Historical Dresses for Children

Images of vintage children's garments, including summer and baptismal dresses, highlighting intricate textures and historical fashion details.

Childs Dress with Ruffles, anonymous, c. 1850 A children's dress of white batist, consisting of body and skirt. The body with boat neck and short sleeves run out in a point. Closure in the middle of the back through hooks and eyes. From the front and pleated, sleeves trimmed with strips and machine side. The skirt has a wide range and zoom. whole: Cotton (textile). Completely: Batiste. hooks and eyes: metal

Summer dress made of linen for a girl, with machine Broderie strips, anonymous, c. 1898 - c. 1900 A summer dress made of linen for a girl, with machine Broderie strips. Probably worn by Totie and Nina Six. Belle Époque. Amsterdam linen (material) A summer dress made of linen for a girl, with machine Broderie strips. Probably worn by Totie and Nina Six. Belle Époque. Amsterdam linen (material)

Underskirt 1890s American or European. Underskirt 86297

Kindergarten dress made of batist with smoothly used shell strips with rose border, anonymous, c. 1850 - c. 1870 A kindergarten dress made of batist with smoothly used shell strips with rose plunge. Victorian. Switzerland batiste embroidering A kindergarten dress made of batist with smoothly used shell strips with rose plunge. Victorian. Switzerland batiste embroidering

Baptismal dress with plumetis embroidery and ruffles from lace, anonymous, c. 1852 A baptismal dress of natural -colored batist with embroidery - whitework with plumetis - and intermediate sinks of needle side. Closure in the middle behind through three mother -of -pearl buttons. Decorated at the front with plumetis and lace and ruffles with lace. Get up the upper Zoom. Netherlands linen (material). mother of pearl embroidering A baptismal dress of natural -colored batist with embroidery - whitework with plumetis - and intermediate sinks of needle side. Closure in the middle behind through three mother -of -pearl buttons. Decorated at the front with plumetis and lace and ruffles with lace. Get up the upper Zoom. Netherlands linen (material). mother of pearl embroidering

Cape of Baptismal Cape With Wide Lying Collar, From White Fewed Cotton, Passed Everywhere With White Franes, Anonymous, C. 1900 - c. 1915 Babycape or baptismal cape () From white piqué. Wide hanging collar, trimmed with frills. Closure in the middle. Netherlands cotton (textile) Babycape or baptismal cape () From white piqué. Wide hanging collar, trimmed with frills. Closure in the middle. Netherlands cotton (textile)

Child's Dress

Childs Dress with Ruffles, anonymous, c. 1850 A children's dress of white batist, consisting of body and skirt. The body with boat neck and short sleeves run out in a point. Closure in the middle of the back through hooks and eyes. From the front and pleated, sleeves trimmed with strips and machine side. The skirt has a wide range and zoom. whole: Cotton (textile). Completely: Batiste. hooks and eyes: metal

Batist's girl dress and imitation-valenciennes side, decorated with pelerien collar, anonymous, c. 1895 - c. 1905 A girl's dress of batist and imitation-valenciennes side, decorated with pelerien collar. Belle Époque. Switzerland (possibly) batiste Valenciennes lace A girl's dress of batist and imitation-valenciennes side, decorated with pelerien collar. Belle Époque. Switzerland (possibly) batiste Valenciennes lace

Dress 1852-57 probably American. Dress 102966

Wedding Dress 1860-65 American. Wedding Dress 174704

Dress of Piqué with Ajour Stripes, Anonymous Dress of Piqué with ajour stripes. Model: Shoulder pass With Himbered Properties; Wide openwork collar of tulle and puffed sleeves. pique. Dress of Piqué with ajour stripes. Model: Shoulder pass With Himbered Properties; Wide openwork collar of tulle and puffed sleeves. pique.

Underskirt 1860-65 American. Underskirt 104470

Blouse ca. 1866 American. Blouse 109478

Baptismal dress or children's dress made of tuldoor stop work with flowers and a back with bastards, anonymous, c. 1830 - c. 1835 Baptismal dress or children's dress made of lace borderbage: tuledoor stop work. Pattern with a spreading motif, edges with flowers, a flower vase and flower and leaf vines. Achter run with bow ribbons. Biedermeier. Netherlands . embroidering Baptismal dress or children's dress made of lace borderbage: tuledoor stop work. Pattern with a spreading motif, edges with flowers, a flower vase and flower and leaf vines. Achter run with bow ribbons. Biedermeier. Netherlands . embroidering

Dressing jacket 19th century French. Dressing jacket 99061

Petticoat 1880-90 American During the nineteenth century, petticoats served more than one purpose. In addition to supporting the outer skirt, they provided warmth as an extra layer and modesty by disguising the shape of the leg. Not only is the flannel petticoat featured here functional, constructed out of a heavier fabric for the winter months, it is also decorative. The pink color is unusual for petticoats at this time and gives the piece a sense of lingerie. It is also interesting to note that the crenellation at the borders follow the hemlines of the dresses popular during this period.. Petticoat 158179

Baby dress or white cotton dress with pleated long, long skirt, drawstring through the waist and neck, needle pleats, embroidery anglaise around the sleeves, baby dress slip dress underwear baby clothing children's clothing clothes cotton, textile hand sewn embroidery white embroidery broderie anglaise embrasures Baby dress or white cotton dress with square neckline and half long sleeves. Wrinkled at the waist by means of needle pleats Very long skirt Split center back with closure by means of drawstring in the waist and neck dress baby child boy girl

Dressing gown Unknown, Fabryka: department stores in the Louvre

Evening dress. Culture: French. Design House: Myrbor (French, 1922-1936). Date: ca. 1926.The French couture house Myrbor was opened in July 1922 by Marie Cuttoli, a French statesman's wife, on 17 rue Vignon in Paris. Only in operation until 1936, the house employed prominent European and Russian artists including Picasso and Matisse to create designs for the interior decorations and clothing which the house produced. Both Eastern European émigrés who worked as set designers with Leon Bakst, Natalia Goncharova, a Russian Futurist artist, and Sarah Lipska, of Polish origins, were among the house's coterie of artists. These two women executed designs for embroideries and, in Goncharova's case, garments, which extant fashion sketches document. Lipska's work is represented in the Brooklyn Museum collection in the form of embroidery samples. Both women's designs for Myrbor are characterized by abstract motifs and Cubist-inspired patterns which were fashioned in embroidery and appliqués appl

Dress ca. 1840 American. Dress. American. ca. 1840. wool, linen

Bathing suit ca. 1900 American. Bathing suit 86448

Dress mid-19th century French. Dress 98281

Dress ca. 1840s probably American. Dress 96427

Petticoat late 19th century French. Petticoat. French. late 19th century. silk

Lingerie

Dress. Culture: French. Design House: House of Lanvin (French, founded 1889). Designer: Jeanne Lanvin (French, 1867-1946). Date: fall/winter 1930-31. Museum: Metropolitan Museum of Art, New York, USA.

Shirt with half sleeve, handicraft, G. Glas, c. 1888 - c. 1894 A linen man's shirt with half sleeve. Small model underwear. Handicraft manufactured at the Normal School in Deventer for the "Useful Handwerken" deed. Deventer linen (material) sewing A linen man's shirt with half sleeve. Small model underwear. Handicraft manufactured at the Normal School in Deventer for the "Useful Handwerken" deed. Deventer linen (material) sewing

Dress late 1840s-early 1850s American. Dress 94236

Dress for a child of white genoppy cotton, decorated with getting up and English embroidery., Anonymous, 1885 - 1890 Dress for a child of white genop cotton, decorated with rising and English embroidery. The Netherlands, ca. 1888. Netherlands cotton (textile) embroidering Dress for a child of white genop cotton, decorated with rising and English embroidery. The Netherlands, ca. 1888. Netherlands cotton (textile) embroidering

Christening ensemble 1886 probably American. Christening ensemble 103622

Wit cotton skirt, more than half decorated with white English embroidery with leaf and flower motifs and abstract motifs, anonymous cotton (textile) embroidering cotton (textile) embroidering

Dress ca. 1830 American. Dress 103019

Children's dress without a sleeve with a highly recommended waist, of white cotton with woven vertical narrow stripes, along the neck and arm holes with lace; At the bottom wide rough and lace, anonymous, c. 1915 - c. 1920 A beach dress of fine striped nettle cloth, decorated with fabric lane and valencicals. Achter cut with two mother -of -pearl buttons. Jugendstijl era. Probably supported by Nine Six (born 1905). Netherlands cotton (textile). mother of pearl. A beach dress of fine striped nettle cloth, decorated with fabric lane and valencicals. Achter cut with two mother -of -pearl buttons. Jugendstijl era. Probably supported by Nine Six (born 1905). Netherlands cotton (textile). mother of pearl.

Dress with short sleeve, wide waistband and rear shelter with two mother -of -pearl knots of transparent woven white cotton, decorated with rising, English embroidery and lace., Anonymous cotton (textile). mother of pearl. embroidering cotton (textile). mother of pearl. embroidering

Anonymous, 1820. Canvas and white cotton muslin. Pen -pen embroidery, lace. Palais Galliera, fashion museum of the city of Paris.

Dress ca. 1839 American. Dress 103570

Beige lint, anonymous, c. 1850 - c. 1920 Beige ribbon belonging to baptismal dress with tuldoor stop and sloping dress. A blue ribbon has been strung through the neck, two beige ribbons around the waist. Netherlands silk Beige ribbon belonging to baptismal dress with tuldoor stop and sloping dress. A blue ribbon has been strung through the neck, two beige ribbons around the waist. Netherlands silk

Chemise 1830s American or European. Chemise. American or European. 1830s. linen

Underdress ca. 1822 American This underdress is poised between a period of classicism, with its columnar silhouette, and eclectic romanticism, with its burgeoning skirt forms. Made of plain white cotton with an applied hem of broderie anglaise, the dress has been trimmed with fine self-piping along the seamlines of its bodice. Originally catalogued as a finished dress because of its fully constructed sleeves and the fineness of its detailed workmanship, it was more likely intended to be worn under another dress of some transparency. The dress is sewn completely by hand, the horizontal tucks above the applied hem done painstakingly after the skirt's front and back panels were sewn together. Such tucking was a common feature of undergarments in the period and served as a decorative means to shorten the length of a skirt without cutting away material. The tucks, by fortifying the lower perimeter of a petticoat or skirt, also reinforced the fullness of the garment's flare, especially when

Dress 1860-65 American. Dress 103001

Afternoon dress. Culture: British. Date: ca. 1845. Museum: Metropolitan Museum of Art, New York, USA.

A party dress of printed cream silk with flower branches, made up with carmine red bows and strips, anonymous, c. 1880 - c. 1885 A party dress of printed cream silk with flower branches, made up with carmine red bows and strips. "Robe Princesse". Netherlands (possibly) silk A party dress of printed cream silk with flower branches, made up with carmine red bows and strips. "Robe Princesse". Netherlands (possibly) silk

Paul Poiret, 1906. Crushed muslin, application of white cotton canvas printed green, pink and red, surrounded by rucheés. Black cut silk velvet, ponted with silk. Palais Galliera, fashion museum of the city of Paris.

Dress ca. 1830 American. Dress 102971

Lucien Verbeke, Child's Dress, c 1937 Child's Dress

Children's dress made of white cotton, with short sleeves of English embroidery and on top body and a large part of the skirt also with English embroidery; Behind 8 mother -of -pearl knots, anonymous Children's dress made of white cotton, with short sleeves of English embroidery and on top body and a large part of the skirt also with English embroidery; Behind 8 mother -of -pearl knots. cotton (textile). knoop: mother of pearl embroidering

Chemise ca. 1830 American. Chemise 82073

Petticoat. Culture: American. Date: ca. 1885. Museum: Metropolitan Museum of Art, New York, USA.

Car jacket, for boys and girls, from white cotton damask, with single peleries and strips of English embroidery, anonymous, c. 1900 - c. 1910 A car jacket, for boys and girls, from white cotton damask, with single pelerien and strips of English embroidery. Straight body buildings with middle back seam and representation with relief pearls buttons. Belle Époque. Brussels (possibly) cotton (textile). mother of pearl A car jacket, for boys and girls, from white cotton damask, with single pelerien and strips of English embroidery. Straight body buildings with middle back seam and representation with relief pearls buttons. Belle Époque. Brussels (possibly) cotton (textile). mother of pearl

Skirt. Cotton canvas printed with wooden board. 1770-1800. Galliera, fashion museum of the city of Paris. Detail

Body of a baby dress, of fine batist, with embroidered, triangular front decorations, c. 1820 A body of a baby dress, of fine batist, with embroidered, triangular front decorations. Biedermeier. Netherlands batiste A body of a baby dress, of fine batist, with embroidered, triangular front decorations. Biedermeier. Netherlands batiste

Dress ca. 1853 American. Dress 103392

Apron. Culture: Russian. Date: 1830-70.This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Birds are associated with goddess worship for their proximi

Dress ca. 1853 American or European. Dress. American or European. ca. 1853. silk

Baby shirt made of linen, decorated with open seams, with riding and without sleeves, anonymous, c. 1800 - c. 1810 A baby shirt of linen, decorated with open seams, with driveway and without sleeves (Empire). Netherlands linen (material) A baby shirt of linen, decorated with open seams, with driveway and without sleeves (Empire). Netherlands linen (material)

Collar and Jabot of embroidered batist and machining side, anonymous, c. 1800 - c. 1900 Collar and Jabot from Batist. The collar of pleated batist and the jabot are put on an unadorned shoulder piece. The rectangular Jabot from Batist is trimmed with a strip of mechanical Valenciennes side and an intermediate creature in whitework. In the middle of the Jabot, seven vineyard leaves placed under each other are embroidered on the batist. This embroidery is trimmed with a sewn -in strip of pleated batist. West-Europa batiste Valenciennes lace Collar and Jabot from Batist. The collar of pleated batist and the jabot are put on an unadorned shoulder piece. The rectangular Jabot from Batist is trimmed with a strip of mechanical Valenciennes side and an intermediate creature in whitework. In the middle of the Jabot, seven vineyard leaves placed under each other are embroidered on the batist. This embroidery is trimmed with a sewn -in strip of pleated batist. West-Europa batiste Valenciennes lac

Robe de Style. Culture: French. Design House: House of Lanvin (French, founded 1889). Designer: Jeanne Lanvin (French, 1867-1946). Date: 1922. Museum: Metropolitan Museum of Art, New York, USA.

Tunic with button closure of white cotton piqué, part of a puppet dress ,, 1870 - 1875 Tunic of white cotton piqué with button closure on the front, high round neck, long smooth sleeves, back building at the top of the flying shape and wide -ranging in a pleated lap that offers space for a queue. A cord band on the inside. A machine side is sewn along the neck and hem. Netherlands cotton (textile) Tunic of white cotton piqué with button closure on the front, high round neck, long smooth sleeves, back building at the top of the flying shape and wide -ranging in a pleated lap that offers space for a queue. A cord band on the inside. A machine side is sewn along the neck and hem. Netherlands cotton (textile)

Dressing jacket ca. 1900 French. Dressing jacket 108811

Mantel of Princess Juliana, with embroidered incustations in Neteldoek, Anonymous, c. 1915 Mantel or car jacket from Princess Juliana, decorated with Margrits. On a smooth shoulder pass, over which a loose, wide collar falls, the front and back buildings are spacious. The sleeves are long and provided with smooth cuffs. The collar and skirt zoom are decorated with a double Entre-Deux and a mechanical side strip. The edges with two Entre-Deux are regularly interrupted by large round incustations with a Margriet in a leaf wreath, made of batist with open, English embroidery. Lining of Effen Battist. Netherlands buckram. batiste Mantel or car jacket from Princess Juliana, decorated with Margrits. On a smooth shoulder pass, over which a loose, wide collar falls, the front and back buildings are spacious. The sleeves are long and provided with smooth cuffs. The collar and skirt zoom are decorated with a double Entre-Deux and a mechanical side strip. The edges with two Entre-Deux are regular

Dress ca. 1845 British. Dress 103135

Court dress having been carried by the Empress Marie-Louise (1810-1814) (preserved with a courtyard). Tulle background and lace applications with spindles in silver silk and metal spun, around 1810-1811. Galliera, fashion museum of the city of Paris. Court dress that belonged to the Impector Marie-Louise Belonging, application, silver, tie, court, decollete, lace, detail, female, silk thread, tulle background, spindle, haute couture, French imperative, long trainee coat, short, metal handle, female model, Austrian origin, Oval, courtyard dress, chest, high waist

Under skirt with four rise and lace. Batist underkirt, with four riding and entredeux of "Fond à Cinq Trous" side. cotton (textile) sewing / bobbin lace Batist underkirt, with four riding and entredeux of "Fond à Cinq Trous" side. cotton (textile) sewing / bobbin lace

Collar of Batist, decorated with English embroidery, c. 1850 - c. 1900 Lying collar of Batist, ending in a point at the front. The collar is trimmed with a recommended strip with a festonated Schulprand. Both this edge and the collar are decorated with English embroidery. The collar has a raised collar that closes at the rear with a snap button. The collar itself also closes at the rear with three fabric knots in a row. West-Europa batiste Lying collar of Batist, ending in a point at the front. The collar is trimmed with a recommended strip with a festonated Schulprand. Both this edge and the collar are decorated with English embroidery. The collar has a raised collar that closes at the rear with a snap button. The collar itself also closes at the rear with three fabric knots in a row. West-Europa batiste

Jacket. Culture: American or European. Date: 1880-82. Museum: Metropolitan Museum of Art, New York, USA.

Petticoat ca. 1887 probably French. Petticoat 104435

Dress 1868-70 American. Dress 103385

Underpants (Directoire) of pink crepe de Chine trimmed with a blond appliqué side., Madame Watrigant, 1920 - 1930 Pink crepe de Chine underpants with blonde appliqué side. Smooth pass over the abdomen with closing three mother -of -pearl buttons on both sides in the side seam. Handleed pipes with a wide strip of machine side. Corning with slip dress (inv.no. BK-1986-64A). Brussels . Pink crepe de Chine underpants with blonde appliqué side. Smooth pass over the abdomen with closing three mother -of -pearl buttons on both sides in the side seam. Handleed pipes with a wide strip of machine side. Corning with slip dress (inv.no. BK-1986-64A). Brussels .

Dress 1863-65 American. Dress 103022

Dress 1890-99 probably American. Dress 103133

Underskirt, so -called monkey skirt of waffle spiqué, anonymous, c. 1890 - c. 1900 A bottom skirt so-called 'monkey skirt', van Wafeltjes-Pique that has been ran from the inside. Traditional style. Marked: B. Amsterdam cotton (textile) A bottom skirt so-called 'monkey skirt', van Wafeltjes-Pique that has been ran from the inside. Traditional style. Marked: B. Amsterdam cotton (textile)

White cotton underkirt, with loose, bangling pink edge of Mul with three strips trimmed with machine side, anonymous, 1900 Under skirt of white cotton with loose, bangwing pink edge of Mul, consisting of three strips, trimmed with a wide edge of the machinal side. Rear bottom skirt consisting of VOO and Back and two side buildings, which close from behind by means of a strict ribbon. At the rear space for a queue. Just above the knee, the pink edge with mother -of -the -tinkers are attached to the bottom skirt. Netherlands cotton (textile). Under skirt of white cotton with loose, bangwing pink edge of Mul, consisting of three strips, trimmed with a wide edge of the machinal side. Rear bottom skirt consisting of VOO and Back and two side buildings, which close from behind by means of a strict ribbon. At the rear space for a queue. Just above the knee, the pink edge with mother -of -the -tinkers are attached to the bottom skirt. Netherlands cotton (textile).

Bodice from a gown unknown

Children's shirt of linen, along the neck and shoulders finished with a wide ajour edge and narrow lace, anonymous, c. 1850 Linen children's shirt with ajour edge. Model: boat neck and slanted sleeves. Decoration: linen ajourrand in the neck and on the sleeves, trimmed with a border of cotton and lace. Due to the decoration on the neck a narrow cord, which is closed with a bow in the middle front. Netherlands whole: Linen (Material). side: cotton (textile) Linen children's shirt with ajour edge. Model: boat neck and slanted sleeves. Decoration: linen ajourrand in the neck and on the sleeves, trimmed with a border of cotton and lace. Due to the decoration on the neck a narrow cord, which is closed with a bow in the middle front. Netherlands whole: Linen (Material). side: cotton (textile)

Dress 1884-85 American. Dress 103118

Dress 1815-20 American. Dress 174651

Cape 1890s American or European. Cape 82683

Coat ca. 1900 American or European. Coat 103889

Dress 1863-64 American. Dress 102321

Cutaway coat. Culture: American. Date: 1860-65. Museum: Metropolitan Museum of Art, New York, USA.

Dress For An Ecclesiastical Figurine; silk, metallic yarns

Nightshirt. Culture: American or European. Date: 1886. Museum: Metropolitan Museum of Art, New York, USA.

Baby shirt, sleeveless, of white linen with wrinkled board, G. Glas, c. 1888 - c. 1894 Baby shirt, sleeveless, of white linen with wrinkled board. Deventer whole: Linen (Material) sewing Baby shirt, sleeveless, of white linen with wrinkled board. Deventer whole: Linen (Material) sewing

Summer dress unknown

Bouyei Skirt, 19th-20th century, 30 3/4 x 92 1/2in. (78.1 x 235cm), Cotton, indigo, China, 19th-20th century

Children's dress with high waist and rear cutting with white batist bodies, for decorated with a wide intermediate seat plumetis and on the short puff sleeve also with plumetis., Anonymous, 1850 - 1900 Children's dress made of white batist with an intermediate creature on which Plumétis embroidery. Boat neck and puffed sleeves. High waist line. Handleed skirt with a wide zoom. Closure in the middle behind by means of a tunnel code in the neck and waist. Also a cord in the puff sleeves. Bouquets are embroidered with white cotton on the intermediary. The intermediary, the puffed sleeves and the neck are trimmed with fils-tirés, English embroidery and picots. Most likely a shortened baptismal dress. Netherlands cotton (textile). batiste embroidering Children's dress made of white batist with an intermediate creature on which Plumétis embroidery. Boat neck and puffed sleeves. High waist line. Handleed skirt with a wide zoom. Closure in the middle behind by means of a tunnel code in the nec

Jean Patou, 1930. Silk crepe. Palais Galliera, fashion museum of the city of Paris.

Suit ca. 1867 American. Suit 103213

Petticoat 18th century American or European. Petticoat 107932

Child's Dress (USA); cotton; L: 62.5 cm (24 5/8 in.)

Ensemble 1830-40 Peruvian. Ensemble 126662

Lucille Chabot, Shaker Work Apron, c 1936 Shaker Work Apron

Bottom skirt with woven stripes. Cotton bottom skirt with woven stripes. cotton (textile) sewing Cotton bottom skirt with woven stripes. cotton (textile) sewing

Corset. unknown, author

Skirt unknown

Woman's Festive Wrap Around Skirt, late 20th century, 34 x 30 5/8 in. (86.36 x 77.8 cm) (includes fringe), Satin, polyester, embroidery, China, 20th century

Skirt with side splits and white linen lining of heavy white cluttered cotton, multi-colored wool embroidered with heavy flower, leaf and fruit motifs, wide branches and birds, anonymous, c. 1750 - c. 1775 Motive of branches with flowers, large curled leaves and birds in different shades of red, brown, blue, green and yellow on cream -colored stock. The skirt edge is made of a curtain or a bed welfare. England (possibly) cotton (textile). wool. linen (material) embroidering Motive of branches with flowers, large curled leaves and birds in different shades of red, brown, blue, green and yellow on cream -colored stock. The skirt edge is made of a curtain or a bed welfare. England (possibly) cotton (textile). wool. linen (material) embroidering

Dress 18th-19th century Dutch. Dress 98307

Apron of white linen, anonymous, c. 1860 Apron of fine white linen. Model: open back with closure of a rip ribbon strung through the neck. Sleeveless. Skirt touched on the pass. Only open crocheted with star motif. Decoration: openwork edge above the Rokzoom; Picots armholes. Netherlands linen (material). Apron of fine white linen. Model: open back with closure of a rip ribbon strung through the neck. Sleeveless. Skirt touched on the pass. Only open crocheted with star motif. Decoration: openwork edge above the Rokzoom; Picots armholes. Netherlands linen (material).

Afternoon dress. Culture: European. Date: ca. 1863. Museum: Metropolitan Museum of Art, New York, USA.

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