Historical City Views

Artistic prints showcasing significant historical events and cityscapes, with intricate details of architecture, landscapes, and figures in a monochrome style.

Vermeyen, Jan Cornelisz., Cologne, Hogenberg, Frans, Kurtze erzeichniss wie Emperor Carolus der V. in Africa Dem Konig von Thunis, so von dem Barbarossen who comes to his aid with war peace, and was carried out, you can see him in this following figure, nicely and orderly, next to another, Series 1: The journey of Charles V to Tunis, 1535, The emperor restores the king of Tunis, Jan Cornelisz, The kingship of the king of Tunis restored by Charles V, 1535. The battlefield is cleared and the fortifications are dismantled, in the distance the imperial fleet sails away. In the foreground fishermen in the water. Numbered lower left: 8., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 246 mm, width 338 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1574 - 1578, paper, etching, etchings, Work conception, Northern Netherlands, 1500 - 1559

View of Warsaw from the Praga District side. Hogenberg, Abraham (fl. 1608-1659), graphic artist, Hoefnagel, Joris (1542-1601), draughtsman, cartoonist, Braun, Georg (1542-1622), publisher

Vermeyen, Jan Cornelisz., Cologne, Hogenberg, Frans, Kurtze erzeichniss wie Emperor Carolus der V. in Africa Dem Konig von Thunis, so von dem Barbarossen who comes to his aid with war peace, and was carried out, you can see him in this following figure, nicely and orderly, next to another, Series 1: The journey of Charles V to Tunis, 1535, The emperor restores the king of Tunis, Jan Cornelisz, The kingship of the king of Tunis restored by Charles V, 1535. The battlefield is cleared and the fortifications are dismantled, in the distance the imperial fleet sails away. In the foreground fishermen in the water. Numbered lower left: 8., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 246 mm, width 338 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1574 - 1578, paper, etching, etchings, Work conception, Northern Netherlands, 1500 - 1559

GRABADO CONQUISTAD DE TUNEZ. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Print, Siege of a City (Part 1); Albrecht Dürer (German, 1471-1528); Germany; woodcut on paper; 22 x 39.8 cm (8 11/16 x 15 11/16 in.); 1950-30-20-a

Speculum Romanae Magnificentiae: The Seven Churches of Rome (Le Sette Chiese di Roma) 1575 Attributed to Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to h

River landscape with Mercury in the air, carrying Psyche to heaven, River landscape with Mercury and Psyche Arti et ingenio stat sine morte decus River landscapes with mythological subjects (series title), print maker: Symon Novelanus, (attributed to), Pieter Bruegel (I), (mentioned on object), publisher: Joris Hoefnagel, (mentioned on object), Vienna, 1553 and/or 1593 - 1597, paper, etching, h 275 mm × w 342 mm

'Spring'. Series "Four Seasons". The Netherlands. The Netherlands, 1579. Dimensions: 20,5x30,4 cm. Museum: State Hermitage, St. Petersburg. Author: HANS BOL.

View of the town of Arakan, situated on an estuary with V.O.C. ships but also pleasure boats of the locals. Buffalo drivers cross the water with their animals, balancing on their backs, View of the harbor of Arakan Bandel ofte Reede Voorde Stadt Arakan Orbis habitabilis oppida et vestitus (series title) Des inhabited waerelds steden en dragten (series title), print maker: Thomas Doesburgh, Coenraet Decker, publisher: Covens & Mortier, (mentioned on object), Netherlands, 1685 - 1714, paper, etching, h 224 mm × w 283 mm

River landscape with Mercury and Psyche; Arti Ein Ingenio Stat Sine Morte Decus; River landscapes with mythological subjects. River landscape with Mercury in the air, wearing psyche to heaven.

View of harbor and fort near Acapulco with locals. In rectangular frame, above cartouche with garlands, View of harbor and fort at Acapulco, print maker: Thomas Doesburgh, (mentioned on object), publisher: Covens & Mortier, (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), print maker: Netherlands, publisher: Amsterdam, 1685 - 1714, paper, etching, h 225 mm × w 283 mm

Sheet with two representations of the Zeeland historic town of Reimerswaal on South Beveland. Above a representation of the town as it appeared in the year 1634, below a fanciful reconstruction of the former grandeur of the town, with an inset map. Numbered top right: Pag. 270., Reimerswaal in present and past times, 1634 Rommerswael, aende zee-kant meest geinundeert, of weggh-gespoelt / Rommerswael, showed itself from outs thus , print maker: Jan Luyken, publisher: Johannes Meertens, (possibly), publisher: Abraham van Someren, (possibly), print maker: Amsterdam, publisher: Middelburg, publisher: Amsterdam, 1696, paper, etching, engraving, h 276 mm × w 347 mm

Whale stranded at Noordwijk aan Zee, 1614; Wild picture of the pot-walvian, stranded at Noortwijck at sea, den December 28, 1614, Lanck being 52 rod feet, for Aenden Muijl Breet 9, and the Staert 12 Roe Voeten.Cadader of a Sperm Whale Played On The Beach at Noordwijk aan Zee , December 28, 1614. In The Foreground and Right Are Visitors On The Beach. Some Men Are Working On The Animal. With One Line Caption in Dutch.

Southern landscape with partying company and antique column, Pieter van der Borcht (I) (attributed to), 1550 print Southern, hilly landscape. On the left is a partying company around a table. A figure is on his head; A love couple is on the edge of a basin. In the middle of the foreground a walking pair, on the right a few riders and hunters with dogs. In the middle plan there is prominent an antique column with a putto on the right, a naked figure and a half -broken antique image. In the background, a panoramic art landscape is depicted with a city on a bay. Boats and swimming figures have been presented in the water. paper etching / engraving column, pillar ~ architecture. private festivities, merry company - AA - in the open air, 'fíªte champíªtre'. triumphal column with helical friezes

View of the city of Grave, L. Jordaens, 1655 - 1657, Design for a print., draughtsman: L. Jordaens, , 1655 - 1657, paper, pen, brush, h 186 mm × w 275 mm

View of the fort at Tata. In the foreground, outside the city walls, a battle between Hungarian and Ottoman soldiers. Above the townscape a cartouche with the name of the town. The print has a Dutch caption with references to buildings on the print, Gezicht op Tata Topographical illustrations of Austria, Hungary and the Balkans Korte beschryvinghe, en de aen-wysinghe der plaetsen in desen boeck, met hunnen teghen woordighen standt, pertinent uyt-ghebeldt, in Oostenryck , print maker: Gaspar Bouttats, (mentioned on object), publisher: Jacob Peeters, (mentioned on object), Antwerp, 1686, paper, etching, h 116 mm × w 253 mm

View of Venice, 1500. Published by Anton Kolb (German, 1474-1566), Jacopo de' Barbari (Italian, 1440/50-before 1515). Woodcut from six blocks on six sheets of paper; overall: 132.7 x 277.5 cm (52 1/4 x 109 1/4 in.). By the end of the 1400s, Venice had emerged as the major printing center in Europe, where books were printed in various languages to be shipped around the world. The city also became the great emporium for prints, and the woodcut developed beyond its humble origins as a popular art for devotional imagery, playing cards, and later for book illustration. View of Venice epitomizes this new ambitious scope for the woodcut, and is a landmark in the history of printmaking. This monumental print can be compared in scale only to a mural decoration and presumably served as a less expensive surrogate for paintings. The six sheets that make up the design would have been pasted either onto a canvas or the wall itself, resulting in the survival of only 12 impressions of the original ed

Lighthouse of Alexandria, Philips Galle, After Maarten van Heemskerck, 1581 - 1633 print The lighthouse of the city of Alexandria. As far as is known, the first lighthouse ever built. This was commissioned by the first Hellenistic king of Egypt Ptolemy II. The tower became between 297 and 283 BC. Built and served for almost 1500 years for the Greeks, Romans, Byzantines and Arabs. He stood on the island of Pharos in the Mediterranean Sea, just outside the port of the Egyptian Alexandria. In the foreground on the right Ptolemy II and the architect of the lighthouse, Sostratus from Knidos. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving Pharos of Alexandria (Wonder of the World). lighthouse, lightship. island (in tropical and sub-tropical regions). non-aggressive activities of Ptolemy Philadelphus

Intake of two Galechepen van Bizerte, Stefano della Bella, 1620 - 1664 print Seascape with Galechepen near the coast of Bizerte. On the left the weapon of the De'Medics family. Three cartouches with text in Italian in the lower margin. paper etching ships (in general). sea Bizerte

Northern Netherlands, Berckenrode, Floris Balthasarsz. van, Maticalo, Arrival of Van Spilbergen at Batticaloa on Ceylon, 1602, Arrival of Van Spilbergen at the king's at Batticaloa on Ceylon, 5 June 1602. On the right the procession with the Dutch, in the foreground elephants, in the background the king's palace. Part of the original illustrations by Floris Balthasarsz. van Berckenrode in the report of the journey of Joris van Spilbergen to the East Indies in 1601-1604. No. 4., print, prent, news print, prints, Frederik Muller Historieplaten, height 140 mm, width 220 mm, 1562 - 1616-12-10, print maker, printmaker, 1603 - 1605, second quarter 17th century, paper, engraving, engraving (printing process)

View of Szarvas, Gaspar Bouttats, 1686 print View of the city of Szarvas. In the foreground, outside the city walls, a Hungarian army unit on horseback. A cartouche with the name of the city above the cityscape. The print has a Dutch caption with references to buildings on the print. Antwerp paper etching prospect of city, town panorama, silhouette of city Deer

Two round frames of winter scenes in the city. On the left January, the month of ice. Epiphany is celebrated. Above center, the constellation Aquarius. On the right, February. Outside a city, people are skating on the canals. The print is part of a series on the twelve months, January and February The twelve months (series title)., print maker: Adriaen Collaert, (mentioned on object), Hans Bol, (mentioned on object), publisher: Hans van Luyck, Antwerp, 1578 - 1582, paper, engraving, h 144 mm × w 306 mm

Antwerp, Peeters, Jacob, Bouttats, Gaspar, Short description and directions of the places in this book, with their present position, pertinently illustrated, in Oostenryck, Topographical images of Austria, Hungary and the Balkans, View of Zalaszentgrót, verso bottom right - stamped, View of the settlement Zalaszentgrót. In the foreground, outside the city walls, a herdsman and his family. Above the cityscape a cartouche with the name of the place., print, engraving, prints, engravings, verso middle - stamped, recto bottom right - stamped, height 97 mm, width 125 mm, 1640 - 1695, print maker, printmaker, 1686 - 1686, paper, papier, etching, etchings, Publication (Event), Publicatie, 1637 - 1695, publisher

Landscape with the emblem about the worship of the idols of ISIS, Johannes Sadeler (II), After Hans Bol, 1595 - 1600 print Hilly landscape with a city and the city walls. On the left in the foreground, some farmers worship a picture of the female goddess Isis that is transported on a donkey. Next to the donkey is a man who punishes the animal with a whip. The donkey thinks the people, instead of Isis, worship him. This is the imagination of an emblem in which the moral of the story warns against arrogance and undeserved honor. The print has a Latin caption with the caption of the emblem Non Tibi Sed Religioni by Andrea Alciati. paper engraving ass, donkey. Isis. flogging, scourging (in public). Arrogance; 'Arroganza' (Ripa) (+ emblematical representation of concept). whip

September, Pieter van der Borcht (I), 1545 - 1608 print Autumn landscape with Najaart scenes. September is the fruit month. Central is the fruit harvest. The print shows men, women and children who pick the apples in an orchard. An architectural garden can be seen in the background. In the middle of the constellation Libra. In this series of the twelve months, every month is depicted with the human activities, her climatic characteristics and its constellation that are typical of her. Antwerp (possibly) paper etching September and its 'labours' (+ with zodiacal signs). picking fruit. fruit harvest. French or architectonic garden; formal garden

October, Anonymous, After Jan van de Velde (II), 1684 - 1729 print Landscape with a castle on a mountain on a lake with the right farmers with barrels near vines; A view of Palermo on Sicily, representing the month of October. At the top of the constellation belonging to this month: Scorpio. Tenth print from a series of twelve. Germany paper etching October and its 'labours'. landscape symbolizing October. Scorpio (zodiacal sign of October). vintage, grape harvest. castle. viticulture, wine-growing; vintage. vineyard Palermo

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Capture of Neuss, 1585, 11 May 1585. With 12-line caption in German. Numbered: 85., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1585 - 1587, fourth quarter 16th century, paper, etching, etchings

"Etching by Hieronymus Cock from 1558 depicting the biblical scene of Abraham and Isaac, showing the figures, gesture, and composition in a religious context."

Cologne, Hogenberg, French, Series 6: Dutch Events, 1571-1576, Murder in Haarlem by the Spaniards, 1573, Execution and murder of the defenders of Haarlem by Spanish soldiers under Don Frederik, after the surrender of the city on 13 July 1573. In the foreground beheadings and hangings, on the left bodies are being taken away in a cart. In the background others are drowned in the water. With an 8-line caption in German. Lower left numbered: 89. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 220 mm, width 284 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1574 - 1578, paper, papier, etching, etchings

Battle of Luzzara, 1702, 1702 print Battle of Luzzara, August 15, 1702. Extensive scene of the battle at Luzarra where the Allied armies defeated the French and Spanish troops. Above the portrait of the Roman King Joseph I with on either side of Kaiserswerth and Landau. At the bottom of the portrait of Prince Eugenius of Savoye with victories at Venlo and Cadiz on either side. print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing battle (+ land forces) Luzzara. Keizersweerd. Landau in Der Pfalz. Venlo. Cádiz

Holmes' Bonfire, Gaspar Bouttats, 1670 print English ships lie in front of the islands of Vlieland and Terschelling. On the island of Terschelling, recognizable by the Lighthouse De Brandaris, the village of West-Terschelling goes up in flames. On the right, the Dutch merchants, who are anchored in the Vlie, are set on fire by English sailors in sloops. In the foreground the island of Vlieland. At the top of the print a cartouche with Italian inscription. Antwerp paper engraving on fire, ablaze. battle. Holmes's Bonfire Vlieland. Terschelling. West-Terschelling

Perrissin, Jean, Keulen, Hogenberg, Frans, Series 3: French Wars of Religion, 1559-1573, Murder of the Protestants at Sens, 1562, April 1562. Soldiers murder, plunder and destroy the city. Bodies in the water in the foreground. With 8-line caption in German. Numbered lower left: 27. The print is part of an album., print, picture, history print, album sheet, prints, Frederik Muller History plates, height 210 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1567 - 1571, paper, etching, etchings, Work conception, French, 1538 - 1611

Hogenberg, Frans, Northern Netherlands, Hagenpreken buiten Antwerpen, 1566, 14 June 1566. Calvinist meetings in the woods, the city of Antwerp in the distance. Armed Calvinist orderlies in the foreground. With a 4-line caption in Latin. Numbered: 4. Unprinted on the back., print, picture, historical print, prints, pictures, Frederik Muller Historieplaten, height 135 mm, width 158 mm, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, papier, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Arrival the fleet at Acapulco, 1624; Display of the port of Acapuleo. Arrival the fleet at Acapulco, October 28, 1624. Part of the illustrations in the world's report to the world of the Nassausche fleet under Jacques l'HEREMIET, 1623-1626, No. 5.

Allegory on the virtue of Austria, 1742, 1742 print Allegory of the virtue of Austria in the Austrian Succession War, 1742. In the foreground Archduchess Maria Theresia standing in a column above which the hand of justice with a scale, on the right the English unicorn and the Netherlands Lion, on the left a few princes. On the second plan on the left Cardinal Fleury at King Louis XV in a triumphal wagon drawn by French roosters, battles on a city on the right. Marked at the top right p. 107. A text sheet belongs to the print. Northern Netherlands paper etching / engraving battle (+ land forces)

Dahlberg, Erik Jönssen, Lepautre, Jean, Suecia Antiqua et Hodierna, Söder Telge, Troosa, View of Södertälje and Trosa, The print is part of an album., print, album sheet, prints, height 255 mm, width 382 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1669 - 1669, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Fodinae aerariae Falunensis, qua orientem spectat, delineatio, View of the copper mine near Falun, The print is part of an album., print, album page, prints, height 260 mm, width 368 mm, 1655 - 1727-05-18, print maker, printmaker, 1701 - 1701, paper, etching, Swedish, 1625-10-10 - 1703-01-16, supervision

View of Maagdenburg, left leaf, Jan van de Velde (II), 1688 - 1727 print Panorama van Viernenburg, seen from the other side of the Elbe to the west. On the right the Dom van Viernenburg. At the top left the imperial weapon of the Holy Roman Empire. On the left in the foreground a group of figures busy with bird shooting, where a shooter with his crossbow tries to shoot a wooden bird from a pole. Amsterdam paper etching shooting-the-bird (on a high pole). prospect of village, silhouette of village Virginburg. Elbe

Wooded landscapes. Road through a forest, view of a ruinous castle () at centre. prints, etchings, landscapes, works on paper

Schans Papenmuts built by Maurits in the Rhine, 1620, 1620 print De Schans Papenmuts built by Prince Maurits in the Rhine, October 6, 1620. At the top right a bet with a map of Rijnland between Cologne and Bonn. Low Countries paper etching fortifications, military engineering Schans Papenmuts

City and Castle Dubiza, City and Castle Dubica Battle of Dubica on August , Azelt, Copper Engraver

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Hohenlimburg in Westphalia won for Truchsess, 1584, Schloss Hohenlimburg in Westphalia won for Truchsess, November 12, 1584. Episode from the Cologne War. With a 12-line caption in German. Numbered lower left: 213. The print is part of an album., print, picture, history print, album page, prints, illustrations, Frederik Muller History plates, height 201 mm, width 284 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, papier, etching, etchings

View of Brielle, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Brielle. In the foreground, outside the city walls, the river Maas. A sloop is stuck on a sandbank and one tries to shake the boat back with hooks. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption. Antwerp paper etching / letterpress printing prospect of city, town panorama, silhouette of city Brielle

Amsterdam, Hooghe, Romeyn de, Daily register, of what happened in the Siege of Grave, until the transfer to His Royal Highness, the Prince of Orange, Hereditary Stadtholder, General of the Armies of the State, 1674 on 27 October, Siege of the City of Grave on 27 October. Anno 1674, Siege of Grave by William III, 1674, Siege and conquest of Grave by William III, 25 July to 29 October 1674. The bombardments of the city seen from the position of the besieger. At the top on either side of the title medallions of William III and Rabenhaupt. Print with loose text sheet with a chronological description of the events from day to day in 3 columns and the legends AS and 1-24 in Dutch., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 252 mm, width 358 mm, height 290 mm, width 360 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1674 - 1674, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, letterpress prin

Intake of Breda, 1590, 1601 - 1649 print The intake of Breda by the State Army under Maurits, March 4, 1590. The peat ship is withdrawn into the castle. In the foreground two males at the glue sticks. Northern Netherlands paper etching Breda

Coast Scene 17th century Anonymous, French, 17th century French. Coast Scene 339899

View of Haarlem C, The Netherlands, Jan van de Velde (II), Pieter de Molijn, Samuel Ampzing, 1652

View of the town of Oudewater. In the foreground, outside the city walls, a manhunt is in progress. A walker follows the road along the Ijzel towards the city. Above the city view a cartouche with the name of the city and its coat of arms. The print has a Dutch and French caption, Gezicht op Oudewater Steden en vestigingen in de Republiek der Nederlanden Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen , print maker: Gaspar Bouttats, (mentioned on object), intermediary draughtsman: Jan Peeters, (mentioned on object), publisher: Gaspar Bouttats, (mentioned on object), Antwerp, 1679, paper, etching, h 148 mm × w 251 mm

Parma departs from Paris, 1590, 1590 - 1592 print The Duke of Parma leaves Paris, 1590. In the foreground, among others, Dutch troops under the command of Parma and Wagens with Proviand that leave the city, the walls of the city in the distance. With caption of 8 lines in German. Without a date and unnumbered. Paper with red edges. Cologne paper etching Paris

View of the city of Gorinchem, Nicolaes Weydtmans, 1600 print View of the city of Gorinchem. In the foreground De Merwede with different ships. At the top left, an angel is on the clouds with a bundle of arrows and an orange branch under the arm and a bird on the hand. In the middle left the weapon of Prince Maurits, in the middle of the right the weapon of Holland and on the right the city coat of arms of Gorinchem. Under the weapon of Holland is a banderol with the next two -line inscription: Salich is he who is not on Menschen Maer on Godt Bout. Neither on Stercke Vesten or Wallen. Gorinchem paper engraving city-view in general; 'veduta' Gorinchem

Albert Flamen depicts a coastal landscape with port workers on the beach and three women in the foreground, executed in brown ink.

Haven, Adriaen van der Kabel, 1648 - 1705 print View of a harbor with sailing ships and rowing boats. Bad people in the foreground, in the background a city with a cathedral. France (possibly) paper etching harbour

View of Copenhagen, 1726; Coppenhague, capitale danemarc; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the Danish city of Copenhagen, a group of riders in the foreground. Plate No 438 in Part XVIII of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Conquest of Paita, 1615; Payta; Image of Payta, Gelijck 't Selvige Besiervert, storms, and is inherited. Conquest from Paita in Peru, August 1615. Three ships in the bay garnish the city. On the country battles with Spaniards. Bottom left example of a raft and a vulture that is near caught. Part of the illustrations in Joris Journey Report from Spilbergen to the world, 1614-1617, No. 13.

Like Don Jan daustria the castle to name, From the history sheets, Don Juan daustria went on July , on Namur Castle, Frans Franz Hogenberg -, Copper Engraver

De Stadt Tripolis. The City of Tripolie.. Ogilby, John (1600-1676). Illustrations, Prints. 1670. General Research Division. South Africa, Islands of the Indian Ocean, Islands of the Atlantic, Africa , Description and travel, Sailing ships

River Landscape. Dimensions: Overall (approximate): 25.2 x 39.2 cm (9 15/16 x 15 7/16 in.) support: 35.2 x 49.5 cm (13 7/8 x 19 1/2 in.). Medium: pen and brown ink with blue and brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Tobias Verhaecht.

View of Bergen (Norway), 1665, 1665 print View of the port city of Bergen in Norway. In the air the weapons of the city and the country, on the left the legend A-X in German. Probably published in response to the fight with the English fleet in the port on August 10, 1665. print maker: Germanypublisher: Amsterdam paper etching / engraving Bergen

Germany, Bellotto, Bernardo, Vue des fauxbourgs de la Ville de Pirna, View of the suburb of Pirna, verso - stamped, In the foreground women doing the laundry. Schloss Sonnenstein in the background left. Text and coat of arms in the bottom margin., print, prints, height 416 mm, width 631 mm, Italian, 1721 - 1780-10-17, print maker, printmaker, 1730 - 1780, paper, papier, etching, etchings, Work conception, after own design by

Boating Party on a River. Artist: Jan van Goyen (Dutch, Leiden 1596-1656 The Hague). Dimensions: 7 13/16 x 11 15/16 in. (19.9 x 30.4 cm). Date: 1651.Jan van Goyen made hundreds of chalk sketches from nature in his travels around the Netherlands. This river scene may have been first drawn in chalk with brown and possibly gray washes; the uncharacteristic colored washes are a later addition. The scenery is modeled on the village of Leiderdorp, situated on the Oude Rijn near Leiden. Its inhabitants add a lively touch to this otherwise spare sheet. Museum: Metropolitan Museum of Art, New York, USA.

Dahlberg, Erik Jönssen, Stockholm, Padtbrugge, Herman, Suecia Antiqua et Hodierna, Siggtuna, View of the ruins of Sigtuna, The print is part of an album., print, album sheet, prints, height 223 mm, width 344 mm, Northern Netherlands, 1656 - 1687-06-07, print maker, printmaker, 1686 - 1686, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

River landscape with sailing ships on the water. In the sky, the winged Daedalus watches his son Icarus fall down., River landscape with Daedalus and Icarus Inter utrumque vola, medio tutissimus ibis River landscapes with mythological subjects (series title), print maker: Symon Novelanus, (attributed to), Pieter Bruegel (I), (mentioned on object), publisher: Joris Hoefnagel, (rejected attribution), Vienna, 1553 and/or 1593 - 1597, paper, etching, h 278 mm × w 344 mm

View of Egmond aan Zee, Claes Jansz. Visscher (II), 1615 - 1618 print The lottery in Egmond aan Zee for a new guesthouse, ca. 1618. In the foreground an old man and woman who holds up a lottery print with an image of the new guesthouse and the prizes to be won and the regulations. Behind them a fisherman and a fish woman with a fishing net. In the background the village on the coast. The still to be built Gasthuis has already been included and indicated in the face of the village. At the top a banderole with the name of the village with the weapons of Holland and Van Egmond on either side. Printed from 2 plates. paper etching / engraving herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. raffle, lottery Egmond aan Zee

Landscape with Mercury Holding Argus's Head 16th century Hieronymus Cock Netherlandish. Landscape with Mercury Holding Argus's Head 348431

Cologne, Hogenberg, French, Northern Netherlands, Margaret of Parma leaves Brussels, 1567, Margaret of Parma is led out of Brussels by the Duke of Alva on her departure from Brussels, December 30, 1567. The procession of horsemen rides out of the city gate. With a 4-line caption in Latin. Numbered: 14. Printed on the back with text in Latin., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 136 mm, width 174 mm, print maker, 1613 - 1615, first quarter 17th century, paper, etching, etchings, Work conception, Dutch, German, 1540 - 1590

Aegidius Sadeler II after Pieter Stevens, Rocky Landscape in Bohemia Rocky Landscape in Bohemia

Paris, Langlois, François, Nancy, Callot, Jacques, Life of Mary in emblems, Dawn, verso lower left - stamped, Representation of the break of day above a landscape with houses. Stars disappear, an owl flies away, the sky is filled with far lighter. This sheet is part of the emblem series 'Life of Mary in emblems'. The first state of this series contains, in addition to a title page and 26 emblems, three sheets with hymns to Mary in letterpress without an image., print, emblem, prints, height 64 mm, width 84 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1625 - 1629, second quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, 1646 - 1646

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Capture and destruction of Godesberg, 1583, 17 December 1583. Episode from the Cologne War. With a caption of 8 lines in German and 4 lines in French. Numbered lower left: 196. The print is part of an album., print, picture, history print, album sheet, prints, Frederik Muller Historical Plates, height 196 mm, width 281 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, papier, etching, etchings

View of Sint-André castle; Glorification of the German order, in particular from the Land Commandery Alden Biesen. View of Sint-André castle at Liège. At the top of the show a banderole without text and a weapon. This print is part of a major representation, composed of 20 separate plates, of the history and works of the German Order (center) surrounded by representations of the Land Commandery Alden Biesen (below) and the associated commanders (left and right) .

Plate Eleven from Drawings of Several Movements by Soldiers 1644 Italy. For the subject of this work, della Bella chose the movements of soldiers toward and through a town, which is recognizable as Arras. He dedicated the work to Henry du Plesseys, Count of Roche-Guyon, whose coat of arms appears in the first and second plates.. Etching on ivory laid paper . Stefano della Bella

Card with the appetent of Leiden, 1574; Dispose of the city of Leyden. Card with the relievance of Leiden, October 3, 1574. At the top right of Rotterdam, Schiedam and Delft, Leiden, down the Hague. At the bottom right The Dutch lion with drawn sword and the city of Leiden.

Der Weisskunig: The Storming of Nantes, 1512-15. Hans Burgkmair (German, 1473-1531). Woodcut; sheet: 23.2 x 19.7 cm (9 1/8 x 7 3/4 in.); image: 21.7 x 19.7 cm (8 9/16 x 7 3/4 in.).

The prince's fleet in the port of Hellevoetsluis, 1688, Daniël Marot (I), 1688 drawing The fleet is prepared in the port of Hellevoetsluis for the journey of Prince William III with his army to England, October 28, 1688. A panorma image of the fleet of Stadholder Willem III, with an explanation in a frame at the bottom (where also the title ), Left and right half a palm tree and a crowned shield with trumpets above. The fleet seems to be largely ready at sea, but a few ships are still loaded with cannons that are ready on the quay. At the front lies the ship of 'sijn Hoogheijt in which were Mr. van Odijck and the Marschalk van Schombergh'. On the quay, the prince the fleet of the 'den Grave Carel sijn Sijn and the Heer Dela Caillemotte Soon of the Marquis de Ruvignij'. Left and right palm trees, angels in the air with the prince's weapon. Design for a print. Northern Netherlands paper. chalk pier, quay, wharf. sailing-ship, sailing-boat. navy (+ sailing-ships). traffic and transport (

Thunis.. Ogilby, John (1600-1676). Illustrations, Prints. 1670. General Research Division. South Africa, Islands of the Indian Ocean, Islands of the Atlantic, Africa , Description and travel, Sailing ships

Rocky Landscape in Bohemia. Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Aegidius Sadeler II after Pieter Stevens.

Intake of Delfzijl by Maurits, 1591, 1613 - 1615 print Intake of Delfzijl by Prince Maurits, July 12 (July 1 according to the new era) 1591. The performances shows a storming of the city that in reality never took place: the city surrendered to the prince without a struggle. With caption of 4 lines in Latin, numbered 205. Printed on the back with text in Latin. Northern Netherlands paper etching capture of city (after the siege) Delfzijl

Northern Netherlands, Berckenrode, Floris Balthasarsz. van, Anabon, French Catholics murdered by the Portuguese at Annobón, 1601, 1600-1601. On the right the coat of arms of Balthazar de Moucheron, financier of the journey. Part of the original illustrations by Floris Balthasarsz. van Berckenrode in the report of the journey of Joris van Spilbergen to East Indies in 1601-1604. No. 3., print, picture, news print, prints, pictures, Frederik Muller Historieplaten, height 140 mm, width 220 mm, 1562 - 1616-12-10, print maker, printmaker, 1603 - 1605, first quarter 17th century, second quarter 17th century, paper, papier, engraving, engraving (printing process)

Ice grant on the frozen Scheldt in Antwerp, 1684; Le Vray Poutraict, du Triomphe Faix sur La Glace Demy Navigable, the La Riviere d'Anvers l'an 1684 (...); Laftinge van den Seldamen and De Memekwijdigen Antwerpschen YS-GANCK, INT JAER 1684 (...). Ice convenience on the frozen Scheldt in Antwerp, January 1684. With all kinds of stalls, sledges, horses, cars and shapes of ice entertainment on the ice. On the left a mast with three burning pekons, in the background the city of Antwerp. At the top of the coat of arms of Antwerp, the French title and two faces of the frozen river. On the left a large group of spectators on the quay at the gate. With caption of 2 lines in Dutch.

In the foreground, a man waves a stick at a snake that has erected itself at his feet, View of Tivoli Tivoli Malerisch radirte Prospekte aus Italien , print maker: Albert Christoph Dies, (mentioned on object), Rome, 1793, paper, etching, h 284 mm × w 379 mm

October, Jan van de Velde (II), 1618 print Landscape with a castle on a mountain on a lake with left farmers with barrels near vines; A view of Palermo on Sicily; representing the month of October. At the top of the constellation belonging to this month: Scorpio. Tenth print from a series of twelve. Northern Netherlands paper etching October and its 'labours'. landscape symbolizing October. Scorpio (zodiacal sign of October). castle. viticulture, wine-growing; vintage. vineyard. transport of grapes Palermo

View of Utrecht, (Plate I), Herman Saftleven, 1648 print Left plate of 'View of Utrecht' with a part of Utrecht. In the foreground meadows with cows and a meandering ditch. A little more to the background a row of trees with farms and two churches. paper etching cow. church (exterior) Utrecht

. The winter. Winter season male personification as an old man warming at a fire. Landscape with winter activities such as skating (right) and slaughter (left). In heaven the constellations: Capricorn, Aquarius and Fish. In the caption a verse of 4 lines in Latin.

Illustration for Basedow's 'Elementary Work'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1770. Prints; etchings. Etching

Paris, Tavernier, Melchior, France, Rabel, Daniel, Cartouches de Differantes Inventions, Cartouche with monster's head between two putti, In the middle a landscape with a view of a city is depicted. Sheet 6 from a series of 13 sheets with cartouches in French auricular style. From the first edition., print, ornamental print, prints, ornamental prints, height 140 mm, width 196 mm, 1578 - 1637-01-03, print maker, printmaker, 1634 - 1634, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

View of 's -Hertogenbosch, Anonymous, 1506 - 1581 print View of 's-Hertogenbosch. At the top in the middle two putti that carry the weapon of Emperor Charles V, or of Philip II of Spain. At the top left the weapon of Brabant. At the top right the weapon of 's-Hertogenbosch. paper prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal). coat of arms (as symbol of the state, etc.) (+ province; provincial) the Bosch

Corbeil intake, 1590, Romeyn de Hooghe, After Don Juan de Ledesma, 1670 - 1699 print Intake of Corbeil-Sonnes by the army of Farnese, 1590. In the middle of a cartouche with the title and the legend A-R in French. paper etching capture of city (after the siege) Corbeil-Essonnes

The Municipal Florist of Auteuil.

View of Hoorn, 1726, 1726 print View of Hoorn, in the foreground ships for the harbor. Plate no. 300 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Hoorn (North Holland)

The Fortress in Charleroi, conquered by the French or Munstersen, 1672, Gaspar Bouttats, 1672 print View of the fortress in Charleroi. In the foreground some soldiers. This print is part of a group of twelve prints, mostly set and published by Gaspar Bouttats, with faces on fortresses and cities conquered by the French and the bishop of Munster in 1672. Antwerp paper etching fortress Charleroi

The Martyrdom of St Sebastian, by Jacques Callot (1592-1635), etching.

Jacques Callot (1592-1635). "The whims, the horse race on Pitti square in Florence. Forty-nineteenth issue of the suite of 50 pieces engraved in Florence" (Lieure 262, Meaume 864). Etching. 1617. Museum of Fine Arts of the City of Paris, Petit Palais. 99608-9 Etching, engraving

Entry of Willem III in The Hague, 1691, Melis Jansz Kock, 1691 print Entry of King William III in The Hague, 5 February 1691. A procession of carriages pulls over a square in five rows. At the top a face on The Hague. There is no explanation for the 1-14 figures in the show. print maker: Northern Netherlandspublisher: Leiden paper etching Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' The Hague

View of Wijk bij Duurstede, Thomas Doesburgh, 1692 - 1714 print Netherlands paper etching prospect of city, town panorama, silhouette of city. river Wijk bij Duurstede

Utrecth

Remains of the Baths of Trajan, 104-109, Esquiline Hill, Rome, Lazio, Italy, engraving from I vestigi dell'antichita di Roma (The vestiges of Roman antiquities), by Etienne du Perac, plate 18, 1575, Rome.

Amsterdam, Visscher, Nicolaes (I), Dalen, Cornelis van (II), Schut, Pieter Hendricksz., 't Vertreck van Carolus Stuart de II, coninck van Engelant, Scotl:, Vranckr., and Yerlant, etc., from the Dutch coast to Schevellingen after Engelant on the 2nd of June anno 1660, The departure of Charles Stuward the II kinge of England, Scotland, France, and Yrland, from the Dutch coast at Scheveling for England, the 2 of iune anno 1660, Caroli II regis Magnae Britanniae ex Hollandia in Angliam discessus, die II iunii ano. CIƆIƆCLX, Departure of Charles II from Scheveningen to England, 1660, verso - stamped, The departure of the English king Charles II from Scheveningen to England, 2 June 1660. On the beach a crowd of spectators, in the middle Charles says goodbye to his sister and aunt. On the left carriages, the dunes and the village of Scheveningen, in the background cannons fire salutes. In the sky a portrait of Charles II held up by two angels with trumpets. In the caption the legends 1-19 in

Despite the Corageous Opposition of the Germans and the Spanish, Francesco I d'Este, at the Head of his Armies, Arrives at the Piazza di Valeneza, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 5/16 in. (12.3 × 16 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the pri

Antwerp, Galle, Joannes, Doetechum, Joannes van (I), Netherlands, The real abuse of the new world, This image is called the blue house, but the abuse of the world is better suited to it, De Blauwe Huyck, 71 proverbs depicted in a fantasy landscape. With inscriptions in French and Dutch for each proverb., print, prent, prints, prenten, Frederik Muller Historieplaten, height 370 mm, width 525 mm, print maker, prentmaker, 1640 - 1660, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, engraving (printing process), etching, Work conception, Northern Netherlands, 1530 - 1605, after a print by, Publication (Event), Publication, Southern Netherlands, 1600 - 1676-09-20, publisher

Keere, Pieter van der, Northern Netherlands, Visscher, Claes Jansz. (II), Illustrations from the marginal work of the map of Holland from 1610, The merchant navy, ca. 1600, Costumes, activities and legends in Holland, illustrations for a map of Holland. The merchant navy. Sailing ships in a Dutch harbour. Above the plate one or two lines of description., print, prints, Frederik Muller Historieplaten, height 76 mm, width 92 mm, 1586 - 1652-06-19, print maker, printmaker, 1608 - 1610, first quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1571 - 1646, publisher

Allegory on the connectedness within the Republic during the file, 1609, 1609 - 1610 print Allegory on the connectedness within the Republic during the file, 1609. A large Dutch garden sealed with roses and lilies with Prince William I and Prince Maurits in the middle with the weapon with two columns of freedom of religion (religio libertas), standing between the Seven provinces connected by chains. At the top of the hugging justice (Justitia) and Peace (Pax) with the land with freedom hat, faith (fides) and Constantia (steadfastness) and other symbolic elements (monkeys, pig, cat and mouse, balancing acrobat). The entrance gate guarded by the Dutch Lion with fame. Outside the garden on the left the triumphal wagon of Bona Causa (righteous case) and right religion (religio). At the bottom left mars and right vulcanus with severed hands and feet and broken armor. All details in the performance indicated with figures and inscriptions in Latin, the legend is missing. paper engraving Peac

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