Historical Coastal Scenes

A series of monochrome drawings and prints depicting coastal harbors, old buildings, and ships, capturing serene and nostalgic maritime views.

View of Bergumerdam, from the Bergumermeer, draughtsman: Pieter Idserts, 1742, paper, pen, brush, h 108 mm × w 208 mm

Harbor with old houses on the left, in the foreground hikers, Christiaan Lodewijk Willem Dreiboltz, 1809 - 1874 drawing paper. chalk. ink pen / brush coast. harbour

Port with old houses on the left, in the foreground walkers, draughtsman: Christiaan Lodewijk Willem Dreibholtz, 1809 - 1874, paper, pen, brush, h 143 mm × w 184 mm

View of Gorinchem, seen to the south The city of Gorinchem, seen from the south side , print maker: Jan Caspar Philips, (mentioned on object), publisher: Teunis Horneer (I), (mentioned on object), print maker: Amsterdam, publisher: Gorinchem, 1755, paper, etching, engraving, h 278 mm × w 612 mm

Joseph Mallord William Turner and Charles Turner, Scene on the French Coast, published 1807 Scene on the French Coast

River view with some ships, in the background in the distance a city, Johannes Christiaan Schotel, 1797 - 1838, draughtsman: Johannes Christiaan Schotel, 1797 - 1838, paper, brush, h 174 mm × w 259 mm

Activity on a river, Jan Vincentsz. van der Vinne, 1688 - 1690.

View of Bergumerdam, from the Bergumermeer, draughtsman: Pieter Idserts, 1742, paper, pen, brush, h 108 mm × w 208 mm

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), seen from the port of Livorno. View of part of the port fortifications. Sixth number of a suite of 6 rooms. (A. de Vesme 849; Dutuit 184) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Runmill to the fall; The Run mill to the fall; Landscapes of the Haarlem area; Sigtten Buijten Haarlem, done by. J.v.v .. View of the suspension or runmilles to the fall. Some rowing and sailing ships on the water. Numbered at the bottom right: 10.

Voyages Pittoresque ou, Description des royaumes de Naples et de Sicile. Author: Written by Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727-1791 Paris). Designer: Designed by Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Designed by Hubert Robert (French, Paris 1733-1808 Paris). Dimensions: Overall: 19 11/16 x 13 3/16 x 1 3/8 in. (50 x 33.5 x 3.5 cm). Printer: Printed by Clousier (French, active 18th century) , Paris. Date: 1781-86. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), maritime landscapes, a rod and three sailors standing on the pier. Third number of a series of 6 pieces (A. de Vesme 790. Dutuit 93) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Schouman, Martinus, Bendorp, Carel Frederik (I), Buys, Jacobus, Northern Netherlands, Vinkeles, Reinier (I), Gunboats in the Dordtsche Kil, 1793, verso - stamped, The closing of the Dordtsche Kil with rafts, gunboats and some other vessels on March 29, as a defense against the French., print, history print, prints, Frederik Muller History plates, height 240 mm, width 157 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1800 - 1800, paper, etching, engraving, engraving (printing process), 1724-11-19 - 1801-04-07, intermediary draughtsman, after a drawing by, Work conception, 1736-02-09 - 1814-10-03, after a print by, 1770-01-29 - 1848-10-30

Winter face on the Black Water near Zwolle, Gerrit Grasdorp, 1661 - 1693 drawing paper. chalk brush ice ~ freezing weather. winter sports Black water. Zwolle

Waterproofing the Rolls of two ships, Reinier Nooms, 1650 - 1664 print Two large sailing ships killed by bottom, men standing on a raft around the ships working on waterproofing the Rollpen. On the far left a flute, a merchant ship. Netherlands paper etching repairing, caulking, careening (~ ship). sailing-ship, sailing-boat (with NAME)

Face at De Lemmer (), draughtsman: Jan Bulthuis, 1760 - 1801, paper, pen, brush, h 75 mm × w 101 mm

The Imperial Brik sails past the waiting ship De Schelde, 1784, Anonymous, 1784 print River landscape with the incident in which the imperial Brik Louis passes Fort Lillo and the Dutch guard ship De Schelde, October 8, 1784. In the margin the titles, the assignment "Dedié aux policiques" and legends in French and Dutch on either side of An allegorical vignette with two warring putti with the imperial and the Dutch banner. A pendant belongs to the print. Northern Netherlands paper etching / engraving ships (in general) (+ propulsion of vehicle, ship, etc. by wind) Lillo. Scheldt. Fort Lillo

GameVaart on the IJ, 1638, 1638 print GameVaart on the IJ. A large number of all kinds of vessels on the water, in the foreground a yacht with the queen and guests. At the top left the coat of arms, at the top right of the city seal. Numbered at the bottom right: 15. Plate 15 of the illustrations in the description of the festivities around the visit of Maria de Medici to Amsterdam from 31 August to 5 September 1638. Amsterdam paper etching / engraving triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. sailing-ship, sailing-boat. rowing-boat, canoe, etc.. coat of arms (as symbol of the state, etc.) (+ city; municipal). seal (as symbol of the state, etc.) (+ city; municipal). prospect of city, town panorama, silhouette of city Ij. Amsterdam

Isola del Lazaretto Nuovo. Dated: 1778/1779. Dimensions: overall: 28.4 x 42.1 cm (11 3/16 x 16 9/16 in.). Medium: pen and brown ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO TIRONI.

Print made by Pierre Charles Canot, ca. 1710-1777, French, active in Britain, Evening, 1745. Line engraving and etching on moderately thick, slightly textured, blued white laid paper.

View of Gulegule on Seram Castle, Coenraet Decker, After Wouter Schouten, 1676 print On the coast of the island of Seram is the Gulegule castle, near Urung. In the sea in front of the castle a VOC sailing ship surrounded by a large number of small local rowing and sailing boats. paper engraving / etching island. sailing-ship, sailing-boat. fortress Scary

Nieu Amsterdam, al. New Yorck.. Eno, Amos F., 1836-1915. Prints. 1601 - 1700. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.)

Brussels, Burggraaff, Schotel, Johannes Christiaan, Southern Netherlands, Boens, Alexandre Joseph, Arrival in Amsterdam of refugees fleeing the flood, 1825, verso - stamped, Arrival in the port of Amsterdam of several small boats with refugees from North Holland who fled the flood, 3 February 1825. Part of a group of illustrations from a commemorative book of the flood of 1825., print, prints, enten, Frederik Muller Historieplaten, height 260 mm, width 313 mm, Belgian, 1793 - 1838, print maker, printmaker, 1825 - 1826, paper, papier, lithografie (techniek), Nederlands, 1787-11-11 - 1838-12-21, intermediary draughtsman, after a drawing by, printer, drukker

View of Geertruidenberg from Water Salmsteke, Carel Frederik Bendorp (I), 1785 print print maker: Dordrechtafter own design by: Dordrechtpublisher: Amsterdam paper etching sailing-ship, sailing-boat. fresh-water fishery. village Geertruidenberg

Environs de Dordrecht. Dated: c. 1870. Dimensions: plate: 15.8 x 24 cm (6 1/4 x 9 7/16 in.) sheet: 18 x 26.6 cm (7 1/16 x 10 1/2 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: Vicomte Ludovic Napoléon Lepic.

. View of the old marina on the IJ in Amsterdam, seen towards the blue head. Under the show the title in Dutch and French.

Windmill at the Blauwbrug in Amsterdam, Abraham Blotling, after Jacob Isaacksz van Ruisdael, 1663 - 1690 print Landscape with a man on the Amstel who moves a bundle of tree trunks with a long stick. On the right a windmill. At the bottom right the number (2). paper etching improvised and unusual traffic on the water. canals, waters (in city). windmill in landscape (+ city(-scape) with figures, staffage). bascule bridge Blue bridge

River landscape, with fishermen who bring in the nets, Hendrik Spilman, after Jan van Goyen, 1742 - 1784 print Amsterdam paper etching river (+ landscape with figures, staffage). fisherman. windmill in landscape. rowing-boat, canoe, etc.

Au milieu, une chaloupe pleine d'hommes qui vont s'embarquer sur une galère qu'on voit à droite, à quelque distance. 1634. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Winter landscape with a train barge The twelve months , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1807, paper, etching, h 202 mm × w 235 mm

View of a river with people at and on boats, Jacob Esselens, 1636 - 1687 drawing paper. chalk brush

Beach face.

Vissershaven, Willem van de Velde (II), 1643 - 1707 drawing Bank with moored boats, fishermen pull a net inside. On the left a ton as beacon. On the horizon a city and ships under sail. paper. pencil brush sea and coastal fishery. harbour. sailing-ship, sailing-boat

Visserspink with six people, Willem Gruyter Jr., 1832 - 1880 print A fishermen spider with six men, in the background sailing ships, a pier on the right. Amsterdam paper etching / engraving rowing-boat, canoe, etc. (+ view ~ vehicle, ship, etc.)

View of Rotterdam, Anonymous, in or after c. 1715 - 1728 print View of Rotterdam, seen from the Maas. Different sailing ships of which two cannon shots release in the water. paper etching prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat. church (exterior) Rotterdam

Ink drawing by Pieter Stevens II depicting a sea harbor with sailing ships, created between 1595 and 1600, using brown, gray, and blue washes, showing compositional and maritime details.

View of Sloterdijk. Draughtsman: Roelant Roghman. Dating: 1637 - 1692. Measurements: h 100 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Harbor with boats, Jan van Almeloveen, 1683

The spring to Leiden; Different savings within Amsterdam; Faces on Amsterdam. The Singel with the top of the mint tower in the background. On the right the house of Mayor Huydecoper, Singel 548. In the foreground sailing ships and there behind the spring to Leiden.

Amsterdam, Buffa and Sons, French, Utrecht, Industry, Steendrukkerij de, Voorduin, Gerard, Netherlands, Heemskerck van Beest, jonkheer Jacob Eduard van, Views from the Netherlands West Indies, West Indies, The income of the port of Curaçao, Willemstad, verso - stamped, View of the port of Willemstad on Curaçao. Print is part of a cover with seventeen sheets., print, prints, height 384 mm, width 550 mm, 1828-02-28 - 1894-12-24, print maker, printmaker, 1860 - 1862, paper, color lithography (process), Dutch, 1830-03-30 - 1910-05-30, intermediary draughtsman, after a drawing by, printer, Publication (Event), Publication, publisher

Face in a French or Belgian coastal town. Draughtsman: anonymous. Dating: 1800 - 1900. Measurements: h 147 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Coastal face with ships, mill and a draftsman, c. 1735 - c. 1740 print Coastal face with ships, mill and a draftsman. In the background a cloudy sky with the sun's rays above it. paper draughtsman at work - CC - out of doors

Winter landscape with a barge February The twelve months , print maker: Izaak Jansz. de Wit, (mentioned on object), intermediary draughtsman: Jacob Cats (1741-1799), (mentioned on object), Haarlem, 1805 and/or 1807, paper, etching, h 202 mm × w 235 mm

Leuvehaven in Rotterdam, ca. 1790, 1824 - 1825 View of the Leuvehaven in Rotterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Rotterdam. Leuvehaven View of the Leuvehaven in Rotterdam, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. Amsterdam paper etching / engraving Rotterdam. Leuvehaven

Beach scene with figures near a ship, Andreas Schelfhout (signed by artist), 1797 - 1870, paper, ink, pencil, pen, h 172 mm × w 243 mm

Stormed shit in a port; Landscapes.Left on a Hill a Castle.

France, Paris, Daumont, Jean-François, 38e. Vüe d'optique représentant le port de Calais, View of the harbour at Calais, Ships and boats lie on the water. On the right a fortified building and groups of figures on the waterfront. Numbered in the title: 38., print, prent, opticaprent, prints, prenten, opticaprenten, height 287 mm, width 416 mm, Publication (Event), Publicatie, Frans - 1775, publisher, uitgever, 1745 - 1775, paper, papier, cardboard, kaart, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, prentmaker

A View From Rochester Bridge. 1781. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Winter landscape with a barge, Izaak Jansz. de Wit, after Jacob Cats (1741-1799), 1807 print Haarlem paper etching February and its 'labours' (+ with scenes showing human occupations ~ seasons and months). tow-boat, towing-barge

Black chalk, gray-brown watercolor drawing by Aelbert Cuyp depicting a winter landscape with a bridge and an ice-skating runner, with needle holes at outskirts intersections.

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, The ship was started with buoys and timbering, The construction of the ship, plate no. 2, The construction in the shipyard of a ship of which the keel and stem have already been built. No. 2 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 164 mm, width 190 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

View of some boats on the water and a mill near a church, Pieter Idserts, 1708 - 1781, View of some boats on the water; on the left a mill near a church. Design for a fan., draughtsman: Pieter Idserts, 1708 - 1781, paper, brush, h 297 mm × w 530 mm

Turkish Galei is launched, Jan Luyken, 1689 print Print at the top right marked: I. Partie p. 230. print maker: Amsterdampublisher: Paris paper etching launching a ship

Buitenhaven and Dokken in Honfleur, Carel Nicolaas Storm of 's-Gravesande, c. 1873 print View of the port of Honfleur. Masts of sailing ships in the background. paper etching harbour Honfleur

Havengekicht op het Oude Hooft in Rotterdam, Hendrik Kobell, 1768 print Harbor face on the Oude Hooft in Rotterdam, with a scaffolding in the foreground with a sailing ship and a few rowing boats. Various figures run on the jetty and tons lie. The old Hooft can be seen to the left of the jetty. Many mills in the background. Rotterdam paper etching pier, quay, wharf. city-gate. sailing-ship, sailing-boat Rotterdam

View of a harbor with ruin and figures at a sloop, Anne Philiberte Coulet, After Claude Joseph Vernet, 1764 print print maker: Francepublisher: ParisParisFrance paper etching / engraving rocky coast. harbour. boat propelled by man or animal. armorial bearing, heraldry

View of the city of London seen from the River Theems, 1745 - 1775 print On the right the Tower of London and in the background Saint Paul's Cathedral. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc. Theems. Tower of London. Saint Paul's Cathedral

View of the port of Zierikzee, Mathias de Sallieth, after Dirk de Jong, 1779 - 1787 print View of the port of Zierikzee with different boats. Left in the background the Sint-Lievensmonsterkerk. In the margin the title in Dutch and French with the coat of arms of the city in the middle. Numbered at the top right: 20. After Drawing by: ZierikzeePublisher: Amsterdampublisher: Amsterdampublisher: Amsterdam paper etching / engraving harbour. coat of arms (as symbol of the state, etc.) (+ city; municipal). sailing-ship, sailing-boat. church (exterior) Zierikzee. Sint-Lievensmonsterkerk

Straw from a cart being loaded onto a ship as other men work at baskets and nets on the ground, Aquatint with etching by W.H. Pyne, 1802.

Deal Beach, Samuel Prout, 1783-1852, British, 1814, Softground etching, Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm) and Plate: 9 3/4 x 13 1/2 inches (24.8 x 34.3 cm)

Tuinhuis van de Jardin du Grand Maître uittorend boven de haven met galei schepen op Malta. Pavillon du Jardin du Grand-Maître, en face du port des Galères à Malthe (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 335 mm × w 522 mm. Museum: Rijksmuseum, Amsterdam.

Harbor before Fortified Town 1760-1850 United Kingdom. Watercolor, over traces of graphite, on cream laid paper . William Marlow

View of Surat, 1629; Surated; The Vermaerde Stadt Suratte. View of the city of Surat, 1629. On the water ships and boats, loading and unloading from carts in the foreground. Part of the illustrations in the report of the tours of Pieter van den Broecke to East Indies, 1605-1640, no. 10.

Gezicht op Colombo. De Stadt en Kastel Von Colombo. Op Het Eijland Ceijlon (title on object). Draughtsman: A. de Nelly (possibly). Draughtsman: Johannes Rach (possibly). Dating: 1765 - 1775. Place: Sri Lanka. Measurements: h 316 mm × w 493 mm. Museum: Rijksmuseum, Amsterdam.

Inland water with sailing ships and fishermen on the bank, Reinier Nooms, 1654 - 1658 print A large sailing ship and two smaller ones with fishermen, by the banks of an inland water. A number of mills on the horizon. paper etching sailing-ship, sailing-boat. fisherman

Landscape with a lighthouse in a harbor. A plume of smoke rises. On the opposite right, on the horizon, a second burning lighthouse. Twenty-fourth print of a series of 52 prints with landscapes, divided into two parts of 26 prints each., Landscape with a lighthouse in a harbor Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 120 mm × w 190 mm

Amsterdam, Tirion, Isaak, Pronk, Cornelis, Philips, Jan Caspar, The city of Nijmegen, View of Nijmegen, verso under - stamped, print, prints, height 178 mm, width 439 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1740 - 1740, paper, papier, etching, etchings, 1691-12-10 - 1759-09-29, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1705 - 1765, publisher

Harbor landscape with cattle that is being put in, Pietro Antonio Martini, after Nicolaes Pietersz Berchem, 1771 print Paris paper etching harbour. sheep

Coastal Scene with Beached Boats in Foreground early-mid 19th century Samuel Prout British. Coastal Scene with Beached Boats in Foreground. Samuel Prout (British, Plymouth 1783-1852 London). early-mid 19th century. Watercolor. Drawings

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, The ship is being built on all sides, The construction of the ship from all sides, plate no. 3, The construction of the ship from all sides at the shipyard. No. 3 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 162 mm, width 190 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

Harbor scene with the tide out, and beached boats. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: sheet: 10 1/2 x 16 1/4 in. (26.7 x 41.3 cm). Date: 1775-1827. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with a lighthouse in a port, Jan van de Velde (II), 1616 print Landscape with a lighthouse in a port. A plume of smoke rises. On the other side, on the horizon, a second burning lighthouse. Ninth print of part four of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching beacon. harbour. landscape with tower or castle. smoke-stack

Kustlandschap met een zeilschip; Acht landschappen.On the left in the background a walled city on a coast. On the right in the foreground a sailing ship on the water. This print is part of a series of 8 (on the first print) numbered prints with landscapes.

Relation de L'Arrivée du Roi au Havre-de-Grace le 19 Septembre 1749 et les fêtes qu se sont données a cette occasion 1753 After Jean-Baptiste Descampes French. Relation de L'Arrivée du Roi au Havre-de-Grace le 19 Septembre 1749 et les fêtes qu se sont données a cette occasion. After Jean-Baptiste Descampes (French, 1706-1791). 1753. Engraving. Published by H. L. Guérin & L. F. Delatour , Paris. Engraved by Jacques Philippe Le Bas (French, Paris 1707-1783 Paris). Books

Collection des Prospects - Vue de Salem; Salem, Une Ville de lAmerique Angloise dans le Comte dEssex, elle; (Salem. Mass.). Artist: Balthazar Frederic Leizelt

Populated Havenkade, Ludolf Bakhuysen, 1701 print Populated Havenkade with a view of the water and moored ships. Print from a series with ten seascapes. paper etching sea (seascape). pier, quay, wharf

View of Brielle / View of the Maas, Joost van Geel, in or after 1666 print View of the west side of the Maas with the city of Brielle (den Briel), numbered in the background 1. Below that view on the west side of the Maas, numbered 2. Rotterdam paper etching / engraving river. city-view in general; 'veduta' Brielle. Maas

Artist: Carel Nicolaas Storm van s Gravesande, Dutch, 1841-1924, Sunny Harbour, Clouds Making Up, Lithograph, sheet: 21.6 × 28 cm (8 1/2 × 11 in.), Made in The Netherlands, Dutch, 19th century, Works on Paper - Prints

Netherlands, Koster, Everhardus, Sluyter, Dirk Jurriaan, The Water Disaster of 1855. Sketched in 24 illustrations, drawn and etched from nature by members of the Society Arti et Amicitiae, View of 's Hertogenbosch from the Lock on the Zuid-Willemsvaart, 24 March, View of 's Bosch, 1855, verso - stamped, View of 's Bosch from the lock on the Zuid-Willemsvaart, 24 March 1855. Part of the series of 24 prints about the flood of March 1855, by members of the Society Arti et Amicitiae. Publication for the benefit of the victims of the flood., print, prent, prints, Frederik Muller Historieplaten, height 300 mm, width 422 mm, Dutch, 1811-11-14 - 1886-05-29, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, 1817-02-17 - 1892-01-08, intermediary draughtsman

Rivierlandschap met afgemeerd zeilschip.In the foreground two fishermen with tons. Drawing is part of an album.

View of the port of Posillipo, Robert Daudet (II), After Claude Joseph Vernet, 1785 print after painting by: Romepublisher: Paris paper etching / engraving harbour Posillipo, hill of

River landscape with face on Emmerich, Wenceslaus Hollar, 1643 print London paper etching river Bucket

View of the harbour. Frey, Jan Zachariasz (1769-1829), draughtsman, cartoonist

Shipping off the Coast at Amalfi, John Thomas Serres, 1759-1825, British, 1791, Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper, Sheet: 8 1/2 x 14 5/16in. (21.6 x 36.4cm) and Sheet: 8 1/2 × 14 3/8 inches (21.6 × 36.5 cm), Amalfi

Presentation on front (RP-T-1963-307(R)) extended and completed. Design for a print, View of the harbor of Honfleur, draughtsman: Johan Barthold Jongkind, 1866, paper, pen, h 259 mm × w 331 mm

Crossing King Lodewijk Napoleon from Dalen to Gorinchem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print Amsterdam paper etching / engraving sailing-ship, sailing-boat. dike-break Valleys. Gorinchem

Barcelona, Catalonia, Spain. Improvements of the city. Monument to Christopher Columbus. Open national competition, convened in September 1881 by the Executive Central Commission of the monument. Perspective and preliminary project of honor landing stage and monument to Columbus, according to the project of the Catalan architect Cayetano Buigas Monravá (Gaietà Buïgas i Monravà) (1851-1919), awarded by the jury of the aforementioned competition. The pier is shown divided into three parts, a central one and two lateral ones; each of them advances, like a cutwater, shaped like the prow of a 15th century ship, recalling the Pinta and Niña caravels. Two large lampposts at the most advanced points of both abutments, a balustrade and four statues of celebrated people complete the preliminary project. Drawing by Riudavets. Engraving by Vela. La Ilustración Española y Americana (The Spanish and American Illustration), 22 February 1883. Author: José Riudavets (1840-1902). Spanish cartoonist and

St. Germain-en-Laye, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828-1837, Line engraving, engraver's proof on thick, moderately textured, beige, wove paper, with cream, chine colle, Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm), Plate: 6 × 8 9/16 inches (15.2 × 21.7 cm), Chine collé: 5 13/16 × 8 7/16 inches (14.8 × 21.4 cm), and Image: 3 11/16 × 5 11/16 inches (9.4 × 14.4 cm)

ARRIVAL AT NAPLES OF THE KING OF PORTUGAL, JUNE 28, 1855

Port view, draughtsman: Kasparus Karsen, 1820 - 1896, paper, brush, brush, h 278 mm × w 382 mm

The village Krimpen. Draughtsman: Jan de Beijer. Dating: 11-Sep-1750. Measurements: h 129 mm × w 223 mm. Museum: Rijksmuseum, Amsterdam.

...Prospect of Charles-Town .... Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Charleston (S.C.)

Breaking up of the Agamemnon, no. I , Waterfronts, Boats, Warships. Francis Seymour Haden (1818-1910). Prints and Drawings

View of Abukir, Egypt by Luigi Mayer (1755-1803); Italian-German artist and an important painter of the Ottoman Empire. 1801

John Thomas Serres, 1759-1825, British, Shipping off the Coast at Amalfi, 1791. Watercolor with pen and black ink over graphite on medium, slightly textured, beige wove paper.

Stangate Creek, on the River Medway, Print made by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, Published by William Bernard Cooke, 1778-1855, British, 1827, Mezzotint and etching on medium, slightly textured, cream laid paper, Sheet: 9 7/8 × 14 inches (25.1 × 35.6 cm), Plate: 8 1/4 × 10 3/4 inches (21 × 27.3 cm), and Image: 6 3/8 × 9 1/2 inches (16.2 × 24.1 cm)

Cardiff from the South, Julius Caesar Ibbetson, 1759-1817, British, ca. 1789, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)

The endangered in the Western Frisian. .

Watercolor drawing by Nicolas Pérignon depicting the Haarlem channel, executed with pen.

Nieu Amsterdam, een Stedeken in Noord Amerikaes Nieu Holllant, op het eilant Mankattan: namaels New jork genaemt (New Amsterdam, a town in North Amerika’s New Holland, on the island of Manhattan: renamed New York). Artist: Pieter Schenck I, Dutch, 1661-1711

Amsterdam, Wit, Kornelis de, Philips, Jan Caspar, Dutch Water Disaster of the Year 1740 and 1741, Title page for: P. Bakker, Dutch Water Disaster of the Year MDCCXL and MDCCXLI, 1741, Flooded Landscape, verso - stamped, A yacht sails over the flooded land and past drowned villages during the flood after the dikes broke, December 1740 - January 1741. In allegorical frame with Faam and four river gods., print, title page, prints, height 197 mm, width 151 mm, Northern Netherlands, 1700 - 1775-04-24, print maker, printmaker, 1741 - 1741, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, publisher

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