Historical Battles and Floods

Etchings representing historical battles, heroic moments, and natural disasters, characterized by dramatic compositions and narratives.

The Flood of Deucalion, Bernard Picart (workshop or), After Bernard Picart, 1731 print Deucalion and Pyrrha survive the flood with which Jupiter destroyed humanity. The gods pour out the water from the Parnassus over the world. Amsterdam paper etching / engraving Deucalion's flood; Jupiter sends a great flood to destroy mankind; Deucalion and Pyrrha afloat. scrollwork, strapwork ~ ornament

Etching by Jacob Gole depicting the downfall of the Turks, created between 1665 and 1724.

Death of General Marceau / The 5th complementary day of the year of the Republic. (IT)

Etching by Daniel Nikolaus Chodowiecki from 1781 depicting Wilhelm Tell, illustrating the character and surrounding scene with detailed etching techniques.

Flooding of the Rijndijk in Gelderland, 1770. Swimmer through flooding of the Rijndijk in Gelderland, January 1770. In the foreground a desperate family with household goods.

The Flood of Deucalion, Bernard Picart (workshop or), After Bernard Picart, 1731 print Deucalion and Pyrrha survive the flood with which Jupiter destroyed humanity. The gods pour out the water from the Parnassus over the world. Amsterdam paper etching / engraving Deucalion's flood; Jupiter sends a great flood to destroy mankind; Deucalion and Pyrrha afloat. scrollwork, strapwork ~ ornament

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Velde, Adriaen van de (1636 1672)

The Duke of Bordeaux surrounded by provincial cities under Angelots.

Illustration for a fable about a knight (...), page from a sketchbook. Czachórski, Władysław (1850-1911), draughtsman, cartoonist, Czachórski, Stanisław (1853-1904), draughtsman, cartoonist

Etching by Lodovico Mattioli depicting the resurrection of Christ, created between 1685 and 1747.

Mirabeau arrives with Elisées fields (IT)

Maria van Bourgondia falls from her horse, 1482, 1842 - 1887 print Maria van Burgundy falls outside of Bruges from her horse, March 17, 1482. Netherlands paper dying from the effects of a fall Used

Johannes Tetzel is robbed near Leipzig and accused indulgence trade, Daniel Nikolaus Chodowiecki, 1798 print With caption in German. Berlin paper etching History. arrest (of criminal). monk(s), friar(s). Indulgence, Clemency; 'Clemenza', 'Clemenza & Moderatione', 'Indulgenza' (Ripa) Leipzig

Architects and artists are working on the construction of a palace, Michel Dorigny, after Simon Vouet, 1640 print France paper engraving / etching building-site. architect at work

Engraver: Achille Désiré Lefèvre, French, 1798-1864, After: Horace Vernet, French, 1789-1863, Bonaparte à Arcole (Bonaparte atArcole), Engraving, sheet: 21.3 × 29.5 cm (8 3/8 × 11 5/8in.), French, 19thcentury, Works on Paper -Prints

François-Nicolas Chifflart was an important member of the etching revival in 19th-century France. This print, from his 1865 series Improvisations on Copper, reveals the freedom and experimentation that Chifflart found in this medium. He drew directly on prepared copper plates, sketching as he would on a sheet of paper, to create both anecdotal studies and imaginative finished compositions. Executed on an intimate scale, the prints encouraged close looking and private contemplation. Improvisations sur cuivre: Surprise, 1865. Nicolas-François Chifflart (French, 1825-1901), printed by Auguste Delâtre, published by CADART & LUQUET. Etching; image: 22.1 x 30.7 cm (8 11/16 x 12 1/16 in.); plate: 23.5 x 31.7 cm (9 1/4 x 12 1/2 in.); sheet: 37 x 57.4 cm (14 9/16 x 22 5/8 in.).

Francisco de Goya, No se convienen (They Do Not Agree), published 1863 No se convienen (They Do Not Agree)

Ascension of Elia; Les Plat-Fonds Ou Les Tableaux des Galleries / ceilings or gallery pieces. Elijah in a car drawn by a horse in the clouds. Under the octagonal show a fresh in Latin from 2. 2:11.

Copper engraving by Johann Sadeler the Elder depicting the history of the family of Seth, showing figures, genealogical elements, biblical characters, and 16th-century religious context.

White from Haemstede plants the flag on the blinker. The Ridder Witte van Haemstede plants his flag at the top of the Duin de Blinkert, after the victory and the expulsion of the Flemish people on April 26, 1304.

Copper engraving by Aegidius Sadeler the Younger, created between 1580 and 1590, depicting biblical figures Saul and David in narrative scenes with gestures, expressions, and symbolic attributes.

Etching by an unidentified engraver depicting the morning, created in the 18th century. The work shows a landscape scene with natural lighting and figures.

Vignette zum Kapitel XVI der Geschichte des siebenjährigen Krieges. Menzel, Adolph (1815-1905), draughtsman, cartoonist, Vogel, Johann Phillipp Albert (1814-1886), woodcutter

Death of Marcus Licinius Crassus, Ludwig Gottlieb Portman, after Jacobus Buys, 1800 print Pomaxaethres, a Parthian soldier, kills Crassus who tries to flee on horseback. Octavius stabs a grid and at the same time is attacked by the enemy from behind. Amsterdam paper etching suffering, misfortune of Marcus Crassus

Landscape with figures at a fountain, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching / engraving landscapes in the temperate zone (+ landscape with figures, staffage). utilitarian, public pump or water fountain

Farm scene with men and women. 1841 - 1844. Fizeau, H. (Hippolyte), 1819-1896. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Karel V in Utrecht overtaken, 1528. Kanzier Karel V is overtaken in 1528 in Utrecht by light of torches such as Lord and offered the rod of justice and the keys of the city.

Elsevier photo collection. Prince Alexander Valkenhacht Het Loo July 1843. July 1843

The body of Pompeius cremated; Il Cadavere di Pompeo, Brugativeo Dal Suo Fido Liberto Filippo, Ed Assistito da Un' Antico Souldo Che Aveva Servito Nelle Prime Campagne, Questo Sforto General; History of the Roman Empire; Frontespizio della Iistantia Romana. Two of Pompeius are loyal to burn off his dead body.

Wizja na Kruczym Wzgórzu. Ruscheweyh, Ferdinand (1785-1846), graphic artist, Cornelius, Peter von (1783-1867), draughtsman, cartoonist, Wenner, Johann Friedrich (1772-1835), publisher

Riverbank with waxes, Jan De Visscher, after Nicolaes Pietersz Berchem, 1670 print While a shepherd is resting on the waterfront and bathes a second shepherd's leg, two women do the laundry in a Voorde. In the background the ruin of a classic building and the contours of a mountain. Northern Netherlands paper etching landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. cow. laundering. wading, paddling

Man by the body of an outdoor woman in the forest, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving forest, wood. 'sudden death'. riding a horse, ass, or mule; rider, horseman

Allegory of the Constitution of the year VIII (IT)

Copper engraving by Jacob Coelemans from 1697 depicting the martyrdom of Bartholomew with strong religious iconography and biblical narrative.

See / Youth! To your entertainment / the children's cart and carriage / blyph grateful to worry for your more. Leaf with 2 performances. Upstairs: A tractic coat is causing the children who were sitting on the ground. Below: a porter throws a wheelbarrow through which the children were sitting on the floor. Under each image a four-line verse in two columns. Numbered at the top right: No. 41.

Etching by Carl Conti depicting a raid on a carriage. Created between 1760 and 1795, illustrating conflict and movement in 18th-century rural or urban settings.

The danger is nothing when you have to save its fellows (IT)

Etching by Jacques-Philippe Le Bas titled 'The Noon,' created between 1727 and 1783. The work depicts a landscape at midday with natural lighting and figures.

After Winslow Homer, Cooking; The Tent, 21 Aug. 1858, wood engraving on newsprint.

Susanna Bronkhorst slides on the ice, Reinier Vinkeles (I), 1806 - 1807 print Icel landscape with mills. A woman next to a sled has slipped and is helped by a man. Below that the text: ... I flew to Suse. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving ice ~ state of water. skates (winter sports). slipping

Resting hunting company at a fountain, Jean Moyreau, After Philips Wouwerman, 1750 print France paper etching / engraving hunters resting during the hunt. utilitarian, public pump or water fountain

Francisco Goya (1746-1828). Tauromachie - Pl. 3 - Los Moros Establecidos in España Préscindiendo de las Supersticiones de Su Alcorán adoptaron esta caza y arte, launching a toro in el campo - H 206 III1. Eat, dry point, chisel and aquatint, BRUNISSOIR works - First edition. Museum of Fine Arts of the City of Paris, Petit Palais. Tauromachie - Pl. 3 - The Moors established in Spain regardless of the superstitions of their Alcoran adopted this hunt and art, and throw a bull in the field - H 206 III1. Aquatinte, Arabic, Bull, Bullfighting, Chisel, Burnished Aquatt, Chisel, Horse, Dry Point, Etching, Etching, First Edition, Horse, Moure, Moor, Single Pointe, Premiere Edition, Saber, Saber, Taureau, Turban, Arab

Ruychaver at the corpse of a Spanish counselor in Alkmaar, 1573; Naughty Deed of Ruighover, / IX. vocals; Scenes from the life of Prince Willem I, 1568-1584; Artificial plates belonging to the Eursten's epic, in four and twenty kangs by the Netherlands closer J. Nomsz .. Nicolaas Ruychaver at the corpse of a Spanish counselor that he has thrown out of the window, Alkmaar 1573. Ninth vocals.

The Holy Family Arrives at the Edge of a River, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt). Artist: Giovanni Domenico Tiepolo, Italian, Venice, 1727-1804

"Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, showing a scene from 'The Disasters of War' too harrowing to view, with figures affected by conflict."

Victory of the mustache over braid and spanking bench cartoon for the revolution in , Unknown

Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, depicting the impact of war on the populace, including civilians, families, and daily life disruption.

This copper engraving and etching by Charles Le Brun, produced between 1725 and 1780, shows two key battles of Alexander the Great: the Battle of the Granicus and the Battle of Arbela.

Copper engraving and etching by Jan de Visscher depicting a field smith at work, created between 1653 and 1750. The print shows a blacksmith at a forge in a rural setting.

CavalryCharge. Artist: Johann Conrad Gessner, Swiss, 1764-1826

Francisco Goya (1746-1828). "Tauromachie- Pl.28- The hardworking Randon picing a bull, whose luck died in the Plaza de Madrid- H 241 i2". EAU-FORTE, Burin et Aquatinte Sur Papier Vergé. Musée des Beaux-Arts de la Ville de Paris, Petit Palais. Tauromachie - PL28 - The hardwork Arena, arene, brave, bull, bullfighting, courageous, horse, etching, etching, horse, pierce, rejoneador, bull, piercing, valiant, valiant

Lithography by Jacques Etienne Victor Arago titled 'Take a Barrel,' created around 1830, depicting a figure handling a barrel.

Macbeth and Banquo meet the three witches. .

Landing van de Romeinse legers van Julius Caesar in Brittannië.The British have moved to the coast and garnish the Roman ships with arrows to prevent them from getting land. The Romans swing stones to the enemy.

Under De Wegwijzer a poet plays on his winch, Daniel Nikolaus Chodowiecki, 1792 print Different figures are etched in the margin in a sketchy way. Berlin paper etching writer, poet, author. lyre, cithara, psaltery. signpost. trunked animals: elephant. hoofed animals: camel. Victoria as Roman personification

Mier Marek Atyliusz Regulus, in: "Serie Di LXXXV Disegni in Varie Grandezze Composze Composte Dal Celebre Pittore Salvator Rosa ..."; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

The baptism of the Kamerling, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Philip baptizes the Eunuch

Initiation of boys would become men and a funeral at the hotentots (two illustrations); Picart, Bernard (1673-1733); 1729 (1729-00-00-1729-00-00);

The disposal begins from a series to Romeyn de Hooghe to , Jacob Peeters -, Copper Engraver, After, Romeyn de Hooghe -,

Design for a painting, The baptism of the eunuch, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 173 mm × w 116 mm

The arrival of Elisabeth Christina, the wife of King Charles III in Barcelona, 1708; Royal Almanach from 1707 / 't Lusthof of Moemus. The arrival of Elisabeth Christina, the wife of King Charles III, in Barcelona where she is addressed by her husband, July 28, 1708. Without inscriptions or texts. Part of a series of 7 cartoons on the French and allies from the year 1707 (EN 1708). Part of the printing work under the collective title 't Lust Court of Momus with the bundled series of cartooning during the 1901-1713 of the Spanish Succession War.

Baptism of the Kamerling, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Prisoners in a courtyard, Charles Courtry, After Francisco de Goya, 1881 print Paris paper etching prison, jail. (prisoners) in the prison yard

Billing Napoleon

Artist: Pietro Testa, Italian, 1611/12-1650, An Allegory in Honor of InnocentX, Etching, platemark: 39.3 × 49.5 cm (15 1/2 × 19 1/2 in.); Sheet: 39.6 × 49.7 cm (15 9/16 × 19 9/16in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Cid (illustration in: Cesar Cantu, General history, Warsaw 1853-1857). Orgelbrand, Samuel (Warszawa ; wydawnictwo, drukarnia ; fl. 1836-1919), merchant employer, unknown, graphic artist

Artist: Johann Gotthard Müller, Germany, 1747-1830, Artist: John Trumbull, American, 1756-1843, The Battle at Bunkers Hill, Engraving, framed and glazed, framed: 77 × 100 cm (30 5/16 × 39 3/8 in.), Made in Germany, German, 19th century, Works on Paper - Prints

Copper engraving and etching by Jean Charles Le Vasseur depicting a church and Odysseus, created between 1749-1816, showing architectural and mythological elements.

Amsterdam, Kok-van Kolm, widow C., Numan, Hermanus, Hendrik, Zie, jeugd! tot uw plezier, de kinderkar en wagen, Be grateful that voor u meer zorg wordt zijn, verso - stamped, Sheet with 2 images. Above: a tractor falls over, causing the children who were in it to fall to the ground. Below: a porter throws over a wheelbarrow, causing the children who were in it to fall to the ground. A four-line verse below each image. Numbered top right: No. 41., print, prent, volksprent, prints, prenten, volksprenten, height 392 mm, width 324 mm, 1736-03-21 - 1788, print maker, prentmaker, 1842 - 1866, paper, papier, houtsnede, letterpress printing, boekdruk, 1744 - 1820-03-09, Publication (Event), Publicatie, Nederlands, publisher

Sloth lying under a tree during harvesting Sloth story (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissimoru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), In a hilly landscape, farmers are busy with the grain harvest. A few men thresh the grain. In the background two men work a field with a plow and one man sows new corn. The sloth is lying under a tree and is sleeping. To the Bible text in Spr. 20: 4. Under the representation an explanatory text in Latin. Print is part of an album, rest during harvest (eating, dancing, making love, etc.), threshing, Philips Galle, 1563 - 1567 and/or 1579, paper, engraving, h 207 mm × w 246 mm

Etching by Pierre Alexandre Aveline between 1720 and 1760 depicting the mythological birth of Bacchus.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Venus entrusting Cupid to Time 1758-80 Giovanni Domenico Tiepolo Italian This composition celebrates the birth of a child, whom Venus consigns to Saturn in his role as Father Time. The Graces sprinkle roses, and the doves that draw Venus' chariot kiss overhead. The child was once identified as Cupid, yet his lack of wings and the presence beneath him of a winged infant with a quiver play down that interpretation. On the other hand, the winged child may be delivering the sheaf of arrowswhich seems too heavy for himto the newborn. Other suggestions for the baby's identity are Venus' son Aeneasan appropriate subject if the room contained stories from Virgil's Aeneidor a son from the noble family that commissioned the work.. Venus entrusting Cupid to Time 361928

Bayard blessé à Brescia (Bayard Wounded atBrescia). Engraver: Achille Désiré Lefèvre, French, 1798-1864 After: Charles Philippe Larivière, French, 1798-1876

Vliegende Boy, Reinier Vinkeles (I), 1809 print A few boys watch a boy floating a kite in the air. In the background a mill and a river with boats. The print is part of an album. Haarlem paper etching / engraving the ages of man. (flying a) kite. windmill in landscape. youth, adolescent

Melinte Vecht against Eurymedon, captain of pirates, Abraham Bosse, After Claude Vignon, 1639 print paper etching / engraving pirate, corsair, buccaneer. rowing-boat, canoe, etc.

Populacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Women and children attack Male, Alexander Ver Huell, 1832 - 1897 A man with a rod is attacked by two women and children he tries to kick and hit himself. Netherlands paper fighting

Mercury leaves Antwerp; Entry of Ferdinand in Antwerp in 1635 (no. 34), 1639 - 1641 print Mercury leaves Antwerp. Due to the war and the closure of the Scheldt, the trade in Antwerp threatens to go into hiding. Mercurius with the sleeping river god of the Scheldt on the left, on the right the city -contest of Antwerp. With caption of 3 lines in Latin. The central performance on the scene of Mercurius, set up on the Sint-Jansbrug. Marked top left: p. 147b. Page No. 34 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving other decorative structures (~ triumphal entry, etc.). specific aspects, allegorical aspects of Mercury; Mercury as patron. personification of a city, town-patron(ess) Antwerp. Scales

Ship with hylas, Nauplius and Neptune; Hiclo e Navcleo Argon Condotti Nel Carro di Nettvno; Argonaut ships for the fight at the Arno during the wedding party of Cosimo II the 'Medici in Florence in 1608; Le Magnifique Carousel Fait sur Le Fleuve de l'Arne à Florence Pour Le Mariage du Grand Duc. A ship with two sea horses as a figureheads, with rowing mermaids. Nauplius, Hylas and Neptune sitting on the stern.

Cartoon on Napoleon; Emparez Vous de Berlin. Napoleon, with a Arab with a warworld and a man with a stab and saber, gives Berlin conquer. Behind an army passes by, before him a woman with children on a donkey, a dog and some bizarre figures that according to the captions "Grand Voyeur", "tambor", "receveur", "Tambour Major" and "Grand Sappeur de l" Empire ".

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Various Caprices: The Woman Standing with Hands on a Vase, 1735-50. Giovanni Battista Tiepolo (Italian, 1696-1770). Etching;

Plate Seven from Various Embarkments Artist's working dates 1630-1664 Italy. Etching on ivory laid paper . Stefano della Bella

Maria van Burgundy falls from her horse, 1482. Maria van Burgundy falls outside Bruges from her horse, March 17, 1482.

Alexander the Great beats Darius in a battle, Pierre Picault, After Charles Le Brun, 1690 - 1711 print Paris paper engraving Alexander fighting against Darius at Issus

Whale stranded between Zandvoort and neighborhood by the sea, 1762; Dese cagelot fish long 64 feet, is stranded between Zantzoord and WYK-at sea, the 20 Feb. 1762. On the beach in public vylling, the 900 guilders calls on 5 March. The body of a sperm whale washed up on February 20, 1762 on the beach between Zandvoort and neighborhood by the sea, as signed a day later on February 21. With many visitors. At the bottom of a cartouche with the animal seen from behind.

Print, Via Crucis - Station XI, Jesus is Nailed to the Cross; Giovanni Domenico Tiepolo (Italian, 1727 - 1804); Italy; etching on cream laid paper; 22.4 x 17.2 cm (8 13/16 x 6 3/4 in. ); 1931-67-71-2

Etching and aquatint by Francisco Goya from 'The Disasters of War', titled 'Populacho', created 1814-1820, first edition 1863, depicting the common people during conflict.

Satire for Paris theaters; Tronsens, Charles (1830-Post 1870); after 1860 (1860-00-00-1885-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902)-collections, Boileau-Despréaux, Nicolas (1636-1711). L'Art Poetique, Cervantes Saavedra, Miguel de (1547-1616). Don Quixote, Dumas, Alexandre (1824-1895). La Dame Aux Cameliias, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, caricatures, classicism (style), literature, poetry, French drawings, satire, theaters

Polo sketch , Polo, Horses. George Bellows (1882-1925). Prints and Drawings

During a triumphal procession, Napoleon receives the keys to Italy, Teodoro Matteini, 1808 print Under the performance a verse in Italian. Print is part of an album. paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Key. The Soldier; The Soldier's Life (+ Cavalry, Horsemen). RURL, Sovereign

Two bandits with skeletons, Bartolomeo Pinelli, 1819 - 1823 Two bandits of which one smokes a pipe. Skeletes and loose bones and skulls lie on the floor. The print is part of an album. Rome paper etching Two bandits of which one smokes a pipe. Skeletes and loose bones and skulls lie on the floor. The print is part of an album. Rome paper etching

Two men are driven on a donkey, Anonymous, 1612 - 1652 print Two men are taken away on a donkey. One of the men stings with his stab weapon in the bread that is held to him. His hair is cut at the same time. A second man hangs in a bag on the donkey, he screams and grabs his head. On the left, the same two men are playing in front of a table that three men are behind who seem to accuse them. Under the Figure 4 x 5-line fresh in German. The print is probably an imagination of a seventeenth-century German proverb. (Reissue German pamphlet 1600) paper engraving ass, donkey. hair-cutting. pulling out one's hair. proverbs, sayings, etc.

Different figures and horses at the water for a bridge, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print publisher: ParisFrance paper etching / engraving bridge. horse. swimming (movement in water). laundering

Etching and aquatint by Francisco José de Goya from 1815-1824, fourth edition 1902, depicting 'Light Nonsense' from 'The Proverbs (The Nonsense)', showing human figures and allegorical scenes.

Cleopatra on the Nile. unknown, graphic artist, Hallberger, Eduard (1822-1892), publisher, Makart, Hans (1840-1884), painter

XXI. / Sire, my mother is old and infirm ...

Print made by A. M. Ireland, active before 1801, Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery, 1794. Etching on medium, slightly textured, cream wove paper.

Peasant Farmers. Armand-Hippolyte-Louis Fizeau (French, 1819 - 1896)

Shakspeare. King Richard the Second, act V, scene II : Richard, Bolingbroke, etc. , Kings, Horses, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Richard II. Thomas Pennant Barton Collection

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