a coat of arms. Italy paper engraving ruler, sovereign. body-burning, cremation. landscapes. coat of arms (symbol of sovereignty)

Plundering and Burning a Village, plate seven from The Large Miseries of War. Gerrit Lucasz van Schagen (Dutch, born 1642); after Jacques Callot (French, 1592-1635). Date: 1612-1635. Dimensions: 74 x 181 mm (image); 84 x 183 mm (plate); 99 x 200 mm (sheet). Etching on paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA. Author: Gerrit Lucasz van Schagen.

Copper engraving by Hans Bol depicting winter scenes (Hyems), produced in 1570, showing landscape, snow, and seasonal elements.

Recording of the city and fortress Novi Novi Grade by Feldmarschall Laudon on October , Markin, Copper Engraver

Zriny, Nikolaus Graf.

Nebuchadnessar sees that Sadrach, Mesach and Abednego are unharmed, Philips Galle, After Maarten van Heemskerck, 1565 print Nebuchadnessar comes to the oven and sees with surprise that Sadrach, Mesach and Abednego remain unharmed. He also sees a fourth man between them with a halo. The burned guards lie on the floor in front of the oven. Haarlem paper engraving to his astonishment King Nebuchadnezzar sees four men (one of them usually represented as an angel) in the furnace; the king commands them to come forth

July and August, Adriaen Collaert, Hans Bol, Hans van Luyck, 1578 - 1582

Vault in Heidelberg where French soldiers destroy the graves of the Elector, 1693, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing plundering ~ soldiers. grave, tomb Heidelberg

French atrocities in Bodegraven and Zwammerdam, 1672; Mirror Der France Tirannye Belached On The Holdersche Villages. Presentation of the atrocities committed by the French troops in the Dutch villages of Bodegraven and Zwammerdam, at the end of December 1672. The inscription is worn in the air by Personifications of the War and French Cruelty. On the left the burning village of Zwammerdam with the drawbridge. The performance is caught in an octogonal list, wound through thorns and awarded a skull.

. Print at the top right labeled: fol. 458.

Amsterdam, Luyken, Jan, Jesus ben Ananias laments the fate of Jerusalem, Jesus ben Ananias flogged by the Romans, Antiochus Epiphanes tries to persuade a mother and seven sons to eating pig's flesh, Death of seven sons, verso - stamped, Uncut sheet with four representations., print, prints, images, height 155 mm, width 209 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

Pastors in four continents, Gillis van Scheyndel (I), 1625 print Four circular representations of preaching pastors in the continents: Europe, Asia, Africa and America. print maker: Haarlemprinter: Cleves paper etching preaching (in general). (map of) Asia. (map of) Africa. (map of) America. (map of) Europe

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Eigentliche Abbildung which figure Marquis Spinola of Count Moritzen of the Hague was received in Holland on 1 February 1608, Maurits receives Spinola in Rijswijk, 1608, Prince Maurits receives Spinola and his entourage in Rijswijk for peace negotiations, 1 February 1608. The Hague in the distance. With a caption of 12 lines in German and 4 lines in Latin. Numbered lower left: 366. The print is part of an album., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 226 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1608 - 1610, first quarter 17th century, paper, etching, etchings

Straet, Jan van der, Furnius, Pieter Jalhea, Scenes from Roman history, Romulus and Hersilia on a triumphal chariot, verso - stamped, Procession with Romulus and his wife Hersilia on a triumphal chariot. A crowd of people walks along, in the foreground soldiers on horseback. In the margin below the scene is a text in Latin, numbered bottom right: 1. The print is part of a series of prints depicting events from Roman history., print, prent, prints, prenten, height 225 mm, width 295 mm, 1540 - 1626, print maker, prentmaker, 1573 - 1573, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1523 - 1605-11-02

Maastricht captured by Parma, 1579, Jan Miel, 1645 - 1647 print Maastricht after seal conquered by the army of Parma, 29 June 1579. The city walls are still being shot and fought. In the foreground the procession with the Duke of Parma in a sedior seat that moves to the right and into the city. At the top a banderole with the title and the legend A-n in Latin. Rome paper etching capture of city (after the siege). (carrying a person in a) sedan-chair Maastricht

Saint Martin. Doetecum, Lucas van (-1584/1589), engraver, Doetecum, Joannes van I (1528/1532-1605), engraver, Cock, Hieronymus (ca 1510-1570), publisher, Bosch, Hieronymus (ca 1450-1516), painter

Ruy Velazquez Attempts to Escape and is Slain by Mudarra. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Landscape with the emblem about the worship of the idol of Isis; Emblems in a landscape. Hilly landscape with a city and city walls. Left in the foreground some farmers worship an image of the female goddess of Isis that is transported on a donkey. Next to the donkey is a man who paves the animal with a whip. The donkey thinks that people worship him instead of Isis. This is the imagination of an emblem whereby the moral of the story warns of arrogance and undeserved honor. The print has a Latin caption with the caption of the Emblem Non Tibi Sed Religioni from Andrea Alciati.

During the siege of La Rochelle, the widow of Prosui will be brought by a stranger a bag of grain, 1628 / the Margarethakerk in La Rochelle is once again a Catholic devoted by pulpit, pillars and benches with rods, 1628 / Hunger Nood during the siege of La Rochelle , 1628 / Port of Salé with the English fleet and a sloop Turks, 1638, Jan Luyken, 1698 print Uncuted leaf with four prints. Amsterdam paper etching cereal, grain, corn (grass with grains, grown for food, e.g.: wheat, rice, rye, oats, maize, buckwheat, millet). bringing gifts; exchanging gifts. ritual consecration ~ Christian religion. interior of church. starvation, famine. occupation ~ war. harbour La Rochelle. Dirty

Augsburg, Will, Johann Martin, Schreiben auß Haag, von 22. Sep. 1787, Reception of the Prince of Orange, 1787, verso - stamped, Reception of the stadtholder Willem V by the citizens of The Hague, 20 September 1787. Fantasy landscape in which the citizens of The Hague pull the prince's carriage. The carriage with the prince leaves Huis ten Bosch palace on the right for Soestdijk palace, on the left. In the distance also the carriage with the princess and the children. With five-line German engraved caption., print, prent, prints, Frederik Muller Historieplaten, height 216 mm, width 312 mm, print maker, printmaker, 1787 - 1787, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1727 - 1806-05-04, publisher

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