Historical Dance and Costumes

A series of prints featuring monkeys and humans in various costumes and actions, showcasing dance, music, and fashion from different historical periods.

French postillion, 1820, England, maker unknown. Acquisition history unknown.

Plate 6, Le Maître à Dancer (The Dancing Master), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 6 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. Two monkey figures dancing, the animal at left is nude, while the monkey at right is dressed in elaborate court costume, including a sword at his hip, a sash, and a large feathered hat. He holds the hand of his partner, instructing him in the dance steps. In his left hand, he holds a violin and bow., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

French postillion, 1820, England, maker unknown. Acquisition history unknown.

Magazine with the way women rest and a way in which gentlemen make music, Bernard Picart (workshop or), After Bernard Picart, 1710 print Two performances on one leaf. Upstairs: a woman rests on a lounger with her dog. The other leans against it. They wear contemporary clothing. Below: two French noblers in contemporary clothing. One of them plays the cello, which he supports on a taboeret, and looks at the sheet music on its standard. The other has a hat in hand. Paris paper etching courtesy, manners; etiquette. couch, sofa, settee. making music; musician with instrument. viola, violoncello; double bass

Three farmers with weapons and banners, Constantin Emile Meunier (Attributed to), Karl Meunier (Possible), 1841 - 1905 print paper etching adult man. firearms: rifle. banner, standard (as symbol of the state, etc.)

Costume écossais ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gypsum Model for Sculpture at the Louvre Palace: "Kléber" by Victor Vilain. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

Bound Print, Le Sculpteur (The Sculptor), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys); Designed by Christophe Huet (French, 1700-1759); Etched by Jean-Baptiste-Antoine Guelard (French, 1719-ca. 1755); Published by Charpentier; France; etching on paper; 25.6 × 31.8 cm (10 1/16 × 12 1/2 in.)

Bourgeois with umbrella. (Title of use)

Print, Bacha de Caramanie (A Pasha from Karamin), plate 7 from Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca); Made by Joseph Marie Vien the Elder (French, 1716 - 1809); France; etching on off-white laid paper; Platemark: 20.5 x 13.5 cm (8 1/16 x 5 5/16 in.)

Etching by Lovis Corinth from 1918 depicting Shakespeare's character Falstaff, showing figure, gestures, and composition on Japanese paper.

Shoemaker and woman with spinning skirts, Johann Andreas Benjamin Nothnagel, 1739 - 1804 print paper etching shoe-maker, cobbler. single woman, spinster

(Le Locatis) ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Plate 7, Le Maître d'Armes (The Master of Arms), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 7 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. Two monkey figures in gentleman's costume engaged in a fencing lesson, the monkey in the background demonstrating correct form by holding his student's arm in the correct position. The master wears a hat and also holds a scabbard. In the foreground, a sword and a pair of shoes., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

Can the body cast off its shadow The Tammany Society has expelled Tweed as Sachem.,Daily papers.. Nast, Thomas, 1840-1902. Clippings, Portraits, Political cartoons. 1872-01-20. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Public figures, Tweed, William Marcy, 1823-1878

Scene from Odyssey Ulysses talks to Eumajos Parker, James (1750 1805), Flaxman, John (1755 1826), Matthews J., Longman, Hurst, Rees, Orme & Brown (Londyn)

Two men, Elchanon Verveer, 1836 - 1900 print The Hague paper.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), will you still be mean (Registered title (letter)), 1827. Colored lithography on woven paper. Balzac house.

Photo production of a drawing, representing three actresses in historical costume; That MEININGER VON C. W. Allers. .

Jester, James Ensor, circa 1880-1890, drawing, Belgian Art

Commercial , Minister of Labor at the same time and the deepest political silence, Caricature on Minister Friedrich Theodor Ritter von Hornbostel, Francisque pseudonym, drawer

This is Worse, plate 37 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1812-1815. Dimensions: 139 x 185 mm (image); 153 x 208 mm (plate); 240 x 340 mm (sheet). Etching, lavis and drypoint on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Marr, Heinrich .

Bound Print, Plate 7, Le Maître d'Armes (The Master of Arms), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys); Designed by Christophe Huet (French, 1700-1759); Etched by Jean-Baptiste-Antoine Guelard (French, 1719-ca. 1755); Published by Charpentier; France; etching on paper; 26 × 31.8 cm (10 1/4 × 12 1/2 in.)

Fathering of the drink ... / 20 (title registered (letter)) | Grotesque mirror (title of all)

The Croque-Dead strike

Hercules and Lichas. Hercules and Lichas. PRENT Nr. 7 on leaf 5 in the album 'Raccolta di Soggetti Pittorici', a print album with 42 numbered etchings on 28 pages of Luigi Sabatelli (i) itself and from students to his design.

Plate 3, La Lanterne Magique (The Magic Lantern), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 3 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. On a small hill, a standing monkey wearing a waistcoat and pants with a music box strapped to his front and a magic lantern viewing machine strapped to his back; the figure approximates an operator of optical amusements. He cranks the handle on the music box and gapes with his mouth wide open, facing towards the right. A church and small town visible in background., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

THE GAMIN OF PARIS

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 31.5 x 21.7 cm (including scan edges)

"Cirsium acaule". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Ship in the form of a peacock with Echion, Eurytus and Aithalides, Anonymous, After Remigio Cantagallina, After Giulio Parigi, 1624 - 1631 print A ship in the form of a peacock, on the stern are Echion, Eurytus and Aithalides. paper etching ships (in general). the story of the Argonauts: the quest for the Golden Fleece. ornamental birds: peacock

Inspiration (1re planche) , Musicians, Harps. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

"Na ..., vorwärts". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Do not hold me back, I'm furious! Abolish the heredity of pairie, it does not have the common sense name of ...! ... / N ° 64. (registered title)

Johann Georg von Dillis, German (1759-1841), Figure Studies, 1801, pen and black ink with watercolor over black chalk on laid paper

Troubadour ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Look How Solemn They Are!, plate 63 from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Card with four engravings according to the "figurine" cycle (in the left, lower corner of the figure with the performance of a warrior Z "Uk), in:" Serie di LXXXV DISEGNI IN VARIE Grandezze Composze Composze Composze Composze Dal Celebre Pittore Salvator Rosa ... "; Antonini, Carlo (1749-1835), Rosa, Salvator (1615-1673); 1780 (1780-00-00-1780-00-00);

'Composition Depicting Trophies'. France. Dimensions: 23,5x15 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Your assistance please for the love of God! / - I can not do anything to do not make my brave man ... (IT)

Etching by Orazio Borgianni depicting St. Christophorus, created between 1614 and 1616, showing the saint carrying the Christ Child across water.

Vignette with death and a putto, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving Death as skeleton - FF - Death as female. cupids: 'amores', 'amoretti', 'putti'

Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat, Print made by A. M. Ireland, active before 1801, after William Hogarth, 1697-1764, British, 1794, Etching on medium, slightly textured, cream wove paper

The Rabbi. Marc Chagall; French, born Belarus, 1887-1985. Date: 1922. Dimensions: 248 × 188 mm (image/plate); 422 × 266 mm (sheet). Etching and drypoint on white laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

I will separate the taste of good grain. (registered title) | Caricature boards 1831. (Title of all)

New acting to Wilhelm Tell as he was found for all cases from the Funter of the Friends of Ovenheim, New activity to the Wilhelm Tell , as he was found by the imagination of the friends of Ovenheim in all cases, Viktor Ofenheim as Tell, Eduard Graf Lamezan as Gessler from Kikeriki, Friedrich Graetz Grätz -, Caricaturist, Angerer , Göschl, Printing Press

Fantasy

Clown with accordion and rider on a dressage horse, Lodewijk Schelfhout, 1934 print A clown plays an accordion while sitting on a stool. With this second state of the print there is a woman in the background who drives on a horse. paper drypoint clown. accordion. horses (circus performance)

Do not throw the sleeve after the cognne. / No. 10. (Dummy title) | Proverbs. First series. (Title of all)

Jachttrofee, Etienne Claude Voysard, after Pierre Ranson, 1778 print A hunting trophy with a gun, a hunting horn, a bag, a bottle and a basket with birds and a rabbit. Paris paper etching hunting trophies

Woman taking a sacrifice to classical example. The woman wears a tunic and pearl necklace and walks with a vase and scale towards an altar in the shape of a base with an ionic capital. Leaf 7 Recto from a sketchbook with 94 sheets.

Vignette with Buste van Amor, Pijl en Bow and Arrow Cocker, Willem Bilderdijk, 1766 - 1831 print Netherlands paper etching (story of) Cupid, Amor (Eros). attributes of Cupid: arrow(s). attributes of Cupid: bow. vignette

Parisiana // Well, let's see, it does not tell you anything

Messenger Sent to M. Saint-Denis, by M. Belle-Isle, Prisoner, plate three from Les Nouveaux Voyages aux Indes Occidentales. Gabriel Jacques de Saint-Aubin; French, 1724-1780. Date: 1767. Dimensions: 137 × 93 mm. Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Feuille détudes, composée de trois feuilles, tirées chacune à 5 ou 6 épreuves dessai, puis réunies , Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Winterfest des Vereins Berliner Künstler. Menzel, Adolph (1815-1905), graphic artist

Zamboula-Polka. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1900. Dimensions: 225 × 231 mm (image); 397 × 265 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Beggar on crutches and two wooden legs, A. Smit, after Pieter Barbiers (I), 1764 - 1792 print A beggar on crutches with two wooden legs. According to the verse under the print in the war, he lost his legs, fighting for the homeland. Amsterdam paper etching / engraving beggar. crutches. wooden leg

The Captain: I fear there is no hope, Life Cartoons still image. Postcards. 1905 - 1930. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection

Caricature of Dwarf and De Windhandel, 1720, 1770 - 1780 print A dwarf as a night watchman with a magic lantern on his back, with caption in two columns. Numbered 2. Printed from a large plate on which all four performances numbered 1-4 are etched. Print 26/2 In the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching / engraving little people. caricatures (human types)

Depicts 'With Reason or Without It' from Goyas 'The Disasters of War', created with etching and aquatint around 1810, showing figures in conflict and reflecting arbitrary violence of war.

Williams, William Henry .

Hoffmann Emil (1845-1901), Palazzo Strozzi in Florence (June 13, 1894): Torch holder. Pencil watercolored on paper, 41.8 x 32.9 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo Strozzi, Florenz

Nous intriguons deux dominos que nous ne connaissons pas... - et c'est eux qui savent qui nous sommes... - Et que nos femmes s'embêtent!... - Ça m'intrigue ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Scheveningers. Draughtsman: Pieter van Loon. Dating: Nov-1835. Measurements: h 318 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Madier de Montjau en jocrisse , Judges, Lawyers, Politicians, Madier de Montjau, M. Joseph-Paulin, 1785-1865. Honoré Daumier (1808-1879). Lithographs

Kolf player, Cornelis Ploos van Amstel, after Hendrick Avercamp, 1758 - 1762 drawing The transpress drawing is loose in an album, see page 54. Amsterdam paper. chalk 'kolf' (ball game) (+ sportsman, player, etc.)

Francisco de Goya y Lucientes, This is worse., 1810-1820, etching and aquatint.

The Wheat Reaper 1853 Designed by Jean-François Millet French. The Wheat Reaper 371541

The race on XIII, Maerz , Satire on the escape of Metternich and Czapka, Jakob Loder, printer

Triumph car of the steadfastness, triumph wagon with an army leader and cupid, Anonymous, After Jacques Callot, 1627 - 1652 print Upper print: Triumph wagon with a personification of the steadfastness, drawn by a dragon. Bottom print: triumph wagon with an army leader (Mars) And Cupido, drawn by two people. These prints are part of a series of prints of triumph cars, copies in mirror image to details of illustrations from a book about the festivities (including a tournament) in the Dufer Palace in Nancy on February 14, 1627. Amsterdam paper etching / engraving chariot, triumphal car. Constancy, Tenacity; 'Costanza', 'Tenacità' (Ripa). dragon. commander-in-chief, general, marshal. (story of) Cupid, Amor (Eros)

The Green Hour. John Sloan (American, 1871-1951); printed by Peter J. Platt (American, 1959-1934). Date: 1930. Dimensions: 125 x 99 mm (image/plate); 275 x 217 mm (sheet). Etching in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

De King Im Sit Right Flat in a Chair Artist's working dates 1871-1899 United States. Pen and black ink, over graphite, on ivory wove paper, laid down on ivory wove card . Arthur Burdett Frost, Sr.

The ballrooms at the opera ... we soup ... again ...

Rider seen on the back.

Mobile Garden Tambour, From the series Remembrance = Images , Aus , Vienna October days , by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, Printer, Witzendorf, publisher

Fighting men, Alexander Ver Huell, 1832 - 1897 print In a fight, a man lifts a second man and throws him on the floor. In the background a fighting group of men. Netherlands paper fighting. being carried

Man poling canoe , Canoes, Bodies of water, Shrubs. Frank W. Benson (1862-1951). Prints and Drawings

A wagon wheel on a tree trunk, with garments, a jug and a tub on it. On the right a hen, Wheel on a pole, print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Jean Zacherie Mazel, (mentioned on object), Nijmegen, 1814, paper, etching, h 133 mm × w 178 mm

Drawing, Figure studies for a design of a clavichord cover; France; pen and ink, black and white chalk on grey paper; 47 × 39.3 cm (18 1/2 × 15 1/2 in.)

Engel with the coats of Paus Gregorius XII and Cardinal Angelo Barbarigo, Robert van Audenaerd, 1673 - 1743 print A console with the weapon of Pope Gregory XII and that of Angelo Barbarigo, who was appointed Cardinal by him. An angel keeps a tiara and cardinal hat above it. The print is part of an album. paper engraving coat of arms (as symbol of the state, etc.). insignia of the pope, e.g. tiara. insignia of cardinal, e.g. hat, mantle. angels

Man points to a bolt meat. A man dressed in historic costume and a hat with feathers sits on a set table. There are food on the table, including a bowl with a bolt meat. The man points to the meat. There are a clerk and cook next to him.

Horace Vernet painted all its history paintings at the Grand Galop ... well what does it matter to his talent, if the success for him ... (title registered (letter)) | Emile-Jean-Horace, says Horace Vernet ( 1789-1863) (dummy title) | Pantheon charivaric, n�26 (title of all)

Grand thief. / No. 15 bis (title registered (letter)) | Compensation (title of all)

Angel on floating tombstone, a man has something on his coat, Charles Lucien Léandre, 1926 print Allegory, dedicated to his colleagues by the print maker. paper. angels. gravestone, tombstone. pin

Monkey as standard-bearer, anonymous, 1700 - 1800, draughtsman: anonymous, draughtsman: Ferdinand van Kessel, (rejected attribution), 1700 - 1800, paper, h 538 mm × w 370 mm

St. Petersburg hay merchants unknown, lithography: from Lasteyrie Charles

Anonymous, freshly shaved, the father and the son leave to appease the riots. Feather. House of Victor Hugo - Hauteville House.

The great man.

This circa 1915 lithograph by Ernst Barlach depicts a storm attack, showing figures in motion, dynamic composition, and atmospheric effects.

Le bourgeois campagnard. Honoré Daumier (1808-1879). Lithographs

Album of Separate Leaves: "Silk Cultivation and Production" Album of Separate Leaves: "Silk Cultivation and Production," 19th century. Ink on paper, 11 3/8 x 10 in. (28.9 x 25.4 cm). Asian Art 19th century

Louis Charles de France Dauphin

Wenskaart Van Kornél Révész, Kornél Révész, 1933 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper etching old man. flowers. book. sitting figure. man (showing himself) undressed, quasi-nude. letter, envelope

Woman on a ladder and a wound woman, c. 1656 - c. 1657 drawing Woman on a ladder and a wound woman; On Verso a sketch of legs (cut off). Zwolle paper. ink

Draped Man Running; Cartouche Supported by Two Winged Victories 18th century Etienne de Lavallée-Poussin French. Draped Man Running; Cartouche Supported by Two Winged Victories 337544

King David in a temple; Title page for: A. van Cattenburgh, the life of Israel's king David (...), 1743. In a temple, King David sits on a throne, with his feet he kicks the armor of the giant goliat. An allegorical woman's figure, above her head burns the flame of beliefs, indicates him on light rays from heaven. On the other side, a putto shows him a burning heart, and plays a putto on the harp. In the foreground is the severed head of Goliat. Right knress a veiled figure.

Untitled (recto); Sketch of a Figure (verso). Theodore Roszak; American, born Poland, 1907-1981. Date: 1952. Dimensions: 474 x 335 mm. Pen and black ink and brush and brown, black and gray wash (recto), and brush and black wash (verso), on grayish-cream wove card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

of 3