Historical Church Fathers Art

Detailed engravings depicting key church fathers with symbolism and historical context. Features figures in religious attire interacting with significant imagery.

Saint Babylas of Antioch is studying a book, holding a pen and writing tablet at the ready. Babylas stands on a pedestal where his beheading and that of his three disciples are depicted on the front. Print marked top center: II: Part Pag. 285., H. Babylas of Antioch Babylas Bishop of Antioch. There with three of his Disciples, beheaded , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 278 mm × w 173 mm

H. Gregory of Nyssa, Church Father, Jan Luyken, Zacharias Chatelain (II)

H. Melito of Sardis, Church Father, Jan Luyken, Zacharias Chatelain (II)

H. Gregorius van Nyssa, Kerkvader, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Gregorius of Nyssa sees an angel on the back of a devil's beast and keeps it under control with chains. Gregorius stands on a pedestal. On the front the scene in which he prays with his deacon to God while they are chased by Roman soldiers. Print in the middle of it marked: ii part p. 213. Amsterdam paper etching / engraving male saints (GREGORY OF NYSSA)

H John Chrysostom, Church Father, Jan Luyken, Zacharias Chatelain (II), François Halma, 1698.

H. Ignatius of Antioch, Apostolic Father, Jan Luyken, After Jan Goeree, 1698 print The Holy Apostolic Father Ignatius of Antioch is accompanied by a lion and looks at the angel who holds a untreaded piece of paper next to him. Ignatius stands on a pedestal where on the front is portrayed how he is torn apart by Leeuwen in the Colosseum in Rome. Print in the middle of it marked: II: part: page: 138. Amsterdam paper etching / engraving the bishop of Antioch, Ignatius (Theophoros); possible attributes: heart with IHS monogram, (two) lion. St. Ignatius of Antioch is thrown to the lions in the arena

Saint Babylas of Antioch is studying a book, holding a pen and writing tablet at the ready. Babylas stands on a pedestal where his beheading and that of his three disciples are depicted on the front. Print marked top center: II: Part Pag. 285., H. Babylas of Antioch Babylas Bishop of Antioch. There with three of his Disciples, beheaded , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 278 mm × w 173 mm

H. Melito van Sardes, kerkvader; Melito Bisschop van Sardis. Onderwysende inde Cristelyke Godsdienst.The sacred church father melito from Sardes with a book in his hands, behind him an angel. Melito is on a base where his education in Christian doctrine has been displayed on the front. PRENT In the middle of labeled: II. Share pag: 220.

Kerkvader Origenes; Origenes, Ouderling en Catechist t'Alexandriën. Word te Tyrus wreedelyk gepynigd.The Church Father Origen shows an angel a portrait medallion. Origenes is on a base where torture death has been shown on the front. PRENT In the middle of labeled: II. PART PAG. 254.

H. Simeon van Jerusalem, Jan Luyken, after Jan Goeree, 1698 print Saint Simeon van Jerusalem looks at the angel who suggests his Bisschopsmijter. Simeon stands on a pedestal where his crucifixion has been portrayed on the front. Amsterdam paper etching / engraving male saints (with NAME). violent death by crucifixion

Church father Eusebius van Caesarea, Jan Luyken, after Jan Goeree, 1698 print The church father Eusebius van Caesarea, standing on a pedestal. On the front the scene in which he is visited in prison by his teacher Pamphilus of Caesarea. Amsterdam paper etching / engraving male saints (EUSEBIUS OF CAESAREA). male saints (with NAME). prison, jail

Apostel Barnabas; De H. Barnabas Apostel, Met Paulus, te Lystren voor Goden aangesien.The Apostle Barnabas pointing to an angel who puts him a book. Barnabas is on a base. On the front the scene in which the apostles Paul and Barnabas are honored by the people in Lystra as gods. PRENT In the mid top marked: II Part: Pag: 70.

The holy apostolic father Ignatius of Antioch is accompanied by a lion and looks at the angel holding an unrolled piece of paper next to him. Ignatius is standing on a pedestal where the obverse depicts him being mauled by lions in the Colosseum in Rome. Print marked top center: II: Part: Pag: 138., Saint Ignatius of Antioch, Apostolic Father Ignatius, Bishop of Antioch. At Rome, in the Fireplace, thrown to the Lions , print maker: Jan Luyken, (mentioned on object), print maker: Zacharias Chatelain (II), (mentioned on object), intermediary draughtsman: Jan Goeree, (mentioned on object), Amsterdam, 1698, paper, etching, engraving, h 281 mm × w 178 mm

H. Melito van Sardes, church father, Jan Luyken, After Jan Goeree, 1698 print The holy church father Melito van Sardes with a book in his hands, behind him an angel. Melito is on a pedestal where his education in Christian doctrine has been portrayed on the front. Print in the middle of it marked: II. Part page: 220. Amsterdam paper etching / engraving male saints (MELITO OF SARDES). male saints (MELITO OF SARDES) - male saint writing, studying, teaching, dictating (e.g. as Doctor of the Church)

H. Johannes Chrysostomus, kerkvader; Chrysosthomus, Bisschop van Konstantinopelen Sterft na verscheyde mishandelingen, te Pitijus.The Holy Church Father John Chrysostomus, standing on a base. On the front a scene in which chrysostomus dies after being abused by several times. PRENT In the mid top labeled: III. PART PAG. 557.

H. Johannes Chrysostomus, kerkvader.The Holy Church Father John Chrysostomus, standing on a base. On the front a scene in which chrysostomus dies after being abused by several times.

Depicts 'Christ before Annas' from the Passion series by Lucas Cranach the Elder, created as a woodcut and type print in 1509, showing Jesus judged by Annas.

H. Justinus de Philosopher, Apologist, Jan Luyken, After Jan Goeree, 1698 print Saint apologet Justinus The philosopher is given a scroll of an angel. Justinus stands on a pedestal where his decapitation has been portrayed on the front. Print in the middle of it marked: II. Part page: 179. Amsterdam paper etching / engraving male saints (with NAME). violent death by beheading

H. Basilius van Caesarea, kerkvader; Basilius, Bisschop van Cesarëen in Cappadociën. Zyn gedrag omtrend de Armen.The sacred church father Basil from Caesarea, standing on a base. On the front the scene in which Basilius performs food to the poor. PRENT In the mid top labeled: III. PART PAG. 311 (for vast majority).

H. Pantenus of Alexandria, church father, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Pantenus of Alexandria with a book in his hands. In front of him is an angel also with a book. Pantenus stands on a pedestal where on the front his teaching in the school of Alexandria has been portrayed. Print in the middle of it marked: ii part page: 227. Amsterdam paper etching / engraving male saints (PANTAENUS OF ALEXANDRIA) - male saint writing, studying, teaching, dictating (e.g. as Doctor of the Church). male saints (PANTAENUS OF ALEXANDRIA)

Ladislaus I, King of Hungary Saint.

Church Father Tertullian of Carthage, Jan Luyken, Zacharias Chatelain (II), Jan Goeree, 1698.

Kerkvaders Ambrose, Hieronymus, Augustinus and Georgius the Great and Saint Clara, Sheped Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Four Kerkvaders, the Saint Ambrosius, Hieronymus, Augustine and Georgius the Great and Holy Clara. On a cartouche there is a Latin verse in four lines. This print is part of an album. print maker: Southern Netherlandspublisher: Antwerp paper engraving the virgin and foundress of the Order of Minoresses (or Poor Clares), Clare of Assisi; possible attributes: book, cross, flaming horn, lily, monstrance, palm-branch, pastoral staff, rosary. the four Latin (Western) Fathers of the Church together: Ambrose (usually as bishop), Jerome (usually as cardinal), Augustine (usually as bishop), Gregory the Great (usually as pope)

H. Gregory of Nazianzus the Younger, Church Father, Jan Luyken, Zacharias Chatelain (II)

The holy apologist Justin the Philosopher is handed a scroll by an angel. Justin stands on a pedestal where his beheading is depicted on the front, St. Justin the Philosopher, apologist, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 274 mm × w 172 mm

Copper engraving of the Rosary Madonna by Nicolas Beatrizet, produced between 1530 and 1565.

Title page for the stairs of the genadetrubs of Jesus Christus, 1717, Michiel Elgersma, After Jan Wandelaar, 1717 print Christ is standing with an illuminated person at the bottom of the stairs of a landing. He points to an angel in the doorway of a round building with several people. print maker: Amsterdamafter design by: Netherlandspublisher: Amsterdam paper etching Christ

Three angels admire an obelisk with scenes from the New Testament; The life of our Savior in one-pulled from a new agreement of four evangelists; Title page for: Lambert ten Kate Hermansz, the life of our Savior Jesus Christ; In-one-pulled from a Newlyks investigated agreement of the four evangelists, 1732. Landscape with three angels at an obelisk. On the monument the title in Dutch, in the midst of passions of equipment and other attributes that refer to the life of Christ. On the basement scenes from the New Testament, the birth of Christ, the crucifixion, the resurrection and the Ascension. In the background a column with scenes from the Old Testament. Three putti in the foreground. One of them plays a harp, another rolls paper on the ground.

Leaf with two sibyles and two scenes from the pass story., Jacob Cornelisz van Oostsanen, after Lucas van Leyden, 1528 - 1532 print From series of seven magazines. Print, printed from multiple blocks, forms one whole through ornamental frame. At the top left the Doornkring, at the top right Christ on the cross. Bottom left the Sibylle from Delphi with Doornkroon and accompanying text, below the Sibylle van de Hellespont with cross and accompanying text. In frame personification of moderateness (temperancia) and gluttony (Gula). paper the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3). crucified Christ, with particular persons under the cross. sibyls (with NAME). sibyls (with NAME). Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Gluttony, Intemperance, 'Gula'; 'Gola', 'Ingordigia', 'Ingordigia overo Avidití', 'Voracití' (Ripa) ~ personification of on

H. Ireneüs van Lyon, kerkvader; Ireneus, Bisschop van Lions. Door last van Zeverus, aldaar wreedelyk gedoodt.The sacred church father Ireneus from Lyon stands with an open book in his hands. In addition to him, an angel supports a sword that has been put into a bishop's mushroom. Ireneüs is on a base where his decapitation has been displayed on the front. PRENT In the middle of labeled: II. Share pag: 202.

TITELBLAD VOOR 'Regulation and establishment of the Company of White Penitents of the City of Nancy', Jacques Callot, 1634 - 1635 print Two clergymen, dressed in robes with hoods that cover the entire face as masks (members of the brotherhood of white penitents) are kneeling for an altar on which a pieta show (Maria who pours her dead son) is adorning. Nancy paper etching title-page. the dead Christ in Mary's lap. monk(s), friar(s)

Augsburg creed; Augsburg confession. Two performances about the Augsburg creed in an architectural frame, decorated with allegorical figures and portrait medallions from Luther and Hus. Upstairs: Allegorical performance with the Luther and Melanchton reformers with an altar, in the distance is the Saint Peter's Church. In the air an angel flies with banderol on which the text: Euwig Gospel. In addition to the angel, Jupiter has appeared with lightning bolts. Below: Melanchton reads the Augsburg confession to Karel V.

. Threaded Maria in a niche with the Christ child on shot, flanked by two angels. Above them the Holy Spirit and God the Father. In the foreground the Saint Ursula with a staff with Banner and Maria Magdalena in her hand with the ointment. Among the throne a sculpted frieze with a representation of the fall. Both the angels and Maria hold on to strings confirmed prayers with the representation of Mary with the Christ child.

Eleziers search for a woman for Isaac; Scenes from Genesis. Abraham sends his servant to go into the world to look for a woman for Isaac. Elezier swears on the Lies of Abraham that he will find a woman for Isaac. Upstairs, three medallions with images of the journey of Elezier: Links The meeting with Rebekka at the well, Middle Elezier during the feast given by the brother of Rebekah, on the right the first meeting between Rebekah and Isaac. The print has a Latin caption in a cartouche. The print is part of a series of scenes from the Genesis Bible book.

Allegorical representation in honor of the Jesuits Missionaries, Claude Mellan, 1619 - 1624 print Allegorical representation in honor of the Jesuits missionaries with Ignatius of Loyola and Franciscus Xaverius in a Tholos with the burning heart in their hands. Outside the Tholos are personifications of the four continents. paper engraving regular clerics, e.g. Jesuits, Redemptorists. the founder of the Jesuit Order, Ignatius of Loyola; possible attributes: book (with 'ad majorem Dei gloriam'), demon, dragon under feet, flames, flaming heart, globe, IHS monogram, skull (with crown), tears in eyes, torch. the Jesuit missionary Francis Xavier; possible attributes: cross, crucifix, flaming heart, Indian, lily, torch

H. Cyprianus van Carthago.The Sacred Cyprianus of Carthago points an angel with a miter in the hands on a passage in a book. Cyprian stands on a base where his decapitation has been introduced on the front.

Altar with Christ with the cross, Jacob Gottlieb Thelott, after Johann Daniel Herz (I), 1722 - 1740 print Design for an altar with a painting of a appearance of Christ with the cross. Eight statues of saints flank the altar on the top and bottom. The altar is awarded by angels with garlands and a scene with the Archangel Michaël. Augsburg paper etching / engraving altar. appearances of Christ after the Resurrection. the Archangel Michael (often in armour with sword or lance)

The apostle Judas Taddeus with a roll of paper in his hands. Judas Taddeus is standing on a pedestal. On the obverse the scene in which he preaches the gospel to his hearers., Apostle Judas Taddeus, print maker: Jan Luyken, print maker: Zacharias Chatelain (II), intermediary draughtsman: Jan Goeree, Amsterdam, 1698, paper, etching, engraving, h 279 mm × w 178 mm

Apostle Judas Taddeüs, Jan Luyken, After Jan Goeree, 1698 print The apostle Judas Taddeüs with a roll of paper in his hands. Judas Taddeüs is on a pedestal. On the front the scene in which he preaches the gospel to his audience. Amsterdam paper etching / engraving the apostle Jude Thaddaeus; possible attributes: book, club, halberd, scroll. idols falling down at the preaching of Simon Zelotes

H. Clemens van Rome, church father, Jan Luyken, After Jan Goeree, 1698 print The Holy Church Father Clemens van Rome studies a writ -up while an angel tays for him a coat of arms with a Bisschopsmijter. Clemens is on a pedestal. On the front the scene in which he is tied to an anchor in the sea. Amsterdam paper etching / engraving Clement I, pope and martyr; possible attributes: anchor, lamb, millstone, trireme. St. Clement is thrown off a cliff (or from a boat) into the sea with an anchor (or a millstone) tied to his neck

Antwerp, Galle, Theodoor, Poland, Galaminio, Augustino, Nys, Joannes, Jode, Pieter de (I), Vita et miracula SP Dominici, Life and miracles of Saint Dominic, Tomb of Saint Dominic, verso bottom center - stamped, The tomb of Saint Dominic in Bologna. People praying at his grave. The print has a Latin inscription and caption and is part of a series of prints for a book about the life of Saint Dominic., print, book illustration, prints, width 90 mm, height, 150 mm, South Netherlandish, 1571 - 1633, print maker, printmaker, 1611 - 1611, paper, engraving, engraving (printing process), 1570 - 1634-08-09, intermediary draughtsman, after a drawing by, Work conception, after a design by, 1552 - 1639, writer, Publication (Event), Publication, publisher

Depicts the Holy Family with two angels in a vaulted hall, showing Mary, Joseph, Jesus, angels, architectural vault, and interior space, executed as a woodcut with plate remnants by Albrecht Dürer around 1503/1504.

Apostle Mattias, Jan Luyken, After Jan Goeree, 1698 print The Apostle Mattias with a roll of paper in his hands. Mattias is on a pedestal. On the front the scene in which he is added by draw to the eleven disciples of Christ. Print in the middle of it marked: fol: 346. Amsterdam paper etching / engraving the apostle and martyr Matthias; possible attributes: axe, book, cross, halberd, scroll, sword. the lot falls on Matthias ~ substitution of Judas

H. Theophilus van Antiochië, apologeet; Theophilus, Bisschop van Antiochiën Door Aandagtige bespiegling Christen geworden.The Holy Apologet Theophilus of Antioch with a rolled paper in his hands. An angel studies a book at his feet. Theophilus stands on a base where his study of Christian writings has been shown on the front. PRENT In the middle of labeled: II. Part. Pag: 214.

Crucifixion of Christ, Antonie Wierix (II), After Maerten de Vos, 1582 - 1586 print The cross -death of Christ on Mount Golgota. Under the cross are Mary Magdalena, Mary and Saint John. The show is caught in an ornamental frame that is decorated with the passion tools and at the top of the tetragram surrounded by cherubies. print maker: Antwerppublisher: Amsterdam paper engraving comprehensive representations of the events on Golgotha during Christ's hanging on the cross, no particular event emphasized. single instruments of the Passion. tetragram (in Roman or Hebrew script) ~ symbol of God the Father

Saint. Stanislav Kostka (1550 rostków near przasnysz 1568 Rome) D. Stanislaus hearing the filthy spoon unknown

Burying the dead, Philips Galle, 1577 print The burying of the dead as seventh of the works of mercy. The show is caught in an architectural frame with arch. Above, in Cartouche, the title. In the foreground in the middle, a coffin is left in a grave. Praying priests and citizens around it. On the second plan, on the left the funeral of Christ; Right right The funeral of John the Baptist and entirely in the background the funeral of Saint Stefanus. In the four extreme corners scenes from the O.T. and N.T. in which dead are buried. With explanatory texts from O.T. and N.T. Under the performance four lines of Latin. This print is part of a series of prints of the works of mercy (consisting of a title page and seven numbered prints). paper engraving burying the dead, 'mortuus sepellitur' ~ one of the (seven) Acts of Mercy

H. Justinus de Filosoof, apologeet; Justinus De Martelaar, Te Rome, met zes andre gegeeselt, en onthalst.The Sacred Apologet Justinus the philosopher gets a scroll from an angel. Justinus is on a base where his decapitation has been shown on the front. PRENT In the middle of labeled: II. Share pages: 179.

H. Justinus de Filosoof, apologeet; Justinus De Martelaar, Te Rome, met zes andre gegeeselt, en onthalst.The Sacred Apologet Justinus the philosopher gets a scroll from an angel. Justinus is on a base where his decapitation has been shown on the front. PRENT In the middle of labeled: II. Share pages: 179.

H. Cyrillus van Jeruzalem, kerkleraar; Cyrillus, Bisschop van Jerusalem, Wonder Teeken t'zynen tyde boven Jeruzalem gesien.The Holy Church teacher Cyrilus of Jerusalem, standing on a base. On the front the scene in which a shining cross surrounded by a rainbow in the air above Jerusalem has appeared. PRENT In the mid top labeled: III. PART PAG. 441.

Ascension of Maria, Paulus Constantijn La Fargue, After Anthonie Blocklandt, 1759 print Part of a print to the triptych to Anthony van Blocklandt. The center panel shows the Ascension of Maria, the left panel the worship by the shepherds and the right panel the annunciation. The rear sides of the side panels show Maria with child and on the right the client with the Apostle Andreas and the Archangel Michael. paper etching / engraving coronation of Mary by one or more angels

Man at the age of sixty, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments, a performance of an older man who gives an alms to a begging. A church in the background. The print has a Latin and French caption. Antwerp paper etching / engraving old man. giving alms or other charity, e.g.: handing out food. beggar. Roman Catholic Church

Annunciatie, Albrecht Dürer, 1511 print The angel Gabriel appears to Mary, while she is reading a reader in a high room. In the background God in heaven; Above Mary's head the Holy Spirit in the form of a pigeon. Latin text printed on the fresh side. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Maria. Nuremberg paper letterpress printing dedication (or presentation) of Mary in the temple: she ascends the steps and is received by the high priest

Islamic men, 1718 print Three men, including one with turban, stand on a stage. In front of the stage is a kneeling man with turban, arrow sleeve and staff, seen on the back. There are two heads on the left. paper engraving / etching Islam, Mohammedanism. head-gear: turban

H. Justinus de Philosopher, Apologist, Jan Luyken, After Jan Goeree, 1698 print Saint apologet Justinus The philosopher is given a scroll of an angel. Justinus stands on a pedestal where his decapitation has been portrayed on the front. Print in the middle of it marked: II. Part page: 179. Amsterdam paper etching / engraving male saints (with NAME). violent death by beheading

John Baptist Jackson, 1701-1780, British, Holy Family and Four Saints, 1745. Chiaroscuro woodcut.

Interior of the Capella della Croce on Mount Verna; with a painting of Saint Francis on the altar. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.

Jews chained to Palmboom, Jan Caspar Philips, 1727 print Two Jews are chained on a palm tree with a shield with S.P.Q.R. in the background a procession with prisoners. Around a round arch with various performances with Judaism and the continuation of Jews. paper etching / engraving Jewish religion and culture. anti-semitism. prisoner; in fetters. trees: palm-tree

Human worship, Jacques Callot, 1621 - 1628 print Oval representation of a number of veiled men for a Roman emperor on a throne. This print is part of a series of three prints on which different types of worship are depicted: the worship of God, the worship of the devil and the worship of man. Nancy paper etching worship and devotion (in general) ~ Roman religion. emperor

Presentation in De Tempel, Benoît Audran (I), After Charles Le Brun, 1671 - 1721 print print maker: Francepublisher: Paris paper etching / engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Presentation in De Tempel, Benoît Audran (I), After Charles Le Brun, 1671 - 1721 print print maker: Francepublisher: Paris paper etching / engraving presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

Middle panel of altarpiece: Ascension of Maria, Paulus Constantijn La Fargue, After Anthonie Blocklandt, 1759 print print maker: Netherlandsafter own design by: NetherlandsThe Hague paper etching / engraving the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Circumcision of Christ, Wolfgang Huber, 1500 - 1537 print A man holds the Christ child while the priest performs the circumcision with a knife. A man kneels with a bowl with them. Joseph and Maria are on the right in the background. The event takes place in the interior of a church. paper circumcision of the Christ-child by the priest in the temple (Luke 2:21)

Easter Prize, 1761 - 1804 print Christ on the cross, with angels on either side who take care of his blood in Kelken. On the left Maria, Right John, and below Maria Magdalena in Devotion. At the top left of the sun, the moon at the top right. Completely surrounded by a decorative edge. Under the image an eight -line verse in two columns. Numbered at the top right: No. 3. Netherlands paper letterpress printing crucified Christ with Mary, John, and Mary Magdalene. angel(s) catching Christ's blood in cup(s). sun and moon in the sky at either side of the cross of Christ

H. Athanasius van Alexandrië, kerkvader.The sacred church father Athanasius of Alexandria, standing on a base. On the front a scene in which he save other children as a boy.

Title page for: Huwelyks close to lucky conjunction (...) Jacob van Lennep Aarnoudsz. With young woman Petronella De Neufville, 1711. On either side of a cartouche with the title of the book sit minerva and prosperity, which holds a cornucopia with money pieces. Mercury taps her on the shoulder. Under the eye of God the Father is accompanied by an allegoric female figure with a pomegranate and olive branch in the hand. Bride and groom give each other's hand above an altar with sacrificial fire. Behind the groom stands love that envy away from the bridal couple. In the background singing and dancing people and a look into a three-master for anchor. At the top of the coats of arms of both families.

Johannes de Baptist Legt de doctrine of the Immaculate Reception to H. Gregory, H. Augustine and Johannes Chrysostomos, Nicolas Dorigny, After Carlo Maratta, 1687 print print maker: Francepublisher: Paris paper etching / engraving series of scenes from the life of John the Baptist. Madonna (i.e. Mary with the Christ-child) in the air, or on the clouds. pope Gregory the Great; possible attributes: dove, emperor Trajan. Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen. the archbishop of Constantinople, John Chrysostom; possible attributes: beehive, dove

A copper engraving by Agostino Veneziano from 1509-1536 depicting the primary saints of the Dominican Order with the Virgin Mary, highlighting early 16th-century religious iconography.

Joachim and Anna with Maria as a child, Cornelis Galle (II), 1638 - 1678 print Joachim and Anna kneel on either side of a crib. They keep their daughter Anna up. In heaven the Holy Trinity, with the Holy Spirit in the form of a pigeon, and Christ and God as people, sitting on clouds. Antwerp paper engraving cradle, crib. (Joachim and Anna with) the baby Mary

. King Solomon sits on his throne and velt his judgment. He gives the command to let the baby share in half to determine who is the child's mother. Right a man pulls his sword. For the throne the two women who both claim the motherhood of the child.

Saint. Maron (d. 410) Syrian monk S. Maron, from: album Images of saints, engraving on copper by Rentz and Montalegre

Altar; Plusieurs deposits d'Autelz a la romaine. Right variant with the virgin Mary who holds Christ on her arm in a wreath of clouds above the altar. From series of 6 sheets, second edition.

Worship of man; Worries. Oval representation of a number of veiled men for a Roman emperor on a throne. This print is part of a series of three prints on which different types of worries are represented: the worship of God, the worship of the devil and the worship of man.

Altar with a painting of the Ascension of Maria, c. 1658 - c. 1670 print Altar with a painting of the Ascension of Maria. At the bottom of the map of the altar. Print is part of an album. Paris paper etching altar with altar-piece. the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Mocking of Christ, Ferdinand Etten, 1605 - 1700 print Christ seated, the hands bound, is beaten with sticks by two martial boys. A third is kneeling before Christ and mocked him. In the background Pilatus and soldiers. Under the performance a four -line caption in Latin (Mat. 27). The whole is surrounded by a edge list on which the passion instruments. Low Countries paper engraving in Pilate's palace Christ is mocked by soldiers (Luke 22:63-65)

Decoration for a Thesis in Honor of Saint Francis Solano in two parts: the top part with Saint Francis Solano with his arms raised and a sun in his hands with Mount Potosí at right, the lower part with the doctor of the church holding a banner and two putti below 1639 Stefano della Bella Italian This exceedingly rare print was made for a theological thesis defense that took place in Romes Franciscan convent of Santa Maria in Aracoeli in 1639. The event was dedicated to the Spanish jurist and diplomat Buenaventura de Salinas y Córdoba (1592-1653) and celebrated the Spanish friar Francis Solano (1549-1610), a Franciscan missionary who spent his life among indigenous populations in the Viceroyalty of Peru. In the top sheet, Solano is shown with his arms raised, as if supporting the sun that rises between Perus two most important cities: Lima, its capital, and Potosí, whose abundant silver mines were the principal source of Spains wealth in the period. In the bottom sheet, the sixteen t

Interieur Van de San Lorenzo in Florence, Stefano Della Bella, 1637 print View from the ship in a side aisle of the San Lorenzo in Florence. The church is decorated in honor of the funeral of Emperor Ferdinand II. There are skeletons against pillars. Title in the end margin. Italy paper etching interior of church. parts of church interior: aisle. funerary ceremonial. public funeral Sint-Lower Basilica

Figures kneel for a throne emperor and empress. A throne emperor and empress under a canopy. For the throne are servants with turbans on the head. A servant is deeply bending in the foreground. PRENT Left and at the top right labeled: I. part. - Pag: 105.

The Life of the Virgin: The Annunciation, c. 1503-1505. Albrecht Dürer (German, 1471-1528). Woodcut;

Antwerp, Galle, Cornelis, Allegorical representation with divine virtues and Mary, verso - stamped, In front of an empty oval medallion sit the three divine virtues Faith (with cross and chalice), Hope (with anchor) and Love (with three children). At the top left sits Mary who tramples a snake with apple. On the right sits an angel. In the middle God appears with globe from behind the clouds. On the right flies a dove as a symbol of the Holy Spirit. With his rays he shines on the lily held by Mary., print, prints, height 267 mm, width 166 mm, print maker, printmaker, 1600 - 1700, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Two silver trumpets are used to convene the community, 1645 - 1646 print In front of a gate, where you can see a part of a tent camp, two men blow on behalf of Moses on the two trumpets made of driven silver to convene the community. The print is part of an album. paper letterpress printing signals for breaking camp ~ book of Numbers

Maria Crowned by Christ, Master of De Dobbelsteen, After Rafaël, 1691 - 1729 print Mary is crowned by Christ in the middle. In the foreground on the left the Holy John the Baptist and on the right the saint Hieronymus with lion. In the air God the Father and the Holy Spirit as a pigeon. Title in the middle. print maker: Italyafter design by: Italypublisher: Romepublisher: Italypublisher: RomeVaticaanstad paper engraving / etching the Christ-child crowning Mary ~ Madonna-representations. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. cupids: 'amores', 'amoretti', 'putti'. the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

. Blazoen van de Rederijkerskamer de Pellics in Haarlem. In the middle Christ on the cross, surrounded by an oval cartouche with two allegorical figures with a few beaten hands and pigeons as attributes at the top of each other. At the bottom of the cross the pelican that feeds his boy by poking in his own breast. In the background Aeneas that his father wears anchees from the burning troy.

. Christ and his students sit around a table. Christ holds the bread and makes a blessing gesture. The dining of law stands in the background on an altar. The performance is caught in an oval frame with a peripheral panel.

Allegorical performance on the occasion of the marriage of Adriaan van Maten and Maria van Vollenhoven. Allegorical show on the occasion of the marriage of Adriaan van Maten and Maria van Vollenhoven in Amsterdam in 1721. The bridal couple holds each other's right hand and stands at the altar of Juno, where the wedding god Hymen marries them. Amor crown the two with laurel wreaths. In the middle above the coat of arms of the couple. Under the show the motto: Soli Tibi Pronuba Juno.

Baptismal ceremony in a Russian church, Jan Luyken, 1681 print Amsterdam paper etching baptism, christening ceremony ~ the first of the seven sacraments

. Christ is considered by Maria and four other women after the cross collection. In standing oval with ornament. In the foreground two men close the tomb with the corpse of Christ. The eleventh print of a thirteen-part series of ornament prints about the passion of Christ.

Altar; Nouueaux Dessins d'cars à la Romaine. In the middle there is an octagonal painting with the possession of Christ.

Evangelist Marcus; S. Marcvs; The four evangelists. The Evangelist Marcus, on a cloud, with his attribute the lion beside him. He leans on the gospel book. The performance is caught in an ornamental frame with a prophet in a niche on either side.

H. Dionysius de Areopagiet, Jan Luyken, After Jan Goeree, 1698 print Saint Dionysius The Areopagiet is in the hands with a book and a commanda table. At his feet an owl and a bishopsmijter. Dionysius stands on a pedestal where his conversion until Christianity has been portrayed on the front. Print in the middle of it marked: ii part fol: 101. Amsterdam paper etching / engraving The conversion of Dionysius (Denis) The Areopagites. Dionysius the Areopagites

Presentation of Maria in the Temple, Hieronymus Wierix, 1563 - Before 1619 print Young Mary is accompanied by her father and mother and angels as she walks up the stairs towards the altar and the high priest. In the open sky above them, two angels with a crown. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving dedication (or presentation) of Mary in the temple: she ascends the steps and is received by the high priest (+ angel(s))

The Beautiful Virgin of Ratisbon on an Altar, soon after 1520. Albrecht Altdorfer (German, c. 1480-1538). Engraving;

Leo XI, Rudolf II of Habsburg (German Emperor), Sadeler, Raphael (II), Mary with the Christ Child and Saint Catherine of Alexandria and Saint Margaret of Antioch, verso lower left - stamped, In a decorated portal the Virgin Mary with the Christ Child, flanked by Saint Catherine of Alexandria (left) and Saint Margaret of Antioch (right). All around an ornamental frame decorated with flowers. On either side a cartouche with Saint Rupert of Salzburg (left) and an unknown saint (right). At the bottom a cartouche with the Chapel of Grace of Altötting., print, prent, prints, height 248 mm, width 179 mm, South Netherlands, 1584-12-20 - 1632, print maker, printmaker, 1607 - 1607, paper, papier, engraving, engraving (printing process), 1552-07-18 - 1612-01-20, granter of privilege, 1535-06-02 - 1605-04-27

Examples of obedience. Christ hangs on the cross. Maria and Johannes mourn at the foot of the cross. Under the show an open tomb in which a dedicated lies. Scenes with monks are depicted on the columns on either side.

Copper engraving by Hendrick Snyers around 1643 depicting Saint Francis of Assisi, showing the saint, religious symbols, and European 17th-century artistic elements.

The interior of the chapel of Saint Mary Magdalen, on Mount Verna, where Saint Francis of Assisi retreated. Engraving attributed to D. Falcini after J. Ligozzi, ca. 1612.

The crucifixion and burial of Christ, Jacob Cornelisz van Oostsanen, 1520 print Printed from two blocks. Ornamental frame around representation with the passion tools of Christ, Christ on the cross and Christ laid in grave by two men, around Graf Mary, John and Mary Magdalena. paper 'passus sub porto pilot, crucifixus, mortus et sese sese est' ~ Articles of Faith. The crucifixion of christ: Christ's death on the Cross; Shadows (Matthew 27:45-58; Mark 15:33-45; Luke 23:44-52; John 19:25-38). Christ's Entom (Possibly by Power)

Title print with two writing monks at a table. Two writing monks sit at the table and look up to the Holy Spirit in the form of a pigeon. There are three men under the table. Under the show an empty cartouche. Under a coat of arms of a cardinal (possibly the weapon of Cardinal Alessandro Peretti di Montalto), on either side flanked by a putto.

Boys' school, Anonymous, After Hans Weiditz (II), 1500 - 1536 print Several boys are in school desks and listen to their teacher, who is on a pulpit. A student is beaten with the roe on the right in the foreground. Print is part of an album. Germany paper punishment at school. teacher and pupil

Design for Altar, Juan Dolívar, 1690 print Design for altar with the presentation of the Last Supper. Christ goes around with the chalice. paper etching

Christ performs through the closed door of the temple. The depicting of Christ has been caught in an ornamental picture frame with floral motifs and Christian symbols.

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