Historical Biblical Prints

Engravings illustrating key Biblical narratives, featuring characters in dramatic poses, rich symbolism, and detailed environments from ancient times.

Title print with musicians and sitting figures, Alexandre Bettou, After Francesco Primaticcio, 1622 - 1693 Left part of the title print. Print is part of an album. Fontainebleau paper etching Left part of the title print. Print is part of an album. Fontainebleau paper etching

Scenes from a romance 1815-25 French, Nantes or Rouen. Scenes from a romance. French, Nantes or Rouen. 1815-25. Cotton. Textiles-Printed

Three fragments of frame lists; Bordures the tableau a la romaine. The middle list with an eagle flanked by two children. Print is part of an album.

Reconciliation of Jakob and Esau, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching Esau runs to meet Jacob and kisses him

Sheet with caricatures of dwarfs in the wind trade, 1720; Bombario Actionist and the Spirit of Esopus / Actionuse Night-wind-singer with his magic slon / nature action-doctor or blow-up bobber master / director of counterfeit action regiments; and beautifully Lawy Lawy Lawy; The great scene of foolishness. Leaf with caricatures of dwarfs in the wind trade. Four separate plates numbered 1-4 printed on one sheet. Plate 1: Emblem with Bombario in a picture frame with the devil and goat paws, awarded a basket full of fools. Plate 2: a dwarf as a night watchman with a magic lantern on his back. Plate 3: a dwarf as a doctor with a bird on his hand. Plate 4: a dwarf like an old woman with a dog on the arm. The 2-4 sheets have a caption in two columns. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

Jakob sends Esau to shoot a piece of wildlife, Pietro Sante Bartoli, After Perino del Vaga, After Rafaël, 1645 - 1700 print Isaac is in bed and talks to Esau, who stands at the foot end. He sends Esau to shoot a piece of wildlife. On the left, Esau leaves for hunting. On the right Jakob and Rebekka are listening behind the door. Title and reference to Bible text in Submarga. Vatican CITY paper etching / engraving the meeting between Esau and Jacob

Neptunus for two beings with wind balls, Abraham Dircksz. Santvoort, 1668 print In the front, Neptunus is in two hippocampuses in the sea. For him, two beings kneel, one of whom has wings, with wind balls. Behind them is a battle going on between Meermannen with three tooths and winged beings with wind balls. print maker: Netherlandspublisher: Amsterdam paper etching (story of) Neptune (Poseidon). bellows. merman. fabulous beings with wings

The Triumph of Bacchus and Ceres, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash on light brown laid paper, Pageant directed toward right. In right background, temple shown with curtains in intercolumns., Italy, 1812, figures, Drawing, Drawing

Foolishness of the boast, Daniel Nikolaus Chodowiecki, 1782 print paper etching Boast; 'Iattanza' (Ripa). index finger forwards, pointing, indicating. Arrogance; 'Arroganza' (Ripa)

Print (France)

Amor unleashes people, Anonymous, 1697 print Amor on a car lets two birds unleash the figures in front of him. On the right, a putto unleashes an angel. Two putti in the air sprinkle flowers. At the top left of the clouds, Venus watches. Amsterdam paper etching (story of) Cupid, Amor (Eros). tools, aids, implements ~ crafts and industries: chain

Statio XI by Giovanni Domenico Tiepolo, created between 1723 and 1797. This etching, measuring 5 5/16 x 3 5/8 inches (13.5 x 9.2 cm), features a plate mark on cream laid paper

Sculptuur Van Marforio; JUPITER bought in the market generally Marphorius Cattle; Antieke Sculpturen in Rome; Statues, ancient city of Rome, which is commonly seen in public places icones.Marforio sculptures, one of the talking image in Rome. Caption in Latin. Print is part of an album.

The Spirit of Gustaaf II Adolf appears at the Bed of the Elector of Saxony, 1635, 1635 print The spirit of Gustaaf II Adolf appears with burning torch on the bed of Johan Georg I, Elector of Saxony. Allegory to the Prague Convention, concluded on 30 May 1635 between the Protestant princes, including the Elector of Saxony, and the Emperor Ferdinand II. At the bed and sitting in the foreground with a book the two counselors of the Elector Dr. Turing and Dr. Hoy. On the floor a print of the last Swedish victory at Havelsberg (7-11 December 1635). Stuck to the underside of print is a sheet with text in 3 columns in Dutch. print maker: Low Countriesprint maker: Northern Netherlandsprint maker: Northern Netherlands paper engraving / letterpress printing materialization, appearance of spirit or ghost. dream

How is this clean troubled 'cared for, by virgins and by boys! / A single, (who is sickly,) is sleeping at the foot, 1806 - 1830 print Leaf with 2 performances of the Free and Free Tree. Left: a tree full of women, where men can sort out a freight. Right: a tree full of men, where ladies can "pick" a potential freer. Under each image an eight -line verse. Numbered at the top right: No. 185. Print Maker: Netherlands Publisher: Zaltbommel paper letterpress printing shaking lovers out of a tree, with cudgel - CC - pursuit of a man

The funeral procession of Frederik Hendrik (plate no. 30), 1647; The funeral procession of Stadholder Frederik Hendrik in 's-Gravenhage in 1647; Begreigeisse van Syne Hoogheyt Frederick Henrick, By der Gratien Gods Prince by Orange, Grave of Nassau & C.The Funeral Procession or Stadholder Frederik Hendrik in 's-Gravenhage on 10 May 1647. Plate No. 30 with the Last Part of the Procession with Some Pastors, a Grave Monument and Construction Drawings of the Corpse. Part of a Series or 30 plates and 20 text sheets, intended to be Stuck Together.

Conversation between the young Brahman and the General, Daniel Nikolaus Chodowiecki, 1782 print Up to the top left: 8. paper etching Literature. temple, shrine ~ non-Christian religions. priest ~ non-Christian religions. statues, sculptures in garden. commander-in-chief, general, marshal. index finger forwards, pointing, indicating

Failed draft of Louis XIV and the Duke of Anjou, 1706, 1706 print Triumph car with Louis XIV and the Duke of Anjou pulled by six princes in the direction of a temple where the Spanish crown is kept. At the top two cartouches with representations with Jesuits, 1706. In the album verses in Dutch and French. Cartoon on the situation in the year 1706 in the Spanish Succession War. Part of a series of 25 cartoons on the French and allies from the year 1706. print maker: Northern Netherlandspublisher: Amsterdam paper etching political caricatures and satires

Bound Print (France)

Wastafel, 1666 - before 1678 This print is part of an album. after design by: Wemdingpublisher: Neurenberg paper engraving auricular ornament, lobe style ~ ornament. jug and basin; wash-basin

A. Cippi di marmo, trovati sul pavimento della camera , Architectural decorations & ornaments, Sarcophagi, Inscriptions. The Antonio Cardinal Tosti Collection

The story of Telemachus, Felice Giani, Italian, 1758-1823, Pen and brown ink,brush and wash, on cream laid paper, Top: Telemachus and his companion Minerva disguised as Mentor invited by Calypso into her lodging. She is shown from the right back walking, in the center. An altar is in the right forground. The servants prepare the meal in the right distance. Caption:, '1 Mentore Talemaco alogiati/dalla Dea Calipso.', In the right margin is a pen sketch for a slightly altered pose of Calypso. Bottom Calypso seated at dinner with her guests give orders to a group of singers and a lyre player standing at left to cheer up the guests. Telemachus leans his head in his right hand. Servants bring plates in the rear. Caption:, 'Convito fatto da Calipso/ a talemaco.', Italy, ca. 1820, Drawing, Drawing

A copper engraving by Coenradus Lauwers from 1650-1685 depicting B. John Chisius in a formal representation.

Parable of the rich fool; From Christi Herder-Ampt, and other gheschiesis; Similarities from the New Testament; Den Grooten Figuer Bibel (...). A rich man leaves even bigger barns for his resources and his grain. He sits at the table between his money. There is a poor exchange in the opened coffin. Under the show a reference in Latin to the Bible text in Luc. 12:16 And to the continuation of the story: the rich man will die at night. This print is part of an album.

Battle of Centaurs, Antoine Alexandre Joseph Cardon, After Guiliam van den Kieboom, 1772 - 1773 Sculpture with two centaurs and a naked woman (possibly the battle between the lapithen and centaurs at the wedding of Hippodamea). Sculpture group on a pedestal, seen from the front. Image made by François van Uffel and Guillaume van den Kieboom. Numbered at the top right of the plate: 5. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture with two centaurs and a naked woman (possibly the battle between the lapithen and centaurs at the wedding of Hippodamea). Sculpture group on a pedestal, seen from the front. Image made by François van Uffel and Guillaume van den Kieboom. Numbered at the top right of the plate: 5. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

Urbania (Marche - PU), Palazzo Ducale, Hall of Honor. Nicolaus Hogenberg, Triumphal procession of Emperor Charles V, etching. 1530

Lady Macbeth sleeping, Daniel Nikolaus Chodowiecki, 1784 print paper etching Macbeth. Literature. sleepwalking. candle

Reproduction of a painting: Chodowiecki, Daniel Mikołaj (1726-1801), Three illustrations depicting men and women during a marriage proposal; excerpt from a magazine. Wierzbicki, B. i S-ka (Warszawa ; zakład graficzny ; 1897-1944), reproduction atelier, Wędrowiec (Warszawa ; czasopismo ; 1863-1906), publisher

Nine performances, Johann Georg Penzel, 1769 - 1809 print The performances are numbered and number 43 is printed at the bottom. paper engraving

Polyphemus monitors the herd, Theodoor van Thulden, After Francesco Primaticcio, After Nicolò Dell'abate, 1633 The giant Polyphemus monitors the herd and sees how Odysseus and his men go ashore. The print is part of an album. Paris paper etching / engraving / letterpress printing The giant Polyphemus monitors the herd and sees how Odysseus and his men go ashore. The print is part of an album. Paris paper etching / engraving / letterpress printing

Three large and six small fountains, Anonymous, After Daniël Marot (I), After 1701 - Before 1800 print At the bottom of Apollo on a dolphin. Copy to sheet from series Liure de Fontaines published by Daniel Marot. paper etching garden fountain. (story of) Apollo (Phoebus). swimming mammals: dolphin

Umbria Perugia Trevi Collegio Etiopico Pontificio9. Hutzel, Max 1960-1990 The three exterior views of the Renaissance building (16th century) include the Carrara coat-of-arms and a plaque above the portal which indicate that this collegio was formerly the Palazzo Carrara and later also the residence of Cardinal Johannes Hais. Most views, however, are of the frescoed ceilings by Zuccari and Pietro da Cortona. Subjects include landscapes, allegorical figures, Apocryphal and Old Testament stories (Susanna and the Elders, Samson and Delilah, Joseph and Potiphar's wife, Daniel), saints, landscapes, putti, and illusionistic frames. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesq

Page I: Fourteenth, fifteenth and sixteenth floats, 1767, Pieter Wauters, 1767 Page I with the fourteenth, fifteenth and sixteenth floats and the fourteenth animal. Fourteenth triumph wagon with the allegorical imagination of the summer season. Fourteenth animal: Zebra. Fifteenth float with the wine harvest, probably an allegorical imagination of the autumn season (autumn). Sixteenth triumph wagon with a bacchanal. Marked: I / 28-31. Part of the parade at the celebration on 30 May 1767 of the 700-year anniversary of Saint Macarius, pattern of the city of Ghent and patron saint against the plague. Ghent paper etching / engraving Ghent Page I with the fourteenth, fifteenth and sixteenth floats and the fourteenth animal. Fourteenth triumph wagon with the allegorical imagination of the summer season. Fourteenth animal: Zebra. Fifteenth float with the wine harvest, probably an allegorical imagination of the autumn season (autumn). Sixteenth triumph wagon with a bacchanal. Marked: I / 28-31

Studierende Gelehrte, von Moh. Kasim; Illustrationsblatt zu Kafiz.. Prints. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection

Brabant lion shaves the Austrian, 1787; Your Rase, Et Coupe Les Moustaches Proprement / Mon Chef d'oeuvre J'ay Fait Jeudi Vingert the Courant / 1787; Brabant Review, 1787-1790. The Brabant lion as a hairdresser shaves an Austrian soldier with a saber. At the bottom, a Brabant woman washes ministerial pants. With French inscriptions. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

The curiosity, Giuseppe Maria Mitelli, 1687 print A political allegory of curiosity (curiosis): a winged female figure with a robe with eyes and ears, which shows two text strolls with a list of victories and conquests of the Christian armies on the Turks and rebels. Above a banderole with title. paper etching Curiosity, Inquisitiveness, Desire of Knowledge; 'Curiosità' (Ripa). ears. scroll - LL - scroll unfolded

How to "be cared for, through virgins and knons! / A sole, (which is delight is disease,) to sleep at the foot. Leaf with 2 representations of the freemen and freest roll. Left: a tree full of women, where men can choose a release. Right: a tree full of men, where ladies can "pick" a potentile freeman. Under each image a eight-line verse. Numbered at the top right: No. 139.

Man with children in his garden, Daniel Nikolaus Chodowiecki, 1779 print paper etching garden. father and child(ren), man and child(ren) (family group)

Cartoon on Cromwell, 1656. Cartoon on Oliver Cromwell from 1656. Cromwell as the whore of Babylon seated in seven-headed dragon threatens the Catholic Principes Philip IV and Ferdinand III and trampled symbols of the Catholic Church. Representatives from the United States of the United Provinces flee for his violence. Behind the dragon the chained preliminary princes from other countries. A knight chained by the devil is running on the tail of the dragon. In the performance inscriptions in Dutch. Signature at the top right: Pag. 3.

Batavian and Roman fleets on the Rhine, 69-70, 1768 - 1770 print Batavian and Roman fleets on the Rhine. Print 33 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Rhine

LIBRO: EL INGENIOSO HIDALGO DON QUIJOTE DE LA MANACHA. AUTOR: MIGUEL DE CERVANTS SAAVEDRA. PRIMERA EDICION DE LA REAL ACADEMIA DE 1780.

Boas marries Ruth, Pieter Sluyter, After Gerard Hoet (I), 1720 - 1728 print In the gate of Bethlehem, a family member of Boaz, in front of the ten elders of his oldest, leaves his right by pulling out his shoe. With that he transfers the rights to Boaz. The shoe was the symbol of rule and control. Anyone bought a piece of land did that by setting up his foot, his scorched foot. Illustration of the Bible text Ruth IV: 1-13 Under the show The title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Boaz accepts his kinsman's shoe

Garden with a round ground floor, Anonymous, After Hans Vredeman de Vries, 1615 print Garden with a round ground floor, surrounded by a hedge and a balustrade. In the background a column. For that people sit and stand on the grass. The print is part of an album. paper etching garden

Violieren's blazon, 1561, 1561 - 1562 The blazon of the Violieren, the Rederijkerskamer in Antwerp. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp The blazon of the Violieren, the Rederijkerskamer in Antwerp. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Title print 'Unputable Government der Ses Koningen van Engelandt', Jan Luyken, 1659 - 1712 print paper etching

The Prophet Daniel, from "Prophets and Sibyls" 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is copied from Baccio Baldini's Prophet Daniel (TIB. 2403.064).. The Prophet Daniel, from "Prophets and Sibyls" 368602

Milon en Chloë, Daniel Nikolaus Chodowiecki, 1771 print The young singer Milon sings one morning about his love for Chloë. Suddenly she appears to stand behind him. On this print the roles seem to be reversed: here Milon from behind a fence spares the unsuspecting Chloë. Numbered in the bottom right: 3. paper etching Literature. pastorals, Arcadian scenes. spying on someone

Foolishness of bathing, Daniel Nikolaus Chodowiecki, 1782 print paper etching taking a bath. screen, folding screen. bath-tub

Ancient metal oil lamps in swan and animal shapes in Odescalchi Castle 1, Etruscan candelabra from a terracotta in Casa Gualtieri 2, cuirass with bells used by sentinels at the Temple of Jupiter Capitolinus 3. Copperplate engraving by Domenico Pronti from his own New Collection Representing Religious, Civil and Military Costumes of the Ancient Egyptians, Etruscans, Greeks and Romans, Nuova Raccolta Rappresentante I Costumi Religiosi Civili e Militari, Rome, 1805.

Children's murder in Bethlehem, top right, Anonymous, After Paulus Pontius, after Peter Paul Rubens, 1668 - 1693 print Fragment of the children's murder in Bethlehem. In the courtyard of Herod's Palace in Bethlehem, mothers try to protect their children against his soldiers. The soldiers have been instructed to kill all boys of two years and younger. There is a sheet of paper on the column with this commandment in Dutch. after print by: Antwerppublisher: Amsterdam paper engraving the massacre of the innocents

Discovering, dragging away and hanging the body parts of Slatius, Coorenwinder and Gerrits, 1623, 1623 print Discovering, dragging away and hanging the body parts of Henricus Slatius, David Coorenwinder and Cornelis Gerrits, convicted conspirators against Maurits, executed in February, March and May 1623 in The Hague. Central the scenes numbered I-Vi of the find on 16 May 1623 by a plowing farmer of the buried body parts, opening the coffin, dragging back the bodies to the Galgenveld and hanging it on the wheel again. Two columns of text are printed on either side of the central - uncut - plate. With the inscription: Slatius, the graff / and vaert comes on this hey. Amsterdam paper etching / letterpress printing arrest (of criminal). mutilation of the corpse

Conversation between Elizabeth I of England and Christina I van Sweden, Anonymous, 1721 print Koningen Elizabeth van Engeland and Christina van Sweden stand in a garden in front of an image of the blindfolded Amor with text Kleyn and Blindt, but wides a lot. At the top the zodiac sign the Scorpio. paper etching / letterpress printing conversation, dialogue; conversation piece. garden

Rome, Piranesi, Giovanni Battista, Prima parte di architetture e prospettive inventate, ed incise da Gio. Batta Piranesi architetto Veneziano, First part of Architecture and Perspectives, Title print with title on marble block in a landscape with ruins, verso - handwritten in pencil, print, title print, prints, verso - stamped, L 1000, height 359 mm, width 253 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1743 - 1743, paper, papier, etching, etchings, Work conception, after own design by

Man with children in his garden, Daniel Nikolaus Chodowiecki, 1779 print paper etching garden. father and child(ren), man and child(ren) (family group)

Minor sketches. Orłowski, Aleksander (1777-1832), draughtsman, cartoonist

Adelheid speaks with Osman, whoever actually turns out to be her slave to be a slave, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 2. paper etching Literature. lovers' meeting. lute, and special forms of lute, e.g.: theorbo. lighting; lamps. slavery; serfs and the enslaved

Daniëls dream of the four animals; History of Daniel; Theatrum Biblicum (...). Daniël is in a bed under a canopy to sleep and dreams. Top left are dream of the four animals: a winged lion, a bear, a four-member panther and an animal with ten horns. Above the old manner. There are vision of the Ram and the goat buck in the landscape. Under the show a reference in Latin to the Bible text in. 7: 1.

Roman emperor with eagle, Jan Luyken, 1689 print Roman emperor with scepter and globe. Above him an eagle flies with a crown in the claws. Left a king on horseback. Print Maker: Amsterdamprinter: Utrecht paper etching emperor. sceptre, staff (symbol of sovereignty). predatory birds: eagle

The Vend�e Paul-Henri Regeau, French painter. The Vend�e. Pencil and ink on paper. 1885. Paris, Victor Hugo House.

Collection of Humorous Leftovers (Kokkei zansai bukuro 稽残菜嚢), vol., mid February 1882, Kawanabe Kyōsai, Japanese, 1831 - 1889, 7 3/16 × 4 13/16 × 1/4 in. (18.26 × 12.22 × 0.64 cm), Woodblock printed book; ink and color on paper, Japan, 19th century

Falstaff accuses De Waardin of theft, Daniel Nikolaus Chodowiecki, 1785 print Numbered at the top right: 8. With caption and page reference in German. paper etching Literature. fat (human type). Accusation, Incrimination. Falstaff

Dood van Orpheus, Virgil, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. death of Orpheus: he is torn to pieces by the Thracian women during a Bacchic orgy

Orestes and Pylades before Iphigenia and her priestesses preparing to celebrate the sacrifice to goddess Artemis; in the lower part, view of countryside with buildings, Herculaneum, Campania, Italy, engraving by Nicola Vanni from a drawing by la Vega, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume I, plate 12, 1757-1787, Naples.

Speculum Romanae Magnificentiae: Statue of Pasquin in the House of Cardinal Ursino 1550 After Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standa

Copper engraving by Sebald Beham from 1549 depicting a triumphal procession, showing figures, horses, banners, and detailed 16th-century German artistic style.

Expulsion from paradise, c. 1530 Adam and Eva are driven out of paradise by an angel with a flaming sword. Print is part of a book. Amsterdam paper Adam and Eva are driven out of paradise by an angel with a flaming sword. Print is part of a book. Amsterdam paper

View of the courtyard of a Proveniershuis, Jan Luyken, 1711 print Amsterdam paper etching courtyard. dog

Plate XII, from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Machine turned by two men; three wheels on an axel turn spokes, center, which work a hammer by pushing and dropping two long handles to it. Man, center foreground, holds a flat spade-type tool, over an anvil. Description in Latin on verso of 1949-152-209., Europe, 1582, Print, Print

Ritratti di alcuni Ostrogotti 1768 Joseph François Foulquier French. Ritratti di alcuni Ostrogotti 385251

Soil; Terra / girded; The four elements. Personification of the Earth element. Rocaille ornament in landscape with three putti with flowers and vase with flowers. Publisher number G.

Triomf Van de Twee Romesese Keizers, Cherubino Alberti, After Polidoro da Caravaggio, 1628 print A group of people flee with their belongings. Behind it a group of Roman soldiers on horseback with spears. On a plaque under the performance text in Latin. Numbered bottom left: 4 (mirror image). print maker: Romeafter design by: ItalyItaly paper engraving battle. warfare; military affairs (+ cavalry, horsemen). flight, running away; pursuing

The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings 1727 William Kent British. The Designs of Inigo Jones, Consisting of Plans and Elevations for Publick and Private Buildings. 1727. Illustrations: etching and engraving. William Kent (British, Bridlington, Yorkshire ca. 1685-1748 London)

Ark van Noah, c. 1530 Noah's Ark drives on the water of the flood. In the water a mermaid and mermaid. Birds in the air including the pigeon with a twig. Print is part of a book. Amsterdam paper Noah's Ark drives on the water of the flood. In the water a mermaid and mermaid. Birds in the air including the pigeon with a twig. Print is part of a book. Amsterdam paper

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