Historical Coastal Scenes

A series of monochrome drawings and prints depicting coastal harbors, old buildings, and ships, capturing serene and nostalgic maritime views.

View of Bergumerdam, from the Bergumermeer, draughtsman: Pieter Idserts, 1742, paper, pen, brush, h 108 mm × w 208 mm

The Skaters. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Peeter Bout.

A boat lying on a piece of land enclosed by a fence, possibly a shipyard, on the left a pole. Behind the fence, water is visible with the masts of two boats and a hilly landscape in the background., Landscape with a boat in a shipyard, print maker: Pierre Salvy Frédérique Teyssonnières, (mentioned on object), intermediary draughtsman: Pierre Salvy Frédérique Teyssonnières, (mentioned on object), printer: François Nys, (mentioned on object), print maker: France, intermediary draughtsman: France, printer: Brussels, 1874, paper, etching, drypoint, h 156 mm - w 235 mm

Depiction by Jacques Callot of the fair of Santa Maria della Impruneta near Florence, executed with chalk, pen, ink, bister, and brown washes.

View of Dresden, Anonymous, After Hendrick van Cleve, 1585 print View of the city of Dresden. In the foreground the bridge over the Elbe and walkers. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage) Dresden

Applying the masts to the ship, plate no. 6, ca. 1700, 1690 - 1710 print Applying the masts to the ship with the help of a tap. No. 6 from series of 16 prints on which the construction and fortunes of a ship are depicted. With captions in Dutch and Latin. print maker: Northern Netherlandspublisher: Amsterdam paper etching building a ship, ship under construction

Beach face with figures at a ship. Draughtsman: Andreas Schelfhout (signed by artist). Dating: 1797 - 1870. Measurements: h 172 mm × w 243 mm. Museum: Rijksmuseum, Amsterdam.

Panorama of Rotterdam, The Netherlands, Jan Houwens (I), Jacob Quack, Jacob Quack, 1665

First View of the Levant ca. 1760 After Joseph Vernet. First View of the Levant. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1760. Engraving; first state of two. Jacques Aliamet (French, Abbeville 1726-1788 Paris). Prints

SAN SEBASTIAN. PUERTO DE PASAJES. GRABADO MDE LA ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1874.

Seaport with six figures ashore and three buildings, Richard Earlom, After Claude Lorrain, 1774 print London paper etching harbour. landscapes with waters, waterscapes, seascapes (in the temperate zone) - HH - ideal landscapes. city-view, and landscape with man-made constructions

Saint Louis, residence of General Sheridan, United States of America, drawing by Theodor Alexander Weber (1838-1907) from a photograph, from The White Conquest, 1875, by William Hepworth Dixon (1821-1879), from Il Giro del mondo (World Tour), Journal of geography, travel and costumes, Volume IV, Issue 21, October 19, 1876.

The Fort of Buenos Ayres (Buenos Aires). Vintage Picturesque illustrations of Buenos Ayres and Monte Video, by E.E.Vidal, printed by Ackermann, 1820.

Sketching draughtsman on the Hoogendijk, outside the Haarlemmer Poort, Jan Hulswit, 1776 - 1822, draughtsman: Jan Hulswit, 1776 - 1822, paper, pen, brush, h 157 mm × w 213 mm

View of the city of Vlissingen, Georg Balthasar Probst, 1742 - 1801 print In the foreground the sea. Numbered at the top right: 99. Numbered in the bottom left: 26. Augsburg paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Flushing

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), three Turks and an Italian gentleman causing together. Second issue of a series of eight navies. (A. de Vesme 1103 (Refer to 811); Dutuit 110) (main title), 1639. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Face of grisse; Grisse. View of the VOC's lodge in the town of Grisek (Grissee) on East Java. With a few Dutch and indigenous ships off the coast, coastal strip with settlement over the entire width. Four Dutch flags fluttering on masts under large air. Framed with black edges.

François Lefèbvre drawing of Veendam, executed in graphite pencil with brushwork in brown wash.

Van de Wal on the Weert and the crane in Utregt

Construction of artificial banks, Cornelis Meijer, 1683 print Along a river, some men lay artificial banks on both sides to change the water flow. At the top left: 1. Rome paper etching / engraving river bank. engineering

Etching - A View of Quebec from the Bason Captain Hervey Smyth (1734-1811)

Illustration originally published in Hesse-Warteggs Nord Amerika, swedish edition published in 1880. by the virtue of age

BALTIMORE IN 1752. Colored engraving by William Strickland from a 1752 landscape sketch by John Moale. The key at bottom identifies street names, buildings, churches and ships. At lower left fishermen pull in their nets and women wash clothes (BSLOC_2020_1_208)

Bartholomew Howlett, 1767-1827, British, A South East View of London, undated. Hand colored engraving.

Michel Jean Cazabon, 1814-1888, Trinidadian, active in France ca. 1839-1847, Sanfernando from the Sea. Watercolor over graphite with washes and touches of white gouache on buff paper.

Palazzo del N: H: Venier Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Palazzo del N: H: Venier on the River Brenta. A barge sails on the water. Numbered in the middle: XLV and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. tow-boat, towing-barge. hôtel, i.e. small palace in city Brenta

Ice cream entertainment, draughtsman: Abraham Delfos, after: Jan van Goyen, 1741 - 1820, paper, brush, h 335 mm × w 434 mm

Amsterdam, Danckerts, Justus, Nooms, Reinier, Nederland, Diverse inschipingen en anderen, Divers Embarquements et autre Faicts, Waterproofing the hull of a ship, Netherlands, verso top left - pencil, Keeled large sailing ship, men standing on a raft making the hull waterproof., print, engraving, prints, engravings, verso lower right - stamped, verso lower left - stamped, two interlocking C's, height 81 mm, width 177 mm, Noord-Nederlands, 1624 - 1664, print maker, printmaker, 1651 - 1652, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, engraving (printing process), Work conception, Northern Netherlands, after own design by, Publication (Event), Publication, 1635-11-11 - 1701-07-16, publisher

River view with sailing ships, Christiaan Josi, after Simon de Vlieger, 1821 print River view with sailing ships, a mill and houses. In the foreground two men in a rowing boat. North Netherlands paper etching river (+ landscape with figures, staffage)

A View of Chester 1836 John Varley British. A View of Chester. John Varley (British, London 1778-1842 London). 1836. Watercolor, reinforced in places with gum, over graphite on card.. Drawings

Constantinopol und die Sophienkiirche (Table XXIX) in: Meyer Universum, i.e. describing the most convenient visions and comments of objects of nature and art all over the earth , vol , 1834 unknown, Ralterts, D., Geissler, Friedrich (1778 1853)

China (18th c.). Hitsiu. Etching. FRANCE. ëLE-DE-FRANCE. Paris. National Library.

View of Jönköping, Willem Swidde, 1693 The print is part of an album. paper etching Jönköping The print is part of an album. paper etching Jönköping

Heavy storm and flood at Halfweg, November 15, 1775, draughtsman: Simon Fokke, Halfweg, 15-Nov-1775, paper, pen, h 164 mm × w 208 mm

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Face to Leiderdorp. Draughtsman: Jacob Elias La Fargue. Dating: 1748 - 1771. Measurements: h 235 mm × w 374 mm. Museum: Rijksmuseum, Amsterdam.

Venice, Senate of Venice, Furlani, Ludovico, Italy, Canaletto, Brustoloni, Giovanni Battista, Solennità dogali, Serenissimus Princeps die Ascensionis Domini in aurea navi, vulgo Bucintoro, miro cujusvis navigiorum numero stipata Litus petit, Festa della Sensa, verso - stamped, View from the Riva Cà di Dio over the Venice Laguna Left Isola San Giorgio Maggiore and the Chiesa del Santissimo Redentore on Giudecca. In the middle behind the Santa Maria della Salute. On the right the Doge's Palace and the domes of the San Marco. On the water a tangle of gondolas and ships. In the center the Bucintoro, the Doge's galley. Once a year during the Festa della Sensa the Doge 'married' the Adriatic Sea in a ceremonial manner by throwing a ring into the water from this magnificent galley. Numbered lower right: N. 5., print, prent, prints, prenten, verso - gestempeld, height 449 mm, width 568 mm, Italian, 1712 - 1796, print maker, prentmaker, 1766 - 1766, paper, papier, etching, etsen, 1697 - 1768-04

A brown ink and brush drawing by Rembrandt Harmensz. van Rijn depicting the Amstel River and 'Het Molentje', with white highlights, late 1650s.

Wenceslaus Hollar, 1607-1677, Bohemian, The Prospect of London and Westminster taken from Lambeth (sheet 4). Engraving.

Ravenswood, Long Island, Near Hallet's Cove Nathaniel Currier (American, 1813-1888). , 19th century. Lithograph, hand colored, on wove paper, Image: 11 1/4 x 49 3/4 in. (28.6 x 126.4 cm). American Art 19th century

Arrival of Maria de 'Medici in Rotterdam; Le des Embarquement de la Reyne Dans Roterdam; Histoire de l'Entrance de la Reyne Mere du Roy Tres-Chrestien, Dance Les Provinces Unies des Pays-Bas .. Maria de 'Medici arrives with its ships in Rotterdam. Right on the quay a man kneel for her. Several people watch from the stairs of the town hall (). The print is part of a book about Maria de 'Medici to the Netherlands's visit.

Port of Le Havre, 1776, France 18th Century.

Fishermen Mooring Boat at Landing. John Innes; British, active 1768. Date: 1768. Dimensions: 228 × 320 mm. Brush and gray wash, on cream wove paper, tipped onto gray wove paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

View of Naples, by Lievin Cruyl (1640-1720), Italy 17th Century.

Italian port.

Engraver: Unknown, New York - The Fort (key with in scroll), ca. 1732, Engraving, hand colored, sheet: 18.3 × 30.6 cm (7 3/16 × 12 1/16 in.), Made in United States, American, 18th century, Works on Paper - Prints

Flood in Kruiningen, 1808, Izaak Jansz. de Wit, after Johannes Hermanus Koekkoek, 1808 print Haarlem paper etching flood Flushing

John Woods, active 1836-1860, Billingsgate, undated. Engraving on smooth, moderately thick, cream wove paper.

The Great Channel in Venice (Table II) in: Meyra Universum, i.e. describing the most convenient visions and comments of objects of nature and art all over the earth, vol unknown

'Concarneau', c1850-1895 (1924). Artist: Maxime Lalanne

Seaport, Reinier Nooms, 1652 - 1693 Title page of a series of twelve prints. The seaport. Two boats are unloaded, there are cannons, bullets and powder vessels on shore. A number of ships in the distance on the water. Netherlands paper etching / drypoint harbour

View of New York from Brooklyn Heights. Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812-1876 New York). Dimensions: image: 11 5/16 x 16 7/8 in. (28.7 x 42.9 cm)sheet: 13 3/4 x 18 3/8 in. (34.9 x 46.6 cm). Published in: New York. Publisher: Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Date: 1849. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Bowles, ca. 1712-died 1753, British, undated. Hand-colored engraving on wove paper.

Burning of a Port ca. 1760-80 After Joseph Vernet. Burning of a Port. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1760-80. Engraving; second state of two. Anne Philiberte Coulet (French, born 1736). Prints

Camp Meeting Sketches: Landing at the Cape, 1858. Winslow Homer (American, 1836-1910). Wood engraving;

Ice entertainment Rotterdam The Netherlands, ca. 1784, Anonymous, 1780 - 1790

The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta ca. 1804-28 Giacomo Guardi Italian This is one of series of drawings, all in pen and ink, and gray wash, that formed part of an album housing forty-eight views of Venice and the surrounding islands. Recognizing the market incentive to produce rather prosaic drawings as keepsakes for visiting tourists, Giacomo made numerous such albums, repeating the compositions as necessary. The view of the Piazza San Marco, which begins the numbered series, is probably derived from some earlier drawing, painting, or print. Colonel Edward Roche, an Irish gentleman, first owned the Lehman album. His name was inscribed on its cover. The views remained intact as a family keepsake for more than a century until sold to Colnaghi in 1956, when the drawings were dispersed. Robert Lehman later acquired twenty.. The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta. Giacomo Guardi (Italian, Venice () 1

View of a village on the water in Cochin-China, Jean-François Daumont, 1745-1775 print In the title numbered: 18. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush canals, waters (in village) (+ city(-scape) with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. South Vietnam

Cowes, Isle of Wight, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Line engraving, 3rd state on medium, slightly textured, cream, wove paper, Sheet: 10 3/8 × 14 9/16 inches (26.4 × 37 cm), Plate: 9 13/16 × 12 inches (24.9 × 30.5 cm), and Image: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)

A View at Blackwall. Marine art. Watercolor with red-brown and gray ink over graphite, with gray wash lines; verso: variously colored splotches of watercolor and brown ink on wove paper / laid paper support. Height: 194 mm (7.63 in); Width: 254 mm (10 in). Author: Thomas Rowlandson.

A coastal landscape by moonlight. Sailing ships at sea and a rowing boat and flat barge in the foreground. On the right buildings on a cliff, Moonlight Clair de lune , print maker: F.W. Musculus, (mentioned on object), after: Aelbert Cuyp, (mentioned on object), Amsterdam, 1750 - 1799, paper, etching, engraving, h 356 mm × w 306 mm

William Payne, active 1850s, British, Torquay, undated. Watercolor and graphite with pen and gray ink on moderately thick, slightly textured, cream wove paper.

. Pieter Pietersz. Bekjen preached to eight people standing in a rowing boat on the Amstel, 1568. In the distance the city walls and the Swygh Utrecht tower.

Follower of James McNeill Whistler, Pourville sur Mer Pourville-sur-Mer

Thomas Bowles, ca. 1712-died 1753, British, after unknown artist, (Fossati, G.), undated, Hand-colored engraving on wove paper, Sheet: 60 1/2in. (153.7cm), castle, cityscape, hills, sailboats, sea, ships, Campania, Europe, Italy, Naples, Napoli

An engraving depicting a scene in Shanghai, China. Dated 19th century

Face on a shipyard; 30th. Vüe d'Optique Représentant Chantier Pour La Construction De VaisseAux. There are ships and boats on the water. On the left a ship on the land and a strengthened structure on the waterfront. Numbered in the title: 30.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Varii Capricci Militari. A soldier defeating the drum and a sentry of a rampart. Fourth issue of a suite of 6 rooms. (A. de Vesme 261; Dutuit 126) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Asian Civlisations Museum. Porto inbterior,Macau. China, early 19th century. Oil on Canvas. Singapore.

La Riva Carciotti in Trieste Prize for free actions for the year 1841

Port of Ripa Grande Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of the Porto di Ripa Grande in the Tiber in Rome with the Ospizio di San Michele a Ripa Grande on the quay. Title and list of explanatory songs in STUDMARGE. Rome paper etching harbour. river Rome. Port of Ripa Grande. Tiber. Hospice of San Michele in Ripa Grande

Cows in a meadow; XII. New sucking segen 't Leven signed'; Twelve Dutch landscapes. Three cows at a ditch in a meadow, in the air two putti hold a banderole with the title of the twelve-part series of prints.

House in the Country Surrounding Naples ca. 1720-60 After Joseph Vernet. House in the Country Surrounding Naples. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1720-60. Engraving. Jean Daullé (French, Abbeville 1703-1763 Paris). Prints

Face at De Lemmer, Jan Weissenbruch, 1832 - 1880 drawing Lemmer paper. ink. watercolor (paint) brush / pen quay Lemmer

Cologne. Dated: 1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar.

Rome, Meijer, Cornelis, Passonatella per stringere l'alveo del fiume, Construction of artificial banks, recto lower left - stamped, Along a river, several men are constructing artificial banks on both sides in order to change the flow of water. Upper left: 1., print, book illustration, prints, height 146 mm, width 215 mm, 1629 - 1701-08-23, print maker, printmaker, 1683 - 1683, paper, etching, engraving, engraving (printing process), Work conception, after own design by

Bas-reliefs from the monument of Lysicrates, Athens; portions of the frieze from the Temple of Apollo at Phigaleia (British Museum.). Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Friezes (Entablature components), Temple of Apollo (Bassai), Relief (Sculpture), Greek

Troy: Taken from the West Bank of the Hudson in front of the United States Arsenal. Dated: published 1838. Dimensions: sheet (trimmed within plate mark): 49.5 x 70.7 cm (19 1/2 x 27 13/16 in.). Medium: hand-colored aquatint with touches of engraving on wove paper. Museum: National Gallery of Art, Washington DC. Author: WILLIAM JAMES BENNETT.

Fair on the Thames, February 1814, George Cooke, 1781-1834, British, after Luke Clennell, 1781-1840, British, 1814, Engraving

Auguste Lepère, Dedication Page, published 1900 Dedication Page

Oxford (Table XI) in: Meyra Universum, i.e. describing the most convenient visions and comments of objects of nature and art all over the earth, vol unknown

Landscape with Windmills, Wenceslaus Hollar, Bohemian (active England),1607-1677, Jan Brueghel the elder, Flemish, 1568 - 1625, Etching on paper, In a broad landscape three windmills are seen in the left foreground and middle distance. Peasants and carts in a road in the foreground. Inscribed below, lower left: 'Brüghel pinxit.' and lower right: 'W. Hollar fecit, 1650, Ex. Collectione Arundeliana'., Netherlands, 1650, Print, Print

Edgar M. Wilson, 1861-1918, Millbank, undated. Etching on chine collé.

München (Munich). Dated: 1818. Dimensions: plate: 12.3 × 19 cm (4 13/16 × 7 1/2 in.) sheet: 21.7 × 29.8 cm (8 9/16 × 11 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Wilhelm von Kobell.

View of the coast of Malta, Jean Pelletier, After Claude Lorrain, 1746 - 1780 print Paris paper etching / engraving coast Malta

Widok Canal Grande z mostu Rialto w kierunku Ca Foscari, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Creator: Canaletto (1697-1768) . Creators role: painter. Date: 1735-1800. Inventory number: Gr.Ob.Alb.1135 MNW., Historic, digitally restored reproduction from an 18th or 19th century original

View of Vianen. Draughtsman: J. van Kamp. Dating: 1739. Measurements: h 353 mm × w 887 mm. Museum: Rijksmuseum, Amsterdam.

View of the Kamennoostrovski Palace As seen from the Stroganov Embankment by Shchedrin, Semyon Fyodorovich (1745-1804) State Russian Museum, St. Petersburg 1803 Oil on canvas 56x72 Russia Classicism Landscape Painting

Print, Peep-show, Entree de la Ville de Venise Venant de Chiogia Avec l'Isle de St. Georges le Majeur Sur le Côté; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 31.7 × 48.4 cm (12 1/2 × 19 1/16 in.)

The Fort of La Spezia in Liguria in 1869, Italy, Historic, digitally restored reproduction of an original 19th century painting, exact original date n...

Rowlandson's Sketches from Nature: Fowey, Cornwall, 1809. Thomas Rowlandson (British, 1756-1827). Etching, hand colored;

Widok portu z łodziami rybackimi. unknown, painter

Netherlands, Fokke, Simon, Claudius Civilis with the Romans bevredigt, in 't jaar 70, Civilis and Cerialis negotiate on the demolished bridge, 69-70, Civilis and Cerialis negotiate and make peace on the demolished bridge., print, prent, historieprent, prints, prenten, Frederik Muller Historieplaten, height 69 mm, width 85 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, prentmaker, 1756 - 1758, third quarter 18th century, paper, etching, etchings

Widok od mostu kolei obwodowej w Warszawie. Różański, M. (fl. 1882-1889), graphic artist, Gierymski, Aleksander (1850-1901), draughtsman, cartoonist, Bojarski, Władysław (1843-1912), workshop

Fishing (Senadori no zu), from the series "Dutch Perspective Pictures (Oranda uki-e)". Utagawa Toyoharu; Japanese, 1735-1814. Date: 1763-1773. Dimensions: 24.1 x 38.3 cm. Color woodblock print; oban. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

The Tower of London, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving on medium, slightly textured, beige, wove paper, Sheet: 3 9/16 × 5 13/16 inches (9 × 14.8 cm) and Image: 3 × 4 5/8 inches (7.6 × 11.7 cm)

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Carnavalet Museum, Collection Drawings

The harbourDate: mid 18th century

PUERTO DE MARSELLA CON MERCANCIAS PRINCIPIOS DEL SIGLO XX. Location: PRIVATE COLLECTION, FRANCE.

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