Historical Costumes

Illustrations of various historical outfits, showcasing vibrant colors and distinctive designs from different eras and cultures.

The figure represented here is a noblemanat the time of Charles I in the 1600s. Charles I was king of England, Scotland, and Ireland from 1625 until his execution in 1649. He was a Stuart and the second son of James VI of Scotland. The illustration dates to 1882.

NAPOLEON I. EMPEROR OF FRENCH. 1769 - 1821. SATIRICAL PORTRAIT OF NAPOLEON. COLORED ENGRAVING. MUNICIPAL MUSEUM . MADRID.

painting in Gouache depicting an Italian peasant in traditional costume. Circa 1850

Aladdin and the wonderful lamp , Treasure troves, Aladdin Tale, Aladdin Legendary character

A,Bariors, Pleans at Mackart Festive , Josef Löwy -, Photographs, PUBLIISHER

LARK'S HEEL PERSONIFIED Date: 1906

Joan of Arc, by Mark Twain, illustration by Eugene Grasset, Harper & Brothers Publishers, 1894. lc-dig-ppmsca-12516

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Daniel O'Connell and the devil represented as the Siamese twins joined at the chest; representing alleged atrocities by Roman Catholics. Coloured etching attributed to A. Sharpshooter, 1829.

Bulgarian Chief Benoni Irwin (Canadian, 1840-1896). , 1879. Oil on canvas, 32 x 23 1/2 in. (81.3 x 59.7 cm). American Art 1879

Greek warrior with the visor of his helmet drawn over his face Hope, Thomas, 1770-1831. still image. Illustrations. 1812. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Armor , To 499, Men , Clothing & dress , Greece , To 499, Helmets , To 499, Daggers & swords , To 499, Shields , To 499, Arms & armament , Greece , To 499, Warriors , Greece , To 499

Spanish colonial portrait of the Inca King Hu·scar Inca, 1503ñ1532. Sapa Inca of the Inca Empire from 1527 to 1532 AD

Harvestor harvestMeissen. Harvestor harvest

Portrait of a Man in Armor. Culture: Spanish, Seville. Dimensions: 81 x 43 in. (205.7 x 109.2 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Foot Combat with Awl Pikes, c.1512-1515, Freydal, The Book of Jousts and Tournament of Emperor Maximilian I: Combats on Foot (Volume III), pen and black ink with watercolor on laid paper, sheet: 33.6 × 26.2 cm (13 1/4 × 10 5/16 in.), German 16th Century (artist)

Reproduction of a painting: Chlebowski, Stanisław (1835-1884), An Albanian; excerpt from an album. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), photo studio, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house, Kulikowski, Stefan (Warszawa ; wydawnictwo), publisher

Effigy of Richard Beauchamp, Earl of Warwick, Illustration from the Book, "John Cassels Illustrated History of England, Volume II", text by William Howitt, Cassell, Petter, and Galpin, London, 1858

ARNES DE JUSTA REAL VALENCIANA CON EL LEMA DE FELIPE EL HERMOSO GRABADO. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN.

To the good bottle At the good bottle , wine merchant sign. Oil on canvas, around 1760.

Illustration depicting a travelling man walking along the road with his walking stick and wears. By Georges Lepape (1887-1971), French poster artist, illustrator and fashion designer

Robinson Crusoe. Novel by Daniel Defoe, published 1719. Engraving. Color. Robinson Crusoe at the beach. Footprint.

'Portrait of Vasily Akentyev (Akintyev) (1787 - after 1831)'. Russia, 1828. Dimensions: 102x66 cm. Museum: State Hermitage, St. Petersburg. Author: GEORGE DAWE.

The painting titled 'A Cavalier' is by French artist J.L.E. Meissonier (1815-1891) and is now part in the Wallace Collection in London, England. The painting is an example of the work that made meissonier famous before he abandoned that style of picture in favor of scenes of French military history.

The Librarian, Arcimboldi, Giuseppe, 1566.

The Smoke,Eugene Fichel (1826-1895 French),Oil on canvas,David David Gallery, Philadelphia, Pennsylvania, USA,

SATIRA - REVISTA LA FLACA - 14 DE DICIEMBRE DE 1869. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Jacobin. The French Revolution, 18th century. Engraving.

c 1840, Hawaiian Warrior, After Arago

Drawing by Leopold Stolba showing a man raking with a garden tool, executed in pencil and pen with washes on paper.

Colour Currier and Ives lithograph of an Indian hunter. Dated 1845

Exter, Alexandra Alexandrovna (1882-1949) State Tretyakov Gallery, Moscow 1921 56,5x37 Tempera on cardboard

Ramesses III with the Khepresh (war crown). New Kingdom. Engraving. Color. 19th C.

Photo Collage: Woman with Pitchfork Aimed at Man ca. 1875 Juan Pedro Chabalgoity The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri?first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.. Photo Colla

Friedrich Josef Korntheuer born February 15, 1779 in Vienna, died June 28, 1829 ibid.

Davidson, Scottish Clans

German student. 17th cent. Engraving, "Germania, Two Thousand years of history of Germany". By Juan Scherr.

Picasso, Pablo (1881-1973). Harlequin of The painter Jacinto Salvado as Harlequin. 1923. Contemporary Art. Oil on canvas. FRANCE. LE-DE-FRANCE. Paris. Centre national d'art et de culture Georges Pompidou (Georges Pompidou National Art and Culture Centre).

Queen Tamar, Pirosmani, Niko (1862-1918)

White tile with blue warrior with sword and spear; corner pattern ox head, wall tile tile sculpture ceramic earthenware glaze, baked 2x glazed painted militaria

Blind Pew: "he was plainly blind, for he tapped before him with a stick." Date: First published: 1883

Governor Cox of Maui, 1819 Adrien Taunay

Nubian Guard. Rudolf Weisse (1859-1930). Oil on canvas. 177.2 x 96.5cm.

Spain, Cadiz Province, Seville. Historic Santa Cruz District. Typical architectural Spanish hand-painted tile showing traditional attire.

Zaporozhian Cossack from Crimea (Cossack Mamai). Date/Period: 1780/1840. Width: 146.7 cm. Height: 93.2 cm (Complete). Author: UNKNOWN.

ALENZA , LEONARDO. PINTOR ESPAÑOL. MADRID 1807 - 1845. OLEO. MUSEO ROMANTICO DE MADRID.

Gianciotto, fictional character in Francesca da Rimini, tragedy by Gabriele D'Annunzio (1863-1938), photo by Alinari, from L'illustrazione Italiana, Year XXIX, No 12, March 23, 1902.

Charles Edward Stuart, The Young Throne Prate, Bonnie Prince Charlie, 1720-1788. Conductor to the British throne, which cited the Scottish highland army in the rebellion of 1745., Historically, digitally restored reproduction of a template from the 19th century, Record Date Not Stated

'Knight with a Casque', c1860, (c1860). Artist: John Leech.

Dancing Doll. Dated: c. 1939. Dimensions: overall: 29 x 22.9 cm (11 7/16 x 9 in.) Original IAD Object: 16" high. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mina Lowry.

Bilibin, Ivan Yakovlevich (1876-1942) State Central A. Bakhrushin Theatre Museum, Moscow 1909 36x25 Watercolour and ink on paper

Manneken Pis in various drains, 1817, Anonymous, 1810 - 1830 print Three performances of the statue of Manneken Pis in Brussels, without clothes and dressed in two military uniforms. Included here because of the theft of the statue in the night of 4 to 5 October 1817. Belgium paper piece of sculpture, reproduction of a piece of sculpture (+ parody, caricature ~ work of art) Brussels. Manneken Pis

Indian. Dated: c. 1938. Dimensions: overall: 45.6 x 35.6 cm (17 15/16 x 14 in.). Medium: watercolor, graphite, and colored pencil on paper. Museum: National Gallery of Art, Washington DC. Author: Frank Gutting.

Mariscal de Campo/1970.

Maricel Palace, Sitges, Catalonia, Spain. Mosaic detail : black servant.

'Ángel turiferario', ca. 1638, Oil on canvas, 122 x 66 cm. Author: FRANCISCO DE ZURBARAN (1598-1664). Location: MUSEO DE CADIZ-BELLAS ARTES. Cadiz. SPAIN.

Photo Collage: Man Wearing Cross Body Satchel ca. 1875 Juan Pedro Chabalgoity The carte de visite, a format comprised of an approximately 2 x 4 inch photograph mounted to card stock, was perhaps the most ubiquitous of nineteenth-century photographs. The French studio portrait photographer André-Adolphe-Eugène Disdéri?first patented the carte in 1854. His innovation of exposing not just one but eight photographic images on the same glass plate negative enabled cartes to be made cheaply and reproduced on a mass scale. During the late 1850s and throughout the latter half of the century, these economical keepsakes depicting portraits of loved ones, celebrities, monarchs, and foreign types circulated en masse and spurred a veritable "cartomania." Collected in albums, traded among friends, and admired in drawing rooms, cartes put photography in the hands of virtually everyone, and thus offered a means of reflecting upon one’s own social standing in an ever-expanding world.. Photo Collage:

A woman (Lo Wanshun) with a tumour on her left cheek. Gouache, 18--, after Lam Qua, 1836.

Gentleman with yellow vest, tan/maroon knickers, beige coat, falling down stockings over blue legs, and shoulder bag second half 18th-mid-19th century Italian The practice of using crèche figures to restage religious events reached the height of its complexity and artistic excellence in eighteenth-century Naples, and the Metropolitan Museum of Arts group of Neapolitan crèche is one of the finest and most complete survivals of the art form. The ensemble consists of characters traditional to eighteenth-century Italian Christmas holiday customs. The Nativity, featuring the holy family, shepherds and their flocks, and a host of angels and cherubs is joined by the procession of the three Magi and colorful peasants, townspeople, and animals. The figures have articulated bodies of tow and wire with polychromed terracotta heads, and are all in partially distressed condition.These vibrant characters are further brought to life by a wide-ranging set of cloth, embroidery, leather, wicker, wax, a

Antiquity. Ancien Rome. Roman soldier 400 AD, Engraving,19th century. Later colouration.

Vladimir Alexeyevich Kornilov aboard the brig Themistocles by Briullov, Karl Pavlovich (1799-1852)/ State Russian Museum, St. Petersburg/ 1835/ Russia/ Watercolour on paper/ Romanticism/ Portrait

Illustration from 'Gargantua', 1931, by François Rabelais. illustrations by Dubout.

Egyptian, from Types of Nationalities (N240) issued by Kinney Bros. 1890 Issued by Kinney Brothers Tobacco Company Trade cards from the "Types of Nationalities" series (N240), issued in 1890 to promote Kinney Tobacco Company. Each card is meant to be folded into thirds. Unfolded the card displays a figure from a particular nationality. Folded, the same figure is portrayed smoking a Kinney Brothers Cigarette.. Egyptian, from Types of Nationalities (N240) issued by Kinney Bros.. 1890. Commercial color lithograph. Issued by Kinney Brothers Tobacco Company

Die manner 1876

Pop at reconstructed tear spokery; Walvazing exhibition in the Golden Age. .

Playing Card; Manufactured by Ferdinand Piatnik and Sons

CANADA, British Columbia, Princeton. Ukrainian Mural / Downtown

The caption for this illustration reads: When the castle collapsed, Maximus was hit by the falling tower but he did not seriously hurt. According to Serbian myth, Maximus was a prince who contracted a virus that left him very ugly. He fell in love with a Venetian Doge's daughter. Another Serbian vied for her and the battles were terrible. But she agreed to marry Maximus, not caring about his ugliness. The illustration is from a 1921 book on Serbian myths and legends.

Napoleon napoleon Bonaparte as a French leader Copyright: xZoonar.com/IvonnexWierinkx 6681948

MALASPINA , ALEJANDRO. MARINO ITALIANO . 1754 - 1809. EXPEDICION CIENTIFICA 1789 - 1794. " MACUINA , CACIQUE PRINCIPAL DE NOTKA ". DIBUJO DE TOMAS SURIA. MUSEO NAVAL . MADRID.

Manuel José Arriaga (1840-1917), presidente de la república portuguesa. Caricatura. Tarjeta postal, año 1914. Author: R. Costa.

Indian Weather Vane. Dated: 1935/1942. Dimensions: overall: 57.1 x 40.2 cm (22 1/2 x 15 13/16 in.) Original IAD Object: 51" high; 31" wide. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Nicholas Amantea.

Imperial cube cut.. text. Posters. 1895 - 1917. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Posters, American

published in Vanity Fair July 9, 1896;Vanity Fair. (Boston: Frame Central, 1992.) p. 26, 9 July, 1896, M. No. 652: Vanity Fair: "Hard Hitter", 1896. Leslie Matthew (Spy) Ward (British, 1851-1922), Vincent Brooks Day & Son. Color lithograph; sheet: 32.9 x 26.4 cm (12 15/16 x 10 3/8 in.); image: 33 x 21.8 cm (13 x 8 9/16 in.).

Postcard Types from Gänsebäuel

BANDIDO - FIGURILLA DE BARRO POPULAR DE MALAGA - SIGLO XIX - ROMANTICISMO ESPAÑOL. Author: JOSE CUBERO GABARDON (1818-1877). Location: MUSEO DEL ROMANTICISMO-CERAMICA. MADRID. SPAIN.

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