Historical Battles and Struggles

Engravings depicting historical scenes including battles, historical figures, and military preparations. The works use monochromatic tones and intricate details.

William III will sleep in a fisherman's hut at the English coast for the first two days, 1688, 1689 print Prince William III sleeps the first two days after his arrival in England in a simple fisherman's hut, 15-16 November 1688. Plate E in the 'Engelants Schouwtoneel' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French. Amsterdam paper etching

William III will sleep in a fisherman's hut at the English coast for the first two days, 1688, 1689 print Prince William III sleeps the first two days after his arrival in England in a simple fisherman's hut, 15-16 November 1688. Plate E in the 'Engelants Schouwtoneel' series over the Glorious Revolution 1688-1689 (second part). With captions in Dutch and French. Amsterdam paper etching

Reproduction of a drawing of a face on the new bridge by Pieter van den Berge, Emrik & Binger, after Pieter van den Berge, 1899 photomechanical print Haarlem paper. cardboard collotype city-view in general; 'veduta'. street (+ city(-scape) with figures, staffage) Amsterdam

Construction of the Barricade from Singerstrasse to Stefansplatz, on May , Johann Höfelich -, printer

Engraver: Charles Amédée Colin, French, 1808-1873, After: François Bouchot, French, 1800-1842, Bataille de Zurich (Battle ofZurich), Engraving, sheet: 22.3 × 30.4 cm (8 3/4 × 11 15/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Ship crew Dobbelt on the deck of a ship, Henri François Schaefels, 1848 print paper etching crew ~ ship. dice-games

Rue de Rohan / Taking on the side of the Carrousel Square. (IT)

Triumph of a Roman emperor, Giovanni Lanfranco, 1592 - 1647 print A Roman emperor on a triumphal wagon in a procession of soldiers and musicians. print maker: Italyafter own design by: Italypublisher: Rome paper etching Cariot, Triummphal Car. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Emperor

Decapitation of Johan van Oldenbarnevelt, 1619, Simon Fokke, 1749 print Johan van Oldenbarnevelt is undressed on the scaffold for his decapitation. The public gathered on the square. Amsterdam paper etching violent death by beheading. death penalty, execution The Hague

L. Truchy, 1721-1764, A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. Riders and hounds resting in a rocky landscape., 1735. Engraving.

Example of humanity, given by Madam Dauphine Booorsaller. "Example of humanity, given by Madam Dauphine". Etching.

Lesson of voltages. (IT)

Stefan Batory near Pskov 1581; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

From the series campaign to Turkey April to the end of , Sturm of the Turks on the veteran cave Vetrani cave at the Iron Gate of the Danube in Romania from August th to , Questionable, Markin, Copper Engraver, Questionable, Quirin Mark -, Copper Engraver, Questionable, Mansfeld , Questionable, Carl Schütz -,

Taking the doors of the city gate in Franeker, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1795 - 1797 print Removing the doors of the city gate of Franeker, February 1788. Amsterdam paper etching / engraving Franeker

Pilatre de Rozier, Jean Francois.

Jacques Callot (1592-1635). "The martyrdom of Saint Laurent (Meaume 1000). Etch. 1st half of the 17th century. Museum of Fine Arts in the city of Paris, Petit Palais. 99608-28 Etching, engraving

Attack of the Louvre (July 29, 1830) / Attack of the City Hospitality (July 28, 1830) (IT)

The Duke of Bordeaux.

Market in Tivoli, Jean Pelletier, After Jean Baptiste Marie Pierre, 1746 - 1780 print Paris paper etching market Tivoli

Recorded the French in Vienna on November , After, Johann Andreas Ziegler -

Evacuation of Moscow by the Russians by Campe, August Friedrich Andreas (1777-1846) / Private Collection /Germany / Etching, watercolour / History / 19,6x31,2

Meeting in the open air in Zwisterland.people's meeting in the open air in Switzerland.

Meno Haas (1752-1833); L. Wolf (-), scene of Frederik II's history, 1833

Laguillermie, Frédéric-Auguste (n.1841-03-07-D.1934), Herald LEFURE (main title), 1898. Filled lead. Petit Palais, Museum of Fine Arts of the City of Paris.

Peter van der Borcht (Flemish, 1545-1608), The Large Rustic Wedding Feast, 1560, etching and engraving

Girondine torture. 1793. (IT)

The French Revolution / Arrival under the reign of Louis XVI. July 14, 1789 and August 10, 1792 (IT)

Yes, the money moralizes and to make a newspaper you need red or white complace to the capital (IT)

Accumulation of the ice between Arnhem and Westervoort, 1809, Reinier Vinkeles (I), after Cornelis van Hardenbergh, 1809 print Amsterdam paper etching / engraving drift ice Arnhem. Westervoort

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Della Bella, Stefano (1610 1664)

Hiclo e Naucleo argon. condotti nel carro di Nettuno, from from Vessels of the Argonauts for the wedding celebration of Cosimo de' Medici in 1608, plate 10, Remigio Cantagallina, Italian, ca. 1582-1656, Giulio Parigi, Italian, 1571-1635, etching on laid paper, The ship of Naucleus and Hiclus decorated with shells on the far right is led by two sea horses on the far left. In the center, winged male figures with oars row the ship. To the right of these figures are a group of male soldiers. Emphemera from the wedding festivities at the marriage of Cosimo de' Medici and Maria Magdalena of Austria in 1608., Italy, 1608, transportation, Print, Print

Returning hunting company for a house, Jean Moyreau, After Philips Wouwerman, 1738 print France paper etching return from the hunt

Arrival and reception of the laws of Pressburg on the night of March to , in Vienna, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Hunting company departs from a house, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching / engraving Assembly, 'Departure for hunting'

Fire of the Granichstätten cotton-print factory in Six House on March , Franz Kaliwoda, Lithographer, Hermann Engel, Printer

May - "Old May Day" from George Cruikshank's Steel Etchings to The Comic Almanacks: 1835-1853 (top left). George Cruikshank (English, 1792-1878); published by Pickering & Chatto (English, 19th century). Date: 1836. Dimensions: 207 × 334 mm (primary support); 343 × 506 mm (secondary support). Four steel etchings in black on cream India paper, laid down on off-white card (chine collé). Origin: England. Museum: The Chicago Art Institute, USA.

William Finden, 1787-1852, British, Coln. Mannering, Hazlewood and Smugglers / Coln. Mannering, Hazelwood et Les Contrebandiers, 1836. Line engraving.

Allegory at the Convention, 1795, 1795 print Allegory at the Convention, 1795. On the instructions of freedom, the citizen asks the empty seat of power if he swears on three articles that are stopped by angels in the air: 'Rights of the man', 'Destruction of all inheritance worthy' ' and "Chief of the People." In the foreground, a warrior breaks a yoke, in the background armed civilian guard. print maker: Netherlandspublisher: Rotterdam paper etching / engraving Freedom, Liberty; 'Libertí' (Ripa) (+ abstract concept represented by female figure). political theory, political ideology. revolutionary government

. The sledevaart on 24 January 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575).

The spirit of Erasmus leaves Rotterdam, 1720; The Rottege Boras Balg, and the spirit of Erasmus roaming his birth city to the three stadsteds of HD.; The great scene of foolishness. The wind trade in Rotterdam is leaving the spirit of Erasmus the city, 1720. Cartoon at the Windhandel in Rotterdam. On the right in the foreground, a well-to-the rotterdam district has the scales of justice, left the treasury appears to contain coals at inspection. In the caption verses in Dutch and French. Print 15 in the series of large scene of foolishness with cartriders at the 1820 wind trade.

Long Life to the Troops!. Denis Auguste Marie Raffet (French, 1804-1860); printed by Chez Gihaut Frères (French, 19th century). Date: 1830. Dimensions: 142 × 204 mm (image); 280 × 365 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Luigi Agricola from the mid-18th to mid-19th century showing a funeral scene with a putto.

Copper engraving and etching by François Denis Née, created around 1778, depicting the allegorical theme 'The love of glory'.

Valenciennes prise dassaut par le roi Louis XIV (Valenciennes Taken in Combat by King Louis XIV). Engraver: Jean François Pourvoyeur, French, 1784-1851 After: Jean-Paul Alaux, French, 1788-1858Printer: Imprimerie F. Chardon the Elder, Paris, active 1820-1860

Exchange of Madame Royale. (TF)

Planting Zygmunt's newly cast bell in the presence of the king and court in 1520; Holewia, Józef (1848-1917), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

James Gillray, 1757-1815, British, Patriotic Petitions on the Convention, c. 1808. Etching.

Dracole dedication (July 1830) (IT)

The political press, Caricature on the revolution in , It is not possible to press the German Confederation between the independent free Poland, the French Republic, Holstein Denmark and Lombardy Italy under the common hat Germanys highest violence , Franz Werner, publisher

William Miller, 1796-1882, British, Chateau de Nantes, 1833. Line engraving on medium, smooth, cream, wove paper.

Scène at the Hernalser line on October , Franz Werner, publisher

Jacoba van Bavaria states at the head of the corners, ca. 1430. Jacoba van Bavaria states at a battle at the head of the corners, ca. 1430.

King Cyrus and King Cambyses, Anonymous, After Pieter de Jode (I), c. 1643 print On the left is King Cyrus of Persia with a scepter in his hand. In the background you can see how Cyrus is handed to a shepherd by Harpagus as a baby. On the right King Cambyses of Persia standing with his hand on his sword. In the background you can see how Cambyses kills the son of Prexaspes with an arrow. Under the show a two -line text and a three -line text in Latin. Amsterdam paper engraving (story of) Cyrus king of Persia - portrait of person from classical history. instead of slaying Cyrus, as ordered by King Astyages, Harpagus gives the baby to the shepherd Mithridates to be exposed. (story of) Cambyses - portrait of person from classical history. Cambyses shoots Prexaspes' son with an arrow

Seressaner Rothmäntel, From the series Sketches of Vienna in October , Josef d, Lanzedelly Lanzedelli, Lancedelli -, Lithographer, Johann Höfelich -, Printer, Anton Paternos widow, publishing house

Allegory on the proclamation of tolerance, Johann Friedrich Beer -, Copper Engraver

Etching by Franz Ertinger, 1660-1710, depicting the triumphal procession of Littorius in Toulouse, including figures, banners, horses, and architectural elements.

D'Alton and Trauttmansdorff exhibited behind bars, Anonymous, 1787 - 1790 print Cartoon in which the big tiger of Ireland (General d'Alton) and the leopard of Germany (Graaf Trauttmansdorff) are exhibited as predators in a car to the public in a car. Some spectators are looking in front of the car. In the caption two four -line verses in French. Hereby the date 12 February 1790 written by hand. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving prisoner in cell or locked place. the show; fair and circus performers Brabant

Monument in memory of the foolishness of the year 1720, Bernard Picart, 1720 print Monument in memory of the foolishness of the year 1720. On a large car, the fortune of the Actien shares scatters shares on a large car. The cart is drawn by, among other things, personifications of the companies of the South Sea and Mississippi. The car is led by the fame in the direction of the poor house and madhouse. Around the cart there traders and victims. On the right in the background the Quincampoix coffee house. At the bottom of the emblem with the motto appearances are deceiving in Latin. In the caption the statement of the performance in French and Dutch. Print 18 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Amsterdam paper etching / engraving Lunatic Asylum, Mental Home. Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Financial Panic. Native Peoples of North America.

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832). Artist: Auguste Raffet (French, Paris 1804-1860 Gênes); J. J. Grandville (French, Nancy 1803-1847 Vanves). Dimensions: sheet: 13 15/16 x 21 1/8 in. (35.4 x 53.7 cm)image: 11 9/16 x 20 3/16 in. (29.4 x 51.3 cm). Publisher: Published by Charles Philipon (French, Lyons 1800-1862 Paris). Series/Portfolio: L'Association Mensuelle no. 3. Date: October 1832. Museum: Metropolitan Museum of Art, New York, USA. Author: JEAN IGNACE ISIDORE GERARD GRANDVILLE. Auguste Raffet.

The Tolpoort in Vianen for the promotionists, 1720; The Viaantsche Tol port for d'promotiatrists UYT UYT ALL POWER; The great scene of foolishness. Cartoon at the wind trade in Vianen. John Law sits on the left as the sovereign director of the wind trade in Vianen on his throne surrounded by devils, on the right the toll gate, so that only people can enter money. The caption with a verse in three columns printed from a separate plate. Print 32 in the series The great scene of foolishness with cartriders at the 1820 wind trade or action trade.

The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832) October 1832 Published by Charles Philipon French. The Grand Review of the Juste-Milieu Passing La Caricature, October 30, 1832 (Grand revue passée par la caricature le 30 Octobre 1832) 359122

Civilis and Cerialis negotiate on the broken bridge, 69-70, 1782 - 1800 print Civilis and cerialis negotiate and close peace on the broken bridge. Netherlands paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Henry IV in front of Paris. (IT)

King Willem I with a kneeling woman, 1829; 8th. Rencontre; Les Rencontres; Encounters with King Willem I, 1829-1830. The king points to a woman who kneels on the floor for him. With two-legged caption. Part of the series of 24 plates with encounters with King Willem I, appeared under the title 'Les Rencontres' in 1829-1830.

American Revolution. Destruction of the equestrian statue of King George III, on July 9, 1776. Sons of Liberty celebrated the signing of the Declaration of Independence by pulling down equestrian statue of King George III. A crowd of generally approving men, women, and children spectators are gathered at Bowling Green, New York City (BSLOC_2019_3_105)

. Needs leaves with four prints.

Abzug einer Vandalenflotte mit der gemachten Beute Vandals retreating to their fleet with plundered booty Leutemann, H. (Heinrich), 1824-1905. still image. Conjectural works, Book illustrations. 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. War destruction & pillage , To 499, Germanic peoples, Vandals, Rome , History , Germanic Invasions, 3rd-6th centuries

Dorpels harvest hay. .

Figures in a busy harbor with a bridge in the background, Pierre Quentin Chedel, after Philips Wouwerman, 1755 - 1763 print Numbered below: no 93. print maker: Francepublisher: ParisFrance paper etching harbour. harbouring. ships, boats on land, beached. swimming (movement in water). bridge

Fire in the Guard House on the Pont Neuf 1798-1804 France. Etching on ivory wove paper . Claude Niquet (Engraver)

Mier Józef Poniatowski's book; Heuer, Wilhelm (1813-1890), Vernet, Horace (1789-1863), motte, charles (couples around 1835 (1830-00-00-1836-00-00);Biała Elster (Czech Republic, Germany-River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Strzembosz, Alojzy Władysław (1875-1917), Strzembosz, Alojzy Władysław (1875-1917)- Collection, gift (provenance), French graphics, German graphics, French marshals, Poland (culture), portraits, horse portraits, male portraits, death, death of Prince Józef Poniatowski (iconogr.)

Capturing the Bastille, July 14, 1789. Charles Thevenin; French, 1764-1838. Date: 1788-1798. Dimensions: 373 × 581 mm (image); 432 × 610 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Children's Moord Te Bethlehem, Johann Christoph Steinberger, after Johann Evangelist Holzer, 1719 - 1727 print The child murder in Bethlehem. Under the watchful eye of King Herod, seated on his throne, newborn children are killed by soldiers. In vain, mothers try to protect their sons. A rocaille frame around the show. Twice a seven -line German and Latin text in the lower margin. Augsburg paper etching the massacre ot the innocents; sometimes Herod looking on

Stage Coach Setting Out From a Posting-House. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 6 15/16 × 9 15/16 in. (17.6 × 25.3 cm). Publisher: John Harris (British, ca. 1740-1812). Date: October 15, 1787. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving and etching by Hans Bol depicting the return of Tobias, created between 1530 and 1591, showing biblical figures, interaction, and journey narrative.

Engraver: Charles Beyer, French, 1808-1873, After: Horace Vernet, French, 1789-1863, Bataille de Hanau (Battle ofHanau), Engraving, sheet: 22 × 29.5 cm (8 11/16 × 11 5/8in.), French, 19thcentury, Works on Paper -Prints

Ah! As it will shore. (Ti)

Arrival of King Willem I in Scheveningen, 1813; Arrival of His Royal Highness, now Souverein's prince of the United Nederlanden, in Scheveningen on the XXX November MDCCCXIII. Arrival of Prince Willem Frederik on the beach of Scheveningen, November 30, 1813, to take care of the government of the country as sovereign frost. The prince standing in the farmer's truck, left the fishermenpink 'the young karolina' that brought him to the coast. On the beach a enthusiastic crowd greets the prince.

Sint Eustatius recaptured by the French, 1781. The recall of Sint Eustatius by the French in 1781. Fragment of a proof of a larger album title with the title 'Atlas of the histories of our Tyd. Plate I '. This was a trial delivery of a new set of performances from historical events from the 1980s-1787, the series has not continued after this first issue.

Jacob's Heimzug

Sobieski in Der Ettsatzschlacht no, of the series vonnyn de Hooghe Zu , Romeyn de Hooghe -, artist, Nicolaes Visscher II, Publisher

Walk of the funeral procession of Napoleon in the Champs-Elyseess / Paris, 15 Dec 2011 1840 (IT)

The fairground, of the action-knaapen, abolish joy and sadness, among the KAAPEN (TI)

Drawing (Italy)

Arrival of the imperial couple Ferdinand I and Maria Anna in Nußdorf on the steamboat Marianne, Anton Perger Knight of -, drawer

The Body of Prince Józef Poniatowski fished out of the Elster. Müller, Georg Wilhelm Ferdinand (1805-1875), graphic artist

Engraver: Louis Joseph Masquelier I, French, 1741-1811, After: Jean-Michel Moreau le jeune, French, 1741-1814, Mirabeau arrive aux Champs Élisées (Mirabeau Arrives at the ElysianFields), Etching and engraving, Sheet: 27.3 × 34.4 cm (10 3/4 × 13 9/16 in.) [trimmed toplatemark, Made in France, French, 18thcentury, Works on Paper -Prints

Logrono (TI)

unknown, Soutman, Pieter Claesz., Elsheimer, Adam, Rubens, Peter Paul, Turkish prince on horseback, verso lower left - stamped, An orientally dressed man sits on a horse. In front of him on the horse a tube in which he carries his bow. Around him his entourage, on foot and on horseback. In the background a man and a woman on a camel. Below the image eight lines of verse in Latin., print, prints, height 328 mm, width 228 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Work conception, 1578-03-18 - 1610-12-11, after design by, Publication (Event), Publication, publisher, uitgever van privilege

"We will be at your door at noon without fail." from the Little Miseries of Human Life 1843 J. J. Grandville. "We will be at your door at noon without fail." from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Prints

Scene im Prater in Wien am , August , Franz Werner, publisher

Eed of Trouw taken by the Principality Orange to Prince William III, 1665, Jan de Visscher, after Pieter Jansz. Post, 1665 print Eed of Trouw taken by the cities and residents of Orange Prince to Prince William III, 7 May 1665. Ceremony with the Prince's representatives and of Orange sitting on a stage for the Roman theater in Orange, for the stage one Large crowd spectators. Above the wall of the theater the wonderful phenomenon of a crown of sunlight. Printed under the plate on the magazine A-R and two verses on the inauguration and the phenomenon. Northern Netherlands paper etching / letterpress printing swearing allegiance to a ruler. nimbus, halo ~ radiance emanating from persons or things Orange

The disbur them of the kit, No, from, Fatherland picture chronicle from the history of the Austrian imperial state , After, Anton Ziegler -, drawer

Gustave Doré (1832-1883). "Entrance to the exhibition palace on March 31, the last day of the period granted to artists. IFF 80". Bois, 1861. Museum of Fine Arts of the city of Paris, Petit Palais. Last day, eagerness, entrance, crowd, art work, exhibition palace, engraving

Willem V offers the Dutch Virgin his services, 1781, Reinier Vinkeles (I), After Jacobus Buys, 1782 print Allegory on the sea battle near Doggersbank between the Dutch and the British fleet on August 5, 1781. The Prince Willem V, resulting in the Dutch Virgin with Lans and Vrijheidshoed and offers his services. In the caption a four -line verse and the reference to page 43. Northern Netherlands paper etching / engraving personifications of countries, nations, states, districts, etc. Netherlands

Legitimist manifestation at the entrance of Henri V in the city of Paris, from the newspaper "Fashion" of January 3, 1835, n ° 425. Proof before the letter.

Willem V closes a covenant with the nobles and cities, 1350; Willem V closes a covenant with the nobles and cities. Count Willem V closes a covenant with the nobles and cities, May 23, 1350. In the hall of a castle, the count between the nobles is at a table behind which a clerk sets up the document.

Uveselenie grekov bo vremia Sviatoi nedeli.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Ministers headed in an abyss, Auguste Desperet, after monogram FC (19th century), 1831 print A carriage with eight ministers, pulled by two horses, threatens to ride in a ravine. Paris paper ravine, chasm, abyss, canyon. two-wheeled vehicle drawn by two animals. minister ~ government. political caricatures and satires

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