Historical Decorative Art

A collection of intricately decorated historical artworks featuring illuminated initials, wall decorations, and ornate ceiling panels, showcasing fine details and vibrant colors.

Album n � 4; Decorative frieze, foliage and flowers on blue background, red diamond Gsell-Laurent workshop. Album n � 4; Decorative frieze, foliage and flowers on blue background, red diamond. Chromolithography.

Historiated Initial (E) Excised from the Colonna Missal: The Martyrdom of St. Stephen, c. 1532. Apollonio de' Bonfratelli (Italian). Ink, tempera, and liquid gold on vellum; sheet: 10 x 10 cm (3 15/16 x 3 15/16 in.).

Spielberg Herrmann (1827-1886), Palazzo Pubblico, Siena. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 11, 1861.) (1861-1861): View wall cabinets behind the choir stalls. Lithograph colored on paper, 45.5 x 29.3 cm (including scan edges) Spielberg Herrmann (1827-1886): Palazzo Pubblico, Siena. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 11, 1861)

Giese Ernst (1832-1903), Palazzo Pubblico, Siena. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, born 11, 1861.) Spielberg (1861-1861): Details wall decoration. Lithograph colored on paper, 45.8 x 29.8 cm (including scan edges) Giese Ernst (1832-1903): Palazzo Pubblico, Siena. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 11, 1861) Spielberg

Guide for Constructing the Letter Y. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Ceiling panels in the Old Town Hall, Prague, 17th century. Deckenfuellungen im Rahthause XVII Jahrh, Prag. Chromolithograph from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Four coats of arms. .

Decorative initial featuring Jesus Christ above a coronation scene, with angel playing a violin and monsters. Reproduction of an illuminated page from a 13th century Latin psalter, manuscript 10435. Reproduction dune page dun Psautier Latin Bibl. Nat. 10455. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

Design for a Sepulchral Monument for Three Brothers, Graphite, pen and ink, brush and watercolor on paper, Intended to be executed with white marble and marbles of many colors. Below is a base. One sarcophagus stands in the central panel of the dado. Above it is a lion skin serving as a tablet for the inscription. IT is laterally held by putti sitting upon moldings. Above is an order of three embedded Ionic columns. In the central inter-columniation is a niche with the statue of an ederly man in armor. Laterally are two niches with two elderly men each with a book. Above the lateral niches are escutcheons. A pediment is above the central one. Above the entablature are in the middle a pediment with an escutcheon with a crown and laterally pedestals with urns. They are connected with the pediment by scrolls., Italy, 1590-1610, Drawing, Drawing

Album n � 4; Decorative frieze, foliage and flowers on blue background, red diamond Gsell-Laurent workshop. Album n � 4; Decorative frieze, foliage and flowers on blue background, red diamond. Chromolithography.

MTI1-CANTIGA STA MARIA Nº157-F213R-CASTIGO A QUIEN HURTA HARINA A ROMEROS DE ROCAMADOR-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Design for a stained-glass window with heraldic designs for the Chteau Mouchy (Oise) second half 19th century Jules-Edmond-Charles Lachaise French. Design for a stained-glass window with heraldic designs for the Chteau Mouchy (Oise) 384907

Tapestry: Chancellerie; Executed by Etienne-Claude Le Blond, French, about 1700 - 1751, active at Gobelins, 1727 - 1751, After designs by Guy-Louis Vernansal, French, 1648 - 1729, and after designs by Claude Audran III, French, before 1658 - 1734, Gobelins Manufactory, French, active 1662 - present; Gobelins, France, Europe; about 1728 - 1730; Wool and silk; modern linen straps and lining; Object: 351.5 x 273.4 cm (11 ft. 6 3/4 in. x 8 ft. 11 3/8 in.)

Design for a Coat of Arms 1858 J. S. Pearse British. Design for a Coat of Arms 367569

Border (Furnishing Fabric) Made 1805-1815 England. Cotton, plain weave; block printed .

Copper engraving by Giovanni Ottaviani depicting Raphael's loggias in the Vatican, Pilastro X showing figures on the left holding a flower basket, colored in 1772.

Plaque from a Reliquary Shrine ca. 1175-1200 South Netherlandish or German Among the most splendid objects in the great churches of Cologne are large architectural shrines containing relics associated with local saints. These ambitious goldsmiths works are among the greatest artistic achievements of their time. Refined decorative fragments like the small rectangular plaques shown here are often all that remain of these monumental objects, as many were dismantled or even destroyed following the secularization of church property in this region in the first decade of the nineteenth century. During later efforts to restore shrines, some fragments were replaced and the originals sold to collectors and museums.. Plaque from a Reliquary Shrine 464424 South Netherlandish or German, Plaque from a Reliquary Shrine, ca. 1175?1200, Champlev? and cloisonn? enamel, copper alloy, gilt, Overall: 3 3/16 x 1 1/4 x 3/16 in. (8.1 x 3.2 x 0.4 cm). The Metropolitan Museum of Art, New York. Gift of J. Pier

Design for a Painted Square Ceiling, Eugenio Agneni, Italian, 1816 - 1897, Brush and gouache, graphite on cardboard, Horizontal format design for a painted ceiling. In the center is a rosette, supported by four supports rising obliquely from the corners, each consisting of a base, two columns, and a winged bust upon a base as a crest. Between the columns stand putti upon pedestals. Women sit upon the corners of the base. In the center of the sides are pavilions with statues of goddesses; women sit beside. Outside is a framing border consisting of oblongs with representations of putti, and circular oblique representations of the figures of women in the corners. An oblong with a classical representation as the decoration of a part of the frieze of the room is shown., Italy, 1856, architecture, interiors, Drawing, Drawing

Painted Decoration of a Wall, Graphite, pen and ink, brush and watercolor on paper, At right, a door. At left, grotesque decoration. Above, two paintings and a frieze with palmettes., England, 1830-50, architecture, interiors, Drawing, Drawing

Decoration in St Peter's Church, Bastogne, Belgium, (1928). 'End of 15th Century...Vault painting (St. George) in St. Peter's Église St Pierre at Bastogne'. After C. Tulpinck. Plate LXXVIII, fig 164, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Hoche, Jacquemart & Bénard, France, Block-printed on handmade paper, Large hexagonal medallion shows Lazare Hoche in uniform, standing, with a line of tents stretching away behind. Smaller circular medallion has rooster. Drop-repeating arrangement of these motifs with geometrical enframements and laurel branches; printed in gray, green, and dark blue on pale blue ground., Paris, France, 1798, Wallcoverings, Sidewall, Sidewall

CANTIGA STA MARIA Nº225-F86V-CLERIGO SE TRAGA UNA ARAÑA Y LE SALE LUEGO VIVA POR LA MANO-S XIII -. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

Album n � 1. Stained glass project for R.R.P.P. JESUITES (Paris): Decorative Reasons Gsell-Laurent. Album n � 1. Stained glass project for R.R.P.P. Jesuits (Paris): decorative motifs. Pencil and gouache on layer.

Parallel of historical ornament, Arabian and Persian , Architectural decorations & ornaments, Capitals Columns. Louis Prang & Company Collection

Plaque from a Reliquary Shrine ca. 1175-1200 German or South Netherlandish Among the most splendid objects in the great churches of Cologne are large architectural shrines containing relics associated with local saints. These ambitious goldsmiths works are among the greatest artistic achievements of their time. Refined decorative fragments like the small rectangular plaques shown here are often all that remain of these monumental objects, as many were dismantled or even destroyed following the secularization of church property in this region in the first decade of the nineteenth century. During later efforts to restore shrines, some fragments were replaced and the originals sold to collectors and museums.. Plaque from a Reliquary Shrine. German or South Netherlandish. ca. 1175-1200. Champleve and cloisonné enamel, copper alloy, gilt. Made in Rhine Valley or Meuse Valley, Germany or the Netherlands. Enamels-Champlevé

Astronomicum Caesareum. 1540. Signs of the Zodiac. 16th century astronomy book. Madrid, National library. Author: PEDRO APIANO (1495-1552). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Raspiatie s chudesami, raboty mastera Vasiliia Andreeva.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Renaissance art: enamelled tiles. Pentagonal tiles 1-3, square tiles 4-8, inlaid pavements 9-14 and single tiles 15-18 from the Chateau de Polisy, Aube. Hand-finished chromolithograph by Pralon from Albert-Charles-Auguste Racinets LOrnement Polychrome, (Polychromatic Ornament), Firmin-Didot, Paris, 1869-73.

Wish letter with decorative framework, widow C. Kok -van Kolm, 1800 - 1850 print Wish letter with unwritten cartouche within a decorative framework with six performances from the life of Christ. Ca. 1800-1850. printer: Amsterdamprint maker: Netherlands paper public life of Christ: from his baptism until the Passion. Passion of Christ

Joris Hoefnagel pen, watercolor, cover color, and gold drawing of a grotesque with folded elements and fruit on brownish prepared paper, framed with black-brown line and gold accents, 1594/95 with additions after 1608.

MTI1 - CANTIGA DE SANTA MARIA Nº4 - F9V - LA VIRGEN SALVA AL HIJO DEL JUDIO QUE SU PADRE HABIA ECHADO AL HORNO - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. ABEL JUDIO.

Ornament Design, Triangular Panel between Roman Standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Album # 2; Stained glass project for Notre-Dame de Versailles: Ornament Gsell-Laurent workshop. Album # 2; Stained glass project for Notre-Dame-de-Versailles: Ornament. Pencil and watercolor.

Drawing, Design for Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on paper; 18.1 × 3.8 cm (7 1/8 × 1 1/2 in.); 1914-38-91-c

Design for the Interior Cupola of a Domed Chapel, Farnborough, England 1880-86 Jules-Edmond-Charles Lachaise French. Design for the Interior Cupola of a Domed Chapel, Farnborough, England 349408

Renaissance L'ornement polychrome, Bénard, Firmin-Didot (Firm), Racinet, A. (Auguste), 1825-1893, Chromolithograph, between 1869 and 1887

Kolb Heinrich, church, Oberzell. (From: Consuming Medium-sized wall and ceiling painters. In Germany, ed. Richard Borrmann, Berlin 1897.) (1897-1897): Interior view wall paintings. Lithography colored on paper, 48.9 x 32.3 cm (including scan edges)

Fragment, with a Sleeve Band, from a Tunic, 400s - 600s. Egypt, Byzantine period, 5th -7th period. Tabby with inwoven tapestry ornament; overall: 9.1 x 31.1 cm (3 9/16 x 12 1/4 in.).

Tapestry: Chancellerie.

GSELL-Laurent workshop. Album n ° 4; stained glass project for Lourdes; Single span window: ornament. Ink of China, watercolor and gouache on layer. Paris, Carnavalet museum. Album Numero 4, Ink of China, Fenetre, Gouache, Lourdes, Ornament, Stained glass project, watercolor

Renaissance Design #4, Designs & Patterns from History

Verrière project representing the death of the Virgin Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the death of the Virgin. Pencil.

Fusshöller O., Stiftskirche, Landau. (From: Consuming Medium-sized wall and ceiling painters. In Germany, ed. Richard Borrmann, Berlin 1897.) (1897-1897): Interior view Wall paintings of the sacristy. Lithography colored on paper, 32.6 x 48.3 cm (including scan edges)

Canon Table Page. Date/Period: 1256. Folio. Tempera and gold paint on parchment. Height: 265 mm (10.43 in); Width: 190 mm (7.48 in). Author: T'oros Roslin.

Decorated ceiling from the House of Chlorus and Caprasia or Casa del Gallo II, Reg. IX, Ins. II, No. 10. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Les Decorations Murales de Pompei," Weigel, Leipzig, 1878. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

GRABADO QUE REPRODUCE LA VIDRIERA POLICROMADA REALIZADA EN VIENA EN 1888. Author: ANGEL AVILES (1842-1924) Y ANGEL PIRALA (1824-1903). Location: SENADO-BIBLIOTECA-COLECCION. MADRID. SPAIN.

Netherlands, Amsterdam, Egmont, Heirs of the Widow Jacobus van, Letter of Wishes with scenes from the New Testament, verso - stamped, Letter of Wishes with unwritten cartouche within a decorative frame with scenes from the New Testament. Numbered lower right: No. 1., print, popular print, letter of wish, prints, popular prints, height 422 mm, width 331 mm, Publication (Event), Publication, Dutch, publisher, 1761 - 1804, paper, wood engraving, colours, letterpress printing, letterpress, print maker, printmaker, 1785 - 1785

Page from menu by Viktor Mikhaylovich Vasnetsov, colour lithograph, 1896, 1848-1926, Russia, Moscow, State History Museum, 44x31

Study for wall hanging or wallpaper

Drawing, Design for Wall Decoration, Possibly for Lobby or Vicinity South of Dining Room; Designed by Frederick Crace (English, 1779-1859); England; brush watercolor, pen and ink on paper

Two coats of arms with three-towered castles. Date/Period: Ca. 1295. Painting. Tempera on parchment mounted on wood. Height: 540 mm (21.25 in); Width: 862 mm (33.93 in). Author: UNKNOWN.

Decorah Altar. Dated: 1935/1942. Dimensions: overall: 68.9 x 55.5 cm (27 1/8 x 21 7/8 in.) Original IAD Object: 10'6" wide; 12'6" high. Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Raymond Neumann.

Design for a bookplate for Kenneth Fitzpatrick Mackenzie, Paul Nash, 1889-1946, British, ca. 1909, Pen and black ink, black chalk, graphite, and gouache on medium, slightly textured, cream wove paper, Sheet: 12 x 8 11/16in. (30.5 x 22cm) and Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm), bookplate, design, genre subject, heads, vegetation

Wall paintings, Ixion Room, House of the Vetti, Pompeii, ca. 62-68 AD Daedalus presents cow to Pasiphae still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Pompeii (Extinct city), Painting, Roman, Mythology, Mural painting and decoration, Murals , Italy, Architectural decorations & ornaments , Italy , Pompeii (Extinct city), House of the Vettii (Pompeii), Pasiphae (Greek mythology), Daedalus (Greek mythology)

Sampler, 1825. England, 19th century. Embroidery; silk on woolen canvas; overall: 44.5 x 32.8 cm (17 1/2 x 12 15/16 in.).

Meissen. Gothic cornice - fragment. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Valentine mid 19th century Anonymous. Valentine. Anonymous. mid 19th century. Gilded open-work cameo embossed lace paper, colored paper wafers,lithographed scrap, motto paper

MTI1 - CANTIGA DE SANTA MARIA Nº175 - F233V - MILAGRO DEL AHORCADO DESCOLGADO EN TOLOSA - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Alternative designs for the painted decoration of a ceiling 19th century Jules-Edmond-Charles Lachaise French. Alternative designs for the painted decoration of a ceiling 386000

Design for a Wall Decoration with Peacock, Cranes, and Sunflowers for the Restaurant in Hotel Langham (Paris). Artist: Émile Hurtré (French, born Nice, active Paris ca. 1890-1900); Jules C. Wielhorski (French (), active Paris ca. 1896-1898). Dimensions: 18 5/16 x 11 5/16 in. (46.5 x 28.7 cm). Date: 1896-98.Wall elevation from a restaurant, formerly in the Hôtel Langham in Paris, now known as the 'Salle 1900' in the restaurant 'La Fermette Marbeuf'. This drawings was probably produced for reproduction, since a full color print of the exact same bay exists with the names of both Hurtre and Wielhorksi in print ont the lower left. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling painting by Perino del Vaga in the Palazzo Andrea Doria, Genoa, 16th century. Palazzo Andrea Doria, Deckenmalerei. Pierin del Vaga, Genua, XVI Jahrh. Perino del Vaga was an Italian painter of the Late Renaissance. Chromolithograph by R. Wolffenstein from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Klomp Johannes Franziskus (1865-1946), St. Nikolaus, Ankum (1894-1904): glass windows of a rosette. Pencil watercolor on the box, 52.5 x 51.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Nikolaus, Ankum

Ornament Design, Arabesque Panel between Roman Standards. Date: 1776. Pen and ink, brush and watercolor, gouache, over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Decorative panel, by Levati Giuseppe, Appiani Andrea, 1780, 18th Century, . Italy: Lombardy: Milan: Palazzo Reale: Arazzi Appartament. Whole artwork. Panel decoration medallions octagon panels acanthus leaves volutes rinceaux women female male figures men lyre caduceus bas-reliefs paintings laurel wreath Graces Mars and Venus flowers pedestals support insignia weapons shield arrows trumpet swords halberds helmet eagle animal winged creature bird

Armchair upholstery unknown

Design for a paneled ceiling. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Nohl Maximilian (1830-1863), chapel of the Palazzo Publico in Siena. Wall decorations (1858-1858): View. Pencil watercolored on paper, 32.9 x 25.3 cm (including scan edges) Nohl Maximilian (1830-1863): Kapelle des Palazzo Pubblico, Siena. Wandschmuck

Arabesques painted in fresco on a white ground from the Palazzo Ducale, Mantua. Chromolithograph by Francis Bedford from Owen Jones' The Grammar of Ornament, Quaritch, London, 1868.

Drawing (Italy)

MTI1-CANTIGA STA MARIA-Nº76-F113R-VIRGEN DEVUELVE HIJO A MUJER A CAMBIO DEL SUYO QUE HABIA ROBADO. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Design for Stained Glass Window, Sir Michael Robert Shaw-Stewart, Scottish, 1826-1903, W. Cowper, Brush and watercolor, pen and ink, graphite on paper, Three tall vertical panels, with pointed arches, each panel containing figures, under Gothic canopies. Coat-of-arms below central group, labeled on ribbon: SIR MICHAEL SHAW STEWART BART, Scotland, ca. 1860, glasswares, Drawing, Drawing

Illuminated initial letters, 13th century. Artist: Unknown

Design for honorary signs for loyal service, Calvé, Delft, Richard Nicolaüs Roland Holst, 1924 drawing Design for a certificate. parchment (animal material). paper. paint (coating). pencil brush decoration of printed matter. names of organizations, companies, trade unions, etc.. (story of) Mercury (Hermes) Delft

Valldemossa, Mallorca, balearic islands, Spain, Europe

Ceiling Design. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 14 x 12 3/16 in. (35.6 x 31 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Early Gothic glass painting 13th century, Middle Ages, medieval ornament in France

Depicts Series II/9 of Raphael's loggias in the Vatican, engraved and etched by Giovanni Volpato in 1776, showing decorative motifs and architectural elements.

Album # 2; Vitrail detail, Friesland Friesland, Red and blue background Gsell-Laurent workshop. Album # 2; Stained glass detail, Friesland, red and blue background. Chromolithography.

Frieze (France); block-printed on paper; 58 x 44 cm (22 13/16 x 17 5/16 in.)

Guide for Constructing the Letter X. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Sleeve Band 19th century China. Sleeve Band. China. 19th century. Silk; on silk. Qing dynasty (1644-1911). Textiles-Embroidered

Color poster by Roland R. Holst for the Ideal Home Exhibition, Holland section, created around 1900, showing participating artists and exhibition details.

Sampler second half 18th century British. Sampler. British. second half 18th century. Silk on wool canvas. Textiles-Embroidered

Album # 2; Stained glass project for Saint-Quentin: Saint Leu Gsell-Laurent workshop. Album # 2; Stained glass project for Saint-Quentin: Saint Leu. Pencil, watercolor.

Amsterdam, Maaskamp, Evert, Kuyper, Jacques, Netherlands, Portman, Ludwig Gottlieb, The Art of Drawing hands over its Work to Mercuur, La Muse du dessin remet son Ouvrage à Mercure, The Art of Drawing shows its work to Mercurius, The Art of Drawing shows its work in a sketchbook to Mercurius. Diamond-shaped representation with emblems in the four corners of the frame with the fruits of trade, shipping, agriculture and fishing. Title plate of a bound edition of the series of twenty-four plates of Dutch costumes in the Kingdom of the Netherlands at the beginning of the nineteenth century by Maaskamp, 1829., print, engraving, book illustration, books, Frederik Muller Historieplaten, height 224 mm, width 159 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1805 - 1805, paper, papier, stippelets, etching, hand-colouring, 1761-06-29 - 1808-06-01, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1769-09-27 - 1834-01-31, publisher

Minchiate (Tarot) Playing Card, Stencil-colored woodblock print, Part of a set of Italian Minchiate playing cards., Florence, Italy, 17th century, Playing card, Playing card

Sampler (England); Embroidered by Sarah Borley; silk, paper; 32 x 39.5 cm (12 5/8 x 15 9/16 in.); Bequest of Mrs. Henry E. Coe; 1941-69-93

Border (France); block-printed on handmade paper; 60 x 29.5 cm (23 5/8 x 11 5/8 in.)

Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48, Column (right) from Domus M. Asellini or House of Adonis, VI.VII.18, head of Oceanus from Domus M. Holconi Rufi or House of Holconius Rufus, VIII.IV.4, and decorated cornices. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Canon Table Page. Date/Period: 1637 - 1638. Folio. Tempera colors, gold paint, and gold leaf on parchment. Height: 252 mm (9.92 in); Width: 183 mm (7.20 in). Author: Malnazar.

Pediatric Tree Hans Carl Heinrich von Trautzschen Bl. 2 Recto: Stabberbuch des Kgl. Sächs. Obriste to Dresden Hans Carl Heinrich of Trautzschen. Dresden: Slub mscr.dresd.r.291.o

Decorated page, 800 AD, (20th century). Artist: Unknown

Design for Wall, Hôtel de Beaujon, Paris. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 14 1/2 x 6 7/16 in. (36.9 x 16.4 cm). Date: 1872. Museum: Metropolitan Museum of Art, New York, USA.

Fame. Artist: Elihu Vedder, American, 1836-1923

Album # 2; Stained glass project for Saint Ouen A Rouen: Ornament Gsell-Laurent workshop. Album # 2; Stained glass project for Saint-Ouen in Rouen: Ornament. Pencil, watercolor.

Wall decorations from the tablinum of the house of Lucius Caecilius Iucundus, Reg. V, Ins. I, No. 26. Illustration drawn by Discanno and lithographed by Victor Steeger from Emile Presuhn's "Les Decorations Murales de Pompei," Weigel, Leipzig, 1878. German archeologist Presuhn (1844-1881) lived in Italy for eight years and, with Mr. Discanno, made exact copies of many wall paintings that are now lost.

Temnitsa bogougodnaia sviatykh osuzhdennik.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Drawing, Study of "Altarpiece of Saint-Germer-de-fly," Paris, France; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, graphite on paper; 15.3 × 27.1 cm (6 in. × 10 11/16 in.); 1914-38-1-a

The Offering to Pan; Beauvais Manufactory, French, founded 1664, after designs by Jean-Baptiste Monnoyer, French, 1636 - 1699, border design attributed to Jean-Baptiste Monnoyer, and Guy-Louis Vernansal, French, 1648 - 1729; 1690 - 1730; Wool and silk; modern cotton lining; Object: 322.58 x 302.26cm (10 ft. 7 in. x 9 ft. 11 in.)

Arqueta, madera tallada y policromada siglo XVI. Museu del Disseny de Barcelona.

Masakiyo's Challenging Battle, from the series Taiheiki (Taiheiki, Masakiyo nansen no zu) 1866 Tsukioka Yoshitoshi Japanese. Masakiyo's Challenging Battle, from the series Taiheiki (Taiheiki, Masakiyo nansen no zu) 72829

of 2