Historical Diary Entries

Black ink diary entries from Anton Hanak spanning several years, reflecting personal observations, artistic thoughts, and travel experiences.

A 1918 black ink diary entry by Anton Hanak recording sketches and personal observations in a notebook.

Black ink drawing by Anton Hanak showing a diary entry of a relaxation trip to Carinthia in October 1924, including landscapes, figures, and surroundings.

Pencil drawing by Anton Hanak from 1918 depicting a diary entry, including visual notes on landscapes, structures, and surroundings.

1918 diary entry by Anton Hanak, executed in black ink, documenting artistic practice and observations.

Diary entry by Anton Hanak recorded in black pen on April 10, 1932, in his 1931-1932 sketchbook.

Black ink diary entry by Anton Hanak on September 21, 1923 recording observations and reflections during his relaxation trip to Gmunden.

Black ink sketches and notes by Anton Hanak from 1933 for a Beethoven monument in Berlin, part of his 1928-1933 artistic and design studies.

Anton Hanak's diary entry from 1925, written in blue ink, includes calculations and estimates related to materials and project costs, recorded in his sketchbook spanning 1925-1933.

This diary entry documents Anton Hanak's relaxation trip to Carinthia in October 1924, capturing his observations, personal experiences, and daily activities during the visit, including reflections on the landscape and local culture.

Black ink diary entry by Anton Hanak from October 1924 documenting a relaxation trip to Carinthia with notes on landscape, environment, and travel experience.

A blue ink diary entry by Anton Hanak, recorded in his 1925-1933 sketchbook, documenting personal observations and notes.

Blue ink diary entry by Anton Hanak from June 1932 concerning Behrens, including handwritten notes and sketches in his sketchbook covering 1925 to 1933.

Black ink drawing by Anton Hanak on August 28, 1925 depicting a small house in Gmunden associated with Hanak, highlighting architectural details and exterior features.

Salle VII, 12.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Diary entry by Anton Hanak in black ink on February 8, 1931, from his 1931-1932 sketchbook, documenting personal experiences and artistic notes.

Taureau M, 2. Porte M. Taureau 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

1928 diary entry by Anton Hanak describing a relaxation trip to Switzerland, recorded in black ink in his sketchbook.

Black ink drawing by Anton Hanak depicting a diary entry from 1931 about the Academy of Fine Arts in Vienna placed on new foundations.

A black pen diary entry by Anton Hanak from 1918, illustrating personal reflections and experiences.

Black ink diary entry by Anton Hanak from 1918 documenting personal experiences and daily observations.

Black ink diary entry by Anton Hanak from 1931, documenting daily life, artistic observations, and sketches in his sketchbook 1931-1932.

Anton Hanak diary entry in black ink from May 1, 1932 noting correspondence from Josef August Lux in his sketchbook from 1931-1932.

Black ink diary entry by Anton Hanak from 1918 recording observations, sketches, and notes related to daily life and artistic work.

Salle V. Revers du No. 6. Salle V, 6.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

A 1931 diary entry by Anton Hanak in black ink (Feder) from his 1931-1932 sketchbook, recording anecdotes about artists and their activities.

This diary entry documents Anton Hanak's relaxation trip to Carinthia in October 1924, capturing his observations, personal experiences, and daily activities during the visit, including reflections on the landscape and local culture.

Diary entry by Anton Hanak from November 25, 1929, in black ink continuing notes and sketches regarding the Gustav Mahler Monument in Vienna recorded in his sketchbook.

Taureau M, 1. Porte M. Taureau 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Page 28 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 638 x 479 mm (image); 688 x 523 mm (sheet, folded); 688 x 1048 mm (sheet, unfolded). Lithograph in dark yellow and orange on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Black ink diary entry by Anton Hanak from October 1924 recording a relaxation trip to Carinthia with sketches and observations of landscapes and environment.

Diary entry by Anton Hanak from 1932, written in black pen in his sketchbook covering 1931-1932, documenting personal reflections and daily experiences.

Façade L. Revers du No. 9. Façade L, 9.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Salle X. Revers du No. 8. Salle X, 8.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Diary entry by Anton Hanak on March 20, 1933, in blue ink discussing the Gustav Mahler Monument Committee, recorded in his 1925-1933 sketchbook.

Page 4 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 464 x 350 mm (image); 688 x 523 mm (sheet, folded); 688 x 1041 mm (sheet, unfolded). Lithograph in orange on white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Taureau F, 1. Porte F. Taureau 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Façade n. Revers du No. 34. Façade n, 34.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Black ink drawing by Anton Hanak depicting a diary entry scene reflecting the end of the year in 1928.

Salle V, 8.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Diary entry by Anton Hanak from February 9, 1930, in blue ink recording notes, sketches, and cost calculations for projects in his sketchbook.

Porte j. Taureau 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Page 31 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 193 x 345 mm (image); 699 x 523 mm (sheet, folded); 699 x 1043 mm (sheet, unfolded). Lithograph in dark gray on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Porte d. Taureau 1., 1849 - 1850, Paris, Published by Imprimerie nationale. Features etchings related to Assyria, antiquities, and archaeological sites, specifically Nineveh (extinct city)

Salle II, 29.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Page 30 from Traces suspectes en surface. Robert Rauschenberg (American, 1925-2008); text by Alain Robbe-Grillet (French, 1922-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1978. Dimensions: 470 x 468 mm (image); 688 x 523 mm (sheet, folded); 688 x 1053 mm (sheet, unfolded). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Text sheets at the print of the siege of Grave, 1602; WARENTHE ENDE EYGENTLYCKE DERE DER STERCKE STADT GRAVE (...). Four text sheets belonging to the large show on two plates of the siege and the intake of Grave by the State Army among Maurits, July-September 1602. Four columns, partly in loose pieces, in Dutch.

Anton Hanak made a diary entry and sketched himself lying on a bed during a recovery trip to Gmunden in August 1925 using black ink, showing posture and interior.

Pavé de la porte k., 1849 - 1850, Paris, Imprimerie nationale, Assyria, Antiquities & archaeological sites, Nineveh (Extinct city), Etchings

Text sheet at a print of the naval battle at Duins, 1639; Brif Recit du Combat Naval, & victoire obtenué és Dunes sur l'Armée Naval d'Espagne au 21 d'octobre, 1639. Text sheet At the print of the naval battle at Duins between the Spanish fleet under the order of Antonio de Oquendo and the State Fleet under Maarten Harpertsz. Tromp, October 21, 1639. Two columns in 4 parts in French, ending with the legend A-W.

Salle V, 1 et 16.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Historical manuscript, from "A Christmas Carol" by Charles John Huffam Dickens or Boz, 1812-1870, English writer

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 48, "These were his last words....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Salle IV, 9.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Borgviks mill's chronology. From Carl Sahlin's mountain historical collection.

Salle II, 22.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Porte p. Montant 1.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Blue ink diary entry by Anton Hanak from September 1932 showing the last sketch in the sketchbook from 1925 to 1933, including notes and compositional observations.

Jerusalem, Plate 86, 'I see thy Form....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), literary theme, religious and mythological subject, text, vines

Jerusalem, Plate 88, 'Los answerd sighing....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), literary theme, religious and mythological subject, text, vines

Mussolini wrote this article (March 1921)

Salle II, 11.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Pencil drawing by Anton Hanak from 23 August 1925 showing a diary entry and a composition sketch of a Christological scene during a relaxation trip to Gmunden.

Black pen diary entry by Anton Hanak from 1928 reflecting on the idea of a new life, including personal thoughts and experiences.

Salle I, 1 et 2.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Salle VII, 10.. Botta, Paul Emile. Prints, Illustrations. 1849 - 1850. General Research Division. Assyria , Antiquities & archaeological sites, Nineveh (Extinct city)

Diary entry with black pen and self-portrait sketch by Anton Hanak recording his relaxation trip to Carinthia in October 1924, showing landscape, travel, and personal observations.

Page 2 of Egon Schiele's memory book authored by Johannes Fischer, in blue ink on paper, 1943.

Historic manuscript of Jacob Boehme, 1575 - 1624, German mystic, philosopher and Christian theosophist, from Bildatlas zur Geschichte der Deutschen Nationalliteratur, an illustrated atlas by Gustav Koennecke, 1887

A black ink sketch by Anton Hanak from 1925 serving as a diary entry, showing figures, settings, and observational notes.

Diary entry by Anton Hanak on February 5, 1933, featuring handwritten notes in black ink from his 1925-1933 sketchbook documenting personal and artistic observations.

Jerusalem, Plate 67, 'By those who drink their blood....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 6 inches (21.3 x 15.2 cm), birds, chains, literary theme, men, religious and mythological subject, shackles, stretched, text, vines

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Image 344 of Woodrow Wilson Papers: Series 7: Speeches, Writings, and Academic Material, 1873-1923; Subseries B: Messages to Congress, 1913-1921; 1918, Sept. 30-1921, Mar. 3 | Library of Congress

Shorthand textbook, circa 1935, detail view, Germany, Europe

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