Historical Domestic Scenes

Engravings depicting intimate moments in history, featuring characters engaged in crafts and familial interactions, with a dark, moody atmosphere.

Mayor Beert Proys in Utrecht, murder, 1425, 1791 print Mayor Beernt Proys in Utrecht, killed in his bed, 1425. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Utrecht

Galvanography by Paul Pretsch depicting a farewell scene between a soldier and a sick woman, showing their figures, gestures, and emotional interaction in 1851.

Tobias Returning Sight to His Father 1755 Antoine de Marcenay de Ghuy French. Tobias Returning Sight to His Father 416820

Titus Andromicus, Act IV, Scene I, Titus' House, Thomas Kirk, 1765-1797, Irish, 1803, Engraving, Sheet: 14 3/4 x 19 3/4in. (37.5 x 50.2cm)

Weaponsmid on Het Work, Reinier Craeycatcher, 1822 - 1880 print A weapon mith sits on a chair for an anvil and works with a hammer an object that he holds in a tongs. There are parts of a harness next to the anvil. Behind him a fireplace. On the right his wife is in his arms with a child. Amsterdam paper etching handicrafts ~ metal. forging (industrial process). mother and baby or young child. smith, blacksmith (+ indoors; in laboratory, factory, barn, etc.). armour

Praying and crying figures at the sickbed of Clarissa. .

Tal para qual (Two of a Kind), pl. 5 from Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Mayor Beert Proys in Utrecht, murder, 1425, 1791 print Mayor Beernt Proys in Utrecht, killed in his bed, 1425. Netherlands paper etching violent death, being killed; being mishandled and maltreated; seeking death Utrecht

Rembrandt van Rijn (1606-1669), Lazarus' Opagekelse, About 1631

Death of Goetz von Berlichingen 1845 Eugène Delacroix French The subject of this print is based on a scene in Goethe's play (published in German in 1773; and French in 1823) that tells the story of the life of a German knight (1480-1562) who fought to regain the privileges of free knights, nullified by the emperor Maximilian I in 1495.. Death of Goetz von Berlichingen 337383

The Village Soothsayer. Artist: François Jourd'heuil (French, Poitiers 1759-1781 Paris); After Gabriel Briard (French, Paris 1725-1777 Paris). Dimensions: Sheet (trimmed): 18 1/2 × 13 1/2 in. (47 × 34.3 cm). Date: 1762. Museum: Metropolitan Museum of Art, New York, USA.

Copper engraving by Gerard Edelinck depicting the Holy Family of Franz I, produced between 1702 and 1752.

L'incendie (3rd plate) , Fires, Alphonse Legros (1837-1911)

Tailor, Jan Gillisz. van Vliet, 1635 print A tailor cuts a fabric, beside him his thumb. Two sitting women sew in the background and hang out items of clothing on a line. Leiden paper etching tailor, dressmaker. sitting cross-legged, as tailor at work. tools, aids, implements ~ crafts and industries: scissors. container made of plant material other than wood: basket

CINDERELLA'S GODMOTHER AND THE PUMPKIN, BY GUSTAVE DOR. engraved by Heliodore Joseph Pisan. Dore, 1832 - 1883, French. Engraving for the fairy tales in Fairy Realm, by Tom Hood the Younger. 1870, Art, Artist, romanticism, colour, color engraving.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral4. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Pau Montaña Cantó / 'Pietá'. 1795 - 1798. Wash, Pencil on paper. Museum: Museo del Prado, Madrid, España.

Heilige Vincentius a Paulo, Zache Prévost, After Paul Delaroche, 1807 - 1861 print France paper etching / engraving male saints (with NAME)

Three -Koning, Jan van de Velde (II), After Pieter de Molijn, 1603 - 1652 print Three figures with a lantern at a door, at night. Behind it a Dorpsstraat with a parade of people, one of whom with a three -kings star over the shoulder. Amsterdam paper engraving Twelfth Night, usually falling on the eve of January 6. lantern. night

Plate 9. The Wanton Dying in Poverty & Desease / Visited by the Modest Girl; Diligence an Dissipation. The good maid comes to bring money to the loose-bonding service that lies on dying with a child to her breast. The scene takes place in a poor attic room. In the background a woman is sleeping with a bottle and a glass in her hands.

Lazio Roma Rome S. Bartolomeo de Insula9. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments. Post-medieval: Painting, stucco, architectural sculpture, architecture, fresco painting, sculpture General Notes: Originally built in the 10th century by German Kaiser Ottone II, on the island of the Tiber River, over the ruins of the Roman temple Esculapio. Enlarged in the 12th century, this renovation was destroyed in a flood in the mid 16th century. Current facade dates from 1624 by Torriani. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

St Bernhard Hospitium Das Kloster auf dem St Bernhard , print maker: H. Pletsch, (mentioned on object), 1800 - 1899, paper, steel engraving, h 230 mm - w 184 mm

Thomas Nast, Why He Cannot Sleep, 1866 Why He Cannot Sleep

Fausts och Margaretas första möte. Friedrich Bruckmann (German, 1814 - 1898)

The Small Household. Artist: After François Boucher (French, Paris 1703-1770 Paris); Jacques Gabriel Huquier (French, Paris 1730-1805 Shrewsbury). Dimensions: Sheet (trimmed): 11 1/4 × 7 13/16 in. (28.5 × 19.8 cm). Date: mid to late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Woman on a couch surrounded by five children while her husband rushes to her, Carl Friedrich Holtzmann, after Johann Eleazar Schenau, 1750 - 1811 print Text in German in the lower margin. Print is part of an album. Dresden paper etching family group, especially parents with their child(ren). cupids: 'amores', 'amoretti', 'putti'. ornament ~ medallion

The Unlucky Attempt 1697-1799 England. Graphite on cream laid paper . Thomas Parr

Parents find their sleeping daughter in a fisherman's hut, Jean Baptist Leprince, 1771 print A young woman is half bare in a fisherman's hut. Fishing nets hang above her head. On the left she is discovered by her parents who watch disapproving. At her feet is a fallen basket with some broken eggs. paper etching loss of virginity symbolized. sleeping; unconsciousness. parents (first degree family relationships). Disapprobation, Disapproval, Rebuking. eggs, egg-dishes. fishing net

Title page of 'Helene' by W.J. Hofdijk, 1854, Gebroeders Kraay, 1854 Amsterdam paper letterpress printing

Ceres, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Ceres, from 'Game of Mythology' (Jeu de la Mythologie) 376731

Collin, Photo reproduction engraving 'Silvia', photograph, foto, foto's, height mm, width mm, photographer, 1855 - 1867, third quarter 19th century, albumen print

A 1630-1635 etching by Jan Georg van Vliet illustrating the biblical story of Susanna and the two elders, highlighting figures, gestures, and narrative elements.

Wife and children mourning around sick man, Hyacinthe Louis Victor Jean Baptiste Aubry-Lecomte, After Pierre Prud'hon, After Constance Mayer, 1823 print paper. family, relationship, descent. patient, sick person

TheWidows. Artist: Narcisse Virgile Diaz de la Peña, French, 1808-1876

The Persian Sibille, John B. Skippe, After Michelangelo, 1782 print The Persian Sibille, painted between the windows in the Sixtine Chapel. In this state, the inscriptions on the right in the performance have been removed. With label with six -line text in Latin in which the name: John Baptist Malchair. Part of an album with 26 pasted Clair-Obscur Houtcuts to Italian artists from the sixteenth century. paper. ink Persian sibyl

Welcome Footsteps (Well-known Footsteps) May 7, 1883 After Sir Lawrence Alma-Tadema British, born The Netherlands A Roman woman sits on a tigerskin in an interior, listening with anticipation as a bearded man approaches from outside, carrying a bouquet of flowers. A back view of a male nude statue can also be glimpsed through the doorway. Based on an oil on panel dated November 1883 (Opus CCLVII).. Welcome Footsteps (Well-known Footsteps) 422512

Interior with a number of figures and a man in bed that is visited by death. .

Young joy according to the image of François Compte Calix. A slice probably from a German magazine Monogramista E.H., Calix account, François Claudius (1813 1880)

An Edwardian female tutor spanking the naked buttocks of a girl. A birch is propped up against the wall. Photogravure after an illustration by Louis Malteste from Jacques dIcys Qui Aime Bien ou la flagellation dans la vie moderne, Jean Fort, Paris, 1912.

Jeanne d'Albret with the child Henry de Bourbon, Philippus Velijn, 1821 print Jeanne d'Albret with the child Henry de Bourbon, at the tomb of her husband Antoine de Bourbon, King of Navarra. Bottom right: bl. 39. Netherlands paper etching grave, tomb. mother and son(s) (family group). prince - BB - female ruler

Goodbyes. (Title registered (letter))

Beatrice: Kill Claudio,” illustration for Act IV, Scene i, Much Ado About Nothing. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Letter, Anonymous, After Wallerant Vaillant, After Gerard ter Borch (II), 1668 - 1726 print A messenger, with a trumpet on his back, a woman reaches a letter. She does not seem to want to take the letter, she has crossed her arms. Amsterdam paper letter, envelope. dog

Letter -reading woman on a terrace, Wallerant Vaillant, after Gerard Pietersz. van Zijl, 1658 - 1706 print On a terrace a woman reads a letter to two other women and a man. There is a dog in front of her. A rolling landscape in the background. Amsterdam paper reading. dog. landscapes. letter, envelope

Judgment at Matejk; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893); 1901-1902 (1901-00-00-1902-00-00);Kraków (Lesser Poland Voivodeship), Matejko, Jan (1838-1893)-iconography, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, reading (genre scenes), gift ( Protency), Polish graphics, Poland (culture), bonuses of the Society of Fine Arts, remarks, satire

Artist: Alphonse Legros, French, 1837-1911, LIncendie (The Fire), Etching, platemark: 16.9 × 23.4 cm (6 5/8 × 9 3/16 in.), Made in France, French, 19th century, Works on Paper - Prints

Print made by Daniel Nikolaus Chodowieki, German, 1726-1801, German, 'Henry IV, Part I,' Act II, Scene IV, undated. Etching on moderately thick, slightly textured, beige laid paper.

Livre du Mont-de-piété. - (Samedi) Un jupon et deux chemises de femme. 3 fr. - Livre du Parfumeur. - Une paire de gants beurre frais. - Dimanche. Un rouleau d'eau de Cologne. - Un pot de pommade. 3 fr. ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Bruno and his daughter Laura, Johan Bernhard Wittkamp, 1857 print After the death of her husband, Laura throws her father the remaining dowry. Amsterdam paper etching dowry. widow

Illustration design for "The Economy of Human Life" 1834 Frank Howard A woman kneels next to a standing man mourning a dead youth who lies next to them. One of a group of twelve book illustration designs reproduced as an engraving in an 1834 edition of Robert Dodsley's "The Economy of Human Life," published in London John van Voorst. The image illustrates the text: "His heart is hardened with the love of wealth, no grief or distress can make impression upon it.". Illustration design for "The Economy of Human Life". Frank Howard (British, London 1805-1866 Liverpool). 1834. Pen and ink, brush and wash. Drawings

José María Avrial y Flores (Lithographer) (After Barocci, Federico); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'The Nativity'. 1829 - 1932. Lithographic aquatint, Crayon lithography, Printing on japon, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Claudio and Isabella - Act III, Scene I, Measure forMeasure. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Qual la descañonan!. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works)

Two Women Sewing, Plate 1 from Five Feminine Occupations ca. 1640-57 Geertruydt Roghman Dutch Roghman, from an Amsterdam family of artists, is known for some reproductive prints and her original suite of five engravings, "Household Tasks": sewing, spinning, reading (), cooking, and cleaning cookware (see 56.550.2-.6). The two subjects set in kitchens are unusual in that the solitary maids are seen from behind. Each print presents a sober view of domestic work, but the kitchen scenes are remarkable for the figures' complete lack of individuality, to say nothing of appeal. In comparing Roghman's images of household servants with those of Dou and Vermeer, it is tempting to distinguish male and female points of view (as some critics have rather emphatically). Whatever the interpretation, it is important to bear in mind that Roghman's prints were intended for a broad art market, whereas Dou's famously expensive paintings (as opposed to the later prints after them) and The Milkmaid by Verme

Miss Prattle Consulting Doctor Double Fee about her Pantheon Head Dress 1772 Anonymous, British, 18th century British. Miss Prattle Consulting Doctor Double Fee about her Pantheon Head Dress 392480

Ferme au puits 1842 Charles Jacque. Ferme au puits 399584

Frederick II, King of Prussia Stecher: Back, Jakob Conradfactic genesis: Frankfurt (Main)

Consciousness of Nabdalsa, Ludwig Gottlieb Portman, After Jacobus Buys, 1798 print The secretary of Nabdalsa, a Numidian, discovers the conspiracy against Jugurtha. He takes the letter from Bomilcar under the pillow of Nabdalsa that is sleeping in bed. Amsterdam paper etching male persons from classical history (NABDALSA)

An unexpected guest according to the drawing of Wojciech Gerson. Cleastle from Tygodnik Ilustrowany 1888 (2) 136 Gerson, Wojciech (1831 1901), Boczkowski, Pawe (Fl. Ca 1875 1905)

Marie de Medici (Florence 1575 - Cologne 1642) with Leonora Galigai and Concino Concini. France. Old XIX century engraving illustration. Les Français Illustres by Gustave Demoulin 1897

Francisco Goya's 'The Whims: What Wrong Will It Die' (1799) is an etching and aquatint depicting a figure contemplating mortality, emphasizing expression, symbolism, and critical social commentary.

Jakob blessing Manasse and Ephraim, Johannes Pieter de Frey, after Rembrandt van Rijn, 1780 - 1834 print Just before his death, Jakob blesses the sons of his son Joseph, Manasse and Ephraim. Jakob crosses his hands by the blessing and blessing with his right hand Ephraim and with his left hand Manasse. Jozef tries in vain to shift Jakobs arms. paper etching birth of the twins: Jacob clutches Esau's heel

Away!, plate seven from Othello Made 1844 France. Etching, engraving, roulette and drypoint on off-white China paper, laid down on ivory wove paper . Théodore Chassériau

Azijnverkoper, Simon François Ravenet (Le Vieux), After François Boucher, 1716 - 1772 print France paper etching / engraving 'cris de Paris', cries of London, etc.. vinegar

Ce matin, avant l'aurore, un Dieu vint me reveiller.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1839. Prints; lithographs. Lithograph

Allegorical grave monument for Laurens Jansz. Coster, 1823, Pieter Bartholomeusz. Barbiers, 1823 print Allegorical monument for Laurens Jansz. Coster. Standing woman with the torched torch hangs a laurel wreath on Coster's tomb. At the grave is a child with printed books. In the caption a two -way verse. At the celebration in 1823 of the 400-year anniversary of the invention of book printing by Coster in 1423. Netherlands paper grave-building, monumental tomb. torch - BB - torch held upside down

Béranger. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1857. Prints; lithographs. Lithograph

A wounded warrior hero and his servant lie in the straw A hermit speaks to them about their salvation, Warrior hero and his servant The hero and his servant , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 240 mm × w 150 mm

The Cupboard (LAnorm), Jean Honoré Fragonard, 1778 print A young man steps out of a cupboard with his beloved. He is caught by the girl's parents who open the cupboard door furiously. Behind them is a bed with a group of children who are shocked. Paris paper etching interrupted meeting, lovers caught by surprise. hiding, hiding oneself. family, relationship, descent

La veillée mortuaire , Wake services, Alphonse Legros (1837-1911)

Artur Grottger a composition entitled , depicting . Defense of the court from the Polonia series of Artur Grottger, photographic reproduction Czernecki, J., Altenberg, Alfred

These little people of the second ... / 14 (registered title) | Lithographic album by Charlet (title of all)

Yet She Must Die, plate eleven from Othello 1844 France. Etching, engraving, roulette, and drypoint on paper . Théodore Chassériau

Cassandra, Frontispiece, Vol. 3. 1725. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Francesco Londonio, Interior of a House, 1763 Interior of a House

(LA CANTONNADE.). Artist: Paul Gavarni, French, 1804-1866

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V, 1789. Engraving and stipple engraving.

Duguesclin's Sister. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Sheet: 12 5/8 × 9 7/16 in. (32.1 × 24 cm). Series/Portfolio: Chroniques de France. Date: 1829.The scene depicted shows Julienne, sister of the warrior Bertrand Duguesclin, attacking two English soldiers who have broken into the castle of Pontorson through the complicity of the maid, swooning on the right. Museum: Metropolitan Museum of Art, New York, USA.

Apelles and Campaste Aware that Apelles was wasting away with love Alexander gave him Campeste and above the first art deal ever now was struck girlfriend against sculpture, oh what luck! (From Art and the Antique, a poetic essay by M Cavé), plate 36(37) from Histoire Ancienne Published 1842 France. Here Daumier humorously described the love triangle between Alexander the Great, his mistress Campaspe, and the painter Apelles. On Alexanderís request, Apelles painted Campaspe in the nude as Aphrodite. In the process, Apelles became so madly in love with her that Alexander kept the painting and gave the artist Campaspe as a gift in return. Even though Apelles would be known as the greatest painter of antiquity, in Daumierís rendition Campaspe seems horrified to be trading her powerful warrior for a puny artist. Daumierís inscription suggests Alexander used Apellesís desire for Campaspe as a convenient opportunity to dispose of his mistress.. Lithograph in black, with scraping on stone on

The Death of Earl Siward, James Smetham, 1821-1889, British, 1861, Etching and engraving, Sheet: 6 1/8 x 3 1/16in. (15.6 x 7.8cm)

Begrüssung. Kollwitz, Käthe (1867-1945), graphic artist, Pan-Verlag (Berlin ; wydawnictwo ; 1895-1900), publishing house

Luistervink, Johann Wilhelm Kaiser (I), After Nicolaes Maes, 1823 - 1900 print Interior with a girl walking down the stairs. The girl has a glass in the left hand and holds the right hand lifted for the mouth as a sign of silence. She spies the couple in the hallway. A world map hangs in the hallway. The print is part of a series of 25 prints to Dutch masters. Above the image: PL XI. paper. etching lovers spied upon. putting a finger to the lips, 'Silentium'; 'Silentio' (Ripa). vestibule, hall. map of the world

Copper engraving by Pieter Schenk depicting farmers inside a tavern, created between 1676 and 1711, showing figures, gestures, attire, and interior setting.

Les Soins Tardifs. Nicolas Delaunay (French, 1739-1792); after Pierre-Antoine Baudouin (French, 1723-1769). Date: 1765-1775. Dimensions: 292 × 218 mm (image); 374 × 282 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Jules Tavernier, Visiting the Sick, 1873, wood engraving on paper.

Goya Quien mas rendido (Which of Them Is the More Overcome) Francisco de Goya, Quien mas rendido (Which of Them Is the More Overcome), Spanish, 1746 - 1828, published 1799, etching, aquatint, and drypoint, Rosenwald Collection

Democritus and Heraclitus. Design for a print.

Rose et Colas. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Blaise Simonet after Pierre-Antoine Baudouin.

39: Old Italian Masters: Venice Enthroned, 1888-1892. Timothy Cole (American, 1852-1931). Wood engraving;

The Hague, Royal Dutch Lithography of CW Mieling, Laar, Jan Hendrik van de, Voorn Boers, Sebastiaan Theodorus, Fortune Teller Reads Man's Hand, verso - stamped, A woman reads the hand of the man sitting in front of her on a ruin. An open book rests on his lap, in his hand he holds a compass. In the background the Arch of Constantine and the Colosseum., print, engraving, prints, engravings, height 255 mm, width 347 mm, Dutch, 1828-05-24 - 1893-08-16, print maker, printmaker, 1847 - 1865, paper, papier, toonlithografie, 1807-02-01 - 1874-05-15, after, after painting by, printer, drukker

Laattelte Avondmaal, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1737 - 1804 print paper etching Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Three men sing of sheet of paper by candlelight in open window; The Rederijkers. The three singers in an open window is a satire at the literary meetings of the Rederijkers. The diamond-shaped blazon under the window refers to this, normally this shield wore the weapon of the Rederijkers. The wine jug can also be associated with them, the wine brought inspiration for their activities.

Saint Joan of Arc (1412-1431), so-called the Maid of Orleans. French heroine. She was burned alive at the stake on 30 May 1431. Beatified in 1909 and canonized in 1920. On 3 January 1431, charges were brought against Joan of Arc, on accusations of heresy, apostasy, idolatry, witchcraft and dressing as a man, among others. The tribunal was appointed by Pierre Cauchon, Bishop of Beauvais. The trial was held in the castle of Rouen, beginning on 21 February 1431, with Joan locked up, bound in chains and shackles, deprived of a lawyer, having to defend herself. Most of the sessions took place in her cell, with the only presence of the judge, the bishop and the Vice-Inquisitor of Rouen, Jean Le Maistre, who judged the cause. She was declared guilty and burned at the stake on 30 May 1431, aged about nineteen. Joan of Arc interrogated in her prison by the Cardinal of Winchester, Henry Beaufort (1374-1447). Engraving by A. Roca after a painting by Paul Delaroche (1797-1856). Historia de las per

Banditti Returning. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London). Artist and engraver: Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 14 7/8 x 16 1/8 in. (37.8 x 41 cm). Date: November 9, 1780. Museum: Metropolitan Museum of Art, New York, USA.

Image reproduction: Aleksander Lesser (1818-1884), Kiejstut and Biruta; Lesser, Aleksander (1814-1884), around 1872 (1872-00-00-1884-00-00);Biruta (Duchess - Legend), Kiejstut (around 1300-1382) - iconography, Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - reproduction, legends, painting, Polish painting, reproduction, reproduction of a work of art

Painting the sick woman by Jan Steen; 790 Musée d'Amsterdam.

"Two Strings to a Bow". Unknown maker

L'Incantation. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Soft-ground etching

Masters law. Tilly, Auguste (18..-1898), graphic artist, Polenov, Vasilij Dmitrievič (1844-1927), painter

Shakspeare. Merchant of Venice, act II, scene V : Shylock's house : Shylock, Jessica, and Launcelot , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merchant of Venice. Thomas Pennant Barton Collection

Domestic scene with home from a father, Claude Augustin Duflos, after Johann Eleazar Schenau, 1769 print print maker: Francepublisher: Paris paper etching / engraving return of the soldiers to civilian life, returning home. being welcomed ~ travelling

of 3