Historical Engravings and Reliefs

A collection of historical engravings and reliefs, featuring scenes of ancient tombs, medieval clothing, and sketches in various materials, showcasing artistic techniques from different periods.

Terra sigillata tray and a fragment from a similar vessel. The finest pottery, Late Roman period, was made of a fine-grained red slip ware, known as terra sigillata, This tableware is decorated by stamping. The large tray has a depiction of St Peter and St Paul enthroned, Jonah and the whale and fishes, symbolising Christ on the rim. Restored. North African workshop, late 4th century.

The menagerie of Blaauw Jan, 1751, 1751 steel (alloy) steel engraving

Image Ignacy Loyola; unknown, Caim (Fl. CA 1740-1780); 1740-1780 (1740-00-00-1780-00-00);

A photograph taken of Tomb WV23, in the Valley of the Kings, was the final resting place of Pharaoh Ay of the 18th Dynasty. Discovered by Giovanni Battista Belzoni in the winter of 1816, its structure is similar to that of the tomb of Akhenaten, with a straight undecorated, descending corridor, leading to a "well chamber" that has no shaft. The passage leads to the burial chamber, which currently contains the reconstructed sarcophagus. Ay was the penultimate Pharaoh of Ancient Egypt's 18th dynasty. He held the throne of Egypt for a brief four-year period (probably 1323-1319 BC or 1327-1323 BC

Scénes: People in medieval clothing for a gate, c. 1700 - c. 1899 wood (plant material)

Black chalk sketches by Heinrich Friedrich Füger including human figure studies and architectural elements on gray paper.

A Rocilla scene by Gottfried Bernhard Göz showing a temple passage, the coronation of Mary, and cherub heads, partially designed for a ceiling picture, drawn with brown ink and gray brush on blue-gray paper, lavated and heightened.

Sarcophage satrape. Grand côté , Antiquities, Sarcophagi. Nicholas Catsimpoolas Collection

Terra sigillata tray and a fragment from a similar vessel. The finest pottery, Late Roman period, was made of a fine-grained red slip ware, known as terra sigillata, This tableware is decorated by stamping. The large tray has a depiction of St Peter and St Paul enthroned, Jonah and the whale and fishes, symbolising Christ on the rim. Restored. North African workshop, late 4th century.

Pompeii, Italy Fresques of the Maison des Vetti , 1921 Cap Martin, Italy, Cap Martin - Auguste Léon (Feb. -April) (French - Pompéi , Italie Fresques de la maison des Vetti). Archaeological vestige, painted decor, painting, housing, villa, antiquity, Habitat , Architecture , Art, Italy, Pompeii, Maison des Vettii, Paintings

Hearing stone with a representation of the evangelist Marcus, Anonymous, Anonymous, c. 1525 - c. 1575 Hearing stone with a representation of the evangelist Marcus with a writing marker and a writrol. A lion at his feet. In the background a landscape with a few trees. Antwerp earthenware Hearing stone with a representation of the evangelist Marcus with a writing marker and a writrol. A lion at his feet. In the background a landscape with a few trees. Antwerp earthenware

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Alinari, Palazzo in Vico Della Torre Di S. Luca, Genoa (without Dat.): Supraporte with monogram (Lombard school). Photo on cardboard, 23.6 x 32.3 cm (including scan edges)

Design for a corner piece of a ceiling with vertumnus and pomona. Corner piece of a ceiling with vertumnus and pomona in a round cartouche.

A Fan with Classical Figures Processing to Apollo. Dated: c. 1795. Dimensions: sheet: 49.2 × 24.4 cm (19 3/8 × 9 5/8 in.) (cut inside platemark and measured at widest points). Medium: etching and aquatint, printed in brown ink, on laid paper. Museum: National Gallery of Art, Washington DC. Author: French 18th Century.

rd, Beatrixgasse - Modenapalais - Interior view - Detail - Wall relief in the large salon, August Stauda -, photographer

Fireplace with representation of Solomos's first case law, Anonymous, c. 1600 - c. 1699 Fronton -shaped fireplace; In the middle throne with Solomon, left three men and wife, on the right three men and wife with baby, head -crowned head, simple edge decoration; Blacked black, small pieces from the top edge, especially worn in the middle. Southern Netherlands brick (clay product) both mothers come before Solomon ~ the judgement of Solomon

Overdoor, Block-printed on handmade paper, Rough triangle with scroll, flower and ribbon decoration, at center of which is seated putto. Printed in grisaille., France, 1810-1820, Wallcoverings, Overdoor

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Two male figure studies by Rudolf Weyr in pencil, showing anatomy, posture, proportions, and gestures of each figure.

Detail from Assyrian Wall Relief 612 B.C.

TOMA DE HAREMHAB - 1533 AC - SOLDADOS EGIPCIOS GUARDAN PRISIONEROS. Location: MUSEO CIVICO. Bologna. ITALIA.

Miracle of St Eligius, by Martino da Verona, 14th Century, sinopia. Italy: Veneto: Verona: Sant'Anastasia Church. Whole artwork. Sinopite horse forger st Eligio sitting at work

Genealogical tree of the Krasi family, part rodków; unknown, Krasi ski, Wincenty (1783-1858); 1848 (1848-00-00-1848-00-00);

Anderson, James, 2414 - ROMA, Photographic reproduction of fresco in the Capella Ponzetti in the S. Maria della Pace in Rome by B. Peruzzi, photograph, photo, photos, Bottom right: Anderson, 2414 - ROMA - Edicola della Capella Ponzetti - Bald. Peruzzi - Chiesa della Pace, height mm, width mm, English, Italian, 1813 - 1877, photographer, 1857 - 1875, third quarter 19th century, paper, papier, photographic paper, fotopapier, cardboard, kaart, albumen print, albuminedruk

Lazio Roma Rome Tomb of the Valerii2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Printer's woodblock 18th-19th century Original print designed by Utagawa Toyokuni I Japanese. Printer's woodblock 53814

Interior of the Cappella Gentilizia, Villa Simonetta, Milan, Lombardy, Italy. Detail.

A sketch sheet by Rudolf Weyr created with pencil on transparent paper, allowing the visibility of layered pencil lines and shading.

Odbicie negatywowe malowidła ściennego: Matka Boska tronująca. Malowidło z niszy narteksu. unknown, painter

Leather; leather, stamped, silvered, painted

Roman Consul Flavius Anastasius. Rome, 517 AD Ivory. TURKEY.

Painted limestone funerary stele with a woman in childbirth late 4th-early 3rd century B.C. Greek The dying woman leans back, supported on either side by an attendant. Her torso and arms are naked, while two garmentsone reddish and one pinkcover her lower body. The composition and subject of the painting derive from Classical Greek grave reliefs. This stele was found in the same underground tomb as the adjacent tomb marker and it probably once served as a funerary monument above ground.. Painted limestone funerary stele with a woman in childbirth 247106

Lazio Roma Rome S. Gregorio Magno71. Hutzel, Max 1960-1990 Medieval: Sculpture, mosaics. Post-medieval: Architecture, architectural sculpture, sculpture, painting, frescoes, stucco Object Notes: Completely renovated/restored in 16th and 17th centuries in Baroque style, church (on Monte Celio) contains hardly any indication of paleo-Christian/medieval style of its origins. 173 prints are accounted for and filed; 182 + 83 negatives are accounted for and filed--leaving 117 negatives unaccounted for. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site comp

Tomb of Arnold van der Sluis or Heusden, Knight (c. 1245-1296), Anonymous, c. 1296 - c. 1325 Part of the tomb of Ridder Arnold van der Sluis van Heusden. There are four Gothic arches and half a bow in the section. Meuse Area limestone Bern (Gelderland) Part of the tomb of Ridder Arnold van der Sluis van Heusden. There are four Gothic arches and half a bow in the section. Meuse Area limestone Bern (Gelderland)

Ivory plaque from Samaria, 9th-8th c BC, Israel.

Painting, sculpture, architecture, engraving. Sketch for the Paris City Hall, Arts Fair Theobald Chartran (1849-1907). Painting, sculpture, architecture, engraving. Sketch for the Paris City Hall, Arts Fair. Oil on canvas. 1891.

Pieter Rijckx in samenwerking met Pieter Strengh, Relief noorderpand Burgerweeshuis, entrance children's room, facade stone facade sculpture sculpture building material sandstone stone circa, total (without 16-17) 1624 kg sculpted Square high relief with surrounding coats of arms Top cherub underneath the coat of arms of Rotterdam flanked by an orphan girl and an orphan boy At the bottom of cartouche spell from the bible On the coats of arms: Jv Teylinge W. of Sun Vapour D'jardez H. of Bell R Hespel C Walhof (unreadable) C of Wolf G Ryers G Lambrechs . van Leeuwen Maes Ph Hoorn (unreadable) I. van Kemp S Honere C. de Stercke M Swaert Rotterdam City Center Stadsdriehoek Goudsewagenstraat heraldry Gereformeerd Burgerweeshuis Gereformeerd Burger Orphanage war Second World War Goudsewagenstraat Rotterdam from rubble after the bombing of May 1940.

Winter ca. 1775 Probably by François Joseph Belanger. Winter 238633

Stele of Aristion , Antiquities, Sculpture, Stelae. Nicholas Catsimpoolas Collection

Resurrection. After workshop of Raffaello Sanzio, called Raphael; Italian, 1483-1520. Date: 1500-1520. Dimensions: 382 x 657 mm (max.). Red chalk, heightened with lead white (partially discolored), on brown laid paper, laid down on ivory laid card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Lviv (Lviv, Ukraine). Dominican Corpus Christi Church- the tombstone of Józefa Borkowska by Bertel Thorwaldsen; Jaworski, Józef Kościesza- (Fl. Ca 1911-Ca 1929); around 1916 (negative); around 1916-ok. 1922 (print) (1912-00-00-1927-00-00);

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Romanesque capital with scene from the life of Job, 12th century, workshop of the master of the cloister of Pamplona cathedral, Museum of Navarra, Pamplona, Navarra,Spain.

British art nouveau design for painted fan by H. Granville Fell "The Court of Love". Color plate from Charles Holme's "Modern Design in Jewellery and Fans," published by the Studio 1902.

Sculpture of a headless nude of an unidentified Greek god at the British Museum. Unknown maker, British

Large-leaf proscenium-verdure with soldiers holding banners. unknown c. 1550-1600 Tapestry Dimensions: H 11' x W 14'6" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. H. I. Pratt 10/1/1943; "see stock sheet 76855" SS 76650. French & Co. purchased from Rosalie Sachs 12/2/43; sold to Dino Levi 2/3/1964 SS 76855. Central plant with long pointed leaves flanked by 2 soldiers carrying banners in front of semi-circular balustrade with 4 large birds perched on top; greenery composed on wispy flowering plants amidst large scrolling acanthus-like leaves inhabited by birds (L & R BRD) columns covered by foliage; (UPR & LWR BRD) garlands with foliage, fruit & flowers with pairs of small ornamental cartouches suspended from rings The 2 panels in the set are nearly identical. French & Co. stock sheet in archive, 76650-a French & Co. stock sheet in archive, 76855-a Related Works: Panels in set: GCPA 0184418-0184419, 0

Fragment of a Painted Cornice Panel with Scrolling Vines 11th century Although made of the same material as many other panels from Nishapur, this painted stucco fragment displays a different kind of design and was probably made from a mold rather than carved by hand. The design here consists of a scrolling vine ending in a split-leaf palmette carved with triangular shapes grouped to form hexagons. The background is painted red, the vines blue, and the palmette leaves white.. Fragment of a Painted Cornice Panel with Scrolling Vines 449951

The sleeping faun, Museum of Fine Arts, Boston. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Massachusetts, Boston (Mass.), Sculpture, Museum of Fine Arts, Boston

. A baseliof of driven silver that is elongated and square with rounded corners, with the representation of the surrounding ambrogio spinola during the siege of Gulik in 1622. Signed and dated: Matevs. Melin. F 1636.

Musée National d'Athènes, 3477 scene de paletre jeu be ball (hockey) , Bas-reliefs, Antiquities, Athletes. Nicholas Catsimpoolas Collection

Design for a Lunette 16th century Anonymous, Italian, 16th century Italian. Design for a Lunette 342153

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

A Sassanid silver dish showing the investiture of a King. Artist: Unknown

Umbria Terni Amelia Palazzo Comunale04. Hutzel, Max 1960-1990 Medieval: Architectural sculpture: sarcophagus, capitals. Post-medieval: Architecture & architectural sculpture. Piazza del Municipio (Piazza Matteotti) with view of Palazzo Comunale; portal; coats of arms & insignia. Interior views of frescoes, friezes, 16th & 17th century paintings in Salons I & II Antiquities: Architecture & architectural sculpture, 1st century B.C.-1st century A.D. Remains & fragments of former Roman palace & of sepulchres, capitals, statues, gravestones, sarcophagi, sacrificial altar. Object Notes: The Palazzo Comunale stands on the site of a Roman palace of the pre-Christian era. The Antiquities fragments & remains are displayed in the courtyard of the Palazzo and in the grotto-like rooms of the former Roman palace. Hutzel photo campaign date: September 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this pro

The capture of Dabigu and other cities of the district of Til-Barsip.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Hearing stone with representation of two climbing lions, c. 1875 - c. 1900 Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware Hearing stone with representation of two climbing lions, placed in profiled window. The half windows at the top and bottom are filled with star motif. Netherlands earthenware

Border (Germany); embossed, die cut paper; 90 x 20.5 cm (35 7/16 x 8 1/16 in.)

Decorated ceiling of a room of a shogun in one of the shinto temples in Nikko, Japan, c. 1890 - In or Before 1903 photograph This photo is part of an album. Nikko paper. photographic support albumen print temple, shrine ~ Shinto. interior of the house. (decorated) ceiling Nikko

Korbeel with cut representation of a crowned Elector, Anonymous, c. 1550 - c. 1600 Korbeel of oak wood with a sliced representation of a crowned Elector standing under a canopy. Coming from the broken house Warmoesstraat 145 in Amsterdam. Northern Netherlands oak (wood) Korbeel of oak wood with a sliced representation of a crowned Elector standing under a canopy. Coming from the broken house Warmoesstraat 145 in Amsterdam. Northern Netherlands oak (wood)

Restoration Drawing. Dated: 1935/1942. Dimensions: overall: 24.6 x 35.2 cm (9 11/16 x 13 7/8 in.) Original IAD Object: 220" wide; 170" high. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Robert W. R. Taylor.

Egypt, Thebes, Luxor, Valley of the Kings, Tomb of Ramses IV (KV2), Funerary room, detail of the frescoed ceiling representing astronomical motifs and Goddess Nut

The campaign against Urkhileni of Hamath, including the capture of Qarqara.. Birch, Samuel (1813-1885). Photographs, Illustrations. 1880 - 1902. General Research Division. Gates , Assyria, Bas-reliefs , Assyria, Shalmaneser III, King of Assyria, active 9th century B.C. , Palaces

Friar Bernat de Mur (d.1264). Bishop of Vic. Urn. 2nd half of 13th century. Anonymous, Catalonia. Nummulitic stone. From the Chapel of Saint Anne, Church of the old Convent of Saint Catherine, Barcelona. National Museum of Art of Catalonia (MNAC). Barcelona. Catalonia. Spain.

Thank unknown

Detail of the Patriarchal Cathedral Basilica of Saint Mark (Saint Marks Basilica). A Cathedral church of the Roman Catholic Archdiocese of Venice. Byzantine and Gothic Architectural style. Constructed in 1650. Venice, Italy 2013

Cornish Celebration Presentation Plaque 1905-6; cast ca. 1913 Augustus Saint-Gaudens In commemoration of Saint-Gaudenss twenty years in Cornish, New Hampshire, residents wrote, organized, and acted in the allegorical play "A Masque of ‘Ours,' the Gods and the Golden Bowl." It was performed on June 22, 1905, on the grounds of the sculptors house, Aspet, with the participants dressed as ancient mythological figures. Soon thereafter, Saint-Gaudens modeled a plaque to express his gratitude to the players and musicians. The text painstakingly records their names, while a classical temple framed by pine trees draped with stage curtains and masks recalls the setting. This large gilded version was a gift to the playwright, Louis Shipman, who wrote and directed the masque. Saint-Gaudens also distributed small silvered-bronze plaquettes that were individually inscribed to the participants, including one in The Mets collection (08.216) presented to the painter Kenyon Cox.. Cornish Celebration

Children's party ..

Lesson; the beginning of the 20th century (1900-00-00-1910-00-00);

War. A Hessian Soldier is in a death struggle with a bareheaded man whom he has assaulted. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Homage to Bihzad, Folio from the Warren Hastings Album. India, Andhra Pradesh, Hyderabad, circa 1750-1800. Drawings; watercolors. Ink and opaque watercolor on paper

India Jaipur Amber Fort Unpublished image 3. Swaan, Wim. 1968 or earlier Photographic production materials for Cities of Mughul India: Delhi, Agra, Fatehpur Sikri Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Cities of Mughul India: De

British, Rococo frame, Unknown framemaker, mid-18th century, Carved wood, later oil gilding over original gilding and sanded frieze

Facade stone with cartouche In den Koopere Ring 1617, facing stone sculpture sculpture building component sandstone stone, sculpted Rectangular. Cartouche with ring year and ribbon with text in high relief In the middle of the ring: 1617 Rotterdam City Center Stadsdriehoek Korte Wijnstraat From house on the Korte Wijnstraat Rotterdam.

Plant frieze at the height of the windows presbytery, Basilica Assumption of the Virgin Mary (Mariacki), Kraków

Footed Rectangular Tray (Pan) with Birds among Blossoming Peonies, Pine Trees, Bamboo, Blossoming Gardenias, Orchid Grass and Rocks. China, Chinese, Ming dynasty, 1368-1644. Furnishings; Serviceware. Carved red lacquer on wood core

RELIEVE EN MARMOL DE ROSTRO DE PERSONAJE ROMANO - SIGLO XVI - RENACIMIENTO ITALIANO. Author: FRANCISCO CAMILANI (SIGLO XVI). Location: PALACIO DE SOTOFERMOSO. ABADIA. CACERES. SPAIN.

Column Base ca. 1130-40 Catalan. Column Base. Catalan. ca. 1130-40. Marble. Made in present-day France. Sculpture-Architectural

Sculpture of a sleeping cat (Nemuri-Neko) on the Toshogu sanctuary in Nikko.Part or Leporellolatbum with 30 photos or landscapes and buildings in Japan.

Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse) 18th-19th century Kajikawa Hidetaka Japanese. Case (Inrō) with Design of Courtier Cleaning Another's Ear (obverse); Courtier Laughing (reverse) 45584

Plaque Depicting a Scene from the Aeneid, 1500s. Jean II Pénicaud (French, c. 1520-1588). Painted enamel (grisaille) on copper with gilding; overall: 6.4 x 26.7 cm (2 1/2 x 10 1/2 in.).

Hardplate with Justitia, Anonymous, 1600 - 1700 Cast iron fireplace. Justitia is central, recognizable by the scales and the sword in her hands. A few domes can be seen in the background. The fireplace is closed with a column on both sides. The top is closed with a three -pass motif with an angel head and rank motifs. Fully on top, three buttons have been applied. The bottom edge of the fireplace is damaged and is torn from the top of the left column, via the left side of the Justitia robe, to the lower edge, so that the fireplace plate consists of two parts. The right hand of Justitia with the sword and the left column is therefore on a different fragment than the other motifs. Germany iron (metal) casting Cast iron fireplace. Justitia is central, recognizable by the scales and the sword in her hands. A few domes can be seen in the background. The fireplace is closed with a column on both sides. The top is closed with a three -pass motif with an angel head and rank motifs. Fully on to

Lazio Viterbo Bagnaia Villa Lante01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Nepi S. Maria Assunta0. Hutzel, Max 1960-1990 Several views of the church exterior, but most coverage is of the interior nave and altars. Some views of Roman sarcophagi and sculpture. Antiquities: Roman sarcohpaghi and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mexico, Oaxaca Province, Ocotlan, painted walls in convent of Templo de Santo Domingo

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Bowl with Painted Decoration ca. 1295-1170 B.C. New Kingdom, Ramesside The fragments of this dish were found during excavations carried out by Howard Carter on behalf of the Earl of Carnarvon in the Valley of the Kings in early December of 1920. The pieces were found on the slope above the entrance to the tomb of Merneptah (KV 8).. Bowl with Painted Decoration. ca. 1295-1170 B.C.. Pottery, blue paint. New Kingdom, Ramesside. From Egypt, Upper Egypt, Thebes, Valley of the Kings, slope above Merneptah (KV 8), Carnarvon/Carter excavations, 1920. Dynasties 19-20

Capitelle. From travel to Egypt; Cie Ski, Jan (1858-1913); 1903 (1903-00-00-1903-00-00);State Art collections (Warsaw - 1922-1939) - collections, message (provenance)

Stereograph, Crystal Palace, John Bell's Una and the Lion 1854-62 London Stereoscopic Company British. Stereograph, Crystal Palace, John Bell's Una and the Lion. London Stereoscopic Company (British). 1854-62. Daguerreotype. Photographs

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

British () 'Carlo Maratta' style frame, Unknown framemaker, 20th century, Carved wood, water gilt and patinated

FRONTAL DEL ARCA DE SAN ISIDORO - SIGLO XI - ROMANICO ESPAÑOL - ABIERTA. Location: COLEGIATA DE SAN ISIDORO. LEON. SPAIN.

Framed Relief of Diana the Huntress, c. 1850. France (), 19th century. Ivory; overall: 19.9 x 12.9 x 1.9 cm (7 13/16 x 5 1/16 x 3/4 in.).

Fresco Depicting a Woman (Maenad) Holding a Dish; Peacock and Fruit Below. Unknown

Loose tile of tableau 'Hoop', on which sower in blue, tile picture footage fragment ceramics pottery glaze tin glaze, in form made baked glazed painted baked Tile from tableau 'Hoop' sower on field is shown quite coarse. Left part of the robe of the woman who is the personification of hope. Gray-yellow baking scraped earthenware Marked on the backside location number on the backside: * 13 live

Campania Caserta Caserta Palazzo Reale01. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Temtation de St Antoine. Attributed to Adolphe Block (French, 1829 - about 1900)

Model for a bronze mount (chariot scene), c. 1808, Pierre-Philippe Thomire, French, 1751-1843, 13 11/16 x 23 7/8 in. (34.77 x 60.64 cm) (sight)16 x 26 in. (40.64 x 66.04 cm) (outer frame), Wax on slate, France, 19th century, Trained as a sculptor by French masters Pajou and Houdin, Thomire became a master in his own right, specializing in ornamental bronze work. This Neoclassical chariot scene, which may have been inspired by the Parthenon Mables, is a wax model for a gilt bronze mount. When cast, the mount would have been applied to decorate a piece of case furniture. It is rare for such a wax model to survive, and even more so for it to be signed by the designer (lower right corner.)

Urbino Ducal palace stucco on a fragment of a shaft from a Renaissance pilaster with a candelabrum motif unknown

DETALLE DEL ESCUDO DE CARLOS V - IMPOSICION DE LA CORONA DE LAUREL - SIGLO XVI. Location: PALACIO REAL-REAL ARMERIA DE MADRID. MADRID. SPAIN. HERCULES. Charles I (V of the Holly Roman Empire). CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

Lazio Frosinone Casamari Museo Archeologico8. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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