Historical Domestic Scenes

Engravings depicting intimate moments in history, featuring characters engaged in crafts and familial interactions, with a dark, moody atmosphere.

Mayor Beert Proys in Utrecht, murder, 1425, 1791 print Mayor Beernt Proys in Utrecht, killed in his bed, 1425. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Utrecht

The Dreamer late 1770s Jean Honoré Fragonard French A young woman sits on the edge of an armchair near a mirror partially covered with drapery; she appears to be dozing, an open book in hand. Another young woman stands nearby, with one finger raised to her lips to silence her companion, who turns and points to the sleeping figure. Fragonard masterfully captures the interplay of light and texture, especially in the protagonists sumptuous silk dress. Liberating form from a defining line, he builds volume almost entirely from a range of spontaneously applied washes. The physical presence of the luminous sleeping figure contrasts markedly with the spectral appearance of her companions, who seem to materialize her imagination in sleep.. The Dreamer 459370

Woodcut by Albrecht Altdorfer depicting the presentation of Mary in the temple, created around 1513, showing biblical figures in architectural setting.

The Dreamer. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 12 1/8 x 8 1/2 in. (30.8 x 21.6 cm). Date: late 1770s.A young woman sits on the edge of an armchair near a mirror partially covered with drapery; she appears to be dozing, an open book in hand. Another young woman stands nearby, with one finger raised to her lips to silence her companion, who turns and points to the sleeping figure. Fragonard masterfully captures the interplay of light and texture, especially in the protagonist's sumptuous silk dress. Liberating form from a defining line, he builds volume almost entirely from a range of spontaneously applied washes. The physical presence of the luminous sleeping figure contrasts markedly with the spectral appearance of her companions, who seem to materialize her imagination in sleep. Museum: Metropolitan Museum of Art, New York, USA.

Disparate pobre. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, after 1816. Prints; etchings. Etching, burnished aquatint, lavis, scratches, and burin

Lazio Viterbo Bagnaia Villa Lante6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Prestel, Ferdinand August Christian, Huth, Theodor, Photo reproduction drawing of A. Hendschel: Kranker Mann am Altar, photograph, foto, foto's, height mm, width mm, photographer, 1870 - 1880, third quarter 19th century, fourth quarter 19th century, albumen print, German, 1826-03-14 - 1890-11-01

Harding, Stephan .

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

Antwerp, Aertssens, Hendrik, Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Sacra Eremus Ascetriarum, Hermits, S. Melania Junior, Saint Melania the Younger as hermit, verso lower right - stamped, print, book illustration, prints, height 143 mm, width 92 mm, South Dutch, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, North Dutch, 1566-12-25 - 1651-01-27, after design by, Publication (Event), Publication, South Netherlands, publisher, 1622 - 1663

Interior of the forge. Engraving. 19th century.

François Nicolas figure (1825-1901). "Turn towards Gilliatt". Albumin paper. 1868. Paris, house of Victor Hugo.

An 1822 etching by Ludwig Emil Grimm depicting scenes from the old lore of uninvited figures, showing characters and narrative elements.

Three -kings, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. ink. graphite (mineral) pen / brush Twelfth Night, usually falling on the eve of January 6

Cornelis Ploos van Amstel and Cornelis Brouwer after Gerard ter Borch II, Cavalier and Lady with a Page, 1779 Cavalier and Lady with a Page

French bonnet! Bono! / Those horror! Iimandy qu'on lui lui dr'on mondnesk! (Titellation inscrit) | ventive by the ensidition.

Ivanhoe (dummy title)

Rendez vous in Venice according to Cramer's image. A clip from a German magazine. Destruct Brend'amour, Franz Robert Richard (1831 1915), Cramer

Persian dancer with typical dress. Iran. Old steel engraved antique print. Published in L'Univers La Perse, in 1841. History of the ancient Persian em

'William and Margaret', John Raphael Smith, 1752-1812, British, after Joseph Wright of Derby, 1734-1797, British, active in Italy (1773-75), 1802, Mezzotint on thick, moderately textured, cream, wove paper, Sheet: 19 1/2 × 23 11/16 inches (49.5 × 60.2 cm), Plate: 18 × 21 15/16 inches (45.7 × 55.7 cm), and Image: 17 3/8 × 21 13/16 inches (44.1 × 55.4 cm)

Two young actors performing a tragic play: one is seated, while the other is holding a tragic mask, Herculaneum, Campania, Italy, engraving by Giuseppe Aloja from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 40, 1757-1787, Naples.

. Thomas Rowlandson

Umbria Terni Amelia S. Giovanni Decollato3. Hutzel, Max 1960-1990 Post-medieval: Original church built 1210, destroyed by earthquake. A palace built on original site in 15th century. According to Hutzel a charitable Christian brotherhood used original rooms as a hospice until 1876. Baroque interior, frescoes attributed to Federico Zuccari, painting, sculpture. One view of exterior. Object Notes: Hutzel photo campaign date: October 9, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Gubbio Palazzo dei Consoli3. Hutzel, Max 1960-1990 Views of the palazzo's medieval exterior--crenellations and romanesque arches. Interior views of the huge Salone with displays of Medieval and Roman artifacts. The objects in the Pinacoteca and Museo Civico include a glass chalice painted in oils, a wood intarsia desk, frescoes, reliquaries, crucifixes, polyptychs, diptychs, and various other altar paintings, as well as some secular paintings by the Venetian school. Subjects of paintings include: the three Graces, the Assumption, Crucifixion, Death of Rachel, Flight into Egypt, Holy Family, Madonna and Child, S. Ubaldo, S. Francesco, S. Chiara, S. Crescentino, S. Vicenzo, S. Lazaro, S. Scholastica, S. Paolo and numerous other saints. Antiquities: Roman mosaic pavement (2nd century A.D., Iguvium); Etruscan bronze vessels; Roman sarcophagus; various fragments of relief sculpture and pottery. Many of these views are found in the Antiquities core collection, but all negative

Return from Golgotha. Bonus for subscribers of "Tygodnik Ilustrowany" for 1881; Regulski, Aleksander (1839-1884), Dziedzic, P. (fl. 1860-1887), Buchbinder, Józef (1839-1909), Krudowski, Franciszek (1860-1945), B . ca 188.), Unger, Józef (Warszawa ; drukarnia, wydawnictwo, ksigarnia ; 1841-ca 1877), Tygodnik Ilustrowany (Warszawa ; wydawnictwo ; 1859-1939); 1881 (1881-00-00-1881-00-00);

Print made by William Blake, 1757-1827, British, The Death of Juliet, 1799. Etching on medium, smooth, cream wove paper.

Half Duged woman by a fireplace, Victor Jean Baptiste Loutrel, After Dominique Louis Papety, 1847 - 1881 print Paris paper woman (showing herself) undressed, quasi-nude. undressing oneself, getting undressed - AA - female human figure. interior of the house

John Raphael Smith after Henry Fuseli, Lear and Cordelia, 1784 Lear and Cordelia

Augustus, Cornelis Dusart, 1679 - 1704 print In a shed a farmer's grain with a threshing flail. Next to him, a woman pours grain in a bag. Two farmers in the background. The print is part of a series of twelve prints with the twelve months of the year. Print Maker: Haarlem Publisher: Amsterdam paper engraving harvest. August and its 'labours'

Tony Johannot, 1803-1852, French, The Meeting in the Cloisters of Saint George's Chapel, 1842.

George Siegmund Facius, 1750-1804, West Window of the Chapel, New College Oxford: The Virtues - Charity, 1781. Stipple engraving on moderately thick, moderately textured, cream, laid paper.

Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes) Ca. 1798 Goya (Francisco de Goya y Lucientes) Spanish. Plate 13 from 'Los Caprichos':They are Hot (Estan Calientes) 333947

At the gate, Emperor Napoleon III, Requests to the sky gate caricature from Kikeriki , Friedrich Graetz Grätz -, Caricaturist, Carl Angerer -, realization

Abaelard, Peter.

Scene of Witchcraft Anonymous, German, 17th century German Formerly attributed to Govert Flinck Dutch 17th century

Seated man with folded hands, behind a Bible. Draughtsman: Jacobus Buys. Dating: c. 1734 - c. 1801. Measurements: h 135 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Le songe dun habitant du Mogol (The Dream of an Inhabitant of Mogul). Artist: Félix-Henri Bracquemond, French, 1833-1914 After: Gustave Moreau, French, 1826-1898 Publisher: Boussod, Valadon and Co.

LES HORANUEURS (BARCH 19) Adriaen van Ostade (1610-1685). The haranglers (Bartsch 19). Forte, circa 1668.

Company around a table, Jan van Somer, after Gerard Pietersz. van Zijl, 1655 - 1700 print A group of four people is making music around a table. paper small group of musicians, chamber orchestra, jazz band. printed edition of musical score. vocal music, singing

Print made by M. A. Picot, 1782-1838, The Lord of the Vineyard Paying His Labourers, 1771. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Line Drawing. Galileo in Prison.

Den Haag, Nijhoff, Martinus, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, De savior uit den suikernood, Cartoon about the sugar shortage, 1884, The Hague, Cartoon about the sugar shortage: Sinterklaas and Zwarte Piet on visit to the sick Dutch Virgin. Plate published in the weekly De Nederlandsche Spectator, no. 49, 1884., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1884 - 1884, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Portraits of ladies N. / de France, girls from Louis XV, born in Versailles on 14 August 1727. (registered title)

Poisoning Queen Bona; Holewi Ski, Józef (1848-1917), Cynk, Florian Stanis AW (1838-1912), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Engraving by Gustave DorA© (1832-1883)

Unknown, Grandmother's Come!, 1868, wood engraving on paper.

A Scholar in his Study ("Faust"). Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, c. 1652 (later printing). Prints; etchings. Etching, engraving, and drypoint

Caprichos: It is Nicely Stretched. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Eugène Delacroix, Hamlet is Tempted to Kill the King (Act III, Scene III), 1834 1843 Hamlet is Tempted to Kill the King (Act III, Scene III)

Don Quixote by Miguel de Cervantes. 17th century. Engraving. Don Quixote in the cage, prisoner.

Abraham & Hagar.. Werff, Adriaen van der, 1659-1722. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Children, Abraham (Biblical patriarch), Hagar (Biblical figure)

Georg Goldberg, 1830-1894, German, "Antony and Cleopatra," Act III, Scene XI, undated. Line engraving and etching on moderately thick, slightly textured, cream wove paper.

Fichtember!. Artist: Paul Gavarni, French, 1804-1866

John Raphael Smith, 1752-1812, British, Bellsane and Parcival under the Enchantment of Urma, 1782. Mezzotint on moderately thick, moderately textured, beige, laid paper.

S. Maria delle Grazie, Leonardo da Vinci, Photographic reproduction of a print after a wall painting, depicting the Last Supper, photograph, photo, reproduction, page, photos, photographically illustrated books, height 129 mm, width 102 mm, photographer, 1882 - 1887, photographic paper, albumen print, albumine print, Work conception, after a print by, Italian, 1452-04-15 - 1519-05-02, after a painting by

Cleopatra before Caesar Artist Unknown

Dialectic (redenekunst), Cornelis Cort, after frans flower (1), 1565 print Dialectics sits on a chair in a room with stone walls and disputes with an old man. She counts her arguments on her fingers. On her head and on the handrail of her chair are birds, two toads on the floor. Dialectica stands with her foot on a pile of books by important thinkers. Antwerp paper engraving 'Dialectics' (~ trivium); 'Dialectic' (Ripa)

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

France, Paris, poster for performance Norma at Chateau d'Eau Theatre

Henry IV in Canossa (illustration in: Cesar Cantu, General history, Warsaw 1853-1857). Orgelbrand, Samuel (Warszawa ; wydawnictwo, drukarnia ; fl. 1836-1919), merchant employer, unknown, graphic artist

Rijn, Rembrandt van, Frey, Johannes Pieter de, Meal at Emmaus, recto - stamped, Christ sits at the table with the two disciples. He breaks the bread and says the blessing and at that moment the two men recognize him. On the left the servant brings a plate of food., print, prints, height 457 mm, width 365 mm, 1770 - 1834, print maker, printmaker, 1802 - 1802, paper, papier, etching, etchings, engraving, engraving (printing process), Noord-Nederlands, 1606-07-15 - 1669-10-08

Amor at Anacreon, Christian Bernhard Rode, c. 1770 - c. 1775 print paper etching (story of) Cupid, Amor (Eros). (story of) Anacreon

Charles Spooner, c.1720-1767, Irish, Mr. Garrick in the Character of King Lear - "King Lear", Act III, Scene V, 1761. Mezzotint.

Faust, Rembrandt van Rhijn (1606-1669)

The Sleeping Beggar. Alphonse Legros (French, 1837-1911). Etching;

A watchman asks a young man Godefroy, who is secretly visiting his lover Sybille in the night, for money The young man puts his hand in his pocket The bribery scene from the second act of the comedy 'Hopman Ulrich or the deceived avarice' by Johan van Paffenrode 1661 In the comedy, the miserly character Ulrich is cheated by his wife Sybille, despite having her guarded Her lover Godefroy bribes the guard, Hopman Ulrich or the deceived avarice: the bribe Hopman Ulrich , print maker: Cornelis Ploos van Amstel, (mentioned on object), intermediary draughtsman: Cornelis Troost, (mentioned on object), Monogrammist JPVA, (mentioned on object), Amsterdam, 1759, paper, engraving, h 333 mm × w 228 mm

Méphistophélès et Faust fuyant après le duel (Mephistopheles and Faust Fleeing After the Duel), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Early sculptors of the palaeolithic era Date: circa 30,000 BC

Story of Joseph, Plate 82 Georg Philipp Rugendas I (German, 1666-1742). Story of Joseph, Plate 82. Mezzotint in blue ink, 10 1/4 × 14 13/16 in. (26 × 37.7 cm). European Art

Facing starvation Ugolino stares ahead, while his grandson leans on his knee and his three sons stand desperately beside him., Ugolino della Gherardesca with his sons in a dungeon, print maker: John Dixon, (mentioned on object), after: Joshua Reynolds, (mentioned on object), publisher: John Boydell, (mentioned on object), London, 1774, paper, h 510 mm × w 623 mm

The Brothers of Joseph Showing his Bloody Coat, Print made by John Murphy, c.1748-1820, British, after Giovanni Guercino, 1591-1666, Italian, 1782, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 21 9/16 × 25 3/4 inches (54.8 × 65.4 cm), Plate: 21 × 24 1/8 inches (53.3 × 61.3 cm), and Image: 20 × 24 1/16 inches (50.8 × 61.1 cm), blood (animal material), brothers, canes, Christianity, coat, death, dog, father, gathering, grief, Judaism, Old Testament, praying, religious and mythological subject, shepherds, standing, telling, story, tricking, turbans

Dante Alighieri (1265-1321), Divina Commedia (Divine Comedy), Illustration by Franz Von Bayros, Inferno (Hell), Canto VII

"I saw a smith stand with his hammer thus..." (Shakespeare, King John, Act 4, Scene 4) January 1771 Richard Houston. "I saw a smith stand with his hammer thus..." (Shakespeare, King John, Act 4, Scene 4) 707783

Francisco de Goya (Spanish, 1746-1828). Estan calientes. (They are hot.), 1796-1797. From Los Caprichos, no. 13. Etching and burnished aquatint. Plate: 215 mm x 151 mm (8.46 in. x 5.94 in.).

Bartolommeo (Fra), Photographic reproduction of a print after a painting, representing the Presentation in the Temple, recto - printed, photograph, photo, reproduction, page, photos, photographically illustrated books, 'Behold this Child is set for the fall and rising again of many in Israel.', height 119 mm, width 126 mm, photographer, 1861 - 1871, photographic paper, photo paper, albumen print, albumine print, Italian, 1472-03-28 - 1517-10-31, after, after a painting by, Work conception

Three smoking men, Valentine Green, After David Teniers, 1749 - 1783 print London paper etching historical persons. pipe ~ tobacco. inn, coffee-house, public house, etc.

Arabe veillant le corps de son ami (Arab Watching over the Body of His Friend). Dated: 1866. Dimensions: plate: 21.5 × 41.2 cm (8 7/16 × 16 1/4 in.) sheet: 37.1 × 54.8 cm (14 5/8 × 21 9/16 in.). Medium: etching and aquatint on buff laid paper. Museum: National Gallery of Art, Washington DC. Author: Mariano Fortuny Y Carbo.

Rijn, Rembrandt van, London, McArdell, James, The Holy Family at Night, verso - stamped, The Holy Family at Night. Interior lit by candlelight with Mary and Anne at the cradle in which the Christ Child sleeps. Mary reads from a book, Anne holds the cradle cord in her hands., print, prints, height 341 mm, width 468 mm, British, Irish, 1728 - 1765-06-01, print maker, printmaker, 1745 - 1765, paper, papier, mezzotint, etching, etchings, Noord-Nederlands, 1606-07-15 - 1669-10-08

Charity (La charite). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Jakob Böhme brings back the slipper of Richter, Joseph Mulder, after Jan Luyken, 1686 print Jakob Böhme brings a slipper back to pastor Gregor Richter. Richter, who accused Böhme van Ketterij, had thrown the slipper to his head. Amsterdam paper engraving / etching shoes, sandals (+ men's clothes). study; 'studiolo'; library. priest (Roman Catholic)

Shakspeare. King Richard the Third, act IV, scene III , Towers, Interiors, Criminals, Children, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Richard III. Thomas Pennant Barton Collection

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), King Lear, Act 4, Scene VII, 1794. Engraving.

Max Klinger, Ein Schritt (A Step), 1883 Ein Schritt (A Step)

Watercolor reproduction: Stanisław Chlebowski (1835-1884), trip over the Bosphorus; Z: "Kłosy" 1877, No. 604 (January 25), p. 53; M.P., Olszewski, Kazimierz (fl. Ca 1870-1890), Kłosy (Warsaw; magazine; 1865-1890); 1877 (1877-00-00-1877-00-00);

Daniel's Prayer 1865-81 After Sir Edward John Poynter British, born France. Daniel's Prayer 642922

Tu ne la reconnais pas Eugénie l'ancienne a Badinguet une belle blonde... - ...qui aimait tant les meringues et qui fesait tant sa tête...Oui! Badinguet l'a - fait monter pour 36 francs... - Si c'est vrai! - Non, vas (sic)! c'est un tambour de la garde nationale...bête! tu ne vois donc pas - que c'est un homme ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Giovanni Battista Seni at the corpse of Albrecht von Wallenstein, Friedrich Vogel, after Karl Theodor Piloty, 1872 print print maker: Münchenprinter: Düsseldorf paper engraving / etching death of human being. finding a dead person. writing-table, writing-desk. star-globe

Portrait of Carl Ludwig van de Palts with Wolrad von Plessen in the role of Alexander the Great and Aristoteles, Georg Friedrich Schmidt, after Jan Lievens, 1772 print paper etching historical persons

Don Juan, Ch. II (TA)

By the way, WG of Henrik Nordenberg's painting. Heuer, Gustav (N.N.), Kirmse, K. (N.N.), Nordenberg, Henrik (1857 1928)

Capulet Railing at his Daughter, Juliet, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, 1825, Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper, Sheet: 6 5/16 x 4 1/2 inches (16.1 x 11.4 cm) and Image: 5 3/16 x 4 1/4 inches (13.2 x 10.8 cm), begging, curtains, daughter, drapery, father, figure study, gesturing, kneeling, literary theme, plays by William Shakespeare, pleading, Romeo and Juliet, play by William Shakespeare, servants, shouting, standing

The Bayeux Tapestry is made; one theory is that it was made by Queen Matilda, the wife of William I, as shown here Date: circa 1070

music musicians flute player ""The perfect harmony"" engraving by J. Bayon past 1721 after painting by Antoine Watteau (1684 - 1721) private collection,

Page, fl. 1784-1803, Taming...Act III, Scene I, 1791. Engraving.

Sketches in Belgium and Germany, Second Series: No. 26 - Tomb of Rubens, St. Jacques, Antwerp, 1845. Louis Haghe (British, 1806-1885). Lithograph;

Jephthah's daughter Laurens, Jean-Paul, 1838-1921. still image. 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Dance, Biblical events, Jephthah's daughter (Biblical figure), tambourines

Joanna I of Castile, known as Joanna the Mad (November 6, 1479 - April 12, 1555), was Queen of Castile from 1504 and Queen of the Realms of the Crown of Aragon from 1516. She was the heir of Philip I of Castile, known as the Handsome (July 22, 1478 - September 25, 1506), Duke of Burgundy from 1482. From 1504 until his death, he was King of Castile and Leon as the husband of Joanna of Castile. Based on a work of art by Johann Wilhelm Kaiser, historical, digitally restored reproduction of a 19th-century original. .

Don Quixote by Miguel de Cervantes Saavedra. Old XIX century engraving illustration by Gustave Dore

Télémaque interrogé par les sages. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Fairy Tales and Right: Listen to Children! According to Artur Grottger. Cleastle from Tygodnik Ilustrowany 1872 (2) 237 unknown, Grottger, Artur (1837 1867)

Karol Młodnicki Drew at the Tomb According to Artur Grottger. Cleastle from the Ilustrowany Weekly 1875 (1) 5 Skorski, Konstanty (Fl. 1865 1882), Grottger, Artur (1837 1867), M Renicki, Karol (1835 1900)

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