Historical City Landscapes

Prints depicting panoramic views of cities, iconic events, and bustling streets, illustrating life and architecture from past centuries.

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Scara, View of the city of Skara, The print is part of an album., print, album sheet, prints, height 228 mm, width 348 mm, 1655 - 1727-05-18, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Contressing on the SPESSINGs, Matham Merian (I), 1643 - C. 1690 print At the top left the weapon of Germany and an empty coat of arms. paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ province; provincial) Esslingen

The whale stranded between Noordwijk and Zandvoort, 1629, Cornelis van Kittensteyn, after Pieter de Molijn, 1629 print The whale stranded between Noordwijk and Zandvoort, January 4, 1629. Dead sperm lying on the beach. With many visitors and carriages on the beach, in the background the dunes. At the bottom a face on the whale from behind with two fishermen on either side. With left and right captions in Dutch (a time verse) and French. Northern Netherlands paper etching swimming mammals: whale (+ dying animal; death of animal; dead animal) Noordwijk aan Zee. Zandvoort

Joseph F. Leopold, 1668-1726, Londinium, London. General Prospect before the Great Fire of 1666, undated. Engraving.

Sevilla with many figures in the foreground, Frans Hogenberg, After Joris Hoefnagel, 1593 print Weides landscape with a face on the city of Seville. In the foreground three figures on donkeys that are displayed by bystanders. From 'Civitates Orbis Terrarum', 1572-1680. Cologne paper etching / letterpress printing city-view in general; 'veduta'. public disgrace Sevilla

Drawing by Joris Hoefnagel showing a detailed view of Seville with a dedication to Nicolaes Malpaert, executed in pen and multiple washes in 1593.

View of the city of Grave, L. Jordaens, 1655 - 1657 drawing Design for a print. paper. ink. chalk pen / brush prospect of city, town panorama, silhouette of city Grave

. Right in the foreground is sprinkled and piled under a shelter. In the background a castle on the right. Left hilly landscape with river. In the sky the zodiac sign ram. The print has a Latin caption.

Bocskay, Stephan.

Tournament on the Grote Markt in Brussels, 1569, 1569 - 1570 print Tournament on the Grote Markt in Brussels, 1569. Knights in armor fight each other with Lans and Zwaard, from the right some dressed figures come on the square. With caption of 8 lines in German. Numbered: 16. The print is part of an album. Cologne paper etching tournament Large market

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Scara, View of the city of Skara, The print is part of an album., print, album sheet, prints, height 228 mm, width 348 mm, 1655 - 1727-05-18, print maker, printmaker, 1703 - 1703, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

View of Stockholm, 1726, 1726 print View of Stockholm, in the foreground a group of officers on horseback. Plate no. 441 in Part XVIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 hand -numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Stockholm

View of Saint-Gilles, Belgium, Hans Collaert (I), Hans Bol, Claes Jansz. Visscher (II), 1530 - 1580

Kip, Johannes, Cranganoor, View of the city of Cranganoor, verso - stamped, View of the Indian town of Cranganoor (now Kodungallur) with a river and several ships in the foreground. On the right, several people are boarding a boat and on the beach of Cranganoor various figures are depicted., print, prent, prints, prenten, height 198 mm, width 291 mm, Noord-Nederlands, 1653 - 1722, print maker, prentmaker, 1676 - 1676, paper, papier, etching, etsen

Nimes Surprised by the Huguenots, 1569, 1570 print Nîmes surprised by the Huguenots, November 15, 1569. Protestant troops take the city. In the caption De Legenda A-L in French. Unnumbered. France paper etching / letterpress printing capture of city (after the siege) Nîmes

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Rheinberg passes to the Spanish, 1590, February 3, 1590. Episode from the Cologne War. With a caption of 8 lines in German and 3 lines in French. Numbered lower left: 259. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 191 mm, width 282 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1590 - 1592, paper, papier, etching, etchings

Summer landscape with summer scenes. July is the mowing or haying month. The focus is on haying and mowing the grass. Harvestmen bring the cut grass to the barn. Some farmers are just about to take their rest. In the background a pond. In the top center, the constellation Leo. In this series of the twelve months each month is depicted with its typical human activities, its climatic features and its constellation., July The twelve months (series title), print maker: Pieter van der Borcht (I), print maker: Hans Bol, (rejected attribution), Antwerp, (possibly), 1545 - 1608, paper, etching, h 121 mm × w 165 mm

Cologne, Hogenberg, French, Series 8: Dutch Events, 1577-1583, Wie Don Jan D' Austria das Schloß zu Namen erwishtt, Don Juan verovert de citadel van Namen, 1577, 24 juli 1577. A group of horsemen takes the fortress by surprise. With a 14-line caption in German. Numbered lower left: 128. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 213 mm, width 276 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1581 - 1585, paper, papier, etching, etchings

Noordelijke Nederlanden, Uitzicht op Bonn, besieged door de Geallieerden, 1703, Northern Netherlands, View of Bonn, besieged by the Allies from 5 May 1703 and surrendered by the French on 16 May. Marked top right: Fol. 213., print, prints, Frederik Muller Historical plates, height 162 mm, width 125 mm, print maker, printmaker, 1703 - 1703, paper, etching, etchings

Perrissin, Jean, Keulen, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Siege and comparison of Chartres, 1568, March 1568. Bombardment of the walled city. With 8-line caption in German. Numbered: 24., print, picture, historical print, album page, prints, engravings, Frederik Muller Historieplaten, height 206 mm, width 277 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1565 - 1573, third quarter 16th century, paper, papier, etching, etchings, Work conception, French, 1538 - 1611

View of the port of Tianjin, Anonymous, c. 1730 print Leiden paper engraving / etching harbour. prospect of city, town panorama, silhouette of city Tianjin

Picart, Bernard, Amsterdam, Siege of a city, verso - stamped, Field troops at a city, being fired upon. The image is set in an ornamental frame with drums and weapons in the top center., print, prints, height 55 mm, width 70 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman

Dahlberg, Erik Jönssen, Swidde, Willem, Suecia Antiqua et Hodierna, Hudwigswald, View of Hudiksvall, The print is part of an album., print, album sheet, prints, height 134 mm, width 384 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1692 - 1692, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Rheinberg passes to the Spaniards, 1590, 1590 - 1592 print Rheinberg is transferred to the Spaniards, 3 February 1590. Episode from the Keulse War. With caption of 8 lines in German and 3 lines in French. Nummered at the bottom left: 259. The print is part of an album. Cologne paper etching capture of city (after the siege) Rijnberg

Stefano Della Bella, Entrance of the Prince of Tuscany, 1661 Entrance of the Prince of Tuscany

Bird flight face on Domburg, Anonymous, 1722 - 1728 print Bird's face face on Domburg, with the sea in the distance. At the bottom right the title with a weapon with three birds and a crossbar and the weapon of Domburg. paper etching / engraving prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.). coat of arms (as symbol of the state, etc.) (+ city; municipal) Domburg

Russian-Swedish War by Anonymous artist, print, Russia, St. Petersburg, State Hermitage, 50, 5x60, 5

France, French Crown, Bella, Stefano della, La Perspective du Pont Neuf de Paris, Pont Neuf in Paris, verso - stamped, View of the Pont Neuf in Paris, with the Louvre on the right. In the foreground a crowd of walkers, horsemen, merchants and carriages. In the foreground on the right a group of listeners to a hurdy-gurdy player. Above center the coat of arms of Paris, carried by two angels. Text and explanatory list with numbers in the lower margin., print, prints, height 357 mm, width 678 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1646 - 1646, second quarter 17th century, paper, etching, etchings, Work conception, after own design of, granter of privilege

Farmhouse on the bank of a river, Jan van Goyen, 1652, draughtsman: Jan van Goyen, 1652, paper, brush, h 122 mm × w 199 mm

Faces on Ansbach and Coburg; Coburgum Inter Antiquuizes Franconiae Ciuitates. Two faces on a plate.

Way to lift stones underwater in the port of Livorno, Anonymous, After Cornelis Meijer, 1696 print Numbered at the top right: 45. paper etching harbour. city-gate Livorno

Delineatio eorum quæ d. 10 Nouemb. anno 1658 ad Landscoronam gesta sunt cum Dan Hollandis juncti nauium aliquod demersione ostium portus Lands Coronensis obstruere satagentes a Suecis fortiter repellerentur , Sound, Battle of the, 1658, Pictorial works, Early works to 1800, Swedish-Polish War, 1655-1660, Pictorial works, Early works to 1800, Sound, The Denmark and Sweden, Pictorial works, Early works to 1800, Sound, The Denmark and Sweden, Maps, Early works to 1800, Landskrona Sweden, Pictorial works, Early works to 1800 Norman B. Leventhal Map Center Collection

Ice cream entertainment on the Maas in Rotterdam, 1763; Oosteyk's face of the city of Rotterdam, and Der Maaze, with the yasking on the River Ao. 1763 / VUE Orientale de la Ville de Rotterdam & de la Meuse (...). Wide face on the frozen Maas near Rotterdam with all kinds of ice fun, January 24, 1763. On the left the old main gate. In the caption the title and assignment in Dutch and French on either side of a pedestal with the weapon of the Prince of Orange.

Rheinfall Bij Schaffhausen, Jan van Call (I), 1694 - 1697 print Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. paper etching waterfall. river Schaffhausen. Rhine

L'Oeil Vigilant (The Watchful Eye), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 2 1621-35 Jacques Callot French. L'Oeil Vigilant (The Watchful Eye), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 2. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Siege and intake of names by the French, 1692, 1695 print Siege from 29 May and intake on 30 June from Namur and the Castle by the French in 1692. Plate no. XI in the series 'England's theater' over wars lined by Willem III in the years 1691-1695 after the Glorious Revolution, (fourth part). With captions in Dutch and French. print maker: Northern Netherlandsprint maker: Amsterdampublisher: Amsterdam paper etching capture of city (after the siege) Names (city)

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Surrender of Bonn, 1584, January 28, 1584. Episode from the Cologne War. With a caption of 8 lines in German and 4 lines in French. Numbered lower left: 197. The print is part of an album., print, picture, history print, album page, prints, Frederik Muller History plates, height 215 mm, width 278 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, papier, etching, etchings

Passau, c1740. Creator: Johann Georg Ringlin.

Village of the village; Toeput, Lodewijk (CA 1550-Ca 1603-1605); around 1590 (1585-00-00-1595-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902)-collections, Palladio, Andrea (1508-1580), Society for the Encouragement of Fine Arts (Warsaw-1860-1940)-collection, in the workshop of the Dutch master ( National Museum in Warsaw - exhibition - 18.05.2017-20.08.2017), Italy (state), trees, riders, women, horses, men, gardens, landscapes, landscapes with buildings, carriages, message (provenance), Flemish drawings, drawings Italian, villas (archite.)

The Holy House in Loreto; in the foreground, three pack mules and drovers. `Loreti opidi, Diviae Mariae sacri, effigies.`. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

River landscape in the rain: October; October; The twelve months; Duodecim Anni Mensium. A river landscape with figures on a country road in the rain, representing the month of October. A wooden bridge in the middle. On the right a house with a man in a wine tube. At the bottom of the astrological symbol of the Scorpio zodiac sign. Print from a series of twelve.

The Turfschip van Breda, 1590, 1590 - 1592 print The Turfschip van Breda, 1590. Staatse soldiers overpower the castle of Breda, 4 March 1590. With caption of 2 lines in German and 2 lines in French. Numbered: 117. Cologne paper etching capture of city (after the siege) Breda

Entry of His Highness, Representing the Sun, from The Combat at the Barrier. Jacques Callot; French, 1592-1635. Date: 1627. Dimensions: 155 × 242 mm (plate); 172 × 252 mm (sheet). Etching in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cologne, Hogenberg, French, Series 6: Dutch Events, 1571-1576, Capture of Geertruidenberg, 1573, Capture of Geertruidenberg by the water beggars on 28 August 1573. Soldiers come ashore in the foreground and storm the city. In the water several small ships with flags. With 8-line caption in German. Numbered lower left: 92. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1574 - 1578, paper, papier, etching, etchings

Venice: distant view across the water Date: circa 1700

Entrée du duc Charles IV (Entrance of Duke Charles IV), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe 1627 Jacques Callot French. Entrée du duc Charles IV (Entrance of Duke Charles IV), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe. Le Combat a la Barrière. Jacques Callot (French, Nancy 1592-1635 Nancy). 1627. Etching. Prints

Print marked top right: Fourth Part Fol. 519., Protestants fleeing France after the revocation of the Edict of Nantes, 1685-1686 The escape of the Reformed from France , print maker: Jan Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Jan Claesz ten Hoorn, Amsterdam, 1696, paper, etching, h 294 mm × w 364 mm

Recklinghausen Valt Truchsess AF, 1584, 1584 - 1586 print Reckinghausen is falling off Truchsess, May 1584, episode from the Keulse War. With caption of 8 lines in German and 2 lines in French. Numbered: 75. Cologne paper etching capture of city (after the siege) Recklinghausen

View of the MosHuis Aspnäs and his fields, Johannes Jacobsz van den Aveele, 1709 The print is part of an album. Stockholm paper etching Mansion Aspnäs The print is part of an album. Stockholm paper etching Mansion Aspnäs

View of Haarlem, seen from the north, with buildings, which are provided with numbers. In the foreground cattle, riders a hunter, a horse and cart and walkers., View of Haarlem C, right leaf, print maker: Jan van de Velde (II), Pieter de Molijn, Samuel Ampzing, (mentioned on object), Amsterdam, 1652, paper, etching, h 421 mm × w 563 mm

Face on horn, 1726; La Ville de Horne, Dance La Nort-Hollande; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of horn, in the foreground ships ships for the harbor. Plate No. 300 in part XIII of the picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Leaf with Schenkenschans and four other faces, 1635, Anonymous, After Claes Jansz. Visscher (II), 1652 print Leaf with a face on Schenkenschans and four other faces on the Tolhuis, the Huis in Hal, the Fort Christina (New Schenskhans) and the village of Griethuizen (Griethausen). Print as a result of the siege and the intake of Schenkenschans by the State army under Frederik Hendrik, 1635-1636. On Verso Latin text. paper etching / engraving / letterpress printing fortifications, military engineering Schenkenschans. Tolhuis. Griethausen. New Schenschans

Sadeler, Marcus, Major, Isaac, Landscape with Golgotha and the Crucifixion, verso - stamped in red, print, prints, height 198 mm, width 306 mm, German, 1576 - 1642, print maker, printmaker, 1586 - 1630, paper, engraving, engraving (printing process), Publication (Event), Publication, 1614-04-11 - 1650, publisher

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Margaret of Parma led out by Alva, 1568, Margaret of Parma led out by Alva Brussels, 30 August 1568. Procession with Alva and the governor leaves the city, the walled city in the background. With 8-line caption in German. Numbered: 10. The print is part of an album., print, picture, news print, album sheet, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1570, third quarter 16th century, paper, etching, etchings

Summer, a landscape with fishermen; Aestas; The four seasons, with large buildings. Landscape with a few farmer's homes and a river. Links two seated figures under a tree. Under the show a text in Latin. Print from a series of the four seasons.

Flood, anonymous, 1600 - 1699 print Germany paper etching rescue work during a flood. dike-break

Tabula Cebetis, Jacob Matham, print maker: Anonymous, Hendrick Goltzius, 1640

Arx Nassovii.. Ogilby, John, 1600-1676. Maps, Atlases. 1671. Lionel Pincus and Princess Firyal Map Division. America, West Indies, British , History

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and theatrical decorations for the melodrama Le Nozze degli dei, Scena Quinta of Inferno. Sixth number of a series of 8 pieces (A. de Vesme 923. Dutuit 57) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Johannes van Doetechum, the Elder and Lucas van Doetechum after Master of the Small Landscapes, Farms in a Court, published in or before 1676 Farms in a Court

Brussels, Brabant Revolution, 1787-1790, Fuitte de la Pineau Van der Noot et Van Eupen, Flight of Hendrik van der Noot, Madame Pinau and Petrus van Eupen, 1790, verso - stamped, Cartoon in which Hendrik van der Noot and Petrus van Eupen pull the cart in which Madame Pinau (Pineau) is riding with bare buttocks. On the right, imperial troops enter the city of Brussels. With four-line French verse. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 353 mm, print maker, printmaker, 1790-12-01 - 1790-12-01, paper, papier, etching, etchings, engraving, engraving (printing process)

Wonderful Spijning, 1613 Landscape with a city in the distance. On the right in the foreground, Christ multiplies five loaves and two fish. On the hill on the left, disciples are the food to the people (Mar. 6:38). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Landscape with a city in the distance. On the right in the foreground, Christ multiplies five loaves and two fish. On the hill on the left, disciples are the food to the people (Mar. 6:38). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching

Johannes van Doetechum, the Elder and Lucas van Doetechum after Master of the Small Landscapes, Farm, published 1559 1561 Farm

The Twelve Months: January, 1608-18. Jan van de Velde II (Dutch, 1593-1641). Etching;

Face on Nijmegen with the planned fortifications designed by Menno van Coehoorn, 1702; Nature, with the intended fortifications of the General Koehoorn. View of Nijmegen on the Waal with the planned new fortifications designed by Menno Baron van Coehoorn, 1702. Top of texts in Dutch and French stating the failed attack by the French in 1702.

Changement d'une galère de l'ordre de Saint Etienne. Stefano della Bella; Italian, 1610-1664. Date: 1654-1655. Dimensions: 244 x 350 mm (plate); 277 x 380 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

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Antwerp, Diericx, Volcxken, Gassel, Lucas, Netherlands, Doetechum, Lucas van, Joannes van (I), Landscapes, seascapes and imaginative cityscapes, Inn with well, verso - stamped, On the right in the foreground a woman at a well on a square. On the right a stable and a haystack; on the left a farmhouse and an inn. In front of the farm a covered wagon. On the left in front a man, woman and child under a tree, against which a ladder stands. At the top in the middle a tear in the plate can be seen., print, prints, 130, recto - manuscript, height 155 mm, width 205 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1570 - 1580, third quarter 16th century, fourth quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, Work conception, Southern Netherlands, 1500 - 1568, after a design by, Publication (Event), Publication, publisher

Resting mowers at a house: July; Iulius; The twelve months; Duodecim Anni Mensium. View of a house and an aqauduct, for which resting mowers with their seasises, representing the month of July. In the middle two figures at a table at a well. At the bottom of the astrological symbol of the constellation lion. Print from a series of twelve.

View of the city and the palace of Versailles, Georg Balthasar Probst (Possible), After Jacques Rigaud, 1742 - 1801 print publisher: Augsburgprint maker: Germany paper. cardboard. prepared paper. watercolor (paint). deck paint etching / brush / cutting / perforating palace. city-view in general; 'veduta' (+ city(-scape) with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat Castle of Versailles. Versailles

Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Wierix, Antonie (II), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Samson, Samson kills the lion, Samson kills the lion with his bare hands, by pulling the jaws of the animal apart. In the background a hilly landscape. Below the image a reference in Latin to the Bible text in Judg. 14:5. This print is part of an album., print, prent, albumblad, prints, prenten, height 215 mm, width 293 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, prentmaker, 1579 - 1579, paper, papier, engraving, graveren (drukprocedé), Work conception, 1544 - 1638-10-01, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

February: Christ calls apostles among the fishermen, 1585 In the middle of the sign of the zodiac fishing. In the foreground Christ is on shore. He calls the fishermen Peter and Andreas to him. On the left the city gate and in the background fish trade in the port. Under the performance four lines of Latin in two columns (Mar. 1). The print is part of an album. Antwerp paper engraving In the middle of the sign of the zodiac fishing. In the foreground Christ is on shore. He calls the fishermen Peter and Andreas to him. On the left the city gate and in the background fish trade in the port. Under the performance four lines of Latin in two columns (Mar. 1). The print is part of an album. Antwerp paper engraving

Den Haag, Elandts, Cornelis, Rickx Dorph, View of the Rijksdorp estate, The Hague, verso - stamped, Bird's-eye view of the Rijksdorp estate and the associated country house near Wassenaar. In the foreground a rider and a few men on a country road. The house is situated between the trees with the dunes in the background. The image is framed by a border with oak leaf motifs and a banderole with the title., print, prent, prints, prenten, height 231 mm, width 286 mm, Dutch, 1641 - 1687-03-03, print maker, printmaker, 1681 - 1728, paper, papier, etching, etchings

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Capture of Schloß Poppelsdorf near Bonn, 1583, 14 November 1583. Episode from the Cologne War. With a caption of 8 lines in German and 4 lines in French. Numbered lower left: 195. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 197 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, etching, etchings

Rome, Komarek, Giovanni Giacomo, Meijer, Cornelis, Wouters, Gommarus, Ponte Molle fuori di Roma, e pennelli col sui Sito, Ponte Molle te Rome, verso - stamped, print, book illustration, prints, height 175 mm, width 232 mm, Southern Netherlands, 1658 - 1696, print maker, printmaker, 1696 - 1696, paper, etching, Work conception, 1629 - 1701-08-23, designed by, Publication (Event), Publication, 1650 - 1705, publisher

Marrakesh, Morocco, north-west Africa: general view Date: circa 1700

View of Haarlem C, left sheet, Jan van de Velde (II), After Pieter de Molijn, 1652 print View of Haarlem, seen from the north, with the Wapen van Haarlem, worn by two harpijen, with the inscription: Vic Vim Virtus. A legend in the bottom left. In the foreground a shepherd with herd cows at the ruin of Huis ter Kleef. Amsterdam paper etching prospect of city, town panorama, silhouette of city. landscape with ruins. cattle driving, cattle driver Haarlem. House Ter Kleef

Triumphal on the water at the arrival in London of King Charles II and Queen Catherine of Braganza UK, print maker: Dirk Stoop, 1662.

Tobias Verhaecht, Flemish (1561-1631), River Landscape, pen and brown ink with blue and brown wash on laid paper

View of Weesp, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Weesp. In the foreground, outside the city walls, the river Vecht with cargo ships. Above the cityscape a cartouche with the name of the city and the coat of arms. Antwerp paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal) Weesp

VIEW CHANGES, HAINTAUTE, JOUAA THE GROUPS (ATTRIBEED TO), after barely knoss, 1675 drawing Soignies paper. ink pen / brush prospect of village, silhouette of village. land forces (+ infantry) Soignies

View of Seville, 1726, 1726 print View of the Spanish city of Seville, in the foreground an ox wagon. Plate no. 414 in Part XVII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. At the bottom right the letter P with pen scratched. print maker: Northern Netherlandspublisher: Leiden paper etching Sevilla

View of the Louvre. Jacques Callot; French, 1592-1635. Date: 1630-1635. Dimensions: 159 × 332 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Louis XIV (King of France), Meulen, Adam Frans van der, unknown, Huchtenburg, Jan van, Military scenes from the life of Louis XIV, King of France, Siege of a city, verso - stamped, On the right, riders and horses, one rider is pointing. On the left, an army camp, cannons and a city on the horizon., print, engraving, prints, engravings, height 99 mm, width 139 mm, 1647-11-20 - 1733-07-02, print maker, printmaker, 1674 - 1733, paper, papier, etching, etchings, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Etching by Hieronymus Cock depicting Mercury holding the head of Argus, created in 1558.

Italy, Ferrante, Calisto, Bella, Stefano della, Suite de huit marines, Maritime representations, Three men talking on the quay, verso - stamped, Seascape with three men talking on the quay in the foreground. Ships in the harbour in the background. On the right dock workers building a ship., print, prints, height 124 mm, width 201 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1634 - 1634, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever

Martyrdom of the ten thousand (fourth part), Domenico Campagnola (attributed to), c. 1515 - c. 1520 print The Roman army leader Achatius of Ararat and his 10,000 followers were put to death because they had converted to Christianity. In the middle they are hung on trees, and on the right they are thrown from the rocks. In the middle above God the Father surrounded by putti. Italy paper counterproof the martyrdom of Achatius and his 10.000 companions on Mount Ararat: they are crucified and/or impaled on trees or thorns. city-view in general; 'veduta'

View of Dunkirk, 1726, 1726 print View of Dunkirk, in the foreground ships. Plate no. 241 in Part XI of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Dunkirk

Antwerp, Peeters, Jacob, Bouttats, Gaspar, Korte beschryvinghe, en de aen-wysinghe der plaetsen in desen böeck, met hunnen tekontigen standt, pertinentelijk uit-ghebeleldt, in Oostenryck, Topographical images of Austria, Hungary and the Balkans, View of Petrinja, verso bottom right - stamped, View of the city of Petrinja. On the foreground, outside the city walls, three walkers and a fisherman. Above the cityscape a cartouche with the name of the city. The print has a Dutch caption with references to locations on the print., print, prints, verso middle - stamped, recto bottom right - stamped, height 100 mm, width 124 mm, 1640 - 1695, print maker, printmaker, 1686 - 1686, paper, papier, etching, etchings, Publication (Event), Publicatie, 1637 - 1695, publisher

Ruins of the Campo Vaccino in the Roman Forum. Draughtsman: Harmen ter Borch. Intermediary draughtsman: Gerard ter Borch (I). Dating: c. 1647 - before 1677. Place: Zwolle. Measurements: h 186 mm × w 278 mm. Museum: Rijksmuseum, Amsterdam.

Port of La Rochelle in 17th c. Engraving.

unknown, Livorno, Tacca, Pietro, Bandini, Giovanni di Benedetto, Italy, Bella, Stefano della, Views of the port of Livourne, Port of Livorno, Loading of a galley in the port of Livorno, verso - stamped, View of the port of Livorno with on the left the statue of Ferdinand I, Grand Duke of Tuscany, and four Moorish slaves (I Quattro Mori). On the right a galley of the Order of Saint Stephen is being loaded by dock workers. In the background on the left a wall and two ships on the quay., print, prints, height 240 mm, width 349 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1655 - 1655, paper, papier, etching, etchings, Work conception, after own design by, 1540 - 1599-04-18, after image by, 1577-09-06 - 1640-10-26, granter of privilege

View of Mainz, 1726; Mayence, Capitale de l'Archévêche du Même Nom; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the city of Mainz. In the foreground a boy begins at a rider. Plate No. 187 in Part VIII of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

View of Ostia, the port of classical Rome. The Tiber in the foreground with some boats. The print is part of a series depicting various places in the Mediterranean, View of Ostia Hostia Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 173 mm × w 246 mm

View of a farm surrounded by trees with a tower. In the foreground several figures on the road, Landscape with a farm Small landscapes (series title), print maker: Johannes of Lucas van Doetechum, Meester van de Kleine Landschappen, publisher: Joannes Galle, Antwerp, 1559 - 1561 and/or 1610 - before 20-Dec-1676, paper, etching, h 134 mm × w 198 mm

View of Breda from the northwest (left leaf), Abraham Dircksz. Santvoort, 1645 print Justitia is sitting next to a cartouche. Next to and behind her are weapons, parts of armor and agricultural tools. In the distance a face on the city of Breda with the ship of the Grote Kerk on the right. Netherlands paper etching city-view, and landscape with man-made constructions. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. weapons. military clothing and other equipment (uniforms, cap, armour, helmet, etc.). agricultural implements Big church

Walls seen from the water, print maker: Anthonie Waterloo, Cornelis Danckerts II, 1630 - 1663 and or 1630 - 1718

The siege of Vienna in overall view of Vienna, above portrait medallions, Elector Max Emanuel von Bavaria, Elector Johann Georg III of Saxony, King Sobieski, Graf Starhemberg and Großwesir Kara Mustafa, Conraet Decker -, Copper Engraver

Cologne, Hogenberg, French, Series 8: Dutch Events, 1577-1583, Entry of the ErtzHertzogen Matthiae into Brusselsl, Entry of Matthias into Brussels, 1578, Entry of Archduke Matthias of Austria into Brussels, 18 January 1578. Matthias on horseback in procession accompanied by the Prince of Orange, the Count of Schwarzburg, the Count of Egmond and citizens of Antwerp and Mechelen heads towards the city gate. With a 12-line caption in German. Numbered: 13., print, picture, news print, album page, prints, pictures, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1578 - 1580, fourth quarter 16th century, paper, papier, etching, etchings

Anthonie Watherloo (1609-1690). RUICANS, Johannnes (Author you desirable). View you rhents (Hutter's 90). Eau-advében, xviuty are theme. MYee Des De-Beaux-Arts The La Lame Many of the Paris, Petit palaraéa. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

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