Historical Battles and Conflicts

Dramatic scenes of ancient battles, depicting Roman troops and their conquests, complete with warriors, weaponry, and burning landscapes.

Amsterdam, Visscher, Claes Jansz. (II), Saen, Aegidius van, Berckenrode, Floris Balthasarsz. van, The farmer's captain is prevented from fighting, ca. 1600, verso - stamped, The farmer's captain is prevented from fighting. View of a village being attacked and plundered by soldiers. A ragged man, the captain of the village, wants to go and fight but is stopped by two women and a child. With a 4-line caption in Dutch., print, prints, Frederik Muller Historieplaten, height 227 mm, width 319 mm, 1562 - 1616-12-10, print maker, printmaker, 1572 - 1616, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Northern Netherlands, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, The Romans burn the Dutch countryside, verso - stamped, The Roman troops burn Dutch settlements in the countryside. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Death of Timothy, Chereas and Apollophanes; History of the Maccabeans; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The Army of Judas Makkabeër states the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Under the show a reference in Latin to the Bible text in 2 MAKK. 10.

The Dutch get scared and start peace negotiations, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print The Batavians are scared and call for the Romans into peace negotiations in a broken bridge over the IJssel River. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands Publisher: Antwerp Zuid-Nederland paper etching / letterpress printing the soldier; the soldier's life. peace negotiations. extinct, 'historical' peoples (with NAME) IJssel

Amsterdam, Visscher, Claes Jansz. (II), Saen, Aegidius van, Berckenrode, Floris Balthasarsz. van, The farmer's captain is prevented from fighting, ca. 1600, verso - stamped, The farmer's captain is prevented from fighting. View of a village being attacked and plundered by soldiers. A ragged man, the captain of the village, wants to go and fight but is stopped by two women and a child. With a 4-line caption in Dutch., print, prints, Frederik Muller Historieplaten, height 227 mm, width 319 mm, 1562 - 1616-12-10, print maker, printmaker, 1572 - 1616, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, papier, engraving, engraving (printing process), drypoint, dry needle, Work conception, Northern Netherlands, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Roman ruler and Justitia on a chariot, G. Wingendorp, 1665 print A Roman ruler in a mantle deposited with ermine stands on a chariot that is pulled by horses. He wears a scepter and a laurel wreath. Justitia stands for him. To his right are two soldiers with a banner. To his left two prisoners, one of whom carries a crown. Fighting in the distance at a castle. Verso a typographus lectori, a message from the printer to the reader. Print Maker: Leiden publisher: South Holland paper engraving / letterpress printing ruler, sovereign. Justitia (justice) as Roman personification. Roman chariot, quadriga ~ triumph. prisoners chained to the victor's chariot. title-page

Triumph of the fame; Triumphs of Petrarca. The winged fame (FAMA) blows on her two trumpets. For example, she proclaims the fame of velopers and philosophers from the past. In her procession, Alexander the Great, Julius Caesar, Cato and Plato. The wheels of her car are decorated with tongues, ears and eyes to spread the fame. Fame overcomes death; He is miserably crushed under the legs of the elephants. In the background there are two obelisks, monuments that were founded in honor of famous people. Under the show an explanatory text in Latin. This print is part of an album.

The Romans Burning the Dutch Countryside. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, publshed 1612. Prints; etchings. Etching

Reconciliation between the Romans and the Sabines, Theodoor Galle, After Jan van der Straet, c. 1593 - c. 1597 print The Sabijnse virgins throw themselves between the two fighting armies of Sabines and Romans. They make a call for peace. The print has a Latin caption and is part of a six -part series about famous Roman women. Antwerp paper engraving reconciliation of the Sabines and the Romans: the women, some holding their babies, others with their hair loose, and possibly encouraged by Hersilia call for peace in the midst of the two fighting armies

Reconciliation between the Sabines and the Romans; Performances from Roman history. The Sabin women were knocked down at Roman and Sabinian soldiers on horseback and took them out of the fight. In the margin below the show, a text is listed in Latin, lower right: 2. The print is part of a series of prints that depict events from Roman history.

Plate 13: Gideon Choosing his Soldiers, from 'The Battles of the Old Testament' ca. 1590-ca. 1610 Antonio Tempesta Italian. Plate 13: Gideon Choosing his Soldiers, from 'The Battles of the Old Testament'. Antonio Tempesta (Italian, Florence 1555-1630 Rome). ca. 1590-ca. 1610. Etching. Nicolaus van Aelst (Flemish, Brussels 1526-1613 Rome). Prints

Wedding Guests Depart from Burgos. Gonzalo Gustos Remains with Ruy Velazquez While the Infantes Accompany Doña Lambra to Barbadillo. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Jona predicts the downfall of Nineve, Jan Luyken, 1712 print Amsterdam paper etching when Jonah arrives in the city of Nineveh he foretells its destruction in forty days

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Romans defeated at the Rhine, verso - stamped, The Roman army is defeated by the army of the Batavians with their fleet on the river Rhine. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Jephthah and his army inflict a heavy defeat on the army of the Ammonites and take twenty cities (Ri. 11:33). In the background the battlefield. Battle between Jephthah's army and the Ammonites History of Jephthah , print maker: Nicolaes Ryckmans, (mentioned on object), Antonio Tempesta, (mentioned on object), publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1643, paper, engraving, h 215 mm × w 280 mm

Right bias cries; Thronus Justitiae Duodecim Pulcherrimis Tabulis ArtificiosisSime Aeri Incisis Illustratus. While the death sentence is read over a convicted person, right bias cries out of empathy with the convicted person and his family. The man begs the judge, but bias lets the right triumph despite his movement. Under the show two four-line verses in Latin. The print is part of an album.

Greed by Anonymous artist, print, Private Collection, 22, 2x29, 4

Allegory onSculpture. Artist: Pierre Biard the Younger, French, 1592-1661

Judit presented to Holofernes, Maerten de Vos, After Jan Snellinck (I), 1643 print Judit and her maid are presented to Holofernes. The Assyrian army watches. Under the show a reference in Latin to the Bible text in Judit 10:10. Amsterdam paper engraving Judith and her maidservant are led to Holofernes' tent

Vanguard of the new Roman troops is turned, 69-70, 1612 print The vanguard of the new Roman troops under commander Cerialis is defeated, but many now choose the side of the Romans. Print number 24 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Netherlands

Southern Netherlands, unknown, Veen, Otto van, Italy, Tempesta, Antonio, Batavorum cum Romanis Bellum, The Batavian wars against the Romans, Cologne troops bring Civilis' wife and sister to Cerialis, verso - stamped, Cologne troops bring Civilis' wife and sister to Cerialis. Caption in Dutch and Latin., print, prent, prints, prenten, height 165 mm, width 210 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1611 - 1612, paper, papier, etching, etchings, Work conception, 1556 - 1629-05-06, after a design by, granter of privilege

Crossing over Jordan, Cornelis Huyberts, 1720 - 1728

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In the morning, the Israelites go to war against the Assyrians. Two army captains of the Assyrians want to wake Holofernes and discover in his tent the decapitated body of their lord. The body of Holofernes is discovered History of Judit and Holofernes , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), Haarlem, 1564, paper, brush, engraving, h 204 mm × w 246 mm

Jacques Callot, Restoration of the Aqueduct at Pisa, c 1614 Restoration of the Aqueduct at Pisa

Selection of gidons men; History of Gideon; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Gideon has brought his men to the water and let them drink. Those who lick the water with their tongue he takes part in the fight. The men who kneel to drink the water are sent home. Under the show a reference in Latin to the Bible text in RI. 7.

Songress on the Duke of Alva and the Prince of Orange, approx. 1572. Allegorical comparison between Oranje and Alva. On the right Willem van Oranje supervised by the Personifications honor, richness of the country (slants prosperity) and conscience (tranquility of conscientien). Links Alva between discovery and envy (Nydicheyt). He performs the Dutch Virgin (Die Nacie of Dutch) naked and fascinated at the arm. At his feet the people (poor ghemeynte) as a poor beggar. In the background war scenes. In the air fame (FAMA) with bazuinen. In the caption 4 verses of 4 lines in Dutch (incomplete).

Speculum Romanae Magnificentiae: The Victory of Scipio 16th century Master of the Die Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints.

Allegory on the Regenburger Amnestie, 1640-1641, 1641 print Allegory on the proposed Regenburger Amnesty, Peace Speakings in Regensburg to end the Thirty Years' War, 1640-1641. Allegory in which Emperor Ferdinand III is doubtful between true peace presented by Eendracht (Concordia) and justice (Justitia) and the false peace, a Jesuit with a mask. In addition to the false peace General Pardon / Amnesty (Amnestia) with the Trojan horse. In the background, Amnestia flee on horseback followed by deception (Fraus), presumptio (premature assumption) and the war (Bellona). In the distance Dover and Den Briel. A text sheet belongs to the print. Northern Netherlands paper engraving / etching peace negotiations. granting mercy; free pardon

Abraham brings Lot and his family to his own country, Antonio Tempesta, 1613 print Abraham and his army bring Lot and his possessions and women back to their country. Title and caption in Latin in the lower margin. paper etching Abraham liberates Lot, recovers the stolen goods and returns in triumph

Muren van Babylon, Antonio Tempesta, 1608 print The walls of Babylon under construction. In the foreground the king of Babylon, surrounded by soldiers, who oversees the construction. Text in Latin in STUDMARGE. print maker: Italypublisher: AntwerpAntwerp paper etching the Seven Wonders of the World. hanging gardens of Semiramis at Babylon (Wonder of the World) Babylon

Hollands Answer to the Frenchman and De Hollander, 1673, 1673 - 1674 Hollands Answer to the French cartoon De Frenchman and the Hollander, 1673. The joint effort of the Netherlands, Germany and Spain defeated the French and Englishmen. On the right Prince William III, in the foreground the bishops beg for grace. In the air the peace that is looking for a place on earth in vain. In the background a reference to the conquest of the cities of Bonn, Rheinbach and Brühl in 1673. With captions in Dutch and French. Northern Netherlands paper etching / engraving / letterpress printing Bonn. Rheinbach. Brühl Hollands Answer to the French cartoon De Frenchman and the Hollander, 1673. The joint effort of the Netherlands, Germany and Spain defeated the French and Englishmen. On the right Prince William III, in the foreground the bishops beg for grace. In the air the peace that is looking for a place on earth in vain. In the background a reference to the conquest of the cities of Bonn, Rheinbach a

Jona predicts the downfall of Nineve ..

A group of men are trying to wash a donkey. The men are busy with buckets, soap and wipes. It is not taken kindly to them. The donkey kicks its legs and bites one of the men in the back. In the lower margin a verse in Latin, signed C.C., and a Dutch proverb, Washing the Donkey, print maker: Gillis van Breen, (mentioned on object), Karel van Mander (I), (mentioned on object), publisher: Johannes Pietersz. Berendrecht, (mentioned on object), print maker: Netherlands, Haarlem, publisher: Haarlem, 1595 - 1645, paper, engraving, h 150 mm × w 200 mm

The scourge of Alva's tyranny in the Netherlands, ca. 1572, 1572 print Allegory of the contrast between the tyranny of the Duke of Alva and the freedom struggle of the Prince of Orange in the Netherlands, ca. 1572. The Prince of Orange is sitting on the throne with the personifications of the provinces of Holland and Zeeland. On the right Alva on his throne with kneeling and blindfolded the personifications of the other godlike provinces of the Netherlands. In the middle, Tyrannie Gelderland hunts back to the camp of Alva. With a top with a call to the reader in 6 lines and caption of 4 verses of 4 lines each in German. Germany paper etching

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Hendrik III van Nassau-Breda, plate 28, plate 28. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, picture, news print, propaganda print, album sheet, prints, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving, engraving (printing process)

Illustration at Canto III of TASSO's 'Gerusalemme Liberata'; Jerusalem is relieved (part 2); Gerusalemme Liberata (part 2). A struggle for the strad walls of Jerusalem. Italian fresh rules by tasso in two columns in Bovenmarge.

Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians 1611 Antonio Tempesta Italian. Plate 31: Civilis Forced to Dismount and Swim Across the River, from The War of the Romans Against the Batavians. Antonio Tempesta (Italian, Florence 1555-1630 Rome). 1611. Etching, first state of two, issue 1 (Bartsch). Prints

Judge Bias cries, 1606 While the death sentence is read over a convicted person, judge bias from empathy cries with the convicted person and his family. The man begs the judge, but Bias lets the right prevail despite his compassion. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving While the death sentence is read over a convicted person, judge bias from empathy cries with the convicted person and his family. The man begs the judge, but Bias lets the right prevail despite his compassion. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving

Scylla and Minos; Metamorphoses from Ovid. Minos, king of Crete, the city of Megara, from King Nisus. Scylla, the daughter of King Nisus, looks at Minos from the city wall and falls in love with him. In the margin a four-line caption, in two columns, in Latin.

Christ, St. Paul, and the Twelve Apostles: St. James the Great, c. 1578. Hendrick Goltzius (Dutch, 1558-1617), after Maarten de Vos (Flemish, 1532-1603). Engraving; plate: 20.4 x 27.9 cm (8 1/16 x 11 in.).

Writer Marie-Catherine d'Aulnoy in a sedan greeted by five riders, Jan Luyken, 1696

. Print at the top right numbered: 250.

William White in Norwich for the Stake, Jan Luyken, 1685 print Amsterdam paper etching violent death by burning at the stake; pyre Norwich

Triumph from Tobias, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1638 print In the foreground Tobias, driving on a donkey. In his left hand a cross with a banner. On the banner four fire irons, with the symbol of mercy in the middle, a fountain in the form of a woman. Behind Job follow his wife (with a goat) and blind poverty (Caecas Paupertas). The print has a Latin caption of six lines and is part of an eight -part series about the triumph of the passibility. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper Anna brings home a young goat: Tobit thinks she has stolen it. male persons from the Old Testament (with NAME) (not in biblical context). Tobit buries the dead in secret. ass, donkey. Anna brings home a young goat: Tobit thinks she has stolen it. Poverty; 'Povertí', 'Povertí del doni', 'Povertí in uno ch'habbia bell'ingegno' (Ripa). triumphs (allegorical and symbolic). tortoises, turtles

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Geschiedenis van David en Abigaïl, Van Saul, David, en Abigael, David's men ask Nabal for food, lower right - handwritten in brown ink, David's servants come to Nabal, who is having his sheep sheared in the background, and ask him for food. Nabal refuses to give the men and David food. Below the scene a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album., print, album sheet, prints, 147, height 200 mm, width 262 mm, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Second pretext: the new herd; Similarity of a wedding party. The King's messenger comes to the second guest and invites him to the wedding party. The guest apologizes itself with the pretext that he bought a new herd cattle. The man points to the herd in the background. The print has a Latin caption and is part of a six-part series about the parable of a wedding party.

Anneken Jans gives her child to a bakery for care, 1539 on his way to the execution site in Rotterdam, 1539; Anne Ians Noyée à Rotterdam, AO. 1539 / Anneken Ians Zu Rotterdam Erträneket, AO. 1550. Anneken Jans opens to the execution site in Rotterdam her child at a bakery for care.

Verbeelde proverbs, Pieter van der Heyden, After Israhel van Meckenem, c. 1540 - 1572 print Five figures in a row who each portray a saying about the theme of unfairness and opportunism versus honesty and modesty. On the right is King David, who expresses the morality of the proverbs. He argues for a life of man in which everything that one owns is gathered by honesty, above a life in which he enriches himself unfairly. Above the head of each figure a rule in Latin, under each figure a two -way verse in Dutch. At the far left a man with a cat on his shoulder who licks him, in addition a man on a sharpening stone who keeps his cloak open. In the middle is a man with a stick or ax over his shoulder and one in his hand, in addition a man who hits a sickle with a hammer. On the far right, King David is with his harp. Stretching is that it is better little, by honesty, possessing than much due to unfairness. This is depicted by the figure in the middle. Antwerp paper engraving proverbs, say

Triumphal festivals that Paris did to Alexander / Farnesis for issuing the blockade and rescue to Alexandre Farnese B. D of Maine. C. Prince Ranuce (IT)

. Print at the top right labeled: foli 451.

Sebald Beham, The Judgment of Trajan, 1537 The Judgment of Trajan

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Johannes, merchant in Cordovan, is ridiculed backwards on a donkey through the city, verso - stamped, 39, height 116 mm, width 144 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, Northern Netherlands, - 1693-06-26

The Triumph of War, from The Cycle of the Vicissitudes of Human Affairs, plate 5 1564 Cornelis Cort Netherlandish. The Triumph of War, from The Cycle of the Vicissitudes of Human Affairs, plate 5 630107

Burned house on the Leidsegracht, 1684, Joseph Mulder, after Jan van der Heyden, in Or Before 1690 print Burned out house on the Leidsegracht, at the corner with the Herengracht, in Amsterdam. After the fire on January 12, 1684 during a very strict frost. Extinguished with hose fire sprayers. With spectators on the ice of the frozen canal. Later state (with the letter) is plate 17 in the fire spray book by Jan van der Heyden. Amsterdam paper. chalk etching / engraving fire-extinguishing equipment. fire-fighting. skates (winter sports). severe winters. canals, waters (in city). ruin of a building ~ architecture. urban housing Leidsegracht

Antonio Tempesta, Spanish Duke Before Margaret of Austria (verso), 1612 Spanish Duke Before Margaret of Austria verso

Amsterdam, Picart, Bernard, Queen Voadicé assembles her army, verso lower left - stamped, Queen Voadicé assembles her army in front of her army tent. To cheer them up, she holds a hare hunt, which serves as a sign of victory., print, prints, height 91 mm, width 160 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1728 - 1728, second quarter 18th century, paper, etching, engraving, engraving (printing process), Work conception

Sadrach, Mesach and Abednego for King Nebuchadnessar, Philips Galle, After Maarten van Heemskerck, 1565 print The three Jews who refuse to worship the golden statue must appear before King Nebuchadnessar. They are brought before soldiers. Nebuchadnessar is sitting on his horse and interrogates the three men. Haarlem paper engraving King Nebuchadnezzar calls Shadrach, Mesach, and Abed-nego to account, but they refuse to kneel before the golden statue

Triumph of the chastity, 1563 - 1567 print The car of chastity (Pudicitia), a veiled woman, is drawn by unicorns, legendary chaste animals. Amor is blindfolded and tied to her feet. In the procession, chaste figures from history, the Bible and classical mythology, for example the Roman general Scipio, Joseph, Susanna and the honorable Judit, with the head of Holofernes in her hand. The virtues of self -control (continentia) and moderation (temperantia) are also present in the procession. The car drives towards the temple of chastity. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving 'Trionfo della castití', 'Triumph of Chastity'; "Carrel della castití '(Ripa). (Story of) Cornelius Scipio (Cornelius Scipio). Joseph (not in a biblical context). Female Persons from the Old Testament (with NAME) (not in Biblical Context). Female Persons from the Old Testament (with NAME) (not in Biblical Context). Constancy, tenacity; 'Costanza' 'tenacità'

Jonah in the port of Joppa, Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1637 print Jonah in conversation in the port of Joppa. He points to the ship with which he wants to flee. In the margin a two -way caption in Latin. Antwerp paper engraving the book of Jonah

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Release of Parisian Parisians in front of Charles VI (IT)

The Grand Duke Fortifies the Port of Livorno, from Life of Ferdinando I de Medici 1616-1620 France. Ferdinando I of Tuscany sits beneath an umbrella held by an attendant. At right, an engineer presents him with a model of the fortifications for the harbor of Livorno. The duke points at the construction already underway in the background, workers appear busily wielding tools and carrying heavy loads on their backs.Jacques Callot rendered this work through engraving, though he is most known for his etchings made with an echoppe, a special tool he is credited with inventing. The echoppe has an oval-shaped tip that is twirled while drawing through a wax ground on a metal plate. This creates lines that swell and taper just like cuts made with an engraverís burin.. Engraving in black on ivory laid paper . Jacques Callot

Snellink, Jan, Antwerpen, Jode, Gerard de, Holofernes at Nebuchadnezzar, Antwerp, recto - handwritten in brown ink, On the left, King Nebuchadnezzar sits on his throne, surrounded by subjects. He gives Holofernes, who is standing before him, the order to go to war. In the foreground bags and vases with money and a soldier. Print from a series of four with scenes from the story of Judith and Holofernes., print, prent, prints, verso - stamped, 180, height 204 mm, width 264 mm, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher, uitgever, 1547 - 1591, paper, papier, engraving, engraving (drukprocedé), print maker, printmaker, intermediary draughtsman

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Woodcut by Albrecht Dürer depicting the capture of Christ, showing figures, gestures, and composition, dated around 1509.

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The heads of women are reforged in a workshop by the sea; representing a brutal cure for the 'madness' of women. Line engraving by Campion, 17--.

Writer Marie-Catherine D'Aulnoy greeted in a sedan chair by five riders, Jan Luyken, 1696 print Amsterdam paper etching (carrying a person in a) sedan-chair. saluting. riding a horse, ass, or mule; rider, horseman. coat of arms (as symbol of the state, etc.)

Martyrdom of Saint Peter, from the series 'The little apostles' (Les petits apôtres). Artist: Jacques Callot (French, Nancy 1592-1635 Nancy). Dimensions: Sheet: 4 5/16 x 3 3/8 in. (11 x 8.5 cm)Plate: 2 3/4 x 1 13/16 in. (7 x 4.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: The little apostles (Les petits apôtres). Date: ca. 1632. Museum: Metropolitan Museum of Art, New York, USA.

Va de Bon Coeur; Dédié aux Milords de l'Amirauté Anglaise par un Membre de Congrès Américain 1778 Attributed to Richard Purcell. Va de Bon Coeur; Dédié aux Milords de l'Amirauté Anglaise par un Membre de Congrès Américain. Attributed to Richard Purcell (Irish, Dublin active from 1746, died ca. 1766 London). 1778. Etching. Prints

Two representations of a plate. Numbered top right: 211 and 212., Israelites crossing the Jordan / Fall of Jericho, print maker: Jan Luyken, (mentioned on object), publisher: Barent Visscher, publisher: Andries van Damme, Amsterdam, 1698, paper, etching, h 157 mm × w 91 mm

Decapitation of Lady Jane Gray in London, 1554, Jan Luyken, 1698 print Print at the top right marked: third division fol. 115. Amsterdam paper etching violent death by beheading Tower of London

Tarpia is transferred by Titus Tatius to open the city gates; Tatius Sabinorum (...) Cum Patre ProDeret; Life of Romulus and Remus. Tarpia is growing water outside the city walls. At the water well it is transferred by Titus Tatius to open the city gate. The print is part of an album.

Klaudius Civilis bestormt de Romeinsche Legerplaats, te Vetera Claudius Civilis storms the Roman camp at Vetera 1747 - 1759. still image. Conjectural works. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Hoisting machinery, Campaigns & battles , Netherlands, Armies , Roman , To 499, Warriors , To 499, Campaigns & battles , To 499, Siege warfare, Batavi (Germanic people)

New Inventions of Modern Times Nova Reperta, The Invention of the Wind Mill, plate 11 ca. 1600 Jan Collaert I Netherlandish Eleventh plate from a print series entitled Nova Reperta (New Inventions of Modern Times) consisting of a title page and 19 plates, engraved by Jan Collaert I, after Jan van der Straet, called Stradanus, and published by Philips Galle. Illustration of several wind mills in a landscape. A town with its churches is depicted in the background on the right. In the middle ground a woman carries a sack on her back, a man drives a horse-drawn carriage with more sacks, and a man draws a sack down from the top of a wind mill. In the foreground a man carries a sack on horseback, while a woman carries another one on her back.. New Inventions of Modern Times Nova Reperta, The Invention of the Wind Mill, plate 11 659727

Copper engraving by Cornelis Cort from 1564 depicting 'The Triumph of Envy' from 'The Circulation of Human Life,' showing allegorical figures representing envy.

Faith (fides); Galle, Philips (1537-1612), Cock, Hieronymus (CA 1510-1570), Bruegel, Pieter, I (CA 1525-1569); 1559-1560 (1559-00-00-1559-00-00);

BARCELONA REBELION... 1714. ASEDIADA PER BERWICK.. C.P. Author: GABRIELLE LANDRY.

Luyken, Jan, Northern Netherlands, Anne Ians noyée à Rotterdam, Ao. 1539, Anneken Ians zu Rotterdam erträneket, Ao. 1550, Anneken Jans gives her child to a baker for care on the way to the execution site in Rotterdam, 1539, Anneken Jans gives her child to a baker for care on the way to the execution site in Rotterdam., print, engraving, historical print, prints, Frederik Muller Historical plates, height 115 mm, width 143 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1683 - 1685, fourth quarter 17th century, paper, papier, etching, etchings, Work conception

Fall of Jericho; Paintings in the Loggia of Rafaël. The walls of the city of Jericho are depositing. In the foreground soldiers. Left priests who carry the Ark of the covenant.

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, book illustration, prints, Hans Misel beheaded in Warthausen, 1571, verso - stamped, 90, height 114 mm, width 139 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever, Publicatie, Noord-Nederlands, - 1693-06-26

Northern Netherlands, Luyken, Jan, Famine in Haarlem, 1573, Famine in Haarlem during the siege by the Spaniards, 1573. In the foreground on the right people are searching a garbage dump, on the left people are falling over in the street from weakness., print, picture, historical print, prints, Frederik Muller History plates, height 112 mm, width 155 mm, 1649-04-16 - 1712-04-05, print maker, printmaker, 1696 - 1698, fourth quarter 17th century, paper, etching, etchings

Romulus hangs the armor of Acron in a sacred tree on the Capitol; Victor Romam (...) Suspend is Romulus; Life of Romulus and Remus. Romulus hangs the armor of acron in a tree on the Capitol in Rome. Soldiers watch. The print is part of an album.

The King of Bali in his car, 1597, 1646 print The King of Bali in a car drawn by Ossen, resulting and escort of warriors, February 1597. Prints of the worked records for the original illustrations in the travel report of the first Schipvaert of Cornelis de Houtman to the East Indies in 1595-1597. No. 40. Northern Netherlands paper etching / engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Bali

The spirit of Erasmus leaves Rotterdam, 1720; The Rottege Boras Balg, and the spirit of Erasmus roaming his birth city to the three stadsteds of HD.; The great scene of foolishness. The wind trade in Rotterdam is leaving the spirit of Erasmus the city, 1720. Cartoon at the Windhandel in Rotterdam. On the right in the foreground, a well-to-the rotterdam district has the scales of justice, left the treasury appears to contain coals at inspection. In the caption verses in Dutch and French. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartriders at the 1820 wind trade or action trade.

Les deuxpantalons. Artist: Jacques Callot, French, 1592-1635

Print marked top right: Vyfde Afdeelinge Fol: 66., Giuseppe Caraffa omgebracht tijdens een riot in Napels, 1647 The Ombrengen van P. Caraffa, in den Oroer van Napels , print maker: Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1698, paper, etching, h 192 mm × w 149 mm

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Batavian settlement, verso - stamped, Illustration from Dutch history. View of a Batavian settlement with a man with a spear and shield in the foreground, surrounded by two children, a woman and animals., print, prints, height 96 mm, width 105 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Arrival of the Batavians in the Netherlands, ca. 55-10 BC, 1747 - 1749 print Arrival of the Batavians in the Netherlands. Netherlands paper etching / engraving extinct, 'historical' peoples (with NAME) Netherlands

Hudibras and Ralpho made prisoners and carried to the stocks. 1726. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Antwerp, Sadeler, Johann (I), Vos, Maerten de, Bonorum et Malorum consensio, History of the family of Seth, On judging good and bad, Noah loads all the animals into the ark, verso lower left - stamped, God calls one pair of all the animals in the world into the ark to be saved by Noah. In the foreground Noah and his family are walking towards the ark with all their possessions. In the background on the right there is partying and dancing in a village. The print has a Latin caption., print, prints, height 203 mm, width 274 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1586 - 1586, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Work conception, after a design by, writer, Publication (Event), Publication, publisher

King Josia has the horses and wagons removed in honor of the sun, Anonymous, After Philips Galle, After Maarten van Heemskerck, 1646 print King Josia stands on a staircase on the square in front of the temple and looks at how statues of horses and solar wagons are pulled from the templetingang and burned on the square. The statues were established in honor of the sun. Under the show a reference in Latin to the Bible text in 2 Kon. 23:11. This print is part of an album. paper engraving Josiah removes the horses and burns the chariots used in the worship of the sun-god

Figure 48. Part 3.

Canto V. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 16th century. Prints; etchings. Etching

Allegory of combating Jansenism, Albert Flamen, 1653 print An allegorical representation in a frame of tied laurel leaves. Jansenism, a religious and political movement from the 17th and 18th centuries, has been presented as a seven -member dragon that is fought by ecclesiastical and secular power. The followers seek refuge from the Calvinists, on the far right. The nature of Jansenism has been presented as a money -wasting devil. At the bottom of four cartouches with biblical passages. Paris paper etching / engraving dragon with seven heads ~ the Seven deadly Sins symbolized. pope

Tower of Babel, Philips Galle, 1569.

Room in which figures make calculations on tables, Jan Luyken, 1690 print print maker: Amsterdampublisher: Utrecht paper etching mathematics. education

Intake of Milan, Philips Galle, After Jan van der Straet, 1583 print The young Giovanni de Medici, called 'Dalle Bande Nere', conquers the city of Milan (1524) with the imperial troops. The army flows in through a breach in the city wall. The print has a Latin caption and is part of a series about the family history of the genus De 'Medici. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving

Copper engraving and etching by Jacques Poinssart from 1628 depicting King Charles VII of France and Jeanne d'Arc in Reims on July 16, 1429, showing coronation, royal figures, and cathedral interior.

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