Historical City Views

A collection of 18th-century cityscapes depicting bustling urban life, iconic architecture, and vibrant scenes from Paris, Venice, and Toulon, capturing the essence of baroque style.

Grand canal by Canaletto, Oil on canvas Italy, before 1755, 1697-1768, Italy, Florence, Galleria degli Uffizi, 51x83

A View of Paris from the Pont Neuf; Jean-Baptiste Raguenet, French, 1715 - 1793; 1763; Oil on canvas; Unframed: 44.5 x 81.9 cm (17 1/2 x 32 1/4 in.), Framed: 62.2 x 98.7 x 6 cm (24 1/2 x 38 7/8 x 2 3/8 in.)

ENTRADA DEL EMBAJADOR DEL CESAR EN EL PALACIO DUCAL - VENECIA - SIGLO XVIII - BARROCO ITALIANO. Author: CARLEVARIJS LUCA. Location: GEMALDE GALLERY. DRESDEN. GERMANY. COLLEREDO CONDE DE.

Purchase (provenance)

City and Port of Toulon - 1756 - 165 x 263 cm - oil on canvas. Author: CLAUDE JOSEPH VERNET (1714-1789). Location: LOUVRE MUSEUM-PAINTINGS. France.

Jacques Albert Senave (1758-1829). "The Palais and the Notre-Dame pump, around 1790". Oil on wood. Paris, Carnavalet museum. 34720-3 Oil on wood, Ile de la Cite, 4th IV 4th 4 arrondissement, courthouse, pump, clock tower, bridge

Anonymous. The Pont-Neuf, seen from the entrance to Place Dauphine, the Hôtel de Nevers, La Tour de Nesle, the Grande Galerie, with the New door, and the Louvre, around 1640, current 1st and 6th arrondissements. Oil on canvas. 1635-1645. Paris, Carnavalet museum. 76090-5 Entree, Grande Galerie, Hotel de Nevers, Ier I 1st 1st arrondissement, Palais Louvre, Place Dauphine, Pont-Neuf, New door, Seine, Equestrian statue, Nesle Tour, Vieme VI 6th 6th life Arrondissement, Oil on canvas

View from the Castle Square to Krakowskie Przedmie Unknown Polish painter, Zaleski, Marcin (1796-1877); around 1838 (1830-00-00-1840-00-00);Krakowskie Przedmieście (Warsaw), Realism (style), city views, purchase (provenance)

Festival in Piazza della Signoria by Antonio Cioci, 1791, Italy 18th Century. Oil on canvas,

Grand canal by Canaletto, Oil on canvas Italy, before 1755, 1697-1768, Italy, Florence, Galleria degli Uffizi, 51x83

View of Heusden. Dating: 1625 - 1674. Place: Northern Netherlands. Measurements: h 76 cm × w 130 cm. Museum: Rijksmuseum, Amsterdam. Author: ANONYMOUS (REJECTED ATTRIBUTION). Monogrammist FK (Noordelijke Nederlanden).

Four views of London: The Thames looking towards Westminster by Joli, Antonio (1700-1777) Private Collection Italy, School of Neaple Oil on canvas Painting Landscape

Charing Cross, with the Statue of King Charles I and Northumberland House, Joseph Nickolls, active 1713-ca. 1755, British, ca. 1750, Oil on canvas, Support (PTG): 35 x 50 1/4 inches (88.9 x 127.6 cm), architectural subject, beggar, buildings, carriages, carts, children, cityscape, costume, equestrian statue, fence, genre subject, horses (animals), houses, king (person), men, shops, square, statue, street, walking, women, Charing Cross, England, Greater London, London, Northumberland House, United Kingdom

Cavalleum view of Paris around 1640, with the portrait of Pépin des Essarts and a commemorative inscription of the defense of Paris by Pépin des Essarts during the betrayal of Etienne Marcel (1358) ". Oil on anonymous canvas. Paris, Carnavalet museum. 27025-2 Commemorative, inscription, portrait, panoramic view, oil on canvas

La Chapelle de l'Institut, Paris. Dated: 1839. Dimensions: image: 41 x 29.1 cm (16 1/8 x 11 7/16 in.) sheet: 54 x 36.7 cm (21 1/4 x 14 7/16 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Thomas Shotter Boys.

Palazzo Bernardo by Jean-Victor Vincent Adam, oil on wood, 19th century, 1801-1867, Russia, Tula, State Art Museum, 12, 2x14, 5

LA MAESTRANZA - 1855 - O/L - 60X100 CM. Author: JOAQUIN DOMINGUEZ BECQUER (1819-1879). Location: MUSEO DE SAN TELMO. DONOSTI-SAN SEBASTIAN. Guipuzcoa. SPAIN.

Canaletto (1697-1768) National Gallery, London Painting 122x182,8 Landscape A Regatta on the Grand Canal

England, London, City of London, Guildhall, Guildhall Art Museum, Painting of The Lord Mayor's Procession by Water to Westminster Hall by Boat on the 9th November 1789 by Richard Paton

In Front of San Giovanno & San Paolo, Venice Giovanni Antonio C. Canaletto (1697-1768 Venetian) Gemaldegaleria, Dresden, Germany

Jan Abrahamsz (or Joannes) Beerstraten (1622-1666). Dutch painter. Imaginary view of a port with the facade of Santa Maria Maggiore in Rome, also known The Old Port of Genes, 1662. Louvre Museum. Paris. France.

EL DUX LLEGA A SANTA MARIA DE LA SALUD EN VENECIA PARA CONMEMORAR EL FIN DE LA PESTE DE 1630 - 1775 - OLEO/LIENZO - 67 X 101 cm. Author: FRANCESCO GUARDI (1712-1793). Location: LOUVRE MUSEUM-PAINTINGS. France.

RAGUENET, Jean Baptiste (1715-1793). The Festival of Sailors in the Seine. 18th c. Detail. Oil on canvas. FRANCE. ëLE-DE-FRANCE. Paris. MusŽe Carnavalet (Carnavalet Museum).

View of the Winter Palace in St. Petersburg by Paterssen, Benjamin (1748-1815)/ State Art Museum, Tyumen/ 1795/ Sweden/ Oil on canvas/ Classicism/ 69x94/ Landscape

The new Rome by Shchedrin, Sylvester Feodosiyevich (1791-1830) State Tretyakov Gallery, Moscow 1825 Oil on canvas 63,9x89,8 Russia Romanticism Landscape Painting

Nicolas-Jean-Baptiste Raguenet (1715-1793). "The Pont-Neuf and the Samaritan pump, seen from the Quai de la Mégisserie, 1777". Oil on canvas. Paris, Carnavalet museum. 27042-4 Arrondissement, 1st i 1er 1, pump, bridge-neuf, quai de la Megisserie, street scene, seine, oil on canvas, bridge

Francesco Guardi (1712-1793). Venetian painter. Grand Canal at the Rialto Bridge, ca. 1780-1790. Detail. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.

Paris, Rigaud, Jacques, Vûë générale de Paris, View of the city of Paris seen from the village of Ménilmontant, In the bottom margin a line of French text., print, optic print, prints, optic prints, height 227 mm, width 476 mm, Publication (Event), Publication, publisher, 1700 - 1799, paper, papier, cardboard, watercolor (paint), watercolour, etching, etchings, brush, schilder, Frans, 1681 - 1754, print maker, prentmaker

Stage design to Romeo and Juliet by unknown painter, Russia, Moscow, State Central Glinka Museum of Music, 60x70

In the basilica of the Piotra in Rome; Unknown Flemish painter; XVII/18th century (1690-00-00-1710-00-00);State art collections (Warsaw - 1922-1939) - collections, architecture, Basilica of St. Piotr (Rome), Flemish painting, message (provenance), interior

Edmond-Georges Grandjean (1844-1908). Paris. Place de Clichy (Clichy Square) 1896

Worship of Bacchus prints, etchings, works on paper

Jupiter Striking a King with a Bolt of Lightning in the Courtyard of a Palace. Oil on canvas. Nicola Bertuzzi or Bertucci (1710-1777). Jupiter/Jove Roman god of the sky and Thunder, chief of the gods. Greek Zeus Mythology

Festive Gathering and Figures from a Commedia dell'Arte in a Gallery, Monogrammist DB, 1634

Vaprio d'Adda. Artist: Bernardo Bellotto (Italian, Venice 1722-1780 Warsaw). Dimensions: 25 1/4 x 39 1/4 in. (64.1 x 99.7 cm). Date: 1744.On the right is the village of Canonica d'Adda, northeast of Milan, and in the center is Vaprio with the Villa Melzi, where Leonardo da Vinci visited his pupil Francesco Melzi. Bellotto noted on the related drawings that the picture and its pendant were painted in 1744 for Count Simonetta in Milan. The companion piece in the Museo di Capodimonte in Naples shows the landscape from the opposite direction. Museum: Metropolitan Museum of Art, New York, USA.

Trevi Fountain in Rome by Giovanni Paolo Panini, Oil on canvas, 1691-1765, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 104x167

Florence from San Miniato. Arthur Severn (1842-1931). Watercolour. Signed and dated 1891. 99.1 x 139.7cm.

The Valkhof in Nijmegen. Dating: 1641. Measurements: support: h 91.5 cm × w 130 cm; d 11 cm. Museum: Rijksmuseum, Amsterdam. Author: JAN VAN GOYEN.

The Liverpool and National Steeplechase at Aintree, 1843, William Tasker, 1808-1852, British, ca. 1843, Oil on canvas, Support (PTG): 34 3/8 x 71 1/2 inches (87.3 x 181.6 cm), accident, breeches (trousers), bridles, cityscape, clouds, equestrians, flags, gate, grandstand, horses (animals), jockeys, men, race (event), racecourse, racing, riders, horseback, riding boots, riding coats, saddles, sky, spectators, top hats, track, Victorian, wall, women, Aintree, England, Europe, Sefton, United Kingdom

Bucentaur's return to the pier by the Palazzo Ducale - Canaletto, circa 1729

The Burning of Troy Daniel van Heil (1604-1662 Flemish) Oil on Canvas Christie's Images, New York, USA

Gerasimov, Alexander Mikhailovich (1881-1963) Regional A. Gerasimov Art Museum, Michurinsk 1947 65x50 Watercolour, Gouache on Paper Soviet Art Russia

Landscape with a Quay and Ships on a Lake, Francesco Guardi, 1760 - 1780 painting Landscape with a quay and ships on a lake. On the quay two old gates, some figures on the left and right. A boat is docked at the jetty, other sails in the background. canvas. oil paint (paint) quay. pier, quay, wharf

Piazza San Marco towards San Giorgio Maggiore, 1775, by Francesco Guardi (1712-1793), oil on canvas, 45x72 cm. Detail.

Edinburgh from the Castle. Date/Period: 1847. Painting. Oil on canvas. Height: 1,219 mm (47.99 in); Width: 2,134 mm (84.01 in). Author: DAVID ROBERTS.

Pierre-Antoine Demachy (1723-1807). "Release of the Louvre colonnade". Oil on canvas, 1764. Paris, Carnavalet museum. 37076-1 Colonnade, degasse, 1st i 1st 1 arrondissement, Louvre palace, works

Widok Campo Santi Apostoli, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

View ofLandshut. Artist: Georg Hoefnagel, Flemish, 1542-1600

Granet, François Marius (n.1775-09-17-D.1849-11-21), the White Queen of Castile delivering prisoners (main title), 1801. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

ISABEL II EN SEVILLA 1862 - ISABEL II Y FRANCISCO DE ASIS EN LA INAUGURACION DE LAS OBRAS DEL RIO GUADALQUIVIR. Author: ANONYMOUS. Location: PRIVATE COLLECTION. Sevilla. Seville. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904). FRANCISCO DE ASIS (1822-1902).

St. Mark's Square, Venice, with Loggetta ca. 1840 William Wyld British This lively watercolor unites several famous Venetian landmarks. Centered on the Campanile sitting over Sansovino's Loggetta, the view is framed at left and right by the Doges Palace and St. Marks Cathedral, and enlivened by strolling clerics and lounging peddlers.Born in London, Wyld became secretary to the British Consul in Calais around 1826, then decided to pursue art after taking watercolor lessons from Louis François Thomas Francia, and becoming friends with Richard Bonington. By 1831 he was exhibiting watercolors at the Salon, then traveled to Algeria via Italy in 1833 where he likely sketched this subject. Back in Paris, Wyld established a reputation with cityscapes in oil and watercolor and had particular success with his Venetian views. In 1855 he was awarded the Legion of Honor for encouraging the development of watercolor painting in France.. St. Mark's Square, Venice, with Loggetta 395499

RETABLO DE SAN JORGE SIGLO XV - DETALLE DEL PUERTO DE PALMA DE MALLORCA - GOTICO ESPAÑOL. Author: PEDRO NISART (SIGLO XV) PERE NISART. Location: PALACIO EPISCOPAL. MUSEO DIOCESANO. Palma. MALLORCA. SPAIN.

The Sint-Antonuswaag In Amsterdam, Isaac Ouwater, c. 1780 - c. 1790 painting View of the Sint Antoniuswaag on the current Nieuwmarkt in Amsterdam. For De Waag a stall where antiques or household goods, including paintings, is sold. On the left the clothing store of Zeemans and Burger. Pendant of SK-A-305. canvas. oil paint (paint) weigh-house. stall, booth (~ market) Waag on the Nieuwmarkt

SavinRock. Artist: George Edward Candee, American, 1837-1907

Picture Gallery with Views of Modern Rome. Date/Period: 1757. Painting. Oil on canvas. Height: 1,702 mm (67 in); Width: 2,445 mm (96.25 in). Author: Giovanni Paolo Panini.

The hours of the day, the afternoon, 1753-1755, by Giuseppe Zocchi (1711-17 - 1767).

View of the Castel Sant'Angelo in Rome, Pierre Antoine Demachy (attributed to), 1750 - 1800 painting Face in Rome over the Tiber to the Engelenburcht and Sint Pieter. In the foreground figures at a ferry or fishing boat, more back the Ponte S. Angelo. canvas. oil paint (paint) prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage). bridge in city across river, canal, etc. Rome. Tiber. Engelenburcht. St. Peter's basilica. Angel bridge

Leichenbegængniss eines Dogen von Venedig. The funeral rites of a Venetian doge.. Stange, Bernhard (German painter, 1807-1880). Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Palazzo Ducale (Venice, Italy), Gondolas , Italy , Venice

Neefs II, Pieter (known as the young) (n.1620-05-23 - D.1675), church interior - day effect (main title), 1657. Copper oil. Petit Palais, Museum of Fine Arts of the City of Paris. Church interior - day effect (main title)

Interior of the Josephstadt Theatre in Vienna, Austria, engraving

INTERIOR DE UNA IGLESIA: LA ADORACION DE UNA RELIQUIA - SIGLO XVII - OLEO/TABLA - 27 x 39 cm - NP 1602 - BARROCO FLAMENCO. Author: PIETER NEEFS (1576-1656) EL VIEJO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Interior of the TZSP exhibition in the building of the Bernardine Monastery. Malecki, Władysław Aleksander (1836-1900), painter

View of Vienna from the Belvedere, by Bellotto Bernardo, 1759 - 1760, 18th Century, oil on canvas. Austria, Wien, Kunsthistorisches Museum. Detail. Garden building Belvedere shadows avenue fountain small figures promenade.

Painting by Giovanni Antonio Canal, called Canaletto, Il Rio dei Mandicanti, Ca' Rezzonico, Palace, Museo del Settecento Veneziano Museum of 18th century Venice, Venice, Veneto, Italy, Europe

Napoleon Bonaparte's entrance into Venice, November 29, 1807, by Giuseppe Borsato (1770-1840), oil on canvas. Napoleonic era, Italy, 19th century.

PAISAJE DE VENECIA. Author: ROLLENTING. Location: PRIVATE COLLECTION. SARAGOSSA. Saragossa Zaragoza. SPAIN.

Franz Joseph Haydn (1732-1809). Austrian composer. Orchestra playing The Creation, written between 1796- 1798). University of Vienna (1808). Engraving, 1809. Color.

View of the Oude Kerk in Delft, Hendrick Cornelisz van Vliet, 1654 painting Face in the Oude Kerk in Delft, in the direction of the choir. Church interior with different figures. In the foreground two dogs, on the right a grave is mined. panel. oil paint (paint) interior of church. dog Old church

The Claremont. Dimensions: 25 1/2 x 34 in. (64.8 x 86.4 cm). Date: ca. 1855. Museum: Metropolitan Museum of Art, New York, USA.

Leymonnerye. "Anniversary of the Proclamation of the Republic - May 4, 1849". Watercolor. Paris, Carnavalet museum. 27087-13 Birthday, decoration, second republic, French flag, proclamation, republic

Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal. Artist: Francesco Piranesi (Italian, Rome 1758-1810 Paris); François Jean Sablet (French, Morges 1745-1819 Nantes). Dimensions: Sheet: 25 3/16 × 33 1/16 in. (64 × 84 cm). Date: 1801-2.One of two fête prints showing the illuminations of the Tuileries bridges for the celebration of the 'Paix Générale' at Paris, November 9, 1801'. This was the second commemoration of Napoleon's coup d'état of 18 Brumaire 1799. This print shows a night time view from the Rive Gauche looking across the river Seine at the Pont Royal and the Louvre. The bridge and waterside have been decorated with artificial lights and fireworks light up the sky. On the river in the foreground on the left, two small boats have been depicted. A separate piece of paper has been attached on the bottom on which inscriptions have been printed in gold ink. Museum: Metropolitan Museum of Art, New York, USA.

Market in Marienplatz in Munich, 1843, by Adam Heirich, Germany 19th Century.

WITTEL, Gaspar van, also called 'Vanvitelli' (1652-1736). The Tiberian Island in Rome. 1685. Dutch school. Baroque art. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Dutch Landscape by Jan Josefsz van Goyen, Oil on wood, 1649, 1596-1656, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 39x62

Temple of peace for the fireworks of 30 August 1721; Image of the beautiful fire work, in memory of the closed sweetheart, between the Keyzer of Greater Russia (...) and the king and the Croon van Sweden, Den 30. Augustij O.S. 1721. Preparations around the temple of peace, the center of the fireworks lit on December 9, 1721 on the Binnen-Amstel at the Kloveniersburgwal in memory of the peace of Nystad concluded between Russia and Sweden on September 10, 1721. Four angels in the air, On the right a piece of the Swygh Utrecht tower. The fireworks delivered on behalf of Christoffel van Brants, representative of the Russian Kroon in Amsterdam. Part of an Atlas with 223 maps of countries and cities and war scaffolding in Europe in the period approx. 1690-1735.

Paris, Meryon, Charles, Eaux-Fortes sur Paris, L'Abside de Notre-Dame, Notre-Dame in Paris, verso bottom center - stamped, Cityscape with Notre-Dame prominently visible, located on the Ile de la Cité in Paris. The artist took a low point of view for this view of the choir area with the many flying buttresses through which the building rises high. On the bank of the Seine in the foreground, washerwomen are at work., print, engraving, prints, engravings, verso bottom left - stamped, height 165 mm, width 299 mm, Frans, 1821-11-23 - 1868-02-14, print maker, printmaker, 1854 - 1854, third quarter 19th century, paper, papier, etching, etchings, French, intermediary draughtsman, after a drawing by, printer, drukker

Tray decorated with views of Schoenbrunn Castle from drawings by Karl Schutz, 1790, porcelain, Meissen manufacture, Saxony. Germany, 18th century.

Washington Street, Indianapolis at Dusk by Groll, Theodor (1857-1913) / Indianapolis Museum of Art / Realism / 1892-1895 / The United States / Oil on canvas / Landscape /

Fireworks fires to the Embassy of Spain for the birth of the Duke of Normandy Pierre-Antoine Demachy (1723-1807). Fireworks drawn to the Spanish Embassy on January 21, 1782, on the occasion of the birth of the Duke of Normandy. Oil on wooden fabric on wood.

Figures on the Outer Staircase of a Castle. Date/Period: Ca. 1840. Drawing. Brown wash over graphite on moderately thick rough cream wove paper. Height: 279 mm (10.98 in); Width: 438 mm (17.24 in). Author: David Cox.

The Kremlin, the old tsar's palace in Moscow, Russia, circa 1800. Showing the Terem Palace, Assumption Cathedral, and Ivan the Great Bell Tower, with courtyard and gate in the foreground. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1805. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Picture Gallery with Views of Modern Rome (Modern Rome) by Panini, Giovanni Paolo (1691-1765) / Louvre, Paris / 1757 / Italy, Roman School / Oil on canvas / Architecture, Interior / 172,1x233 / Rococo

FEDERATION FESTIVAL, July 14, 1790 Charles Fran�ois Mandar. FEDE OF THE FEDERATION, 14 JULY 1790. Watercolor.

Eugenio Cecchini Prichard (1831-1896). Venice. The Lagoon seen from St. Mark's Square. Oil on canvas, 48x39 cm.

Love couple on swing. Draughtsman: anonymous. Dating: c. 1810. Place: Kishangar. Measurements: h 305 mm × w 213 mm. Museum: Rijksmuseum, Amsterdam.

Benares, Edward Lear, 1812-1888, British, 1873, Watercolor with pen in brown ink over graphite and gouache on moderately thick, rough, beige wove paper, Sheet: 13 1/2 x 20 inches (34.3 x 50.8 cm), architecture, bathers, bathing, boats, cityscape, flags, people, pigeons (general term), river, sky, stairs, temples, trees, Benares, Ganges, India, Varanasi

imitator of Canaletto, 1697-1768, Venetian, active in Britain (1746-55), Venetian Fantasy, undated. Pen and brown ink, gray wash and graphite on medium, moderately textured, cream wove paper.

Italian Unification. The liberation of the Veneto was celebrated by the arrival of Victor Emmanuel II (1820-1878) in Venice on 7 November 1866. He was received by the authorities, the bourgeoisie and the people in Piazza San Marco, in front of the Doge's Palace. "The entree of Victor Emmanuel II in Venice", by Gerolamo Induno (1825-1890). Oil on canvas, 1866. Museum of the Risorgimento. Milan. Italy. Author: Gerolamo Induno (1825-1890). Italian painter.

Jules Girardet (1856-1938). "The fires of the town, May 24, 1871". Wood oil, 1871. Paris, Carnavalet museum. 36204-5 Commune, flame, wood on wood, fire, Parisian monument, fire

Fresco, Puerto de Campania, procedente de Stabia. Museum: MUSEO ARCHEOLOGICO NAZIONALE NAPOLES ITALIA.

The Market at Naples - 18th century - oil on canvas. Author: DOMENICO GARGIULO (1609-1675) MICCO SPADARO. Location: PALACIO PILATOS. Sevilla. Seville. SPAIN.

Francesco Guardi, Garn Canal y San Simeone Piccolo, siglo XVIII, óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argen...

Funeral, transfer of the remains of Daniele Manin, 13 May 1804 to 22 September 1857, to Venice in 1869, Manin was instrumental in the 1848 revolution in Venice, Historical, digitally restored reproduction of a 19th century original, exact original date unknown

View of the Loggetta of Sansovino, Venice, by Luca Carlevarijs (1663-1730), oil on canvas, Italy 18th century, 57x43 cm, detail.

Ducros, Louis, Italy, Volpato, Giovanni, Views of Rome and its surroundings, La ville Borghese, View of the Villa Borghese Pinciana and the Villa Borghese gardens in Rome, recto lower left - handwritten in brown ink, View of the Villa Borghese Pinciana and the Villa Borghese gardens in Rome. In the foreground a group of women dancing around a statue of Pan. On the square in front of the villa various figures. Title in French below the representation., print, prent, prints, enten, verso - stamped, 311, Ducros Volpato, height 561 mm, width 792 mm, Italian, 1740 - 1803, print maker, prentmaker, 1758 - 1803, paper, papier, etching, etchings, kleuren, Swiss, 1748 - 1810-02-10

Passage of Russian sailors Boulevard Saint-Germain, Fests Franco-Russians Theodor-Josef-Hubert Hoffbauer (1839-1922). Passage of Russian sailors Boulevard Saint-Germain, Festival Franco-Russians, 1893. Drawing.

View of Vienna from the Belvedere, by Bellotto Bernardo, 1759 - 1760, 18th Century, oil on canvas. Austria, Wien, Kunsthistorisches Museum. Detail. Garden Belvedere fountains avenues small figures promenade.

Casket 1753-1756 Battersea. Enameled copper and metal mounts . Battersea Enamel Factory (Manufacturer)

View of London-Capital & Residency of the King of England ca. 1830 Artist Unknown Chalk Lithograph Private Collection

Jean-Baptiste François Genillion, or Genillon (1750-1829). "The Hôtel-Dieu fire in 1772". Oil on canvas. 1772. Paris, Carnavalet museum. 145687-1 Berge, Notre-Dame Cathedral, Flame, Seine River, Hopital, Hotel-Dieu, Fire, Notre-Dame, Night, Quartier Le Marais, night view, 18th 18th 18th 18th 18th 18th century, fire, oil on canvas, bridge, bridge

The Pond, L.S. Lowry, 1950,

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