Historical Disasters and Battles

Engravings depicting catastrophic events, including the Flood, a major fire, sieges, and battles, all characterized by dramatic scenes and historical significance.

Armed Telemachus on a boat Télémaque from aux Enfers (title on object) Adventures of Telemachus (series title), Telemachus stands on a boat with shield and sword. A naked bearded man is rowing the boat. Devilish beasts are flying in the background, while a figure is throning on the left. Print on top left marked: Page 311, (story of) Telemachus, rowing-boat, canoe, etc., Simon Fokke (mentioned on object), Amsterdam, 1775, paper, etching, h 146 mm × w 97 mm

Flood, Reinier Vinkeles (I), After Jacobus Buys, 1780 print Amsterdam paper etching / engraving the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17)

Amsterdam, Swalm, Jan Augustijn, Northern Netherlands, Schultsz, Johan Christoffel, Image of the Fire in Amstelveen on 25 June 1792, Fire in Amstelveen, 1792, verso - stamped, Major fire in Amstelveen on 25 June 1792., print, prints, Frederik Muller Historieplaten, height 170 mm, width 133 mm, Netherlands, 1749-11-06 - 1812-01-06, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Gustave Doré (1832-1883), designer. Best and CE (19th century), engraver. "It is a succubus or a female demon as he did widowed by the fields." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-9 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The conquest of Tabor, Leopoldstad and the Pasbrug over the Danube by the Turks, Romeyn de Hooghe, 1684 print The conquest of Tabor, Leopoldstad and the Pasbrug over the Danube through the Turks. This print is no. 3 in a series of prints for 'Relation Succinte et Veritable de Tout Ce S'est Passé Pendant Le Siege de Vienne etc.' Amsterdam paper etching siege, position war. violent death, being killed; being mishandled and maltreated; seeking death Tabor. Vienna. Danube. Leopoldstadt

Armed Telemachus on a boat Télémaque from aux Enfers (title on object) Adventures of Telemachus (series title), Telemachus stands on a boat with shield and sword. A naked bearded man is rowing the boat. Devilish beasts are flying in the background, while a figure is throning on the left. Print on top left marked: Page 311, (story of) Telemachus, rowing-boat, canoe, etc., Simon Fokke (mentioned on object), Amsterdam, 1775, paper, etching, h 146 mm × w 97 mm

Offer van Iphigeneia, anonymous, Jean Lepautre, 1628 - in or after 1682 print paper etching Iphigenia is saved by Diana, who puts a stag (hind) in her place

Print, The Triumph of Mars; Made by Lorenzo Tiepolo (Italian, 1736 - 1776); Italy; etching on off-white laid paper; 1931-67-7

The Goddess of Discord in the Garden of the Hesperides, from "lllustrated London News". Artist: After Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: Image: 9 3/16 × 13 7/16 in. (23.4 × 34.2 cm)Sheet: 9 13/16 × 13 3/4 in. (25 × 35 cm). Draftsman: After drawing by Edmond Morin (French, Le Havre 1824-1882 Sceaux). Engraver: Henry Linton (British, London 1815-1899). Date: January 31, 1857.This wood engraving reproduces a painting of 1806 by J.M.W. Turner, now at Tate Britain. The Goddess of Discord has entered the Garden of the Hesperides (in Greek myth, the Hesperides were daughters of the Evening Star Herperus, and lived at the western edge of the world, guarding golden fruits that grant immortality). In this image, a nymph gives apples to a cloaked figure who will use their powers for ill (one is later given to Paris, who awards it to Aphrodite and precipitates the Trojan War). A guardian dragon lying on a distant cliff has failed to alert the nymphs to th

Stille wateren hebben diepe gronden; Le Torrent et la Riviere. Fable CLVV..A man threatens to drown his horse in the depth and the flow of the seemingly silent river. Illustration of fabel clvv, le torrent et la river.

DijkBrraak at Millingen, 1799, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1799 - 1800 print Breakthrough of Rijndijk near Millingen, 7 February 1799. Part of a group of six albums of dike breakthroughs and flood in the southern part of Gelderland in February 1799. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Millingen paper etching / engraving storm on land. dike-break Millingen. Rhine

Print made by John Smith, 1652-1743, British, Tobit and the Angel, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Shipwreck with Nuda Virtus; Allegorical landscapes. A shipwrak is washed down on the coast. Loose loads and seem to float in the sea. Above the sea storm is raging. A naked woman with an ox caduce and a caduceus walks on the beach. This woman is the personification of the naked virtue: Nuda Virtus.

Apollo doodt Diomedes, anonymous, Jean Lepautre, 1628 - in or after 1682 print paper etching Diomedes - death

Edward Lear, 1812-1888, British, Taormina.

The Goddess of Discord in the Garden of the Hesperides, from "lllustrated London News" January 31, 1857 Henry Linton This wood engraving reproduces a painting of 1806 by J.M.W. Turner, now at Tate Britain. The Goddess of Discord has entered the Garden of the Hesperides (in Greek myth, the Hesperides were daughters of the Evening Star Herperus, and lived at the western edge of the world, guarding golden fruits that grant immortality). In this image, a nymph gives apples to a cloaked figure who will use their powers for ill (one is later given to Paris, who awards it to Aphrodite and precipitates the Trojan War). A guardian dragon lying on a distant cliff has failed to alert the nymphs to the danger.. The Goddess of Discord in the Garden of the Hesperides, from "lllustrated London News". After Joseph Mallord William Turner (British, London 1775-1851 London). January 31, 1857. Wood engraving. Henry Linton (British, London 1815-1899 Kingston-upon-Thames). Prints

The vision of Ezekiel, with the dead rising and putting on their flesh, God the Father above in the sky Giovanni Battista Fontana Italian Publisher Raphael Saitel Italian 1579 View more. The vision of Ezekiel, with the dead rising and putting on their flesh, God the Father above in the sky. Giovanni Battista Fontana (Italian, ca. 1524-1587). 1579. Engraving. Raphael Saitel (Italian, active ca. 1579). Prints

Etching by Georg Friedrich Schmidt showing a plan of Berlin with allegorical figures and decorative elements, including streets, squares, and landmarks in the 18th century.

The soul fishing: allegory on the zeal of the various religions during the twelve-year file between the Dutch Republic and Spain.

Fishermen on the beach, Simon Fokke, 1722 - 1784 print A man with a basket full of fish in his hands has a conversation on the beach with a figure who points somewhere. Further on are more fishermen, sailing ships sailing on the water. A church with nets is fenced on a cliff. Print on top left marked: VII. Amsterdam paper etching fisherman. beach. coastal cliff or crag

The Triumphal Arch, from Grotteschi(Grotesques). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Eight Bohemian Landscapes: Landscape with Log Bridge over Cataract, c. 1610-1615. Aegidius Sadeler (Flemish, c. 1570-1629), after Pieter II Stevens (Flemish, c. 1567-aft 1624). Engraving;

Allegorical show with portrait of Willem V, Simon Fokke, 1752 print In a boat surrounded by two sea gods, there is a louwed man with a sheet of paper in his hand. In the air a woman holds a winch and laurel wreath and carries the portrait of Willem V in Ovaal together with a putto. A trumpet angel blowing high in the sky. Amsterdam paper etching gods of the waters: Neptune and his environment. historical person (with NAME). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Intake of Brielle, 1572, Simon Fokke, 1752 - 1782 print Presentation from national history. Watergeuzen are trying to pound the city gate set on fire with a storm ram. On the right in the background the sea with ships. Presentation at the top numbered: XLIX. Amsterdam paper etching siege arms, e.g.: battering ram Brielle

Fishermen on the quay around a fire. In the water a rowboat and several sailing ships by moonlight., Night scene with fishermen standing by a fire Various seascapes and landscapes. (series title), print maker: anonymous, Reinier Nooms, (attributed to), publisher: Pierre Drevet, (mentioned on object), 1650 - 1738, paper, etching, h 124 mm × w 228 mm

Willem Basse, Saint Paul Shipwrecked on the Island of Malta, 1634 Saint Paul Shipwrecked on the Island of Malta

Rome, Piranesi, Giovanni Battista, Grotteschi, Capricci decorativi, Triumphal arch, verso - stamped, Decorative fantasy with a triumphal arch, in front of which a mountain with the remains of sculptures and buildings from antiquity. In the center a herm., print, prints, height 392 mm, width 550 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1747 - 1747, paper, etching, etchings, engraving, engraving (printing process), drypoint, dry needle, scoring, scratching, Work conception, after own design by, seller

The lock of IJsselstein conquered and burned, 1417, 1719 - 1728 print The lock of IJsselstein is conquered and burned on the lords of Egmond and IJsselstein, 1417. Two gentlemen are trapped by soldiers between the burning ruins. Northern Netherlands paper etching IJsselstein

Company of two skinny women with bare breasts, with burning torch and snakes in the hands. Possibly the furies. In addition, a man with snakes like her. He bites on a heart. They are surrounded by fire and thick smoke clouds.

Landscape with travelers at a waterfall, Jean Moyreau, After Philips Wouwerman, 1734 print Numbered in the bottom right: 14th. At the top right: A. paper etching / engraving 'en route', traveller under way. waterfall

Vignette, François Joullain, France, 1697 - 1778, Etching on paper, France, 1760-1761, Print, Print

Sirocco Waiit, Marius Bauer, 1896 Cartoon on Italian losses in the Battle of Adowa on March 1, 1896 during the war with Ethiopia (Abyssinia). Centrally, the Italian king Umberto I almost loses his crown in the wind, on the right is defeated on the ground the Italian Prime Minister Franceso Crispi. On the left in the clouds the victorious Ethiopian Negus. Published in the addition of 'De Kroniek' of March 15, 1896. print maker: Netherlandsprinter: The Haguepublisher: Amsterdam paper winds. king. political caricatures and satires Italy. Ethiopië

In the night two walkers see a stray light, Two walkers The two walkers , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 246 mm × w 150 mm

Roman soldiers have collapsed a tower on the wall of Gamala by undermining, Jan Luyken, 1704 print Amsterdam paper etching collapsing building

Breakthrough of the Sint -Antoniesdijk on March 5, 1651, Michel, After Pieter Nolpe, 1750 - 1797 print Dike breach of the Sint-Antoniesdijk or Diemerzeedijk outside Amsterdam on March 5, 1651, caused by the high water flood and the strong Northwester Storm. The water flows through the hole in the dike, spectators on either side of the hole in panic. In the background the towers of Amsterdam. paper etching Dike-Break Sint-Antoniesdijk

Etching by Jean Jacques Aliamet depicting the old port of Genoa, created between 1740 and 1788, illustrating ships, waterfront architecture, and 18th-century maritime activity.

W. R. Smith, active 1819-1851, Whitehaven, Cumberland, 1837. Line engraving, 3rd state on moderately thick, smooth, cream, wove paper.

. Dike breach of the Sint-Antoniesdijk or Diemerzeedijk outside of Amsterdam on March 5, 1651, caused by the high flood and the strong northwester storm. The water flows through the hole in the dike, on either side of the hole spectators in panic. In the background the towers of Amsterdam.

Weigel, Christoph, Amsterdam, Luyken, Jan, Rich man in hell and Lazarus in heaven with Abraham, verso - stamped, print, prints, height 252 mm, width 200 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Intake of Brielle, 1572; Innemation of the city of Brie, 1 April 1572; Illustration for national history. Presentation from national history. Water giants try to be open to beech the on fire gate with a storm ram. On the right in the background the sea with ships. Presentation at the top numbered: XLIX.

Triomf Van Mars, Lorenzo Baldissera Tiepolo, After Giovanni Battista Tiepolo, 1757 - 1761 print paper etching Triumph of Mars; 'Carro di Marte' (Ripa)

Mier Józef Poniatowski's book; Kiesel, C. (graphic designer; Fl. Ca 1830); around 1830 (1820-00-00-1840-00-00);Biała Elster (Czech Republic, Germany-River), Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-19444 ) - collection, battle of Leipzig (1813), battles, gift (provenance), Napoleonic era (1799-1815), French graphics, Poland (culture), portraits, horse portraits, army, army, death

Crocodile Hunting. Date/Period: 1774. Engraving. Etching and burin on paper. Height: 630 mm (24.80 in); Width: 460 mm (18.11 in). Author: Pasqual Pere Moles Corones.

Etching by Nicolas Joseph Voyez l'âiné from 1757-1797 depicting Joshua commanding the sun to stand still, showing figures, gestures, biblical scene, and landscape elements.

Tobias in De Engel, Adam Elsheimer, 1560 - 1610 print Tobias in Engel paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog

View of a Mediterranean harbor with figures in a coastal landscape, Jacques-Philippe Le Bas, After Nicolaes Pietersz Berchem, 1741 print print maker: Parispublisher: ParisParisFrance paper etching / engraving coast. harbour. 'en route', traveller under way. obelisk, needle

verso - stamped, Major fire in Amstelveen on 25 June 1792., print, prints, etchings, engraving, engraving (printing process)" Northern Netherlands, Brouwer, Cornelis, Fire in Amstelveen, 1792, Northern Netherlands, engraving (printing process)

Appearance of a sea shaft in the air, seen at Stralsund from six people in 1665

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Wars of the Batavians, Peace with the Romans, in the Year 70, Batavian Revolt and peace with the Romans, 69-70, Representations from Dutch history. Above: Battling Batavians on the bank of the river, in the distance boats and a burning fortress. Below: Civilis makes peace with the Romans on a demolished bridge. Two representations from one plate, numbered respectively: III and IV., print, book illustration, prints, height 173 mm, width 105 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception

A Shell in the Rebel Trenches. After Winslow Homer (United States, Massachusetts, Boston, 1836-1910). United States, 1863. Prints; engravings. Wood engraving

Allegorical representation with portrait of Willem V, In a boat surrounded by two sea gods, an acclaimed man with a sheet of paper in his hand sits. In the air a woman holds a winch and laurel wreath and, together with a putto, wears the portrait of Willem V in an oval shape. High up in the sky an angel blowing a trumpet, god of the waters: Neptune and his environment, historical person (with NAME), Fame, 'Fama', 'Fama buona', 'Fama chiara' (Ripa), William V (Prince of Orange-Nassau), Simon Fokke, Amsterdam, 1752, paper, etching, h 142 mm × w 94 mm

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins in Rome, Procession of shepherds with animals in a landscape, verso - stamped, A landscape with a woman with child on horseback and a camel in the foreground. They walk up a hill behind a procession of shepherds with goats, cows and horses., print, prints, height 130 mm, width 134 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

King Louis XIII near Narbonne with his procession beset by high water and violent thunderstorm, 1632, print maker: Caspar Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 108 mm × w 153 mm

Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome) ca. 1643-48 Stefano della Bella Italian. Plate 5: a woman carrying a child on a horse to left, a camel following her, a herd of goats, sheep, and a shepherd in front of her to right, a round composition, from 'Roman landscapes and ruins' (Paysages et ruines de Rome) 419132

Engraver: Caesare Fantetti, Italian, 1650-1700, After: Raphael, Italian, 1483-1520, The Column ofSmoke, Engraving, sheet: 27 × 33 cm (10 5/8 × 13in.), Italian, 17thcentury, Works on Paper -Prints

Stanislaus Leszczyński, king of Poland flight in a boat from Dantzig; He escaped in a small bark (...). Stanislaus Leszczyński, King of Poland Flight in a Boat from Dantzig, 1734. At the Top Right: vii.d.pl.III. Bottom Right: Bladz.259.

Copper engraving and etching by Gaspard Duchange depicting a battle involving Amazons, 18th century.

Eagle has hit his claws in the back of a large fish; De Arend.

Horse theft, Cornelis Visscher (II), After Pieter Bodding van Laer, 1638 - 1658 print In the night, a thief gets away as quickly as possible with two on -lined horses. A woman has put her hands out of despair at the view of the wounded man lying on the floor in front of her. At the same time, the man shouts next to her, something to her. The fence of the house in the background is on fire and the full moon is in the sky. paper etching / engraving horse. on fire, ablaze. robbery. infections and wounds - AA - female human figure. fainting, swooning - BB - out of doors

Radetzky from Radetz, Josef Graf.

Refitting a Boat at Low Tide. Thomas McLean (England, London, 1788 - 1875)Eugène Isabey (France, Paris, 1803-1886). France, 1833. Prints; lithographs. Lithograph

Lazio Viterbo Caprarola Palazzo Farnese14. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Legend of Centuries - Frontispiece

Destruction of humanity by the flood; History of the family of set / about good and bad judgments; Bonorum et Malorum consensio. Men, women and animals float in the sea lifeless, grabbed by the flood. In the middle of the Noah's Ark. In the air, the first rays of the sun break through the dark clouds. The print has a Latin caption.

Etching by Jean Jacques Le Veau depicting shepherds and farriers in a rural environment, showing figures, animals, tools, gestures, and 18th-century countryside setting.

Edmond Morin (1824-1882). "The plebiscite". Bois, 1870. Museum of Fine Arts of the city of Paris, Petit Palais. Cauldron, crowd, plebiscite, engraving

After Dinner. Jacques Le Bas (French, 1707-1783); after Nicolaes Berchem, the Elder (Dutch, 1621/22-1683). Date: 1742. Dimensions: . Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jacques Philippe Le Bas.

The Gaiola rock and the Roman building known as Virgil's School, Naples, Campania, Italy, engraving by C F Nicole from a drawing by Natali, from Antichita di Pozzuoli - Puteolanae antiquitates (Antiquities of Pozzuoli), by Paolo Antonio Paoli, plate 11, 1768, Naples.

Odysseus and his companions avoid the charms of the Sirens

The News Brought to Olympus 1516 Agostino Veneziano (Agostino dei Musi) Italian. The News Brought to Olympus. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). 1516. Engraving. Prints

Félix Hilaire Buhot, Frontispiece for L'Illustration Nouvelle The Burial of the Burin, 1877 Frontispiece for L'Illustration Nouvelle: The Burial of the Burin

THE SPIRITS IN JUPITER, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for the Inferno by Dante. 1870, Art, Artist, romanticism, colour, color engraving

ACCION EN LAS AMEZENAS - GRABADO SIGLO XIX. Author: Sainz. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Amsterdam, Maaskamp, Evert, Greeven, Hendrik, Netherlands, Lutz, A., Four plates of the fire in the New Lutheran Church in Amsterdam in 1822, The Lutheran New Church in Amsterdam. As it appeared in the heaviest part of the Fire, At 2 o'clock in the afternoon, on September 18, 1822, New Lutheran Church in Amsterdam during the fire of 1822, verso - stamped, View of the Koepelkerk or New Lutheran Church on the Singel in Amsterdam during the fire of September 18, 1822. In the foreground spectators at the quay., print, prints, Frederik Muller Historieplaten, height 286 mm, width 354 mm, print maker, printmaker, 1822-12-01 - 1822-12-01, paper, papier, etching, etchings, aquatint, Dutch, 1787-04-26 - 1854-01-22, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1769-09-27 - 1834-01-31, publisher

Floor of the house church of the imperial plenipotentiary Count von Bercka collapses, 1697, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 108 mm × w 154 mm

The political mirror or an exhibition of ministers for April 1782 , Politics & government, Government officials, Political purges, Truth, Hell, Mirrors, United States, History, Revolution, 1775-1783, Fox, Charles James, 1749-1806, Wilkes, John, 1725-1797, Burke, Edmund, 1729-1797, Bute, John Stuart, Earl of, 1713-1792

The Scene Before Gilbraltar on the Morning of 14th September 1782, William Woollett, 1735-1785, British, And John Emes, 1762-1810, British, after James Jefferys, 1751-1784, British, 1789, Engraving and etching, Plate: 17 3/8 x 26 1/4in. (44.1 x 66.7cm)

. Dike breach at the so-called henernest, outside of Zutphen, March 3, 1784. In the foreground people in panic at the broken-through embankment, in the background the city of Zutphen.

Allegorie on the fire in the Amsterdam Schouwburg, 1772, Cornelis Bogerts, after J. Wz. Crajenschot, 1772 print Title print for the series of four prints about the fire in the Amsterdamse Schouwburg on the Keizersgracht on 11 May 1772. Father Time pulls the curtain of the ruinous stage aside to reveal the burning theater. In the midst of the ruins, the sad personification of the Amsterdam Schouwburg with the coat of arms and a burnt beehorf, from which the bees have escaped, is in her hands. Under the stage a cartouche with the title and the well -known verse van Vondel ('De Waereld is a playful: each plays his role and krygt are part'). Left and right thereof a six -line verse in Dutch (left) and French (right). Amsterdam paper etching / engraving theatre, theatrical performance. on fire, ablaze. theatre (building). Father Time, man with wings and scythe Schouwburg Keizersgracht (1637-1772)

Cartouche met veldslag.Cartouche with battle of two armies with riders and foot volk. In the four corners of weapentrophetics.

Veen, Otto van, Tempesta, Antonio, Copies after Tempesta's Batavian Revolt, Surprise de Bonn, planche XXXII, Night raid on the army camp of Cerialis where his ship is captured, 69-70, Night raid on the army camp of Cerialis where his flagship is captured. Print 32 in a series on the Batavian Revolt, copied from the series Batavorum cum Romanis bellum by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la guerre des Bataves et des Romains, d'après César; Corneille Tacite, Aux dépens de Marc-Michel Rey, Amsterdam 1770. Representations printed in a large ornamental frame in which a cut-out title is pasted at the top and a caption in French at the bottom., print, engraving, historical print, prints, engravings, Frederik Muller Historieplaten, height 140 mm, width 202 mm, height 370 mm, width 300 mm, print maker, printmaker, 1768 - 1770, third quarter 18th century, paper, etching, etchings, engraving (printing process), Work conception, Ital

Amsterdam, Oossaan, Aart Dircksz., Wybrants, Sander, Swart, widow Steven, Blom, Joannes, Bergh, Herman van den, Deyster, Jacobus van der, Luyken, Jan, recto - manuscript in pencil, print, engraving, book illustration, prints, engravings, Polycarpus burned at the stake, verso - stamped, 24, height 119 mm, width 148 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1685 - 1685, paper, papier, etching, Work conception, after own design by, Publication (Event), Publication, publisher, - 1693-06-26

Rome, Piranesi, Giovanni Battista, Antichità d'Albano e di Castel Gandolfo, Archaeological finds from Albano and Castel Gandolfo, Veduta della magnifica Sostruzione fabbricata per regger la falda del Monte, e per render la via Appia piú commoda e meno declive tra la valle, e le due opposte colline, Wall construction, verso - stamped, View of a wall construction. Title in plane lower right. Numbered, print, prints, height 434 mm, width 682 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1764 - 1764, paper, papier, etching, etchings, Work conception, after own design by

Burning Ship, Gillis van Scheyndel (I), 1605 - 1653 print A burning ship surrounded by different boats. Figures are watching at a distance. Netherlands paper etching setting on fire (of conquered city) (+ sailing-ships)

Campi Flegrei; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. The Campi Flegrei (burning fields) or phlegreic fields, north of Naples. The Solfatara volcano or forum Vulcani is part of this. In the foreground men and horses. In the underwear three lines text in Italian. The print is part of an album.

Impetuous Storm After Joseph Vernet French Engraver Bertaud French ca. 1770 View more. Impetuous Storm. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1770. Engraving; first state of two. Bertaud (French). Prints

Paulus shakes the adder in the fire, Anonymous, After Jan Luyken, 1712 print Amsterdam paper etching Paul bitten by a viper (when throwing wood on the fire)

Woman overlooks the Sea from the bank, Jan Luyken, 1687 print Amsterdam paper etching / letterpress printing sea

View of a Dijk, Jan Luyken, 1711 print Amsterdam paper etching dikes, levee

Oosterhuis, Haatje Pieters, Netherlands, Nieuwhoff, Walraad, The collapse of the stone bear in the Waterlandsche dike near Durgerdam on the afternoon of 4 February 1825, Collapse of the stone bear near Durgerdam, 1825, verso - stamped, The collapse of the stone bear in the Waterlandsche dike near Durgerdam, 4 February 1825. Part of the illustrations in a publication about the flood of 3-5 February 1825., print, prints, Frederik Muller Historieplaten, height 204 mm, width 290 mm, 1790 - 1837-04-01, print maker, printmaker, 1825 - 1826, paper, papier, etching, etchings, engraving, engraving (printing process), Dutch, 1784-11-28 - 1854-12-14, intermediate draftsman

Buys, Jacobus, Northern Netherlands, Bogerts, Cornelis, Vinkeles, Reinier (I), Heavy fog in Amsterdam, 1790, verso - stamped, Heavy fog in Amsterdam on 31 December 1790. People are walking down the street with torches, a carriage has fallen into the canal., print, prints, Frederik Muller Historieplaten, height 120 mm, width 83 mm, 1741-06-19 - 1816-01-30, print maker, printmaker, 1791 - 1795, paper, papier, etching, etchingsen, engraving, engraving (printing process), 1745 - 1817-02-03, 1724-11-19 - 1801-04-07, intermediary draughtsman

De Rat and De Oester, Reinier Vinkeles (I), 1773 print On the tide line of the sea is a rat with its head in an oyster. Two ships in the background. Illustration of Fabel Cli, Le Rat et l'Huître. Amsterdam paper etching molluscs: oyster. rocky coast. sailing-ship, sailing-boat. sea

Wooden stick by Hans Burgkmair (1514-1516) illustrating the Battle of Rorschach, part of the 'Weißkunig' series of Emperor Maximilian I.

People are skating on a frozen village pond, two are being pushed in sledges, and one person has fallen over on the ice. Etching after A. Van der Neer.

Illustration to Tennyson's 'The Gardener's Daughter:' Mount Lebanon, Syria - `A Cedar spread his dark green layers of shade', Edward Lear, 1812-1888, British, undated, Pen and black ink, gray ink, and gray wash on moderately thick, moderately textured, cream wove paper, Sheet: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm) and Mount: 5 3/8 x 8 inches (13.7 x 20.3 cm), cedar, landscape, sky, tree, Syria

Old Testament. Book of Genesis. The Global Deluge. Engraving. "Historia Universal", by César Cantú. Volume I, 1854.

An engraving titled "South Sea Whaling" after the watercolour by Oswald Brierly. Dated 19th century

George Bellows, Allan Donn Puts to Sea, 1923 Allan Donn Puts to Sea

Leiden, Aa, Gebroeders Janssoon van der, Noord-Nederland, Wandelaar, Jan, Martyr on the stake, verso lower left - stamped, A martyr, tied to a pole, on the stake. Marked lower left: C., print, book illustration, prints, height 207 mm, width 159 mm, Northern Netherlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1702 - 1759, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, publisher

Reproduction of a painting: Juliusz Kossak (1824-1899), In the Chase; excerpt from a magazine. Anczyc, Władysław Ludwik i Spółka (Kraków ; drukarnia ; 1875-1948), printing house, Löwy, Joseph (Wiedeń ; zakład graficzny ; 1835-1902), reproduction atelier, Gebethner i Wolff (Warszawa ; wydawnictwo ; 1857-1950), publishing house

A scene with a storm at sea, a ship broken into coastal rocks and saving survivors. unknown, Vernet, Joseph (1714 1789)

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